The Architecture Of Stanley D Anderson With James Ticknor And William Bergmann
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The Architecture of Stanley D. Anderson, with James Ticknor and William Bergmann by Paul Bergmann Pdf
The Architecture of Stanley D. Anderson, with James Ticknor and William Bergmann By: Paul Bergmann Stanley D. Anderson's standard of architecture has sustained the test of time. His designs for residences, commercial buildings, schools, and Gentlemen's Farms are still praised today for his attention to detail, solid design work, and high-quality standards. This picture book illustrates through historic photos and drawings from the firm's archive the classical styles that the firm members drew upon over many decades of work. Through his signature Country Georgian style, Anderson and his associates transformed Lake Forest. Designed for local history buffs, amateur and professional architects, and the simply curious, this book provides biographies and interior perspectives on the production of Anderson and his associates, William Bergmann and James Ticknor, and their distinctive interpretation of a transformative architectural style.
"Blonde bombshell," "It Girl," "uber-babe" -- Pamela Anderson, star of tv series Baywatch and celebrated Playboy playmate, mesmerized the world with a doll's face, pinup figure, sexy tattoos and a man-eating smile. In a tradition that extends from Jean Harlow through Brigette Bardot to Madonna, Pam is the sex goddess of the 21st century. Sante D'Orazio, America's most sought-after celebrity photographer, photographed Pamela Anderson in a one-day session in the Fall of 2000 on the terrace of a mansion in Hollywood Hills, Los Angeles. His images, for the first time published in Pam: American Icon, are both a visual study on the phenomenon of the blonde and a seductive collection of erotica.
Cultivating Music in America by Ralph P. Locke,Cyrilla Barr Pdf
"The Victorian cup on my shelf--a present from my mother--reads 'Love the Giver.' Is it because the very word patronage implies the authority of the father that we have treated American women patrons and activists so unlovingly in the writing of our own history? This pioneering collection of superb scholarship redresses that imbalance. At the same time it brilliantly documents the interrelationship between various aspects of gender and the creation of our own culture."--Judith Tick, author of Ruth Crawford Seeger: A Composer's Search for American Music "Together with the fine-grained and energetic research, I like the spirit of this book, which is ambitious, bold, and generous minded. Cultivating Music in America corrects long-standing prejudices, omissions, and misunderstandings about the role of women in setting up the structures of America's musical life, and, even more far-reaching, it sheds light on the character of American musical life itself. To read this book is to be brought to a fresh understanding of what is at stake when we discuss notions such as 'elitism, ' 'democratic taste, ' and the political and economic implications of art."--Richard Crawford, author of The American Musical Landscape "We all know we are indebted to royal patronage for the music of Mozart. But who launched American talent? The answer is women, this book teaches us. Music lovers will be grateful for these ten essays, sound in scholarship, that make a strong case for the women philanthropists who ought to join Carnegie and Rockefeller as household words as sponsors of music."--Karen J. Blair, author of The Torchbearers: Women and Their Amateur Arts Associations in America
An expanded edition of the only comprehensive illustrated history of New York—with more than 600 ravishing photographs and illustrations—that tells the remarkable 400-year-long story of the city from its beginning in 1624 up to the current moment. The companion volume to the acclaimed PBS series. This landmark book traces the spectacular growth of New York from its initial settlement on the tip of Manhattan through the destruction wrought by the Revolutionary War to its rise as the nation’s premier commercial capital and industrial center and as a magnet for immigrant hopes and dreams in the 19th century to its standing as a beacon of modern culture in the 20th century and as a worldwide symbol of resilience in the 21st century. The story continues here with new chapters delivering a sweeping portrait of New York at the dawn of the 21st century, when it emerged after decades of decline to assert its place at the very center of a new globalized culture. Here is a city challenged—indeed, sometimes shaken to its core—by a series of profound crises: the aftermath of 9/11, the continual struggle with racial injustice, the financial crisis of 2008, the devastation of Superstorm Sandy, the still unfolding cataclysm of the COVID-19 pandemic—whose earliest and deadliest urban epicenter was New York itself. Here too is a lively portrait of the city’s vibrant street life and culture: the birth of hip-hop in the South Bronx, Christo and Jeanne-Claude’s Gates in Central Park, the musicals of Broadway, the explosion in location filmmaking in every borough, the pivotal rise of the tech industry, and so much more. The history of this city—especially in the tumultuous and transformative two decades detailed in the new chapters—is an epic story of rebirth and growth, an astonishing transfiguration, still in progress, of the world’s first modern city into a model and prototype for the global city of the future.
Post-Colonial and African American Women's Writing by Gina Wisker Pdf
This accessible and unusually wide-ranging book is essential reading for anyone interested in postcolonial and African American women's writing. It provides a valuable gender and culture inflected critical introduction to well established women writers: Toni Morrison, Alice Walker, Margaret Atwood, Suniti Namjoshi, Bessie Head, and others from the U.S.A., India, Africa, Britain, Australia, New Zealand and introduces emergent writers from South East Asia, Cyprus and Oceania. Engaging with and clarifying contested critical areas of feminism and the postcolonial; exploring historical background and cultural context, economic, political, and psychoanalytic influences on gendered experience, it provides a cohesive discussion of key issues such as cultural and gendered identity, motherhood, mothertongue, language, relationships, women's economic constraints and sexual politics.
America’s fascination with the stock market dates back to the Gilded Age. Winner of the BAAS Book Prize of the British Association of American Studies Americans pay famously close attention to “the market,” obsessively watching trends, patterns, and swings and looking for clues in every fluctuation. In Reading the Market, Peter Knight explores the Gilded Age origins and development of this peculiar interest. He tracks the historic shift in market operations from local to national while examining how present-day ideas about the nature of markets are tied to past genres of financial representation. Drawing on the late nineteenth-century explosion of art, literature, and media, which sought to dramatize the workings of the stock market for a wide audience, Knight shows how ordinary Americans became both emotionally and financially invested in the market. He analyzes popular investment manuals, brokers’ newsletters, newspaper columns, magazine articles, illustrations, and cartoons. He also introduces readers to fiction featuring financial tricksters, which was characterized by themes of personal trust and insider information. The book reveals how the popular culture of the period shaped the very idea of the market as a self-regulating mechanism by making the impersonal abstractions of high finance personal and concrete. From the rise of ticker-tape technology to the development of conspiracy theories, Reading the Market argues that commentary on the Stock Exchange between 1870 and 1915 changed how Americans understood finance—and explains what our pervasive interest in Wall Street says about us now.
Author : Margaret Olin Publisher : University of Chicago Press Page : 288 pages File Size : 46,5 Mb Release : 2012-05-21 Category : History ISBN : 9780226626468
Photography does more than simply represent the world. It acts in the world, connecting people to form relationships and shaping relationships to create communities. In this beautiful book, Margaret Olin explores photography’s ability to “touch” us through a series of essays that shed new light on photography’s role in the world. Olin investigates the publication of photographs in mass media and literature, the hanging of exhibitions, the posting of photocopied photographs of lost loved ones in public spaces, and the intense photographic activity of tourists at their destinations. She moves from intimate relationships between viewers and photographs to interactions around larger communities, analyzing how photography affects the way people handle cataclysmic events like 9/11. Along the way, she shows us James VanDerZee’s Harlem funeral portraits, dusts off Roland Barthes’s family album, takes us into Walker Evans and James Agee’s photo-text Let Us Now Praise Famous Men, and logs onto online photo albums. With over one hundred illustrations, Touching Photographs is an insightful contribution to the theory of photography, visual studies, and art history.
Teaching and Learning at a Distance by Michael Simonson,Susan Zvacek Pdf
Teaching and Learning at a Distance is written for introductory distance education courses for preservice or in-service teachers, and for training programs that discuss teaching distant learners or managing distance education systems. This text provides readers with the basic information needed to be knowledgeable distance educators and leaders of distance education programs. The teacher or trainer who uses this book will be able to design courses, evaluate programs, and identify issues and trends affecting the field. In this text we take the following themes: The first theme is the definition of distance education. Before we started writing the first edition of Teaching and Learning at a Distance we carefully reviewed the literature to determine the definition that would be at the foundation of our writing. This definition is based on the work of Desmond Keegan, but is unique to this book and has been adopted by the Association for Educational Communications and Technology and by the Encyclopedia Britannica. The second theme of the book is the importance of research to the development of effective courses and programs offered at a distance. The best practices presented in Teaching and Learning at a Distance are validated by scientific evidence. Certainly there are “rules of thumb,” but we have always attempted to only include recommendations that can be supported by research. The third theme of Teaching and Learning at a Distance is derived from Richard Clark’s famous quote published in the Review of Educational Research asserting that media are mere vehicles that do not directly influence achievement. Clark’s controversial work is discussed in the book, but is also fundamental to the book’s advocacy for distance education—in other words, we authors do not make the claim that education delivered at a distance is inherently better than other ways people learn. Distance delivered instruction is not a magical approach that makes learners achieve more. Equivalency theory is the fourth theme of the book. Here we present the concept that instruction should be provided to learners that is equivalent rather than identical to what might be delivered in a traditional environment. Equivalency theory helps the instructional designer approach the development of instruction for each learner without attempting to duplicate what happens in a face-to-face classroom. The final theme for Teaching and Learning at a Distance is the idea that the book should be comprehensive—that it should cover as much of the various ways instruction is made available to distant learners as is possible. It can serve as a stand-alone source of information.
A NATIONAL BESTSELLER "A fiery tour de force... I could not put this book down. It truly was terrifying and unutterably beautiful." -Alison Borden, The Denver Post From the best-selling author of The Dog Stars, the story of two college students on a wilderness canoe trip--a gripping tale of a friendship tested by fire, white water, and violence Wynn and Jack have been best friends since freshman orientation, bonded by their shared love of mountains, books, and fishing. Wynn is a gentle giant, a Vermont kid never happier than when his feet are in the water. Jack is more rugged, raised on a ranch in Colorado where sleeping under the stars and cooking on a fire came as naturally to him as breathing. When they decide to canoe the Maskwa River in northern Canada, they anticipate long days of leisurely paddling and picking blueberries, and nights of stargazing and reading paperback Westerns. But a wildfire making its way across the forest adds unexpected urgency to the journey. When they hear a man and woman arguing on the fog-shrouded riverbank and decide to warn them about the fire, their search for the pair turns up nothing and no one. But: The next day a man appears on the river, paddling alone. Is this the man they heard? And, if he is, where is the woman? From this charged beginning, master storyteller Peter Heller unspools a headlong, heart-pounding story of desperate wilderness survival.
You are invited to the rest of your life. Three women, from coast to coast and in between, open their mailboxes to the same intriguing invitation. Although leading entirely different lives, each has found herself at a similar, jarring crossroads. Right when these women thought they’d be comfortably settling into middle age, their carefully curated futures have turned out to be dead ends. The sender of the invitation is Willa Silvester, who is reeling from the untimely death of her beloved husband and the reality that she must say goodbye to the small mountain town they founded together. Yet as Willa mourns her losses, an impossible question keeps staring her in the face: So now what? Struggling to find the answer alone, fiercely independent Willa eventually calls a childhood friend who happens to be in her own world of hurt—and that’s where the idea sparks. They decide to host a weeklong interlude from life, and invite two other friends facing their own quandaries. Soon the four women converge at Willa’s Montana homestead, a place where they can learn from nature and one another as they contemplate their second acts together in the rugged wilderness of big sky country.
Return to the cozy and delightful town of Winsome, where two people discover the grace of letting go and the joy found in unexpected change. After fleeing her hometown three years earlier, Alyssa Harrison never planned to return. Then the Silicon Valley start-up she worked for collapsed and turned her world upside down. She is broke, under FBI investigation, and without a place to go. Having exhausted every option, she comes home to Winsome, Illinois, to regroup and move on as quickly as possible. Yet, as friends and family welcome her back, Alyssa begins to see a place for herself in this small Midwestern community. Jeremy Mitchell moved from Seattle to Winsome to be near his daughter and to open the coffee shop he’s been dreaming of for years. Problem is, the business is bleeding money—and he’s not quite sure why. When he meets Alyssa, he senses an immediate connection, but what he needs most is someone to help him save his floundering business. After asking for her help, he wonders if something might grow between them—but forces beyond their control soon complicate their already complex lives, and the future they both hoped for is not at all what they anticipated. With the help of Winsome’s small-town charm and quirky residents, Alyssa and Jeremy discover the beauty and romance of second chances. Sweet and thoughtful contemporary read Stand-alone novel featuring characters from The Printed Letter Bookshop Book length: 86,000 words Includes discussion questions for book clubs “In her ode to small towns and second chances, Katherine Reay writes with affection and insight about the finer things in life.” —Karen Dukess, author of The Last Book Party “The town of Winsome reminds me of Jan Karon's Mitford, with its endearing characters, complex lives, and surprises where you don't expect them. Reay has penned another poignant tale set in Winsome, Illinois, weaving truth, forgiveness, and beauty into a touching, multilayered, yet totally cozy story. You'll root for these characters and will be sad to leave this charming town.”—Lauren K. Denton, bestselling author of The Hideaway and Glory Road “Like all of Reay’s novels, Of Literature and Lattes delivers a story with details so vivid you can feel the fabric slipping between your fingers, characters so rich they could slide into the booth across from you, and a message so hopeful and redemptive it will linger in your mind long after you turn the final page. Of Literature and Lattes brings the town of Winsome alive again, and I couldn’t wait to return and savor a story of forgiveness, of fresh starts, of literary delights, and of love.” —Melissa Ferguson, author of The Dating Charade
The Evolution of the Long-necked Giraffe (Giraffa Camelopardalis L.) by Wolf-Ekkehard Lönnig Pdf
"Darwin (1871) and many African folk legends before him [...] proposed a simple but powerful explanation for the large and elongated shape. Long necks allowed giraffe to outreach presumed competitors, particularly during dry-season bottlenecks when leaves become scarce; (Simmons and Scheepers). However, this old African folk legend which is still commonly taught in high schools, fails to explain, among other things, the size differences between males and females. Giraffe cows are up to 1.5 meters shorter than the giraffe bulls, not to mention the offspring. The wide migration range of the giraffe and the low heights of the most common plants in their diet likewise argue against the dominant selection hypothesis. Also: 1) The fossil "links," which according to the theory should appear successively and replace each other, usually exist simultaneously for long periods of time. 2) Evolutionary derivations based on similarities rely on circular reasoning. 3) The giraffe has eigh t cervical vertebrae. Although the 8th vertebra displays almost all the characteristics of a neck vertebra, as an exception to the rule the first rib pair is attached there. 4) The origin of the long-necked giraffe by a macromutation is, due to the many synorganized structures, extremely improbable. 5) Sexual selection also lacks a mutational basis and, what is more, is frequently in conflict with natural selection ("head clubbing" is probably "a consequence of a long neck and not a cause"; see also Mitchell et al. 2009). 6) In contrast to the thus-far proposed naturalistic hypotheses, the intelligent design theory is basically testable. 7) The long-necked giraffes possibly all belong to the same basic type inasmuch as 8) a gradual evolution from the short-necked to the long-necked giraffe is ruled out by the duplication of a neck vertebra and the loss of a thoracic vertebra. 9) Chance mutations are principally not sufficient to explain the origin of the long-necked giraffe. 10) The intelligent design theory offers an adequate and satisfying solution to the problems and points to numerous "old" and new research projects. 11) Mitchell and Skinner present a good analysis of the selectionist problem; however, their phylogenetic hypotheses presuppose the correctness of the synthetic evolutionary theory, and their claims of "intermediate forms" are unproven (similarly summary Part 2). Part 1 shows why Dawkins and Kutschera are wrong. The scientific facts speak for design."
In a follow-up to his successful "A Private View", one of today's hottest fashion and portrait photographers presents his most thrilling images of supermodels in a large-format book printed on fine Italian paper. 25 color, 150 duotone photos.