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The Architectonic of Philosophy by Leslie Jaye Kavanaugh Pdf
"Whereas the history of philosophy defines metaphysics as asking the question 'What is Being?'; here is asked 'Where is Being?' What is to be analyzed is indeed part of the tradition of metaphysics to inquire about Being qua being, but here the inquiry is into its structure, its position within the ontological whole. The concept of the 'architectonic' is borrowed from Kant ... In this work, three philosophical structures are chosen for a more extensive examination: the three 'architectonics' are that of Plato's Chora, Aristoteles' continuum, and finally Leibniz's labyrinth"--Back cover.
The Architectonic of Pure Reason, one of the most important sections of Kant's first Critique, raises three fundamental questions. What can I know? What should I do? What may I hope? Taken together these questions converge on a fourth one, which is at the centre of philosophy as a whole: what is the human being? Lea Ypi suggests that the answer to this question is tied to a particular account of the unity of reason - one that stresses its purposive character. By focusing on the sources, evolution and function of Kant's concept of purposiveness, this book shows that the idea of purposiveness that Kant endorses in the Critique of Pure Reason is a concept of purposiveness as intelligent design, quite different from the concept of purposiveness as normativity that will become central to his later works. In the case of purposiveness as design, the relationship between reason and nature is anchored to the idea of God. In the case of purposiveness as normativity, it is anchored to the concept of reflexive judgment, and grounded on transcendental freedom. Understanding this shift has important implications for some of the most difficult questions that confront the Kantian system: the passage from the system of nature to that of freedom, the relation between faith and knowledge, the philosophical defence of progress in history, and the role of religion. It is also crucial to shed light on the way in which Kant's critique has shaped the successive German philosophical tradition.
Platonic Architectonics by John Shannon Hendrix Pdf
Platonic Architectonics: Platonic Philosophies & the Visual Arts examines philosophical structures of Plato in their structural, spatial, and architectonic implications. It examines elements of Plato's philosophical systems in relation to other philosophical systems, including those of Anaximander, Plotinus, Proclus, Nicolas Cusanus, Marsilio Ficino, Georges Bataille, Jacques Lacan, and Jacques Derrida. It also examines Plato's philosophy in relation to architectonic conceptions in the arts, including the work of Leon Battista Alberti and Piero della Francesca in the Renaissance, Paul Cezanne, and the Cubists and Deconstructivists in the twentieth century. Platonic Architectonics presents new interpretations of philosophical texts, artistic treatises, and works of art and architecture in Western culture as they are interrelated and related to Platonic and Neoplatonic philosophical structures. It demonstrates the importance of philosophy in the production of the visual arts throughout history and the importance of the relation between the work of art and the philosophical text and artistic treatise.
The Architecture of the Intelligible Universe in the Philosophy of Plotinus by Arthur Hilary Armstrong Pdf
This 1940 book assesses how the philosopher Plotinus' hierarchy of reality fits into the wider universal order, and how the historical and philosophical tradition gave rise to Plotinus' own philosophies. The book also supplies a bibliography broken down by topic for those who wish to pursue any aspect of the text in greater depth.
Philosophy of Architecture by Christian Illies,Nicholas Ray,Nicholas Ray (historien d'art).) Pdf
This little handbook acts as a brief introduction to philosophical ideas and how they intersect with architecture: its reception and appreciation as well as its practice. It suggests that since design is the core human discipline, being the only activity that involves the imaginative conception of ideas, leading to artifacts that are realised as actual constructions in the world, architecture itself can be regarded as a way of overcoming philosophical tensions by suggesting practical possibilities, namely designs, that appear to bridge between rival theories and approaches.
Kōjin Karatani’s Philosophy of Architecture by Nadir Lahiji Pdf
In this book, Nadir Lahiji introduces Kōjin Karatani’s theoretical-philosophical project and demonstrates its affinity with Kant’s critical philosophy founded on ‘architectonic reason’. From the ancient Greeks we have inherited a definition of the word ‘philosophy’ as Sophia—wisdom. But in his book Architecture as Metaphor Kōjin Karatani introduces a different definition of philosophy. Here, Karatani critically defines philosophy not in association with Sophia but in relation to foundation as the Will to Architecture. In this novel definition resides the notion that in Western thought a crisis persistently reveals itself with every attempt to build a system of knowledge on solid ground. This book reveals the implications of this extraordinary exposition. This is the first book to uncover Kōjin Karatani’s highly significant ideas on architecture for both philosophical and architectural audiences.
From Formalism to Weak Form: The Architecture and Philosophy of Peter Eisenman by Dr Stefano Corbo Pdf
Eisenman has always been deeply interested in the problem of form in architecture and has constantly challenged the classical concept of it. He tried to connect his own work with the cultural manifestations of the time: firstly under the influence of Colin Rowe and his formalist studies; secondly, by re-interpreting Chomsky’s linguistic theories; in the 80’s, by collaborating with Derrida and his de-constructivist approach; more recently by discovering Henri Bergson's idea of Time. Taking a multi-disciplinary approach based on the intersections between architecture and philosophy, this book investigates all these definitions and, in doing so, provides new insights into and a deeper understanding of the complexity of Eisenman’s work.
The Missed Encounter of Radical Philosophy with Architecture by Nadir Lahiji Pdf
The Missed Encounter of Radical Philosophy with Architecture brings together a respected team of philosophers and architecture scholars to ask what impact architecture has over today's culture and society. For three decades critical philosophy has been in discourse with architecture. Yet following the recent radical turn in contemporary philosophy, architecture's role in contemporary culture is rarely addressed. In turn, the architecture discourse in academia has remained ignorant of recent developments in radical philosophy. Providing the first platform for a debate between critics, architects and radical philosophers, this unique collection unties these two schools of thought. Contributors reason for or against the claim of the "missed encounter" between architecture and radical philosophy. They discuss why our prominent critical philosophers devote stimulating writings to the ideological impact of arts on the contemporary culture - music, literature, cinema, opera, theatre - without attempting a similar comprehensive analysis of architecture. By critically evaluating recent philosophy in relation to contemporary architecture, The Missed Encounter of Radical Philosophy with Architecture presents a thorough understanding of the new relationship between architecture and radical philosophy.
Architecture, Philosophy, and the Pedagogy of Cinema by Nadir Lahiji Pdf
Philosophers on the art of cinema mainly remain silent about architecture. Discussing cinema as ‘mass art’, they tend to forget that architecture, before cinema, was the only existing ‘mass art’. In this work author Nadir Lahiji proposes that the philosophical understanding of the collective human sensorium in the apparatus of perception must once again find its true training ground in architecture. Building art puts the collective mass in the position of an ‘expert critic’ who identifies themselves with the technical apparatus of architecture. Only then can architecture regain its status as ‘mass art’ and, as the book contends, only then can it resume its function as the only ‘artform’ that is designed for the political pedagogy of masses, which originally belonged to it in the period of modernity before the invention of cinema.
Author : Walter Watson Publisher : University of Chicago Press Page : 228 pages File Size : 52,9 Mb Release : 1993-06-15 Category : Family & Relationships ISBN : 0226875067
The Architectonics of Meaning by Walter Watson Pdf
The Architectonics of Meaning is a lucid demonstration of the purposes, methods, and implications of philosophical semantics that both supports and builds on Richard McKeon's and other noted pluralists' convictions that multiple philosophical approaches are viable. Watson ingeniously explores ways to systematize these approaches, and the result is a well-structured instrument for understanding texts. This book exemplifies both general and particular aspects of systematic pluralism, reorienting our understanding of the realms of knowing, doing, and making.
The Architectonics of Meaning by Walter Watson Pdf
The Architectonics of Meaning is a lucid demonstration of the purposes, methods, and implications of philosophical semantics that both supports and builds on Richard McKeon's and other noted pluralists' convictions that multiple philosophical approaches are viable. Watson ingeniously explores ways to systematize these approaches, and the result is a well-structured instrument for understanding texts. This book exemplifies both general and particular aspects of systematic pluralism, reorienting our understanding of the realms of knowing, doing, and making.
It is considerably easier to say that modern philosophy began with Descartes than it is to define the modernity and philosophy to which Descartes gave rise. In Lines of Thought, Claudia Brodsky Lacour describes the double origin of modern philosophy in Descartes's Discours de la méthode and Géométrie, works whose interrelation, she argues, reveals the specific nature of the modern in his thought. Her study examines the roles of discourse and writing in Cartesian method and intuition, and the significance of graphic architectonic form in the genealogy of modern philosophy. While Cartesianism has long served as a synonym for rationalism, the contents of Descartes's method and cogito have remained infamously resistant to rational analysis. Similarly, although modern phenomenological analyses descend from Descartes's notion of intuition, the "things" Cartesian intuitions represent bear no resemblance to phenomena. By returning to what Descartes calls the construction of his "foundation" in the Discours, Brodsky Lacour identifies the conceptual problems at the root of Descartes's literary and aesthetic theory as well as epistemology. If, for Descartes, linear extension and "I" are the only "things" we can know exist, the Cartesian subject of thought, she shows, derives first from the intersection of discourse and drawing, representation and matter. The crux of that intersection, Brodsky Lacour concludes, is and must be the cogito, Descartes's theoretical extension of thinking into material being. Describable in accordance with the Géométrie as a freely constructed line of thought, the cogito, she argues, extends historically to link philosophy with theories of discursive representation and graphic delineation after Descartes. In conclusion, Brodsky Lacour analyzes such a link in the writings of Claude Perrault, the architectural theorist whose reflections on beauty helped shape the seventeenth-century dispute between "the ancients and the moderns." Part of a growing body of literary and interdisciplinary considerations of philosophical texts, Lines of Thought will appeal to theorists and historians of literature, architecture, art, and philosophy, and those concerned with the origin and identity of the modern.
