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The Baroque in English Neoclassical Literature by John Douglas Canfield Pdf
In this study, J. Douglas Canfield contends that baroque disruption persists even as English literature becomes more neoclassical. It twists forms and meanings. From paradoxical, mysterious moments in Paradise Lost, amazing metaphorics in Cavendish and Philips, momentous materializations in Waller and Dorset, and revealing displacements in Buckingham and Rochester to outrageous attack in Dryden and Pope, astonishing ventriloquizing in Killigrew and Finch and Montagu, and eccentricity and grotesquerie in Gulliver's Travels - the baroque comes back to disturb neoclassical regularity.--BOOK JACKET.
The Baroque in English Neoclassical Literature by Douglas J. Canfield Pdf
From Milton and the Court Wits to Dryden and the Scriblerians, authors deploy baroque moments of disruption, grotesquerie, excrescence, extravagance, exuberance, encryption_even as they turn to more supposedly classical, restrained, and rational forms. Canfield tries to ferret out the meanings of these disruptions.
A Study Guide for "Neoclassicism" by Gale, Cengage Learning Pdf
A Study Guide for "Neoclassicism," excerpted from Gale's acclaimed Literary Movements for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Literary Movements for Students for all of your research needs.
Author : Rémy G. Saisselin Publisher : University of California Press Page : 166 pages File Size : 52,5 Mb Release : 2018-06-22 Category : History ISBN : 9780520302235
The Enlightenment against the Baroque by Rémy G. Saisselin Pdf
How do seemingly disparate arenas of Enlightenment philosophy, economic theories, boudoir etiquette, literary styles, and artistic modes coincide in the late eighteenth century? In this poetic essay on the evolution of the idea of luxury and art, Rémy G. Saisselin uses precise, witty examples to describe the development of our modern taste, the successor of the more spiritual and grand baroque goût. His analysis both illuminates and distinguishes between eighteenth-century and modern varieties of conspicuous consumption. This persuasive discourse depicts the rise of luxe as an escape from ennui and shows how, for the first time in European history, a large class of wealthy, leisured people emerged to make art, luxury, and the avoidance of boredom its preoccupation. Saisselin provides an original and lucid picture of the first phases in the emergence of a specifically bourgeois taste. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992.
Massimo Ciavolella,Patrick Coleman,Professor of French Patrick Coleman
Author : Massimo Ciavolella,Patrick Coleman,Professor of French Patrick Coleman Publisher : University of Toronto Press Page : 265 pages File Size : 53,7 Mb Release : 2005-01-01 Category : Literary Criticism ISBN : 9780802038388
Culture and Authority in the Baroque by Massimo Ciavolella,Patrick Coleman,Professor of French Patrick Coleman Pdf
Culture and Authority in the Baroque explores the baroque across a wide range of disciplines, from poetics to politics, to the rituals of musical, dramatic, and religious performance.
Classical Literature & History of English Literature For B.A. (Sem.-5) According to NEP-2020 by R. Bansal Pdf
Contents: 1. Important Concepts In English Literature 2. The Republic (By Plato) 3. Iliad (By Homer) 4. Oedipus Rex (By Sophocles) 5. Shakuntala (By Kalidasa) 6. Chaucer To Renaissance (14th To 16th Century) 7. Neoclassicism And Growth Of Romantic Literature (17th And 18th Century) 8. Flourishing Victorian Era (Romantic Age And 19th Century) 9. Modernist Experimentation (20th Century). Additional Information: The author of this book is R. Bansal.
Cultural Memory, a subtle and comprehensive process of identity formation, promotion and transmission, is considered as a set of symbolic practices and protocols, with particular emphasis on repositories of memory and the institutionalized forms in which they are embodied.
«Remov'd from human eyes»: Madness and Poetry 1676-1774 by Natali, Ilaria Pdf
The years 1676 and 1774 marked two turning points in the social and legal treatment of madness in England. In 1676, London’s Bethlehem Hospital expanded in grand new premises, and in 1774 the Madhouses Act attempted to limit confinement of the insane. This study explores almost a century of the English history of madness through the texts of five poets who were considered mentally troubled according to contemporary standards: James Carkesse, Anne Finch, William Collins, Christopher Smart and William Cowper were hospitalized, sequestered or exiled from society. Their works cope with representations of insanity, medical definitions or practices, imputed illness, and the judging eye of the ‘sane other’, shedding new light on the dis/continuities in the notion of madness of this period.
Prompted by commercial and imperial expansion such as the creation of the Bank of England in 1694 and the publication and circulation of Ben Jonson’s The Staple of News in 1626, rapidly changing cultural, economic, and political realities in early modern England generated a paradigmatic shift in class awareness. Denys Van Renen’s The Other Exchange demonstrates how middle-class consciousness not only emerged in opposition to the lived and perceived abuses of the aristocratic elite but also was fostered by the economic and sociocultural influence of women and lower-class urban communities. Van Renen contends that, fascinated by the intellectual and cultural vibrancy of the urban underclass, many major authors and playwrights in the early modern era—Ben Jonson, Richard Brome, Aphra Behn, Joseph Addison, Richard Steele, Eliza Haywood, and Daniel Defoe—featured lower-class men and women and other marginalized groups in their work as a response to the shifting political and social terrain of the day. Van Renen illuminates this fascination with marginalized groups as a key element in the development of a middle-class mindset.
First Published in 1978, The Baroque focuses on eight areas where it expressed itself most successfully. The cultural movement called baroque dominated most of the Western Europe from the late sixteenth century to the 1720s. During that long time, it went through various phases, affecting some arts, some countries more than others. There are many overlapping definitions of baroque like from a mode of European painting to a style of architecture or rather a cultural phenomenon which manifested itself most noticeably in the fine and applied arts. In this book each chapter presents a separate exploration of different interlinked facets of this vast and maze-like subject. This book is an interesting read for scholars of European literature.
Author : Tony Claydon,Thomas N. Corns Publisher : University of Wales Press Page : 210 pages File Size : 40,8 Mb Release : 2011-06-15 Category : History ISBN : 9780708324455
Religion, Culture and National Community in the 1670s by Tony Claydon,Thomas N. Corns Pdf
This is a fascinating collection of essays illustrating the latest thought on the crucial decade of the 1670s in Britain. This was a period in which it could be argued the modern world began to emerge. These essays reflect and analyse these tensions, illustrating the surprising routes by which 'modern' ideas made progress.
ENGLISH LITERATURE ADVANCING THROUGH HISTORY 4 – The Eighteenth Century by Petru Golban Pdf
It appears that literary work possesses eternal temporal validity due to its autonomous aesthetic value, whereas criticism provides points of view having temporary and transitory significance. Despite such claims, the vector of methodology in our series of books, dealing with the history of English literature, relies on Viktor Shklovsky, T. S. Eliot, Mikhail Bakhtin, and especially Yuri Tynyanov, whose main reasoning would be that literature is a system of dominant, central and peripheral, marginalized elements – to us, “tradition” (centre) versus “innovation” (margin) engaged in a “battle” for supremacy, demarginalization, and the right to form a new literary system – and the development or historical advancement of literature is the substitution of systems. Roman Jakobson and French structuralism, on the whole, later Linda Hutcheon, with her “system” and “constant”, and Bran Nicol with the “dominant”, to say nothing about Itamar Even-Zohar and his theory of polysystem, to a certain extent Julia Kristeva, and even Homi Bhabha – as well as our humble contribution, we would like to believe – maintain Tynyanov’s line of thinking and concepts alive, which have developed and emerged nowadays more like a kind of “neo-formalism”. Focusing on literary practice, applying critical theory and emerging from within our own teaching experience, the books in the present series are theoretical and surveyistic, like a monograph, whereas their more practical and text-oriented aspect should appeal as a student handbook for didactic purposes, in which certain literary works belonging to various writers of different trends, movements, and periods are analysed and compared with regard to their source, form, thematic arrangements, ideas, motifs, character representation strategies, intertextual perspectives, structural or narrative techniques, and other aspects.
The Italian Opera Libretto and Dubrovnik Theatre by Viktoria Franić Tomić,Slobodan Prosperov Novak,Ennio Stipčević Pdf
Nowhere in Europe the Italian opera libretto has had such a direct and decisive influence on original national drama production as it did in Dubrovnik during the 17th and 18th century. In the "Golden Age of Croatian Literature", a hybrid drama genre was created. For more than a century, authors of this genre looked attentively at the most important trends of Italian opera production and followed them faithfully. In Croatian literature of that period, a specific model of libretti without music was created, one that appropriated the Italian libretto. These plays were not performed along with functional music, although sometimes authors and actors would provide instrumental accompaniment to the texts. Nothing more needs to be said about the dissemination and specific reception of Italian opera libretti in Dubrovnik during the 17th and 18th century to be understood as occupying a noteworthy place in the cultural life of Europe.
The Literatures of Spanish America and Brazil by Earl E. Fitz Pdf
In this survey of Central and South American literature, Earl E. Fitz provides the first book in English to analyze the Portuguese- and Spanish-language American canons in conjunction, uncovering valuable insights about both. Fitz works by comparisons and contrasts: the political and cultural situation at the end of the fifteenth century in Spain and Portugal; the indigenous American cultures encountered by the Spanish and Portuguese and their legacy of influence; the documented discoveries of Colón and Caminha; the colonial poetry of Mexico’s Sor Juana Inés de la Cruz and Brazil’s Gregório de Matos; culminating in a meticulous evaluation of the poetry of Nicaragua’s Rubén Darío and the prose fiction of Brazil’s Machado de Assis. Fitz, an award-winning scholar of comparative literature, contends that at the end of the nineteenth century, Latin America produced two great literary revolutions, both unique in the western hemisphere, and best understood together.
This is an impressive and lucid survey of eighteenth-century intellectual life, providing a real sense of the complexity of the age and of the cultural and intellectual climate in which imaginative literature flourished. It reflects on some of the dominant themes of the period, arguing against such labels as 'Augustan Age', 'Age of Enlightenment' and 'Age of Reason', which have been attached to the eighteenth-century by critics and historians.
