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Gavin, rector of St Barnabas Without, runs his parish on determinedly trendy lines, concentrating on gays, 'bondage freaks', mackintosh fetishists etc. His bishop also thinks along modern lines. The arrival of a new, somewhat strange curate causes a series of true miracles. The bishop is about to announce a return to the old ways when a natural explanation of the miracles is discovered.
March, 1938. Jacob Welker, President Roosevelt's own covert counter-intelligence agent, is brought in to investigate a Nazi threat - two men posing as FBI agents have attacked and beaten a man to death. The only witness, a homeless man, claims they were speaking German. Who exactly are these men, what is their target and when will they strike?
Based on never-before published material from the Richler archives as well as interviews with family members, friends, and acquaintances, Mordecai Richler: Leaving St Urbain shows how Richler consistently mined his remarkable life for material for his novels. Beginning with the early clashes with his grandfather over Orthodox Judaism, and exposing the reasons behind his life-long quarrel with his mother, Kramer follows Richler as he flees to Ibiza and Paris, where he counted himself as one of the avant-garde who ushered in the 1960s. His successes abroad gave him the opportunity to remain in England and leave novel-writing behind — but he did neither. More than a biography, Mordecai Richler: Leaving St Urbain is the story of a Jewish culture finding its place within a larger stream, a literary culture moving into the colloquial, and a Canada torn between nationalism and cosmopolitanism.
Millions of Christians have struggled with how to reconcile God's love and God's judgment: Has God created billions of people over thousands of years only to select a few to go to heaven and everyone else to suffer forever in hell? Is this acceptable to God? How is this "good news"? Troubling questions—so troubling that many have lost their faith because of them. Others only whisper the questions to themselves, fearing or being taught that they might lose their faith and their church if they ask them out loud. But what if these questions trouble us for good reason? What if the story of heaven and hell we have been taught is not, in fact, what the Bible teaches? What if what Jesus meant by heaven, hell, and salvation are very different from how we have come to understand them? What if it is God who wants us to face these questions? Author, pastor, and innovative teacher Rob Bell presents a deeply biblical vision for rediscovering a richer, grander, truer, and more spiritually satisfying way of understanding heaven, hell, God, Jesus, salvation, and repentance. The result is the discovery that the "good news" is much, much better than we ever imagined. Love wins.
Fully annotated student edition of a modern classic Oh What a Lovely War is a theatrical chronicle of the First World War, told through the songs and documents of the period. First performed by Joan Littlewood's Theatre Workshop at the Theatre Royal, Stratford East, London in 1963, it received the acclaim of London audiences and critics. It won the Grand Prix of the Théâtre des Nations festival in Paris that year and has gone on to become a classic of the modern theatre. In 1969 a film version was made which extended the play's popular success. The play is now on the standard reading list of schools and universities around the UK and was revived by the Royal National Theatre in 1998.
The First World War (1914–1918) marked a turning point in modern history and culture and its literary legacy is vast: poetry, fiction and memoirs abound. But the drama of the period is rarely recognised, with only a handful of plays commonly associated with the war. First World War Plays draws together canonical and lesser-known plays from the First World War to the end of the twentieth century, tracing the ways in which dramatists have engaged with and resisted World War I in their works. Spanning almost a century of conflict, this anthology explores the changing cultural attitudes to warfare, including the significance of the war over time, interwar pacifism, and historical revisionism. The collection includes writing by combatants, as well as playwrights addressing historical events and national memory, by both men and women, and by writers from Great Britain and the United States. Plays from the period, like Night Watches by Allan Monkhouse (1916), Mine Eyes Have Seen by Alice Dunbar-Nelson (1918) and Tunnel Trench by Hubert Griffith (1924), are joined with reflections on the war in Post Mortem by Noël Coward (1930, performed 1944) and Oh What A Lovely War by Joan Littlewood's Theatre Workshop (1963) as well as later works The Accrington Pals by Peter Whelan (1982) and Sea and Land and Sky by Abigail Docherty (2010). Accompanied by a general introduction by editor, Dr Mark Rawlinson.
Irish Drama and Wars in the Twentieth Century by Wei H. Kao Pdf
This book delves into how playwrights, whether canonical or less frequently discussed in the academic sphere, have critically and creatively engaged with the Anglo-Irish War, the Irish Civil War, the Easter Rising, the Northern Ireland Troubles and other conflicts. It not only approaches their plays—some of which have not been subject to much study—in relevant historical contexts, but also explores how Irish dramatists have observed humanity and resilience in war and given their insights into republican, unionist and denominational divides. It also reveals the dynamic mechanism connecting playwrights, performing venues, critics and audience members. As a whole, this book will be of interest to Irish studies scholars, theatre practitioners and historians, and people who would like to have a systematic understanding of twentieth-century Irish drama focusing on nation formation, war, revolution and humanity.
The First World War produced an extraordinary flowering of poetic talent, poets whose words commemorate the conflict more personally and as enduringly as monuments in stone. Lines such as 'What passing-bells for these who die as cattle?' and 'They shall grow not old, as we that are left grow old' have come to express the feelings of a nation about the horrors and aftermath of war. This new anthology provides a definitive record of the achievements of the Great War poets. As well as offering generous selections from the celebrated soldier-poets, including Wilfred Owen, Siegfried Sassoon, Rupert Brooke, and Ivor Gurney, it also incorporates less well-known writing by civilian and women poets. Music hall and trench songs provide a further lyrical perspective on the War. A general introduction charts the history of the war poets' reception and challenges prevailing myths about the war poets' progress from idealism to bitterness. The work of each poet is prefaced with a biographical account that sets the poems in their historical context. Although the War has now passed out of living memory, its haunting of our language and culture has not been exorcised. Its poetry survives because it continues to speak to and about us.
David Amram-composer, jazz artist, conductor, and world music pioneer-has been described by the Boston Globe as "the Renaissance man of American music." From early collaborations with Kerouac and Sinatra, chosen by Leonard Bernstein as the New York Philharmonic's first composer in residence, Amram's artistry has taken him from concerts with Willie Nelson to jamming with the Massai tribe of Kenya. In Upbeat: Nine Lives of a Musical Cat, Amram recounts his extraordinary adventures in the many worlds of music he calls home, all told in a rollicking anecdotal style that makes you feel that you are at home around the world. He writes, "Everywhere I have been in the world, music transcends politics. As musicians, we were able to go beyond all that and just be fellow human beings." Threading through Amram's tale of music, hard work, respect, and friendship are unforgettable stories of fellow great artists-Dizzie Gillespie, Hunter S. Thompson, Janet Gaynor, George Plimpton, Lyle Lovett, Zoe Caldwell, Willie Nelson, and many more.
Dazzling, enchanting and epic, The Bells is the confession of a thief, kidnapper and unlikely lover — a boy with the voice of an angel whose exquisite sense of hearing becomes both his life's tragic curse and its greatest blessing. Moses Froben was born in a belfry high in the Swiss Alps, the bastard son of a deaf-mute woman banished to the church tower to ring each day the Loudest and Most Beautiful Bells in the land. His life is simple but he is content, until the day his father recognizes Moses's singular sense of hearing and its power to expose his sins. Cast into the world with only his ears to protect and guide him, Moses finds refuge in the choir of the great Abbey of St. Gall and becomes its star singer, only to endure the horrifying act of castration meant to preserve his angelic voice and turn him into a musico. In a letter to his son, Moses recounts his humble birth in eighteenth-century Switzerland and his life as a novice monk, and tells of the two noble friends — and a forbidden lover — whom he cherished during his chaotic years in Mozart's Vienna as apprentice to the great Gaetano Guadagni, and even as he ascended Europe's most celebrated stages as Lo Svizzero. But in this letter he will also reveal the astonishing secrets of his past and answer the question that has shadowed his fame: how did Moses Froben, world-renowned musico, come to raise a son who by all rights he could never have sired?
This heart-wrenching, moving and emotional saga full of twists and turns and highlighting the importance of love and understanding by the Sunday Times bestselling author Ruth Hamilton is a must - read for fans of Catherine Cookson, Dilly Court and Josephine Cox. "I believe that Ruth Hamilton is very much the successor to Catherine Cookson. Her books are plot driven, they just rip along; laughs, weeps, love, they've got the lot, and they're quality writing as well" -- SARAH BROADHURST, RADIO FOUR "This book kept me enthralled to the very last page" -- ***** Reader review "A riveting read. Couldn't put it down." -- ***** Reader review "As always an impeccable story by Ruth, sadness, happiness and in between hilarious wit. A must read book which you will be loathe to put down." -- ***** Reader review "A truly superb book" -- ***** Reader review **************************************************************************** WILL ONE FRIENDSHIP CHANGE THINGS FOREVER? Despite her strict 1950s Catholic upbringing, Madeleine Horrocks, doesn't understand why religion seems to force people apart. But her friend Amy has been brought up to believe that mixing with other religions results in eternal damnation, and when Maddy becomes friendly with George, a local, good-looking Jewish boy, Amy fears the worst. But as they grow up she, too, becomes friends with George, as well as with other young teenagers who meet secretly at the Bell House, an ancient place of burial. When a body is found in the nearby reservoir they all become threatened by tragedy and danger. Meanwhile, Father Sheahan, the whisky-soaked priest from the local church, has discovered that his secret past is catching up with him. Bigotry, lust and hatred have been so much a part of this community that it takes the combined forces of young and old - and particularly George's formidable grandmother Yuspeh - to bring everyone together and move forward positively.
Widowed Mary Bolton, like Miss Jean Brodie, considers herself in her prime. Not satisfied with car boot sales, dances at the bowling club and reading to the elderly, she throws herself into bellringing with gusto - much to the annoyance of her neighbours. But when the industrious Mary is found swinging from a bell rope, Jessica Brand - who only days before had threatened to strangle Mary with the very same rope - fears she will be accused. There's nothing left to do but call in private detective Agatha Raisin to untangle the web of sex, money, deceit ... and murder.
