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The Best Cartoons from the Saturday Evening Post by Steve Pettinga Pdf
For well over a century, hundreds of thousands of American families have enjoyed the award-winning magazine The Saturday Evening Post. Now, for the first time, 150 of the magazine's best cartoons have been collected in an attractive volume that's destined to become a classic.
Chicken Soup for the Volunteer's Soul by Jack Canfield,Mark Victor Hansen Pdf
Deep within each one of us lies the ability to step up and care for those in need, even though we often feel overwhelmed by a complex world. In fact, more than 200 million people throughout the world offer their time and love to volunteering.
What If the Bible Had Never Been Written? by D. James Kennedy,Jerry Newcombe Pdf
But the Bible, more than any other book, is also the most maligned on the market. Many of the cities of our culture dismiss the Word of God. In What If the Bible Had Never Been Written?, D. James Kennedy and Jerry Newcombe show that this collection of books was indeed the inspiration for almost all of the great explorers, scientists, writers, artists, politicians, and educators the world has ever known. That such a book, which has influenced so many and stood the test of time for so long, is dismissed as folklore or myth, just goes to show what extremes nonbelievers will go to rationalize their behavior. From the Ten Commandments, which many of our laws and government are based upon, to the Golden Rule, a verse taken straight out of the New Testament, to many of today's most common phrases and expressions...there is no doubt as to the influence the Bible has on everyone, in some degree, every day. What If the Bible Had Never Been Written? provides a well-documented and in-depth look at the impact the Book of Books has had on humanity, pointing to specific areas in today's society that would not be as they are now, if it were not for the Bible.
Editorial Cartoon Awards 1922–1997 by Heinz-D. Fischer Pdf
The School of Journalism at Columbia University has awarded the Pulitzer Prize since 1917. Nowadays there are prizes in 21 categories from the fields of journalism, literature and music. The Pulitzer Prize Archive presents the history of this award from its beginnings to the present: In parts A to E the awarding of the prize in each category is documented, commented and arranged chronologically. Part F covers the history of the prize biographically and bibliographically. Part G provides the background to the decisions.
Charles M. Schulz by The Charles M. Schulz Museum,Benjamin L. Clark,Nat Gertler Pdf
Charles M. Schulz: The Life and Art of the Creator of Peanuts in 100 Objects explores the man behind one of America’s most iconic comic strips and its beloved cast of characters—Charlie Brown, Snoopy, and the rest of the Peanuts Gang. Through 100 preserved and cataloged artifacts, delve into Charles M. Schulz’s Minnesota youth in 1920s America, Schulz’s WWII Army service, and Schulz’s path to fame through his post-war comic series Li’l Folks and five decades of Peanuts. From Schulz’s first published drawing featured in Ripley’s Believe It or Not! to his 2001 Congressional Gold Medal, the 100 artifacts bring the details of the singular artist to life. Along with provocative, witty, and wise quotes, fan-favorite strips, and more, this book is a must-have for any Peanuts fan. 100 OBJECTS: Carefully curated artifacts from Charles M. Schulz’s home and studio—including medals and awards, family photos, rare comic art, and more—tell the story of this beloved artist’s life, career, and the times in which he lived. EXPLORE AMERICANA: From his youth in 1920’s Minnesota through the turbulent 60s and beyond, Charles Schulz’s life spans the rich history of the American Century. CLASSIC STRIPS: Includes timeless Peanuts comic strips featuring Charlie Brown, Snoopy, and the whole Peanuts Gang. FASCINATING FACTS: Fans of Peanuts will find never-before-seen items that give them an intimate look at the creation of the acclaimed comic strip series. OFFICIAL ACCOUNT: Created in collaboration with the Charles M. Schulz estate, the book provides an exclusive look into the life of one of America’s most revered artists.
In The Citizen Audience, Richard Butsch explores the cultural and political history of audiences in the United States from the nineteenth century to the present. He demonstrates that, while attitudes toward audiences have shifted over time, Americans have always judged audiences against standards of good citizenship. From descriptions of tightly packed crowds in early American theaters to the contemporary reports of distant, anonymous Internet audiences, Butsch examines how audiences were represented in contemporary discourse. He explores a broad range of sources on theater, movies, propaganda, advertising, broadcast journalism, and much more. Butsch discovers that audiences were characterized according to three recurrent motifs: as crowds and as isolated individuals in a mass, both of which were considered bad, and as publics which were considered ideal audiences. These images were based on and reinforced class and other social hierarchies. At times though, subordinate groups challenged their negative characterization in these images, and countered with their own interpretations. A remarkable work of cultural criticism and media history, this book is essential reading for anyone seeking an historical understanding of how audiences, media and entertainment function in the American cultural and political imagination.
Author : Donna B. Knaff Publisher : University Press of Kansas Page : 224 pages File Size : 51,5 Mb Release : 2014-01-10 Category : Social Science ISBN : 9780700619665
The iconic bicep-flexing poster image of "Rosie the Riveter" has long conveyed the impression that women were welcomed into the World War II work force and admired for helping "free a man to fight." Donna Knaff, however, shows that "Rosie" only revealed part of the reality and that women depicted in other World War II visual art-both in the private sector and the military-reflected decidedly mixed feelings about the status of women within American society. Beyond Rosie the Riveter takes readers back to a time before television's dominance, to the golden age of print art and its singular power over public opinion. Focusing specifically on instances of "female masculinity" when women entered previously all-male fields, Knaff places these images within the context of popular discussions of gender roles and examines their historical, cultural, and textual contexts. As Knaff reveals, visual messages received by women through war posters, magazine cartoons, comic strips, and ads may have acknowledged their importance to the war effort but also cautioned them against taking too many liberties or losing their femininity. Her study examines the subtle and not-so subtle cultural battles that played out in these popular images, opening a new window on American women's experience. Some images implicitly argued that women should maintain their femininity despite adopting masculinity for the war effort; others dealt with society's deep-seated fear that masculinized women might feminize men; and many reflected the dilemma that a woman was both encouraged to express and suppress her sexuality so that she might be perceived as neither promiscuous nor lesbian. From these cases, Knaff draws a common theme: while being outwardly empowered or celebrated for their wartime contributions, women were kept in check by being held responsible for everything from distracting male co-workers to compromising machinery with their long hair and jewelry. Knaff also notes the subtle distinctions among the images: government war posters targeted blue-collar women, New Yorker content was aimed at socialites, Collier's addressed middle-class women, and Wonder Woman was geared to young girls. Especially through its focus on visual arts, Knaff's book gives us a new look at American society decades before the modern women's rights movement, torn between wartime needs and antiquated gender roles. It provides much-needed nuance to a glossed-over chapter in our history, charting the difficult negotiations that granted-and ultimately took back-American women's wartime freedoms.
Author : John A. Garraty,Mark C. Carnes Publisher : Oxford University Press Page : 848 pages File Size : 50,8 Mb Release : 2005-05-12 Category : History ISBN : 9780199771493
American National Biography by John A. Garraty,Mark C. Carnes Pdf
American National Biography is the first new comprehensive biographical dicionary focused on American history to be published in seventy years. Produced under the auspices of the American Council of Learned Societies, the ANB contains over 17,500 profiles on historical figures written by an expert in the field and completed with a bibliography. The scope of the work is enormous--from the earlest recorded European explorations to the very recent past.
In this expansive historical synthesis, Richard Butsch integrates social, economic, and political history to offer a comprehensive and cohesive examination of screen media and screen culture globally – from film and television to computers and smart phones – as they have evolved through the twentieth and twenty-first centuries. Drawing on an enormous trove of research on the USA, Britain, France, Egypt, West Africa, India, China, and other nations, Butsch tells the stories of how media have developed in these nations and what global forces linked them. He assesses the global ebb and flow of media hegemony and the cultural differences in audiences' use of media. Comparisons across time and space reveal two linked developments: the rise and fall of American cultural hegemony, and the consistency among audiences from different countries in the way they incorporate screen entertainments into their own cultures. Screen Culture offers a masterful, integrated global history that invites media scholars to see this landscape in a new light. Deeply engaging, the book is also suitable for students and interested general readers.
