The Art Of Biography Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Art Of Biography book. This book definitely worth reading, it is an incredibly well-written.
This carefully crafted ebook: "The Art of Biography" is formatted for your eReader with a functional and detailed table of contents. Adeline Virginia Woolf (25 January 1882 – 28 March 1941) was an English writer, and one of the foremost modernists of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a central figure in the influential Bloomsbury Group of intellectuals. Her most famous works include the novels Mrs Dalloway (1925), To the Lighthouse (1927) and Orlando (1928), and the book-length essay A Room of One's Own (1929), with its famous dictum, "A woman must have money and a room of her own if she is to write fiction." This eBook contains 15 essays on The Art of Biography by Virginia Woolf: The New Biography. A Talk about Memoirs. Sir Walter Raleigh. Sterne. Eliza and Sterne. Horace Walpole. A Friend of Johnson. Fanny Burney's Half-Sister. Money and Love. The Dream. The Fleeting Portrait: 1. Waxworks at the Abbey. The Fleeting Portrait: 2. The Royal Academy. Poe's Helen. Visits to Walt Whitman. Oliver Wendell Holmes.
This carefully crafted ebook: "The Art of Biography" is formatted for your eReader with a functional and detailed table of contents. Adeline Virginia Woolf (25 January 1882 – 28 March 1941) was an English writer, and one of the foremost modernists of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a central figure in the influential Bloomsbury Group of intellectuals. Her most famous works include the novels Mrs Dalloway (1925), To the Lighthouse (1927) and Orlando (1928), and the book-length essay A Room of One's Own (1929), with its famous dictum, "A woman must have money and a room of her own if she is to write fiction." This eBook contains 15 essays on The Art of Biography by Virginia Woolf: The New Biography. A Talk about Memoirs. Sir Walter Raleigh. Sterne. Eliza and Sterne. Horace Walpole. A Friend of Johnson. Fanny Burney's Half-Sister. Money and Love. The Dream. The Fleeting Portrait: 1. Waxworks at the Abbey. The Fleeting Portrait: 2. The Royal Academy. Poe's Helen. Visits to Walt Whitman. Oliver Wendell Holmes.
Biography in Theory by Wilhelm Hemecker,Edward Saunders Pdf
This textbook is an anthology of significant theoretical discussions of biography as a genre and as a literary-historical practice. Covering the 18th to the 21st centuries, the reader includes programmatic texts by authors such as Herder, Carlyle, Dilthey, Proust, Freud, Kracauer, Woolf and Bourdieu. Each text is accompanied by a commentary placing its contribution in critical context. Ideal for use in undergraduate seminars, this reader may also be of interest for academic researchers in the areas of literary studies and history aiming to get an overview of historical questions in biographical theory. This revised and updated English language edition also includes new translations of texts by J. G. Herder and Stefan Zweig, as well as an introductory discussion on the possibility of a ‘theory of biography’. Note: Due to copyright reasons, the chapter "Sade, Fourier, Loyola [Extract] (1971)" (pp. 175–177) by Roland Barthes could not be included in the ebook.
Kurze's book provides fresh and sometimes startling insights into both famous and little-known episodes in Mann's life and into his writing--the only realm in which he ever felt free. It shows how love, death, religion, and politics were not merely themes in "Buddenbrooks, The Magic Mountain, " but were woven into the fabric of his existence. 40 photos.
The biographer—so often in the shadows, kibitzing, casting doubt, proving facts—comes to the stage in this funny, poignant, endearing tale of how writers’ lives get documented. James Atlas, the celebrated chronicler of Saul Bellow and Delmore Schwartz, takes us back to his own childhood in suburban Chicago, where he fell in love with literature and, early on, found in himself the impulse to study writers’ lives. We meet Richard Ellmann, the great biographer of James Joyce and Atlas’s professor during a transformative year at Oxford. We get to know Atlas’s first subject, the “self-doomed” poet Delmore Schwartz. And we are introduced to a bygone cast of intellectuals such as Edmund Wilson and Dwight Macdonald (the “tall pines,” as Mary McCarthy once called them, cut down now, according to Atlas, by the “merciless pruning of mortality”) and, of course, the elusive Bellow, “a metaphysician of the ordinary.” Atlas revisits the lives and works of the classical biographers, the Renaissance writers of what were then called “lives,” Samuel Johnson and the obsessive Boswell, and the Victorian masters Mrs. Gaskell and Thomas Carlyle. And in what amounts to a pocket history of his own literary generation, Atlas celebrates the biographers who hoped to glimpse an image of them—“as fleeting as a familiar face swallowed up in a crowd.” (With black-and-white illustrations throughout)
Robert Polito recounts Thompson's relationship with his father, a disgraced Oklahoma sheriff, with the women he adored in life and murdered on the page, with alcohol, would-be censors, and Hollywood auteurs. Unrelenting and empathetic, casting light into the darker caverns of our collective psyche, Savage Art is an exemplary homage to an American original. A National Book Critics Circle Award winner. 57 photos.
“When Matisse dies,” Pablo Picasso remarked in the 1950s, “Chagall will be the only painter left who understands what color really is.” As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known and most-loved paintings of our time. Yet behind this triumph lay struggle, heartbreak, bitterness, frustration, lost love, exile—and above all the miracle of survival. Born into near poverty in Russia in 1887, the son of a Jewish herring merchant, Chagall fled the repressive “potato-colored” tsarist empire in 1911 for Paris. There he worked alongside Modigliani and Léger in the tumbledown tenement called La Ruche, where “one either died or came out famous.” But turmoil lay ahead—war and revolution; a period as an improbable artistic commissar in the young Soviet Union; a difficult existence in Weimar Germany, occupied France, and eventually the United States. Throughout, as Jackie Wullschlager makes plain in this groundbreaking biography, he never ceased giving form on canvas to his dreams, longings, and memories. His subject, more often than not, was the shtetl life of his childhood, the wooden huts and synagogues, the goatherds, rabbis, and violinists—the whole lost world of Eastern European Jewry. Wullschlager brilliantly describes this world and evokes the characters who peopled it: Chagall’s passionate, energetic mother, Feiga-Ita; his eccentric fellow painter and teacher Bakst; his clever, intense first wife, Bella; their glamorous daughter, Ida; his tough-minded final companion and wife, Vava; and the colorful, tragic array of artist, actor, and writer friends who perished under the Stalinist regime. Wullschlager explores in detail Chagall’s complex relationship with Russia and makes clear the Russian dimension he brought to Western modernism. She shows how, as André Breton put it, “under his sole impulse, metaphor made its triumphal entry into modern painting,” and helped shape the new surrealist movement. As art critic of the Financial Times, she provides a breadth of knowledge on Chagall’s work, and at the same time as an experienced biographer she brings Chagall the man fully to life—ambitious, charming, suspicious, funny, contradictory, dependent, but above all obsessively determined to produce art of singular beauty and emotional depth. Drawing upon hitherto unseen archival material, including numerous letters from the family collection in Paris, and illustrated with nearly two hundred paintings, drawings, and photographs, Chagall is a landmark biography to rank with Hilary Spurling’s Matisse and John Richardson’s Picasso.
Mapping Lives by Peter France,William St Clair Pdf
These essays on the problems and functions of biography - particularly those of writers, thinkers and artists - investigate a subject of enduring importance for those interested in culture.
“Readers will welcome what Lisle has found. The woman who emerges has extraordinary personal stature, artistic gifts, commitment to her vision.” —(Chicago Tribune) Recollections of more than one hundred of O’Keeffe’s friends, relatives, colleagues, and neighbors—including 16 pages of photographs—as well as published and previously unpublished historical records and letters provide “an excellent portrait of a nearly legendary figure” (San Francisco Chronicle). Georgia O’Keeffe, one of the most original painters America has ever produced, left behind a remarkable legacy when she died at the age of ninety-eight. Her vivid visual vocabulary—sensuous flowers, bleached bones against red sky and earth—had a stunning, profound, and lasting influence on American art in this century. O’Keeffe’s personal mystique is as intriguing and enduring as her bold, brilliant canvases. Portrait of an Artist is an in-depth account of her exceptional life—from her girlhood and early days as a controversial art teacher, to her discovery by the pioneering photographer of the New York avant-garde, Alfred Stieglitz, to her seclusion in the New Mexico desert where she lived until her death. Renowned for her fierce independence, iron determination, and unique artistic vision, Georgia O’Keeffe is a twentieth-century legend. Her dazzling career spans virtually the entire history of modern art in America. Armed with passion, steadfastness, and three years poring over research, former Newsweek reporter Laurie Lisle finally shines a light on one of the most significant and innovative twentieth century artists.
Here, six eminent biographers explain the pleasures and problems of their craft of reconstructing other people's lives. The result is a book rich in anecdote and in surprising new information about a variety of famous Americans. David McCullough takes us along on the exhilarating journey to Missouri to find "The Unexpected Harry Truman." Richard B. Sewall describes his twenty-year search for the elusive poet, Emily Dickinson. Paul C. Nagel tells us about "The Adams Women" - four generations of women he came to admire while writing his earlier biography of the Adams family. Ronald Steel, author of a much-honored biography of the nation's greatest journalist, recalls in "Living with Walter Lippman," how the life of the biographer can become entwined with that of his subject. Jean Strouse, on the trail of J. P. Morgan, discusses the fact that "there are two reasons why a man does anything, a good reason and a real reason." Robert A. Caro reveals the frustrations of trying to unearth the true facts about Lyndon Johnson, a man who went to great pains to conceal them. Together, these six biographers take us through a gallery of unique American lives - most of them moving, many of them startling, and all of them extraordinary.
The Art of Biography - A Collection of Essays by Virginia Woolf Pdf
Adeline Virginia Woolf (1882–1941) was an English writer. She is widely hailed as being among the most influential modernist authors of the 20th century and a pioneer of stream of consciousness narration. She suffered numerous nervous breakdowns during her life primarily as a result of the deaths of family members, and it is now believed that she may have suffered from bipolar disorder. In 1941, Woolf drowned herself in the River Ouse at Lewes, aged 59. She produced a large corpus of work during her lifetime including novels, short stories, essays and more. She also wrote a large number of biographies concerning prominent writers of her time, the best of which are contained within this volume. A fantastic collection of essays and biographies perfect for students of English Literature and other lovers of the written word. Contents include: “Virginia Woolf”, “The Common Reader”, “Harriette Wilson”, “'I Am Christina Rossetti'”, “Lord Chesterfield's Letters to his Son”, “De Quincey's Autobiography”, “Roger Fry”, “Dorothy Osbourne's 'Letters'”, “The Art of Biography”, “The Humane Art”, “Sara Coleridge”, “Madame de Sevigne”and “Personalities”. Other notable works by this author include: “To the Lighthouse” (1927), “Orlando” (1928), and “A Room of One's Own” (1929). Read & Co. Great Essays is proudly publishing this brand new collection of classic essays now complete with a specially-commissioned new biography of the author.
Domestick Privacies: Samuel Johnson and the Art of Biography by David Wheeler Pdf
Biography was Samuel Johnson's favorite among literary genres, and his Lives of the Poets is often regarded as the capstone of his career. The central place of biography in his oeuvre is explored in this collection of nine original essays by leading Johnson scholars. Varied in their focus and approach, the essays range from a philosophical overview of Johnson's notion of the relation between life and art, to a detailed reading of the Life of Milton, to a speculation on the value of the Lives in the classroom. Emerging clearly in the essays are the dual concerns -- artistic and intellectual.
Peggy Guggenheim -- millionairess, legendary lover, sadomasochist, appalling parent, selective miser -- was one of the greatest and most notorious art patrons of the twentieth century. After her father, Benjamin Guggenheim, went down with the Titanic, the young heiress came into a small fortune and left for Europe. She married the writer Laurence Vail and joined the American expatriate bohemian set. Though her many lovers included such lions of art and literature as Samuel Beckett, Max Ernst (whom she later married), Yves Tanguy, and Roland Penrose, real love always seemed to elude her. In the late 1930s, Peggy set up one of the first galleries of modern art in London, quickly acquiring a magnificent selection of works, buying great numbers of paintings from artists fleeing to America after the Nazi invasion of France. Escaping from Vichy, she moved back to New York, where she was a vital part of the new American abstract expressionist movement. Meticulously researched, filled with colorful incident, and boasting a distinguished cast, Anton Gill's biography reveals the inner drives of a remarkable woman and indefatigable patron of the arts.
