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The Art of the Album Cover and How to Design Them by Richard Evans Pdf
This book traces right back to the 1940s and even before (including some great single sleeves from the 1930s). It covers over seven decades of music packaging and features stories and the work of many key designers, photographers, and artists who made it all happen.
Like a well-made playlist, the album covers in this volume combine to create a portrait of cool and culture desired by art, music, and record lovers alike. Art Sleeves is a time capsule of visual art and music culture as shown through the most important record covers designed by visual artists and graphic designers in the past forty years. This tightly curated collection of covers chosen includes works with significant cultural impact as well as collaborations that themselves created cultural fascination. The eclectic roster of visual artist-musician collaborations presented spans art and musical genres as well as generations, including Ryan McGinley for Sigur Rós, Kara Walker for Arto Lindsay, Peter Saville for Joy Division, Barbara Kruger for Growing Up Skipper, Jeff Koons for Lady Gaga, Tauba Auerbach for Glasser, and Stanley Donwood for Radiohead, to name a few. From postmodernist paintings and minimalism to collage and photography, as well as New Wave, emo, pop, and punk, the albums chosen present a bright and rich visual and cultural history. This inspiring volume celebrates this long creative tradition of visual artist-musician collaborations and, just like a perfect album, it will be treasured by art, music, and record lovers alike.
Blue Note by Graham Marsh,Glyn Callingham,Felix Cromey Pdf
Music lovers have been attracted to the distinct style and sleek sound of jazz since its birth at the turn of the century. The album covers collected in this comprehensive volume under the well-known Blue Note record label embody classic design and pioneering typography. Two hundred color photographs of the album sleeves, an informative history of the Blue Note record company, and a portrait of Reid Miles, who designed nearly 500 album covers, capture the integrity of this distinctive record label. Sophisticated jazz connoisseurs and young listeners alike, as well as those with an interest in style and graphic design, will enjoy this exciting book of jazz memorabilia.
The second book by the esteemed journal Wax Poetics is a vivid exploration of an element of music culture that has withered with the advent of MP3s and digital downloading. Records possess a visual as well as an aural capacity for storytelling. The record cover - eye candy for the music lover - speaks a language rooted in the environment and era of the music itself.
Portraying Performer Image in Record Album Cover Art by Ken Bielen Pdf
In this work, Ken Bielen explains how album cover art authenticates recording artists in a particular genre. He considers albums issued from the 1950s to the 1980s, the golden era of record album cover art. The whole album package is studied, including the front and back covers, the inside cover, the inner sleeve, and the liner notes. Performers in rock and roll, folk and folk rock, soul and disco, psychedelic, Americana nostalgia, and singer-songwriter genres are included in this study of hundreds of record album covers.
The history of photography is teeming with portraits of musicians made iconic through their use on album covers: Thelonious Monk by W. Eugene Smith; Miles Davis by Irving Penn; Grace Jones by Jean Paul Goode; Laurie Anderson by Robert Mapplethorpe. Includes record albums featuring images by David Bailey, Guy Bourdin, Anton Corbijn, Roy DeCarava, Robert Frank, Lee Friedlander, Nan Goldin, Luigi Ghirri, John Paul Goode, Brian Griffin, William Klein, David LaChapelle, Danny Lyon, Robert Mapplethorpe, Jean-Baptiste Mondino, Ryan McGinley, Helmut Newton, Martin Parr, Anders Peterson, Pierre et Gilles, Hiro, Cindy Sherman, W. Eugene Smith, Pennie Smith, Jurgen Teller, Jeff Wall, Andy Warhol, Albert Watson, William Wegman, and more.
The Greatest Album Covers of All Time by Barry Miles,Grant Scott,Johnny Morgan Pdf
With the resurgence of vinyl going from strength to strength, album cover art is as important as it's ever been. This sumptuous book brings together 250 of the greatest album covers of all time and is arranged chronologically, beginning in 1956. Our judging panel, drawn from the great and the good of the music industry, has selected the final 275 entries, giving their reasons for selection to accompany the illustrations. From rock ‘n’ roll to pop, R&B to jazz, blues and even folk, some of the album covers included are obvious classics, while others will surprise readers and jog memories. The chosen entries might not necessarily be of a best-selling release, but they are important artistically, stylistically or culturally. This fascinating book forms a wonderful visual record of this popular art form, and is an essential read for music fans the world over.
Album covers are recognized as a testing ground for creative visual expression, inspired by and amplifying our enjoyment of the music itself. The book features the best graphics from cutting-edge covers around the world. It includes the work of leading graphic designers such as Non-Format, Trevor Jackson (Play Group), Rudy VanderLans, Alorenz, Fehler, and Designers Republic, as well as showcasing some of the most groundbreaking designs for small underground labels. In addition, the book includes the favorite album covers of key figures from the worlds of design and music.
The complete catalogue of design collective Hipgnosis, showcasing groundbreaking cover art created for iconic rock ’n’ roll giants, including the Rolling Stones, Paul McCartney, Led Zeppelin, and Pink Floyd The complete, definitive, and never-before-published catalogue of album covers created by the legendary design agency Hipgnosis, this volume finally does justice to the work of the most important design collective in music history. Founded in 1967 by Storm Thorgerson, Aubrey “Po" Powell, and Peter Christopherson, Hipgnosis gained a legendary status in graphic design, transforming the look of album art forever and winning five Grammy nominations for package design. Their revolutionary cover art departed from the conventional group shots favored by record companies of the day, resulting in groundbreaking, often surreal designs inextricable from the major albums of many of the biggest names in the history of popular music: AC/DC, Black Sabbath, The Police, Genesis, Led Zeppelin, Pink Floyd, Paul McCartney, Syd Barrett, The Who, Wings, Yes, and XTC, to name but a few. Arranged chronologically, Vinyl . Album . Cover . Art features stunning reproductions of every single Hipgnosis cover—more than 300 in total—for the first time, along with pertinent insights from the rock ’n’ roll legends whose albums are featured and behind-the-scenes photography. The text, written by Powell, and with contributions by Peter Gabriel, Robert Plant, and Nick Mason, brims with information that illuminates the album art and the compelling stories behind each cover’s creation.
For the Love of Vinyl by Peter Curzon,Hipgnosis (Design studio) Pdf
"Hipgnosis was the design firm of choice for the biggest and best bands of the classic rock era. Formed by Storm Thorgerson and Aubrey Powell in 1968, Hipgnosis was a graphic design studio specializing in creative photography and working mainly in the music business designing album covers for many rock 'n' roll bands including Pink Floyd, Led Zeppelin, Genesis, 10cc, Yes, Peter Gabriel, Black Sabbath, Paul McCartney, Syd Barrett and Styx, amongst others. For a dozen years Hipgnosis created timeless rock iconography. This is the first book to document their output in detail, focusing on over 60 package designs - from cover to label - written about in entertaining detail by the men who created them. Also included are short essays by musicians (such as Pink Floyd's Nick Mason), artists (Peter Blake) and fellow designers (Paula Scher) on their favorite covers, plus a contextual commentary by Adrian Shaughnessy, as well as unseen photographs and ephemera."--BOOK JACKET.
The Art of Metal by Martin Popoff,Malcolm Dome Pdf
Let's face it, without the larger-than-life character and imagination of the art that complements it, metal just wouldn't have had the same impact. From the colorful, outlandish, yet sophisticated use of visuals for album artwork and posters, to the immediately recognizable logos of such bands as Black Sabbath, Iron Maiden, Judas Priest, Motörhead, Metallica, Slayer, and a host of others across many subgenres, there's a close-knit relationship between the riffs that thunder from the guitar and the images that have come to represent the songs, anthems, and sheer nature of the beast. Does any other form of music immediately conjure up such evocative and distinctive images as the mere mention of the term heavy metal does? The answer is simple: no! From its inception in the 1960s through to today's giants, the art has been closely connected to the music. Every classic album brings to mind a readily identifiable album cover. Each great band has an immediately identifiable logo. All of the landmark gigs have a poster that quintessentially depicts the time, place, and passion of the event. It's all developed so far along the road that, today, the art that has been used to illustrate the music now stands on its own. There are exhibitions of the finest examples created by the truly outstanding artists. These works are collectible in their own right. What might have begun as a way of packaging metal has taken on a life of its own--moreover, it's even possible to trace the way the genre itself has evolved, and changed, by looking at its art. This book explores the ways in which the art has helped define each of the crucial subgenres that make up the multifaceted and colorful centipede that is metal.
