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Author : Russell Bestley,Alex Ogg
Publisher : Unknown
Page : 0 pages
File Size : 46,7 Mb
Release : 2014-11
Category : Punk culture
ISBN : 178305736X
Featuring classics bands such as The Ramones, The Sex Pistols, The Damned and The Clash, this book is a comprehensive review of punk flyers, posters and artworks.
Author : Bryan Ray Turcotte,Christopher T. Miller
Publisher : Unknown
Page : 248 pages
File Size : 42,9 Mb
Release : 1999
Category : Architecture
ISBN : UOM:39015049699666
Raw, brazen and totally intense, Fucked Up + Photocopied is a collection of frenetic flyers produced for the American punk scene between 1977 and 1985. Many were created by the musicians themselves, and demonstrate the punk scene's emphasis on individuality and the manic urge of its members to destroy and create things anew. One glance is all that's needed to sense the fury of live performances by bands such as Black Flag, the Dead Kennedys and The Minutemen.
Author : Russ Bestley,Alex Ogg,Zoë Howe
Publisher : Schiffer Publishing
Page : 240 pages
File Size : 47,8 Mb
Release : 2022-10-28
Category : Electronic
ISBN : 076436488X
Celebrating a wide range of punk design in vinyl cover art, posters, flyers, fanzines, and other ephemera, The Art of Punk highlights the movement primarily within graphic design and print, while also considering its impact on wider popular culture. Punk was based on immediacy--an often-inspired amateurism and underground, close-knit communities that burned brightly but were not intended to extend beyond the gig, the event, the scene, the moment. Punk songs by such legendary bands as the Sex Pistols, the Ramones, the Damned, the New York Dolls, the Germs, and the Clash tended to be short, fast, and aggressive, and the oft-repeated credo "If it can't be said in three minutes, it's not worth saying" was adopted as standard practice, extending in turn to an entire ethos for the whole subculture. The book is arranged chronologically, and by genre, and features more than 900 visual examples both by uncredited artists and internationally renowned designers and design groups, alongside interviews with, and commentary by, many of the artists concerned.
Author : Paul Grushkin
Publisher : Artabras Publishers
Page : 532 pages
File Size : 50,9 Mb
Release : 1987
Category : Art and music
ISBN : UVA:X004323634
A riotous feast of images that will give rock music fans a nostalgic high. Electric, outrageous, erotic, blatant, vital - 1,500 rock concert posters from the 1950s through today are reproduced in their original blazing colors in this complete visual history. It's the ultimate book for rock fans, poster collectors, or anyone who digs pop culture. 1,500 full-color illustrations, 100 black-and-white photographs.
Author : Anonim
Publisher : Documenta
Page : 128 pages
File Size : 55,6 Mb
Release : 1998
Category : Design
ISBN : PSU:000043570447
"The Cover Art of Punk is a stunning collection of the most familiar and the rarest, the most basic and the most inventive album covers created during one of the most exciting eras in the history of popular music. From the mid-seventies on this rebellious and anarchic musical movement turned the world of rock upside down."--Publisher's description
Author : Bryan Ray Turcotte,Christopher T. Miller
Publisher : Gingko Press
Page : 240 pages
File Size : 44,9 Mb
Release : 2020-01-30
Category : Art
ISBN : 3943330435
Raw, brazen and totally intense, Fucked Up + Photocopied is a collection of frenetic flyers produced for the American punk scene between 1977 and 1985. Many were created by the musicians themselves and demonstrate the emphasis within the punk scene on individuality and the manic urge of its members to create things new. Images were compiled out of whatever material could be found, often photocopied and, still warm, stapled to the nearest telephone pole to warn the world about next week's gig. One glance and you can sense the fury of live performances by bands such as Black Flag, the Dead Kennedys and The Minutemen, and, through the subtext the reader is exposed to the psyche of a generation of musicians stripped bare: The Germs, J.F.A, NOFX, X, The Circle Jerks, Devo, The Exploited, The Screamers, The Cramps, The Dils, The Avengers and more.
Author : Paul Du Noyer
Publisher : Liverpool University Press
Page : 309 pages
File Size : 54,5 Mb
Release : 2013-10-21
Category : Music
ISBN : 9781781385593
Liverpool’s dynamic music scene gave the world The Beatles. What city could hope to follow that? But 12 years later, in 1974, lightning nearly struck twice. Deaf School were a band formed in John Lennon’s old art college, rehearsing in the very same rooms. With their chaotic and wildly entertaining brand of rock cabaret, Deaf School were tipped for instant stardom and signed up by Warner Brothers in California. But suddenly, with the world at their feet, Deaf School were swept aside by Britain’s punk rock revolution. “A great band,” said the Sex Pistols’ manager Malcolm McLaren. “But it’s just as bad being too early as too late.” Though their hopes were dashed the band has never surrendered. And 40 years on, Deaf School’s influence is acknowledged by British bands from Madness to Dexy's Midnight Runners. Their reunion shows, still madly glamorous and eccentric, are tribal gatherings for a fanbase that never forgot them. The band’s first full-length biography is written by British music writer Paul Du Noyer, a follower since Deaf School’s early days in Liverpool. “Deaf School are such a delicious secret,” he says. “It’s almost a shame to reveal it.”
Author : Marie Arleth Skov
Publisher : Intellect (UK)
Page : 0 pages
File Size : 51,9 Mb
Release : 2023-06-22
Category : Electronic
ISBN : 1789387000
A history of pop, pain, poetry, and presence within a "no future" generation in the 1970s that refused to be the next art world avant-garde. The punk movement emerged during the mid-1970s, as young adults in the United Kingdom and Europe struggled to find steady employment. History was critical to the movement's ethos. Punks rejected a narrative of supposed progress and prosperity, a rebuke evident in their visual art as well as their music. "No future," the Sex Pistols sang, "there's no future for you, no future for me." Punk Art History examines punk as an art movement, combining archival research, interviews, and art historical analysis. Marie Arleth Skov draws on personal interviews with punk art figures from London, New York, Amsterdam, Copenhagen, and Berlin, including Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, and Hugo Kaagman. The book also features email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. Many of these artists shared materials from their private archives with Skov, who examines a wide range of media: paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 mm films, documentation of performances and happenings, body art, and street art. She also discusses scandalous and spectacular public events like the Prostitution exhibition at the Institute of Contemporary Arts in London, which spurred walkouts and political debate with its graphic content, and Die Große Untergangsshow (The Grand Downfall Show) in West Berlin, a festival of "ingenious dilettantes." Skov's analysis reveals that punks saw themselves as the "rear-guards," a rejection of the notion of progress inherent to the term "avant-garde." After all, why would a "no future" movement want to lead the way for a culture they saw as doomed? Lively and accessible, Punk Art History will captivate students and scholars of art, design, and performance history, as well as readers with an interest in punk, music, fashion, feminism, and urban histories.
Author : Mindy Clegg
Publisher : State University of New York Press
Page : 336 pages
File Size : 46,8 Mb
Release : 2022-08-01
Category : Music
ISBN : 9781438489391
Punk Rock examines the history of punk rock in its totality. Punk became a way of thinking about the role of culture and community in modern life. Punks forged real alternatives to producing popular music and built community around their music. This punk counterpublic, forged in the late Cold War period, spanned the globe and has provided a viable cultural alternative to alienated young people over the years. This book starts with the rise of modernity and places the emergence of punk as a musical subculture into that longer historical narrative. It also reveals how punk itself became a contested terrain, as participants sought to imbue the production of music with greater meaning. It highlights all styles of punk and its wide variety of creators around the world, including from the LGBTQ+, feminist, and alternative communities. Punk was and remains a transnational phenomenon that influences music production and shapes our understanding of culture’s role in community building.
Author : Paul D. Grushkin
Publisher : Unknown
Page : 512 pages
File Size : 44,5 Mb
Release : 1987-12-01
Category : Electronic
ISBN : 0896597547
Author : Sue Clayton,Kodwo Eshun,Green Gartside
Publisher : Watkins Media Limited
Page : 300 pages
File Size : 49,9 Mb
Release : 2016-09-13
Category : Music
ISBN : 9781910924273
What were the conditions of possibility for art and music-making before the era of neoliberal capitalism? What role did punk play in turning artists to experiment with popular music in the late 1970s and early 1980s? And why does the art and music of these times seem so newly pertinent to our political present, despite the seeming remoteness of its historical moment? Focusing upon the production of post-punk art, film, music, and publishing, this book offers new perspectives on an overlooked period of cultural activity, and probes the lessons that might be learnt from history for artists and musicians working under 21st century conditions of austerity. Contemporary reflections by those who shaped avant-garde and contestatory culture in the UK, US, Brazil and Poland in the 1970s and 1980s. Alongside these are contributions by contemporary artists, curators and scholars that provide critical perspectives on post-punk then, and its generative relation to the aesthetics and politics of cultural production today.
Author : David A. Ensminger
Publisher : University Press of Mississippi
Page : 0 pages
File Size : 42,8 Mb
Release : 2011-06-16
Category : Music
ISBN : 160473969X
Visual Vitriol: The Street Art and Subcultures of the Punk and Hardcore Generation is a vibrant, in-depth, and visually appealing history of punk, which reveals punk concert flyers as urban folk art. David Ensminger exposes the movement's deeply participatory street art, including flyers, stencils, and graffiti. This discovery leads him to an examination of the often-overlooked presence of African Americans, Latinos, women, and gays and lesbians who have widely impacted the worldviews and music of this subculture. Then Ensminger, the former editor of fanzine Left of the Dial, looks at how mainstream and punk media shape the public's outlook on the music's history and significance. Often derided as litter or a nuisance, punk posters have been called instant art, Xerox art, or DIY street art. For marginalized communities, they carve out spaces for resistance. Made by hand in a vernacular tradition, this art highlights deep-seated tendencies among musicians and fans. Instead of presenting punk as a predominately middle-class, white-male phenomenon, the book describes a convergence culture that mixes people, gender, and sexualities. This detailed account reveals how members conceptualize their attitudes, express their aesthetics, and talk to each other about complicated issues. Ensminger incorporates an important array of scholarship, ranging from sociology and feminism to musicology and folklore, in an accessible style. Grounded in fieldwork, Visual Vitriol includes over a dozen interviews completed over the last several years with some of the most recognized and important members of groups such as Minor Threat, The Minutemen, The Dils, Chelsea, Membranes, 999, Youth Brigade, Black Flag, Pere Ubu, the Descendents, the Buzzcocks, and others.
Author : Sara Raza
Publisher : Unknown
Page : 176 pages
File Size : 44,8 Mb
Release : 2022-08-30
Category : Art
ISBN : 1912165392
Punk Orientalism explores the spaces and places associated with the former Soviet Union, focusing on the artists and ideas hailing from Central Asia and the Caucasus, which were long perceived as an extension, or "client" states, of the USSR. The theme of non-conformity and the punk rejection of state authority is a continuous thread throughout the book.
Author : William Gibson,Linder Sterling
Publisher : Rizzoli International Publications
Page : 354 pages
File Size : 41,5 Mb
Release : 2012
Category : Art
ISBN : 9780847836628
Illustrated narrative of the evolution, realization, and legacy of the punk aesthetic - from the marginal cultural catalysts behind the movement through the musicians and artists who fourished in its prime to the traces still visible in popular culture today
Author : Raymond A. Patton
Publisher : Oxford University Press
Page : 240 pages
File Size : 45,6 Mb
Release : 2018-09-04
Category : Music
ISBN : 9780190872373
In March 1977, John "Johnny Rotten" Lydon of the punk band the Sex Pistols looked over the Berlin wall onto the grey, militarized landscape of East Berlin, which reminded him of home in London. Lydon went up to the wall and extended his middle finger. He didn't know it at the time, but the Sex Pistols' reputation had preceded his gesture, as young people in the "Second World" busily appropriated news reports on degenerate Western culture as punk instruction manuals. Soon after, burgeoning Polish punk impresario Henryk Gajewski brought the London punk band the Raincoats to perform at his art gallery and student club-the epicenter for Warsaw's nascent punk scene. When the Raincoats returned to England, they found London erupting at the Rock Against Racism concert, which brought together 100,000 "First World" UK punks and "Third World" Caribbean immigrants who contributed their cultures of reggae and Rastafarianism. Punk had formed networks reaching across all three of the Cold War's "worlds". The first global narrative of punk, Punk Crisis examines how transnational punk movements challenged the global order of the Cold War, blurring the boundaries between East and West, North and South, communism and capitalism through performances of creative dissent. As author Raymond A. Patton argues, punk eroded the boundaries and political categories that defined the Cold War Era, replacing them with a new framework based on identity as conservative or progressive. Through this paradigm shift, punk unwittingly ushered in a new era of global neoliberalism.
