The Artistic Revival Of The Woodcut In France 1850 1900
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Jacquelynn Baas,Richard S. Field,University of Michigan. Museum of Art,Yale University. Art Gallery,Baltimore Museum of Art
Author : Jacquelynn Baas,Richard S. Field,University of Michigan. Museum of Art,Yale University. Art Gallery,Baltimore Museum of Art Publisher : Ann Arbor : University of Michigan Museum of Art Page : 166 pages File Size : 47,6 Mb Release : 1984 Category : Art ISBN : UOM:39015016580055
The Artistic Revival of the Woodcut in France 1850-1900 by Jacquelynn Baas,Richard S. Field,University of Michigan. Museum of Art,Yale University. Art Gallery,Baltimore Museum of Art Pdf
Author : Gabriel P. Weisberg,Laurinda A. Dixon Publisher : Syracuse University Press Page : 416 pages File Size : 45,7 Mb Release : 1987-12-01 Category : Art ISBN : 0815624107
Expressionism and Poster Design in Germany 1905-1922 by Kathleen G. Chapman Pdf
An examination of visual and discursive connections between Expressionist art and commercial posters to show the equal importance of the aesthetic, utilitarian, and commercial in German modernism.
Burning Bright by Diana Dethloff,Caroline Elam,Tessa Murdoch,Kim Sloan Pdf
This book celebrates the work and career of the internationally renowned art historian, David Bindman, on the occasion of his 75th birthday, and is above all a tribute to him from his former students and colleagues.
The Expressionist Turn in Art History by KimberlyA. Smith Pdf
During the period in which Expressionist artists were active in central Europe, art historians were producing texts which also began to be characterized evocatively as ?expressionist?, yet the notion of an expressionist art history has yet to be fully explored in historiographic studies of the discipline. This anthology offers a cross-section of noteworthy art history texts that have been described as expressionist, along with critical commentaries by an international group of scholars. Written between 1912 and 1933, the primary sources have been selected from the published scholarship of both recognized and less-familiar figures in the field's Germanic tradition: Wilhelm Worringer, Fritz Burger, Ernst Heidrich, Max Dvor? Heinrich W?lfflin, and Carl Einstein. Translated here for the first time, these examples of an expressionist turn in art history, along with their secondary analyses and the book's introduction, offer a productive lens through which to re-examine the practice and theory of art history in the early twentieth century.
Deborah Wye,Starr Figura,Museum of Modern Art (New York, N.Y.)
Author : Deborah Wye,Starr Figura,Museum of Modern Art (New York, N.Y.) Publisher : The Museum of Modern Art Page : 296 pages File Size : 47,9 Mb Release : 2004 Category : Architecture ISBN : 0870701258
The Symbolist Prints of Edvard Munch by Vivian Campbell,Prelinger Elizabeth,Elizabeth Prelinger,Edvard Munch,Michael Taylor,Parke-Taylor Michael,Michael Parke-Taylor,Peter Schjeldahl,Art Gallery of Ontario Pdf
Illustrated with black and white and colored prints from Edvard Munch. Original pictorial wrappers and color illustrated frontispiece. Published alongside the exhibition of the same name. "This exhibition considers Munch's relevance to a modern world through three interpretive paths." (From the forward) These paths are the technical methods Munch used as a Symbolist printmaker, his reception and exhibitions in North American, and Munch's influence in popular culture. With several essays and a chronology.
Auguste Lepère and the Artistic Revival of the Woodcut in France, 1875-1895 by Jacquelynn Baas Pdf
his activities on behalf of the medium from 1875 to 1895 and explores at length his relationship to other artists working in the medium during this period.
Consuming the Past by Elizabeth Emery,Laura Morowitz Pdf
First published in 2003 Consuming the Past covers pilgrimages to popular festivals, from modern spectacles to advertising, from the work of avant-garde painters to the novels of Emile Zola, and explores the complexity of the fin-de-siècle French fascination with the Middle Ages. The authors map the cultural history of the period from the end of the Franco-Prussian war to the 1905 separation of Church and State illuminating the powerful appeal that the medieval past held for a society undergoing the rapid changes of industrialisation.
Several decades have now passed since postcolonial and feminist critiques presented the art-historical world with a demythologized Paul Gauguin (1848-1903), a much-diminished image of the artist/hero who had once been universally admired as "the father of modernist primitivism.†? In this volume, both long-established and more recent Gauguin scholars offer a provocative picture of the evolution of Gauguin scholarship in the recent postmodern era, as they confront and consider how the dismantling of the longstanding Gauguin myth positions us now in the 21st century to deal with and assess the life, work, and legacy of this still perennially popular artist. To reassess the challenges that Gauguin faced in his own day as well as those that he continues to present to current and future scholarship, they explore the multiple contexts that influenced Gauguin's thought and behavior as well as his art and incorporate a variety of interdisciplinary approaches, from anthropology, philosophy, and the history of science to gender studies and the study of Pacific cultural history. Dealing with a wide range of Gauguin's production, they challenge conventional art-historical thinking, highlight transnational perspectives, and offer clues to the direction of future scholarship, as audiences worldwide seek to make multicultural peace with Gauguin and his art. Broude has raised the bar of Gauguin scholarship ever higher in this groundbreaking volume, which will be necessary reading for students and scholars of art history, late 19th-century French and Pacific culture, gender studies, and beyond.
The Nabis and Intimate Modernism by KatherineM. Kuenzli Pdf
Providing a fresh perspective on an important but underappreciated group of late nineteenth-century French painters, this is the first book to provide an in-depth account of the Nabis' practice of the decorative, and its significance for twentieth-century modernism. Over the course of the ten years that define the Nabi movement (1890-1900), its principal artists included Edouard Vuillard, Pierre Bonnard, Maurice Denis, Paul S?sier, and Paul Ranson. The author reconstructs the Nabis' relationship to Impressionism, mass culture, literary Symbolism, Art Nouveau, Wagnerianism, and a revolutionary artistic tradition in order to show how their painterly practice emerges out of the pressing questions defining modernism around 1900. She shows that the Nabis were engaged, nonetheless, with issues that are always at stake in accounts of nineteenth-century modernist painting, issues such as the relationship of high and low art, of individual sensibility and collective identity, of the public and private spheres. The Nabis and Intimate Modernism is a rigorous study of the intellectual and artistic endeavors that inform the Nabis' decorative domestic paintings in the 1890s, and argues for their centrality to painterly modernism. The book ends up not only re-positioning the Nabis to occupy a crucial place in modernism's development from 1860 to 1914, but also challenges that narrative to place more emphasis on notions of decoration, totality and interiority.
American Little Magazines of the Fin de Siecle by Kirsten MacLeod Pdf
In American Little Magazines of the Fin de Siecle, Kirsten MacLeod examines the rise of a new print media form - the little magazine - and its relationship to the transformation of American cultural life at the turn of the twentieth century. Though the little magazine has long been regarded as the preserve of modernist avant-gardes and elite artistic coteries, for whom it served as a form of resistance to mass media, MacLeod's detailed study of its origins paints a different picture. Combining cultural, textual, literary, and media studies criticism, MacLeod demonstrates how the little magazine was deeply connected to the artistic, social, political, and cultural interests of a rising professional-managerial class. She offers a richly contextualized analysis of the little magazine's position in the broader media landscape: namely, its relationship to old and new media, including pre-industrial print forms, newspapers, mass-market magazines, fine press books, and posters. MacLeod's study challenges conventional understandings of the little magazine as a genre and emphasizes the power of "little" media in a mass-market context.
