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This is the first complete book about the Babylonian Kabbalah, which many people are talking about on the Internet. Assyria in Northern Iraq is the home of Palace Art from the Courts of the Assyrian Empire, where the Tree of Life was routinely shown on walls, tended by winged genies. It represented the King and the Land. It is also arguably a spiritual map and the basis of the Jewish Kabbalah, which was developed later. Many authors have asserted that the Kabbalah came from Egypt but this book shows that its early roots lie in Assyrian Court Art. There are also fascinating parallels to Asiatic Shamanism. All points to Asia, not Africa, as the home of the archetypal Sacred Tree image. ,
The tree of life is an iconic visual symbol at the edge of religious thought over the last several millennia. As a show of its significance, the tree bookends the Christian canon; yet scholarship has paid it minimal attention in the modern era. In The Tree of Life a team of scholars explore the origin, development, meaning, reception, and theology of this consequential yet obscure symbol. The fourteen essays trek from the origins of the tree in the texts and material culture of the ancient Near East, to its notable roles in biblical literature, to its expansion by early church fathers and Gnostics, to its rebirth in medieval art and culture, and to its place in modern theological thought.
Trees, Kings, and Politics by Barbara N. Porter Pdf
Zwischen dem 9. und 7. Jahrhundert v. Chr. stellten assyrische Konige zahlreiche Bilder, Reliefs und Stelen an offentlichen Platzen, in Tempeln und an Palastmauern aus. Welche Bedeutung und Funktion hatten diese Bildnisse? Allen Beitragen liegt die These zugrunde, dass sie der assyrischen Propaganda dienten, um die politische Haltung und das Verhalten am koniglichen Hof, in Assyrien sowie im riesigen, kulturell vielfaltigen assyrischen Reich zu beeinflussen und zu steuern.
Vaughn Emerson Crawford,Prudence Oliver Harper,Holly Pittman,Metropolitan Museum of Art (New York, N.Y.)
Author : Vaughn Emerson Crawford,Prudence Oliver Harper,Holly Pittman,Metropolitan Museum of Art (New York, N.Y.) Publisher : Metropolitan Museum of Art Page : 50 pages File Size : 54,7 Mb Release : 1980 Category : Calah (Extinct city) ISBN : 9780870992605
Assyrian Reliefs and Ivories in the Metropolitan Museum of Art by Vaughn Emerson Crawford,Prudence Oliver Harper,Holly Pittman,Metropolitan Museum of Art (New York, N.Y.) Pdf
The Metropolitan Museum of Art houses monumental, majestic, and important works of art from the ancient world. In particular, a group of Assyrian sculptures from the Northwest Palace at Nimrud, which was constructed during the reign of Assurnasirpal II (883-859 B.C.), is remarkable both for its artistic excellence and for its technical skill. Excavated at Nimrud in the mid-nineteenth century by Sir Austen Henry Layard, an English archaeologist, the majority of these impressive, larger-than-life-size reliefs and sculptures came to the Metropolitan Museum in 1932 as gifts of John D. Rockefeller, Jr., one of the Museum's most generous supporters. Other Assyrian pieces were gifts to the Museum in 1917 from J. Pierpont Morgan, another major figure in the Metropolitan's history. An earlier donor, Benjamin Brewster, began the Museum's collection of Assyrian reliefs with a gift in 1884. In 1968, prior to the beginning of construction on the Lila Acheson Wallace Galleries of Egyptian Art, most of the Ancient Near Eastern works were placed in storage. Now, as the first stage in the reinstallation of permanent galleries for the Department of Ancient Near Eastern Art, the Assyrian sculptures may again be enjoyed in a gallery setting that reflects their original placement in the Northwest Palace at Nimrud.