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In 1998, Marie Ponsot was awarded the National Book Critics Circle Award for poetry, confirming the praise that has been bestowed on her by critics and peers--among them Eavan Boland and Carolyn Kizer (who are quoted on the back of the book jacket) and Amy Clampitt, who had this to say of Ponsot's last book: "She is marvelously attuned to the visual and to the audible. She is no less precisely a geographer of the interior life, above all the experience of being a woman."
NATIONAL BOOK AWARD FINALIST 2022 Publishers Weekly Top 10 BEST BOOKS OF 2022 “Gayl Jones’s work represents a watershed in American literature." —Imani Perry Legendary writer Gayl Jones returns with a stunning new novel about Black American artists in exile Gayl Jones, the novelist Toni Morrison discovered decades ago and Tayari Jones recently called her favorite writer, has been described as one of the great literary writers of the 20th century. Now, for the first time in over 20 years, Jones is publishing again. In the wake of her long-awaited fifth novel, Palmares, The Birdcatcher is another singular achievement, a return to the circles of her National Book Award finalist, The Healing. Set primarily on the island of Ibiza, the story is narrated by the writer Amanda Wordlaw, whose closest friend, a gifted sculptor named Catherine Shuger, is repeatedly institutionalized for trying to kill a husband who never leaves her. The three form a quirky triangle on the white-washed island. A study in Black women’s creative expression, and the intensity of their relationships, this work from Jones shows off her range and insight into the vicissitudes of all human nature—rewarding longtime fans and bringing her talent to a new generation of readers.
This beautiful collection of poems tells tales of blossoming springs and fruitful summers; in Honey Harvest Armstrong depicts Spring with the overweight apple blossom nodding on their branches and the sweet honey filling our shelves, and in Spanish Vintage we are almost able to taste the plump purple grapes of August as we follow their journey through the seasons, maturing in the dark bodegas ready to be sipped when the time is just right. This nature-inspired collection of poems was first published in 1929.
Three men meet in Vietnam and become involved in a psychological struggle in a world of mysticism, black marketing, CIA espionage, revenge, and horrific helicopter battle campaigns. The story begins when FBI agent Alignman investigates an occult movement and its links to drugs and politics. To discover its origin and to capture its leaders, Alignman encounters Jarrett who is a retired CIA agent, voluntarily living in a mental ward. Only Jarrett understands the origin and the personality of the occult movement that first began in Vietnam during the Tet Offensive of 1972. In Dr. Peterson’s ofice, Jarrett recalls a series of events which bring into an acute focus his struggle to maintain his identity against the whims of evil and good. Badlock and Nicewander enter Jarrett’s arena of good and evil where all realities intertwine and merge into a surrealism recalling Dante and Faust. The Birdcatcher, who resides in Hades, also enters the stadium of this mystical struggle and sets in motion the terrible and horrific events that will spell either the damnation or the redemption of Jarrett.
International Who's Who in Poetry 2005 by Europa Publications Pdf
The 13th edition of the International Who's Who in Poetry is a unique and comprehensive guide to the leading lights and freshest talent in poetry today. Containing biographies of more than 4,000 contemporary poets world-wide, this essential reference work provides truly international coverage. In addition to the well known poets, talented up-and-coming writers are also profiled. Contents: * Each entry provides full career history and publication details * An international appendices section lists prizes and past prize-winners, organizations, magazines and publishers * A summary of poetic forms and rhyme schemes * The career profile section is supplemented by lists of Poets Laureate, Oxford University professors of poetry, poet winners of the Nobel Prize for Literature, winners of the Pulitzer Prize for American Poetry and of the King's/Queen's Gold medal and other poetry prizes.
Margret Snow is the quintessential New York woman. She dresses the windows of Saks Fifth Avenue by day and mingles in the downtown art world by night, always searching for her niche in a city intent on capturing The Next Big Thing as it flies into view. Married to Charles, a professor at Columbia, and living on the Upper West Side, the backdrop to Margret's life is made up of the poetic rhythms and colors of the Manhattan day: slow-running buses, the gray morning light striking the Hudson, the winter landscape of Riverside Park, the endless round of gallery openings, cocktail parties and grand dinners in the palatial apartments on Manhattan's upper east side. Against this metropolitan whirl, Margret and Charles pursue a lifelong hobby of bird watching, a passion for which was kindled by her grandfather during long-past summers near the shore in Gloucester, Massachusetts. As they shuttle between their Manhattan apartment, birding in the city's parks, and weekends out of town in their house near Cape May, a violent upheaval pushes Margret beyond the boundaries of her hobby. Overnight, she becomes an art world sensation and just as suddenly has fame ripped from her. As Laura Jacobs proved in her first novel, "Women About Town", she understands the natural habitat of the New York Woman in all its complexity. In The Bird Catcher, her second, she moves deeper into that territory with the story of a remarkable woman who is as rare and special as the birds that fill the skies above her.
A Study Guide for Marie Ponsot's "One Is One" by Gale, Cengage Learning Pdf
A Study Guide for Marie Ponsot's "One Is One," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
Negotiations: Poems in their Contexts by Neil Corcoran Pdf
This book, by the eminent poetry critic Neil Corcoran, examines the ways in which the work of significant modern Irish, British and American poets interacts with or ‘negotiates’ different contexts – historical, social, political, artistic and aesthetic. In Part 1 important work by David Jones, Robert Graves, Seamus Heaney and Bob Dylan is shown to negotiate poetic methods – both traditional and modernist – and also the work of major earlier writers to produce strikingly original new forms; and Derek Mahon’s prose is read in the light of these concerns. The books shows how, by negotiating in this way, their work engages profoundly with complex and sometimes terrible histories, including the First World War and the Northern Irish Troubles. Part 2 discusses the ways in which ‘ekphrastic’ work – poems which engage with visual art – by Elizabeth Bishop, W. S. Graham, John Ashbery, Sylvia Plath and Ciaran Carson negotiates comparable poetic and historical inheritances while also inventively responding to work by significant artists, notably Parmigianino, Poussin, de Chirico, Klee and members of the St Ives School. The book is a signal contribution to current critical debates about these poets, situating them in original or newly clarified contexts, and it offers exemplary close readings of noteworthy poems.
Theodore de Banville (1823-1891) was a prolific poet, dramatist, critic and prose fiction writer whose significant contribution to poetic and aesthetic debates in nineteenth-century France has long been overlooked. Despite his profound influence on major writers such as Baudelaire, Rimbaud, Verlaine and Mallarme, Banville polarised critical opinion throughout his fifty-year career. While supporters championed him as a virtuoso of French verse, many critics dismissed his formal pyrotechnics, effervescent rhythms and extravagant rhymes as mere clowning. This book explores how Banville's remarkably coherent body of verse theory and practice, full of provocative energy and mischievous humour, shaped debates about poetic value and how to identify it during a period of aesthetic uncertainty caused by diverse social, economic, political and artistic factors. It features a detailed new reading of Banville's most infamous and misunderstood text, the Petit Traitede poesie francaise, as well as extended analyses of verse collections such as Les Stalactites, Odes funambulesques, Les Exiles, Trente-six Ballades and Rondels, illuminated by wide reference to Banville's plays, fiction and journalism. Evans elucidates not only aesthetic tensions at the heart of nineteenth-century French verse, but also a centuries-old tension between verse mechanisms and an unquantifiable, mysterious and elusive poeticity which emerges as one of the defining narratives of poetic value from the Middle Ages, via the Grands Rhetoriqueurs and Dada, to the experiments of the OuLiPo and beyond.
