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A seamless blend of fable and philosophy, the Bhagavata Purana is perhaps the most revered text in the Vaishnava tradition. It brings to life the legends of gods, asuras, sages and kings-all the while articulating the crucial ethical and philosophical tenets that underpin Hindu spiritualism. The narrative unfolds through a series of conversations and interconnected stories. We are told how the sage Vyasa was inspired by Narada to compose the Bhagavata Purana as a means to illumine the path to a spiritual life. We learn of the devotion of Prahlada, the austerity of Dhruva, and the blinding conceit of Daksha. Also recounted are tales of the many incarnations of Vishnu, especially Krishna, whom we see grow from a beloved and playful child to a fierce protector of the faithful.
Even after he has composed the awesome Mahabharata, the Maharishi Vyasa finds no peace. Narada Muni says to him, Ordinary men will be delighted by your work, but what about the Sages of heaven and earth? You have described the human life, its strife and its ends, but you have not yet described the Lord himself. You must turn your great gift to that task; only then will you find peace. Veda Vyasa composes the Bhagavata Purana, in eighteen thousand slokas and twelve kandas. He teaches it to his illumined son Suka, who narrates the Secret Purana to Yudhishtira s heir, King Parikshit, on the banks of the Ganga. The Bhagavata Purana is a living embodiment of the Lord Narayana and claims to bestow moksha merely by being heard. Just before Krishna, the Avatara, leaves the world, Uddhava says to him, leave us a tangible form, Lord, in which we can find you, touch you, and be near you. Krishna enters the Bhagavata Purana with all of his being. This book is a full literary rendering of the Bhagavata Purana, bringing all the wonder, wisdom and grace of the Book of God to the modern reader.
A seamless blend of fable and philosophy, the Bhagavata Purana is perhaps the most revered text in the Vaishnava tradition. It brings to life the legends of gods, asuras, sages and kings-all the while articulating the crucial ethical and philosophical tenets that underpin Hindu spiritualism. The narrative unfolds through a series of conversations and interconnected stories. We are told how the sage Vyasa was inspired by Narada to compose the Bhagavata Purana as a means to illumine the path to a spiritual life. We learn of the devotion of Prahlada, the austerity of Dhruva, and the blinding conceit of Daksha. Also recounted are tales of the many incarnations of Vishnu, especially Krishna, whom we see grow from a beloved and playful child to a fierce protector of the faithful.
A seamless blend of fable and philosophy, the Bhagavata Purana is perhaps the most revered text in the Vaishnava tradition. It brings to life the legends of gods, asuras, sages and kings-all the while articulating the crucial ethical and philosophical tenets that underpin Hindu spiritualism. The narrative unfolds through a series of conversations and interconnected stories. We are told how the sage Vyasa was inspired by Narada to compose the Bhagavata Purana as a means to illumine the path to a spiritual life. We learn of the devotion of Prahlada, the austerity of Dhruva, and the blinding conceit of Daksha. Also recounted are tales of the many incarnations of Vishnu, especially Krishna, whom we see grow from a beloved and playful child to a fierce protector of the faithful.
A seamless blend of fable and philosophy, the Bhagavata Purana is perhaps the most revered text in the Vaishnava tradition. It brings to life the legends of gods, asuras, sages and kings-all the while articulating the crucial ethical and philosophical tenets that underpin Hindu spiritualism. The narrative unfolds through a series of conversations and interconnected stories. We are told how the sage Vyasa was inspired by Narada to compose the Bhagavata Purana as a means to illumine the path to a spiritual life. We learn of the devotion of Prahlada, the austerity of Dhruva, and the blinding conceit of Daksha. Also recounted are tales of the many incarnations of Vishnu, especially Krishna, whom we see grow from a beloved and playful child to a fierce protector of the faithful.
The Most Recognized Dog In Indian Myth Is The Dog In The Mahabharata That Accompanied The Pandavas Not Actually A Dog But Dharma In Disguise. There Are, However, Several More References To Dogs In The Classical Texts. Mentioned For The First Time In The Rg Veda, The Eponymous Sarama Is The Dog Of The Gods And The Ancestor Of All Dogs. In Sarama And Her Children, The Evolution Of The Indian Attitude Towards Dogs Is Traced Through The Vedas, Epics, Puranas, Dharmashastras And Niti Shastras. The Widespread Assumption Is That Dogs Have Always Been Looked Down Upon In Hinduism And A Legacy Of That Attitude Persists Even Now. Tracing The Indian Attitude Towards Dogs In A Chronological Fashion, Beginning With The Pre-Vedic Indus Valley Civilization, Bibek Debroy Discovers That The Truth Is More Complicated. Dogs Had A Utilitarian Role In Pre-Vedic And Vedic Times. There Were Herd Dogs, Watchdogs And Hunting Dogs, And Dogs Were Used As Beasts Of Burden. But By The Time Of The Mahabharata, Negative Associations Had Begun To Creep In. Debroy Argues Convincingly That The Change In The Status Of The Dog In India Has To Do With The Progressive Decline Of The Traditional Vedic Gods Indra, Yama And Rudra (Who Were Associated With Dogs), And The Accompanying Elevation Of Vishnu, Associated With An Increase In Brahmana Influence. Debroy Demonstrates That Outside The Mainstream Caste Hindu Influence, As Reflected In Doctrines Associated With Shiva And In Buddhist Jataka Tales, Dogs Did Not Become Outcasts Or Outcastes. Drawing References From High And Low Literature, Folk Tales And Temple Art, Sarama And Her Children Dispels Some Myths And Ensures That The Indian Dog Also Has Its Day.
‘Among the eighteen classic Hindu texts called the Puranas, the Brahmanda Purana recounts the stories and lores associated with Brahma, the creator and one of the trinities of the supreme divinity along with Vishnu and Shiva. A relatively early Purana, its composition can be traced back to approximately 400 to 600 BCE, predating many other Hindu texts. While the first volume talks of the cosmology, creation, and geography, the lineages of rishis and shraddha rites, ending with Parashurama's stoory, the highlight of volume 2 is its emphasis on Lalita's greatness, the slaying of Bhandasura, Madana's rebirth and the glory of Kamakshi. Translated and annotated from the original Sanskrit by Bibek Debroy, this edition of the Brahmanda Purana is a precious and rare volume for the lovers of Hindu mythology and religion. This is the sixth volume in the Purana series; the others include the Bhagavata Purana, the Markandeya Purana, the Brahma Purana, Vishnu Purana, and the Shiva Purana.’
The eighteen Puranas are counted among the foundational texts of Hinduism. The holy trinity of Brahma as the creator, Vishnu as the preserver and Shiva as the destroyer play a central deities of the Puranas and feature in the narratives. The Puranas where creation themes feature prominently are identified with Brahma (Brahma, Brahmanda, Brahmavaivarta, Markandeya). Puranas where Vishnu features prominently are identified as Vaishnava Puranas (Bhagavata, Garuda, Kurma, Matysa, Narada, Padma, Vamana, Varaha, Vishnu). Puranas where Shiva features prominently are identified as Shaiva Puranas (Agni, Lings, Shiva, Skanda, Vayu). The Brahma Purana is so named because it was originally recounted by Brahma. It is described as Adi Purana in several Purana texts, underlining its importance. Odisha and the temples in that region are a key component of the text.
DISCOURSES ON SHRIMAD BHAGAVATA (Conto 9 to 12) by Swami Tejomayananda Pdf
Shrimad Bhagavat is renowned as one of the greatest compositions in Sanskrit Literature. The 18th Purana composed by Maharishi Veda-Vyasa, it stands unparalleled in its distinct and resplendent exaltation of devotion to God, revealing throughout the quintessence of Vedantic teachings. Masterfully profound and delightfully enchanting, Shrimad Bhagavat abounds in work-paintings of the supreme Lord's wondrous and endearing avatars, divine sports and devotees - paintings that kindle, intensity and establish devotion in one's heart. This spring of devotion leads one to satsang, to the Guru and to teachings that unveil one's essential nature of Brahman.
Devi-Bhagavata Purana, also known as the Shrimad Devi Bhagvatam, the Devi Bhagavatam, is one of the most important works in Shaktism, a branch of Hinduism focusing on the veneration of the divine feminine, along with the Devi Mahatmya. Also, the Devi-Bhagavata Purana claims itself as a Maha Purana ("Great Purana"). The Devi-Bhagavata Purana has a special importance for the Shakta sect within Hinduism. The text describes the Devi (Divine) the Goddess, as the foundation of the world and as identical with Brahman, the Supreme Being. As the divine mother, she reveals her virat rupa (universal form) and describes the proper ways for worshipping her: especially the practice of Yoga, Meditation, and Ritual. The Devi-Bhagavata Purana also deals with topics like spiritual knowledge, social and personal ethics, and holy places. Devi-Bhagavata Purana consists of 12 skandhas (books), 318 adhyayas (chapters) and 18,000 verses and it is ascribed to the sage Krishna Dvaipayana Veda Vyasa, who is also regarded as the author of the Mahabharata and who is credited with dividing the Vedas into four parts. The first skandha consists of 20 chapters. The first three chapters of the first skandha deal with the praise of Suta by Shaunaka for studying the eighteen puranas from Veda Vyasa and on the request of Shaunaka, Suta's beginning of narration. Chapters 4-19 describe the narrative of Suka. The last chapter narrates the story of the Mahabharata from the marriage of Shantanu with Satyavati to the birth of Dhritarashtra, Pandu and Vidura. The second, third, fourth, fifth, sixth and seventh skandhas consist of 12, 30, 25, 35, 31 and 40 chapters respectively. The last nine chapters (31-40) of the seventh skandha is known as the Devi Gita. It is a dialogue between Parvati and her father Himavat. It deals with the universal form of the Devi, meditations on the major texts of Upanishads, ashtanga-yoga, the yogas of jnana, karma and bhakti, locations of the temples dedicated to the Devi and the rituals pertaining to her worship. The eighth, ninth, tenth, eleventh, and twelfth skandhas have 24, 50, 13, 24 and 14 chapters respectively. Like other Puranas, the Devi-Bhagavata Purana contains narratives, sections praising the Devi as supreme, and instructions in various types of sadhana. Parts of it have worked their way into popular Hinduism, such as the narrative of the goddess Durga in her fight against the buffalo-demon Mahishasura (Book 5, Chapters 2-18), which is also described in the Devi Mahatmya. This narrative provides the mythological backdrop for the annual ritual called Durga Puja, celebrated especially in Bengal.
Srimad Bhagavata Volume – 2 by Swami Tapasyananda Pdf
The Srimad Bhagavata (or Srimad Bhagavatam) is one of the few main Puranas and a great Book on Bhakti (devotion). It consists of 18000 verses and is regarded as an encyclopedia of spiritual philosophy.Attributed to the sage Vyasa the Bhagavata (also Bhagavatam) illustrates religious truths with stories of ancient India’s saints seers and kings. The book also deals in part with the life of Krishna (which makes the book especially sacred to the Vaishnavas). The set consists of four volumes each with Devanagri Sanskrit and English translation mainly in the lines of Sridhara’s interpretation. The verses are numbered. A thorough introduction explains the methodology and outlook of Pauranika literature in respect to space time nature and man.Prologues are also included with each Skanda to further the reader’s understanding of the text.
Author : E. H. Rick Jarow Publisher : State University of New York Press Page : 215 pages File Size : 40,9 Mb Release : 2012-02-01 Category : Religion ISBN : 9780791487457
Tales for the Dying explores the centrality of death and dying in the narrative of the Bhāgavata-Purāna, India's great text of devotional theism, canonized as an integral part of the Vaisnava bhakti tradition. The text grapples with death through an imaginative meditation, one that works through the presence and power of narrative. The story of the Bhāgavata-Purāna is spoken to a king who is about to die, and it enables him to come to terms with his own passing. The work does not isolate dying as an issue; it treats it on many levels. This book discusses how images of dying in the Bhāgavata-Purāna relate to issues of language and love in the religious imagination of India. Drawing on insights from studies in myth, literary semiotics, and depth psychology, as well as from Indian commentarial and aesthetic traditions, the author examines the power of myth and narrative (storytelling or hari katha) and shows how a detailed awareness of the Puranic imagination may lead to a revisioning of some long-held presuppositions around Indian religious attitudes toward dying. By casting Vaisnava bhakti traditions and Puranic narrative in a fresh light, the mythic imagination of the Purānas takes its place on the stage of contemporary discourse on comparative mythology and literature.
