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Of all of the naughty, mischievous, disrespectful, and downright horrible things that children can be, a badling is perhaps one of the worst. Badlings abandon books without finishing them, leaving their characters sad and lonely—not to mention angry. Meet Bells, Peacock, Rusty, and Grand, four ragtag friends convicted of this monstrous crime. As punishment, they get sucked into a book of unfinished stories, whose patchwork pages they must traverse...and read to the end this time.
The Routledge Handbook of Trans Literature by Douglas A. Vakoch,Sabine Sharp Pdf
The Routledge Handbook of Trans Literature examines the intersection of transgender studies and literary studies, bringing together essays from global experts in the field. This volume provides a comprehensive overview of trans literature, highlighting the core topics, genres, and periods important for scholarship now and in the future. Covering the main approaches and key literary genres of the area, this volume includes: Examination of the core topics guiding contemporary trans literary theory and criticism, including the Anthropocene, archival speculation, activism, BDSM, Black studies, critical plant studies, culture, diaspora, disability, ethnocentrism, home, inclusion, monstrosity, nondualist philosophies, nonlinearity, paradox, pedagogy, performativity, poetics, religion, suspense, temporality, visibility, and water. Exploration of diverse literary genres, forms, and periods through a trans lens, such as archival fiction, artificial intelligence narratives, autobiography, climate fiction, comics, creative writing, diaspora fiction, drama, fan fiction, gothic fiction, historical fiction, manga, medieval literature, minor literature, modernist literature, mystery and detective fiction, nature writing, poetry, postcolonial literature, radical literature, realist fiction, Renaissance literature, Romantic literature, science fiction, travel writing, utopian literature, Victorian literature, and young adult literature. This comprehensive volume will be of great interest to scholars and students of literature, gender studies, trans studies, literary theory, and literary criticism.
'[W]hen I found Rice's work I absolutely loved how she took that genre and (...) made [it] feel so contemporary and relevant' Sarah Pinborough, bestselling author of Behind Her Eyes '[Rice wrote] in the great tradition of the gothic' Ramsey Campbell, bestselling author of The Hungry Moon The previous volume of the Vampire Chronicles, Memnoch the Devil, was called 'a modern Paradise Lost' by the Washington Post. Taking the Vampire Lestat from fiction into legend, it left him lying in a New Orleans convent, at the edge of death. Magnificent and electrifying, this new volume in the Vampire Chronicles returns to the glittering story of Armand, mesmerizing leader of the vampire coven at the eighteenth-century Theatre des Vampires in Paris (seductively played by Antonio Banderas in the film of Interview with the Vampire). Snatched from the steppes of Russia as a child, and sold as a slave in Renaissance Venice, Armand's story sweeps through several hundred years, to New Orleans at the end of the twentieth century, where Lestat lies waiting for immortality, and the legend continues to grow. . . . .
From the prizewinning author of Rosehead and the resident writer of the 2015 Amtrak Residency Program, comes a disturbing ghost story about a toy train engine TUBE. Get your ticket ready. And beware. This is a ride not for the faint-hearted. In the winter of 1989 on the Moscow-Simferopol train, on the eve of her twenty-first birthday, Soviet ballerina Olesya Belaya attempts to get rid of her virginity with the help of her new boyfriend and dancing partner, Dima Rumyantsev. But when Dima gets undressed, and when between his legs Olesya sees her long-lost toy train engine TUBE, her reality cracks, and TUBE leads her to the car haunted by her forgotten memories of sick, violent secrets. As Olesya enters the car, she has only her sanity to hold on to, to believe what she sees, and only her five-year-old self, Little Olesya, to guide her along the “other” side of her family, stripped of pretense, and to steady her against the truth. Slowly, Olesya’s disbelief turns to acceptance, until she understands whom she has to face, to come out alive—an unexpected enemy who has a taste for the weak and whom she escaped as a child, only to call him back unwittingly, to finish the carnage… Perfect for fans of Stephen King, Neil Gaiman, and Margaret Atwood, TUBE is at once a surrealistic horror tale, a magical metaphor for overcoming past trauma, and an empowering novel about survival. Anske reminds us that the violent secrets of our childhood forever haunt us until we face them square in the face. Praise for TUBE from readers: “TUBE is a stark, cold, disturbing book of confronting the ghosts of our past. The taboo subject is handled unflinchingly, with vivid descriptions, evocative language, and raw honesty. I enjoyed the novel’s Russianness, the Soviet setting in the 1970s and 1980s is clearly described and detailed.” “This story was harsh, gritty, terrifying, and uncomfortable. But it was so, so beautiful. It brought down all the walls of abuse, it didn't romanticize or try to cover up or beautify the harsh realities. It splayed them out there, broken and bloody, for the world to see, and it showed that hidden memories and unacknowledged hurts only protect you for so long.” “Due to its surrealistic overtones, horror, and isolating nature, TUBE is the train ride no one wants to take but everyone has to experience.” “A powerful story about a woman’s struggle to regain lost memories of past trauma and in the process regain a part of herself that’s been lost as well.” “TUBE is like a giant train of weed while reading Stephen King and Darren Shan.”
Of all of the naughty, mischievous, disrespectful, and downright horrible things that children can be, a badling is perhaps one of the worst. Badlings abandon books without finishing them, leaving their characters sad and lonely-not to mention angry. Meet Bells, Peacock, Rusty, and Grand, four ragtag friends convicted of this monstrous crime. As punishment, they get sucked into a book of unfinished stories, whose patchwork pages they must traverse...and read to the end this time.
Author : Allen J. Frantzen Publisher : University of Chicago Press Page : 384 pages File Size : 48,6 Mb Release : 2000-05 Category : History ISBN : 0226260925
Examining the intolerance of homosexuality in the early medieval period, this study challenges the long-held belief that the early Middle Ages tolerated same-sex relations. The work focuses on Anglo-Saxon literature but also includes examinations of contemporary opera, dance and theatre.
A PROUD KNIGHT FALLS... Renowned English knight Ivo de Vessey officiates at a concert for his liege lord in the nobleman’s great hall, but he is barely able to keep his mind on his task. He can’t take his eyes off of the stunning singer with dark hair, mysterious eyes, and a voice like honey. Who is this angelic creature whose voice touches his soul, softens his heart, and fills him with a tender longing he’s never felt before? It feels as if she is singing only for him... A WOMAN’S VENGEANCE... Briar Kenton has vowed to take revenge on the man responsible for her family’s ruin. She’s accepted his invitation to perform, but she has ulterior motives – to seduce the handsome scoundrel and destroy his sworn promise to another. But after a night of passion, she discovers that de Vessey is merely the envoy of her sworn enemy. Now that she has known tenderness and ecstasy of being in his arms, she can’t possibly let him go... Can de Vessey’s loyalty to his liege vie with his desire to help her right the unforgivable wrongs? Briar herself is undone—torn between retribution and an impossible dream for a forbidden love...
"Wild Folk" by Samuel Scoville is a nature-fiction book about the lives of various wild animals and birds. The stories are most fascinating reading for those who enjoy the great outdoors and like to have their information presented in the form of nature-sketches. The book also includes vivid sketched pictures of the animals and birds.
Was Mao Really a Monster? by Gregor Benton,Lin Chun Pdf
Mao: The Unknown Story by Jung Chang and Jon Halliday was published in 2005 to a great fanfare. The book portrays Mao as a monster – equal to or worse than Hitler and Stalin – and a fool who won power by native cunning and ruled by terror. It received a rapturous welcome from reviewers in the popular press and rocketed to the top of the worldwide bestseller list. Few works on China by writers in the West have achieved its impact. Reviews by serious China scholars, however, tended to take a different view. Most were sharply critical, questioning its authority and the authors’ methods , arguing that Chang and Halliday’s book is not a work of balanced scholarship, as it purports to be, but a highly selective and even polemical study that sets out to demonise Mao. This book brings together sixteen reviews of Mao: The Unknown Story – all by internationally well-regarded specialists in modern Chinese history, and published in relatively specialised scholarly journals. Taken together they demonstrate that Chang and Halliday’s portrayal of Mao is in many places woefully inaccurate. While agreeing that Mao had many faults and was responsible for some disastrous policies, they conclude that a more balanced picture is needed.
