The Avant Garde Feature Film

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The Avant-Garde Feature Film

Author : William E.B. Verrone
Publisher : McFarland
Page : 232 pages
File Size : 47,6 Mb
Release : 2011-11-08
Category : Performing Arts
ISBN : 9780786488810

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The Avant-Garde Feature Film by William E.B. Verrone Pdf

Here is a critical and historical overview of unconventional and aesthetically challenging films, all of feature length. The author focuses on the particular forms of contemporary avant-garde films, which often rely on characteristics associated with historical films of the same genre. Included are works by such visionary filmmakers as David Lynch, Luis Bunuel, Jean Cocteau, Jean-Luc Godard, Guy Maddin and Derek Jarman. The first of the two appendices contains a filmography of key avant-garde feature films, from Haxan: Witchcraft Through the Ages (1922) to Maximum Shame (2010). The second appendix offers a brief list of directors who have made significant contributions to films that take alternative approaches to cinematic practice, establishing new grounds for analysis and evaluation.

The Avant-Garde Feature Film

Author : William E.B. Verrone
Publisher : McFarland
Page : 0 pages
File Size : 49,7 Mb
Release : 2011-10-11
Category : Performing Arts
ISBN : 0786459107

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The Avant-Garde Feature Film by William E.B. Verrone Pdf

Here is a critical and historical overview of unconventional and aesthetically challenging films, all of feature length. The author focuses on the particular forms of contemporary avant-garde films, which often rely on characteristics associated with historical films of the same genre. Included are works by such visionary filmmakers as David Lynch, Luis Bunuel, Jean Cocteau, Jean-Luc Godard, Guy Maddin and Derek Jarman. The first of the two appendices contains a filmography of key avant-garde feature films, from Haxan: Witchcraft Through the Ages (1922) to Maximum Shame (2010). The second appendix offers a brief list of directors who have made significant contributions to films that take alternative approaches to cinematic practice, establishing new grounds for analysis and evaluation.

A History of Experimental Film and Video

Author : A.L. Rees
Publisher : Bloomsbury Publishing
Page : 208 pages
File Size : 41,9 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781838714192

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A History of Experimental Film and Video by A.L. Rees Pdf

Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.

Avant-Garde Film

Author : Scott MacDonald
Publisher : CUP Archive
Page : 230 pages
File Size : 41,7 Mb
Release : 1993-02-26
Category : Performing Arts
ISBN : 052138821X

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Avant-Garde Film by Scott MacDonald Pdf

The past thirty years have seen the proliferation of forms of independent cinema that challenge the conventions of mass-market commercial movies from within the movie theatre. Avant-Garde Film examines fifteen of the most suggestive and useful films from this film tradition. The films discussed include No. 4 (Bottoms) by Yoko Ono, Wavelength by Michael Snow, Serene Velocity by Ernie Gehr, Print Generation by J. J. Murphy, Standard Gauge by Morgan Fisher, Zorns Lemma by Hollis Frampton, The Ties that Bind by Su Friedrich, From the Pole to the Equator by Yervant Gianikian and The Carriage Trade by Warren Sonbert. Through in-depth readings of these works, Scott MacDonald takes viewers on a critical circumnavigation of the conventions of movie going as seen by filmmakers who have rebelled against the conventions. MacDonald's discussions do not merely analyse the films; they provide a useful, accessible, jargon-free critical apparatus for viewing avant-garde film and communicate the author's pleasure in exploring 'impenetrable' works.

Avant-garde Film

Author : Michael O'Pray
Publisher : Wallflower Press
Page : 150 pages
File Size : 52,8 Mb
Release : 2003
Category : Performing Arts
ISBN : 1903364566

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Avant-garde Film by Michael O'Pray Pdf

Annotation Few aspects of American military history have been as vigorously debated as Harry Truman's decision to use atomic bombs against Japan. In this carefully crafted volume, Michael Kort describes the wartime circumstances and thinking that form the context for the decision to use these weapons, surveys the major debates related to that decision, and provides a comprehensive collection of key primary source documents that illuminate the behavior of the United States and Japan during the closing days of World War II. Kort opens with a summary of the debate over Hiroshima as it has evolved since 1945. He then provides a historical overview of thye events in question, beginning with the decision and program to build the atomic bomb. Detailing the sequence of events leading to Japan's surrender, he revisits the decisive battles of the Pacific War and the motivations of American and Japanese leaders. Finally, Kort examines ten key issues in the discussion of Hiroshima and guides readers to relevant primary source documents, scholarly books, and articles.

Avant-Garde Film

Author : Anonim
Publisher : BRILL
Page : 399 pages
File Size : 47,8 Mb
Release : 2015-07-14
Category : Art
ISBN : 9789401200035

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Avant-Garde Film by Anonim Pdf

This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theory as an integral part of a newly defined conception of the avant-garde as a whole, by closing the gap between theoretical approaches towards the avant-garde as defined on the basis of art and literature on the one hand and avant-garde cinema on the other. It gathers contributions by the most esteemed scholars in the field of avant-garde studies relating to the “classical” avant-garde cinema of the 1920s, to new trends emerging in the 1950s and 1960s and to the impact that innovative technologies have recently had on the further development of avant-garde and experimental film. The contributions reflect the broad range of different moving-image media that make up what we refer to today simply as “film”, at the same time as reconsidering the applicability of the label “avant-garde”, to offer a comprehensive and updated framework that will prove invaluable to scholars of both Moving Image Studies and Art History disciplines.

Film Unframed

Author : Sixpack Film
Publisher : Austrian Film Museum
Page : 0 pages
File Size : 50,8 Mb
Release : 2012
Category : Experimental films
ISBN : 3901644423

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Film Unframed by Sixpack Film Pdf

Austrian avant-garde cinema bears a resemblance to materialist and visionary aspects of the American avant-garde, while also manifesting a subversive social critique kindred in spirit to European auteur cinema. This 'third way', staked out by Austrian filmmakers and revealed by this volume, is a unique brand of anti-traditional tradition, equally devoted to rigor and precision as it is to fomenting chaos and liberating energy. It is a counter-universe that uses cinema to penetrate new realms of experience. This book helps us enter its delights and dangers.

Avant-doc

Author : Scott MacDonald
Publisher : Oxford University Press, USA
Page : 473 pages
File Size : 44,7 Mb
Release : 2015
Category : Literary Criticism
ISBN : 9780199388714

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Avant-doc by Scott MacDonald Pdf

With in-depth interviews of directors like Nina Davenport, Ross McElwee, Ed Pincus, and others, Avant-Doc provides a unique oral history of the hybrid genre of nonfiction film that combines the techniques of avant-garde auteurs with the more traditional methods of conventional storytelling.

The Most Typical Avant-Garde

Author : David James
Publisher : Univ of California Press
Page : 572 pages
File Size : 52,9 Mb
Release : 2005-05-30
Category : Performing Arts
ISBN : 0520938194

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The Most Typical Avant-Garde by David James Pdf

Los Angeles has nourished a dazzling array of independent cinemas: avant-garde and art cinema, ethnic and industrial films, pornography, documentaries, and many other far-flung corners of film culture. This glorious panoramic history of film production outside the commercial studio system reconfigures Los Angeles, rather than New York, as the true center of avant-garde cinema in the United States. As he brilliantly delineates the cultural perimeter of the film business from the earliest days of cinema to the contemporary scene, David James argues that avant-garde and minority filmmaking in Los Angeles has in fact been the prototypical attempt to create emancipatory and progressive culture. Drawing from urban history and geography, local news reporting, and a wide range of film criticism, James gives astute analyzes of scores of films—many of which are to found only in archives. He also looks at some of the most innovative moments in Hollywood, revealing the full extent of the cross-fertilization the occurred between the studio system and films created outside it. Throughout, he demonstrates that Los Angeles has been in the aesthetic and social vanguard in all cinematic periods—from the Socialist cinemas of the early teens and 1930s; to the personal cinemas of psychic self-investigation in the 1940s; to attempts in the 1960s to revitalize the industry with the counterculture’s utopian visions; and to the 1970s, when African Americans, Asian Americans, Latinos, women, gays, and lesbians worked to create cinemas of their own. James takes us up to the 1990s and beyond to explore new forms of art cinema that are now transforming the representation of Southern California’s geography.

A Critical Cinema 2

Author : Scott MacDonald
Publisher : Univ of California Press
Page : 475 pages
File Size : 50,5 Mb
Release : 2023-04-28
Category : Performing Arts
ISBN : 9780520912861

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A Critical Cinema 2 by Scott MacDonald Pdf

This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues. The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon, Michael Snow talks about his music and films, Anne Robertson describes her cinematic diaries, Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey, and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins.

Lessons in Perception

Author : Paul Taberham
Publisher : Berghahn Books
Page : 226 pages
File Size : 51,6 Mb
Release : 2018-06-19
Category : Art
ISBN : 9781785339028

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Lessons in Perception by Paul Taberham Pdf

Narrative comprehension, memory, motion, depth perception, synesthesia, hallucination, and dreaming have long been objects of fascination for cognitive psychologists. They have also been among the most potent sources of creative inspiration for experimental filmmakers. Lessons in Perception melds film theory and cognitive science in a stimulating investigation of the work of iconic experimental artists such as Stan Brakhage, Robert Breer, Maya Deren, and Jordan Belson. In illustrating how avant-garde filmmakers draw from their own mental and perceptual capacities, author Paul Taberham offers a compelling account of how their works expand the spectator’s range of aesthetic sensitivities and open creative vistas uncharted by commercial cinema.

A Dictionary of Film Studies

Author : Annette Kuhn,Guy Westwell
Publisher : OUP Oxford
Page : 530 pages
File Size : 51,6 Mb
Release : 2012-06-21
Category : Performing Arts
ISBN : 9780191034657

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A Dictionary of Film Studies by Annette Kuhn,Guy Westwell Pdf

Written by experts in the field, this dictionary covers all aspects of film studies, including terms, concepts, debates, and movements in film theory and criticism, national, international and transnational cinemas, film history, film movements and genres, film industry organizations and practices, and key technical terms and concepts in 500 detailed entries. Most entries also feature recommendations for further reading and a large number also have web links. The web links are listed and regularly updated on a companion website that complements the printed book. The dictionary is international in its approach, covering national cinemas, genres, and film movements from around the world such as the Nouvelle Vague, Latin American cinema, the Latsploitation film, Bollywood, Yiddish cinema, the spaghetti western, and World cinema. The most up-to-date dictionary of its kind available, this is a must-have for all students of film studies and ancillary subjects, as well as an informative read for cinephiles and for anyone with an interest in films and film criticism.

Abstraction in Avant-garde Films

Author : Maureen Cheryn Turim
Publisher : Unknown
Page : 184 pages
File Size : 54,5 Mb
Release : 1985
Category : Performing Arts
ISBN : UOM:39015012866508

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Abstraction in Avant-garde Films by Maureen Cheryn Turim Pdf

The Emergence of Film Culture

Author : Malte Hagener
Publisher : Berghahn Books
Page : 390 pages
File Size : 53,8 Mb
Release : 2014-09-01
Category : Performing Arts
ISBN : 9781782384243

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The Emergence of Film Culture by Malte Hagener Pdf

Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and history was written that took cinema seriously as an art form; and critical writing that created the film canon flourished. This scene was decidedly transnational and creative, overcoming traditional boundaries between theory and practice, and between national and linguistic borders. This new European film culture established film as a valid form of social expression, as an art form, and as a political force to be reckoned with. By examining the extraordinarily rich and creative uses of cinema in the interwar period, we can examine the roots of film culture as we know it today.

Lovers of Cinema

Author : Jan-Christopher Horak
Publisher : Univ of Wisconsin Press
Page : 420 pages
File Size : 50,8 Mb
Release : 1995
Category : Performing Arts
ISBN : 0299146847

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Lovers of Cinema by Jan-Christopher Horak Pdf

Historians and students of American avant-garde cinema often overlook the films of the 1920s through the early 1940s, considering them mere derivatives of their European counterparts. In fact, the American films possess an eclecticism, innovation, and naivete all their own. Marshaling his broad cinematic and cultural knowledge, editor Jan-Christopher Horak has compiled in Lovers of Cinema a ground-breaking group of articles on this neglected film period. With one exception, all are original to this volume, and many are the first to treat comprehensively such early filmmakers as Mary Ellen Bute, Theodore Huff, and Douglass Crockwell.