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For fans of Regency romance in the vein of Sanditon or Bridgerton comes a marriage of convenience story that will keep you smiling long after the last page. Housemaid Anne Webster will stop at nothing to save her family from their dire circumstances. Even if it means accepting the proposal of the roguish Marquess of Blackthorne, who just returned to England from the Americas under a veil of mystery. Both have their own agenda—she to use his riches and he to use her lace-making skills—but neither could have dreamed what they would discover on the other side of their scheming. As always, society tattler Miss Pickworth has a thing or two to say about this scandalous union. Unless they want their plans aired in her column, Ruel and Anne must keep their banter to a minimum and play the role of the happy couple. He’s handsome and arrogant; she’s smart and obstinate. But can Anne and Ruel put their differences aside to fend off an unexpected foe?
Leaving the home of his foster mother to begin his working life, young Victor stops to visit his uncle, who long ago sealed himself away from the world, on a island in a lake, high in the Austrian alps. The old man, who has never known love, lives barricaded in a former monastery, surrounded by an atmosphere of death and decay. Portraying the friction between these two characters with keen psychological insight, Stifter's masterful bildungsroman explores conflicting attitudes to life and their existential effects: stillness and movement, light and dark, openness and withdrawal.
Spark’s very British bachelors come in every stripe First found contentedly chatting in their London clubs, the cozy bachelors (as any Spark reader might guess) are not set to stay cozy for long. Soon enough, the men are variously tormented — defrauded or stolen from, blackmailed or pressed to attend horrid séances — and then plunged into the nastiest of lawsuits.
DigiCat Publishing presents to you this special edition of "The Bachelors" (A Novel) by William Dana Orcutt. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Lee, Simon, Hans, Elliot, Dylan, Karlisle, and Steffan are close friends ever since they were in middle school. But as they became mature and grew as sought-after and eligible bachelors in the society, it was extremely hard for them to see each other and get together.Lee then thought it would be a wonderful idea if they take a week-long vacation, just so they could enjoy themselves, become reunited, and chill while far from the stress and noise of the city.However, this same week-long getaway will become the beginning of the romantic and steamy relationships between some of them, waking up their desires towards each other that have been bottled and unbeknownst to them for some while.T he hidden love and desire they hid from each other will slowly be revealed, and with this, will they all stay as friends?Or will completely take over?
These essays on nine women artists are framed by the question, born of feminism, "What evaluative criteria can be applied to women's art?" Since the 1970s Rosalind Krauss has been exploring the art of painters, sculptors, and photographers, examining the intersection of these artists concerns with the major currents of postwar visual culture: the question of the commodity, the status of the subject, issues of representation and abstraction, and the viability of individual media. These essays on nine women artists are framed by the question, born of feminism, "What evaluative criteria can be applied to women's art?" In the case of surrealism, in particular, some have claimed that surrealist women artists must either redraw the lines of their practice or participate in the movement's misogyny. Krauss resists that claim, for these "bachelors" are artists whose expressive strategies challenge the very ideals of unity and mastery identified with masculinist aesthetics. Some of this work, such as the "part object" (Louise Bourgeois) or the "formless" (Cindy Sherman) could be said to find its power in strategies associated with such concepts as écriture feminine. In the work of Agnes Martin, Eva Hesse, or Sherrie Levine, one can make the case that the power of the work can be revealed only by recourse to another type of logic altogether. Bachelors attempts to do justice to these and other artists (Claude Cahun, Dora Maar, Louise Lawler, Francesca Woodman) in the terms their works demand.
Bachelors, Manhood, and the Novel, 1850–1925 by Katherine V. Snyder Pdf
Katherine Snyder's study explores the significance of the bachelor narrator, a prevalent but little-recognised figure in premodernist and modernist fiction by male authors, including Hawthorne, James, Conrad, Ford and Fitzgerald. Snyder demonstrates that bachelors functioned in cultural and literary discourse as threshold figures who, by crossing the shifting, permeable boundaries of bourgeois domesticity, highlighted the limits of conventional masculinity. The very marginality of the figure, Snyder argues, effects a critique of gendered norms of manhood, while the symbolic function of marriage as a means of plot resolution is also made more complex by the presence of the single man. Bachelor figures made, moreover, an ideal narrative device for male authors who themselves occupied vexed cultural positions. By attending to the gendered identities and relations at issue in these narratives, Snyder's study discloses the aesthetic and political underpinnings of the traditional canon of English and American male modernism.
The enforced bachelorhood of eldest sons in traditional French rural society was a subject to which Pierre Bourdieu devoted three major articles. Here he brings them together, presenting them as stages in 'a kind of intellectual Bildungsroman' through which one can follow the development of his theory of practice.
In 1755 Benjamin Franklin observed "a man without a wife is but half a man" and since then historians have taken Franklin at his word. In Citizen Bachelors, John Gilbert McCurdy demonstrates that Franklin's comment was only one side of a much larger conversation. Early Americans vigorously debated the status of unmarried men and this debate was instrumental in the creation of American citizenship. In a sweeping examination of the bachelor in early America, McCurdy fleshes out a largely unexamined aspect of the history of gender. Single men were instrumental to the settlement of the United States and for most of the seventeenth century their presence was not particularly problematic. However, as the colonies matured, Americans began to worry about those who stood outside the family. Lawmakers began to limit the freedoms of single men with laws requiring bachelors to pay higher taxes and face harsher penalties for crimes than married men, while moralists began to decry the sexual immorality of unmarried men. But many resisted these new tactics, including single men who reveled in their hedonistic reputations by delighting in sexual horseplay without marital consequences. At the time of the Revolution, these conflicting views were confronted head-on. As the incipient American state needed men to stand at the forefront of the fight for independence, the bachelor came to be seen as possessing just the sort of political, social, and economic agency associated with citizenship in a democratic society. When the war was won, these men demanded an end to their unequal treatment, sometimes grudgingly, and the citizen bachelor was welcomed into American society. Drawing on sources as varied as laws, diaries, political manifestos, and newspapers, McCurdy shows that in the course of the seventeenth and eighteenth centuries the bachelor was a simultaneously suspicious and desirable figure: suspicious because he was not tethered to family and household obligations yet desirable because he was free to study, devote himself to political office, and fight and die in battle. He suggests that this dichotomy remains with us to this day and thus it is in early America that we find the origins of the modern-day identity of the bachelor as a symbol of masculine independence. McCurdy also observes that by extending citizenship to bachelors, the founders affirmed their commitment to individual freedom, a commitment that has subsequently come to define the very essence of American citizenship.
A terrifying exploration of “the most historic haunted cemetery in the Chicagoland area, and most likely one of the most known in the world” (Chicago Now)! Slumbering beneath a shroud of deep forest and deliberate secrecy, Bachelors Grove Cemetery still exerts a powerful pull on paranormal pilgrims and curiosity-seekers around the world. Shielding the orphaned burial ground from ritual and idle vandalism has also buried the rich history of this magical place. Still, its eerie presence has dominated the folklore of the southwest side of Chicago for every generation since 1838. Brave the woods with Ursula Bielski to unearth decades of mysteries and myriad ghost stories, from the Magic House to the Madonna of Bachelors Grove. Includes photos! “Historian and paranormal investigator Ursula Bielski says Bachelors Grove, a cemetery located on the edge of Rubio Woods in Midlothian, is among the most haunted places in the world. Her book . . . is the culmination of years of research at the site.” —Chicago Tribune “Bielski ascribes the site’s high level of activity to ‘an ancient force, something malevolent,’ as well as a spate of occult activity in the ’60s and ’70s that may have involved unsettling practices like animal sacrifice and grave desecration.” —Time Out Chicago
