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That white Americans continue to insist upon a white Christ in the face of all historical evidence to the contrary and despite the hundreds of shrines to Black Madonnas all over the world, is the crowning demonstration of their white supremacist conviction that all things good and valuable must be white. On the other hand, until black Christians are ready to challenge this lie, they have not freed themselves from their spiritual bondage to the white man nor established in their own minds their right to first-class citizenship in Christ's kingdom on earth.
The Reverend Albert Cleage Jr. and the Black Prophetic Tradition by Earle J. Fisher Pdf
Reverend Albert Cleage Jr. and the Black Prophetic Tradition: A Reintroduction of The Black Messiah considers how Albert Cleage Jr., in his groundbreaking book of sermons, The Black Messiah (1969), reconfigures the rules of the game as it relates to Christianity and the social political realities of Black people in Detroit and across the country. Taking a rhetorical approach, this book explores how and what The Black Messiah (1969) has contributed to the broader scope of Black Liberation Theology and Black religious rhetoric. Scholars of rhetoric, communication, religious studies, and African American history will find this book particularly useful.
Final Stages of the New World and Rise of the Black Messiah Part 2 by Bryan Spencer Pdf
The Return of the Hidden Knowledge. In this World we have lost the art of Math, Astrology, and Reading. Computers now have databases which are the exact make of the human brain. We have failed for the divide and conquer. We are all one cell broken up into egos. We must show the creator that we can love again to save this planet and the human race. The New World is in the Final Steps. The Big Plan by the Elite the Top 1% has more money than the other 99% put together. First: Separate and divide the people by race. Second: Divide the men from the women. Third: Brainwash our kids with T.V. and school since mom has to work. Fourth: Control our money supply through Federal Reserve and IRS that should be illegal. Pay off the government so it doesn't matter whether you are Democrat or Republican. Fifth: Control our media to brainwash the masses: CFR, Bilderberg and 5 Corporations own all media. Sixth: Put crack cocaine in black communities only to imprison black men and ruin the black family and kill off the black leaders through Co-Intel Pro. Seventh: Depopulation: There goals are to kill billions through war, food, tap water with chemicals and fluoride. \Manmade diseases like Ebola, HIV, AID's and Vaccines, creating airborne chemical warfare MERS virus, Zika virus, prescription drugs, Planned Parenthood and control weather. Eighth: Steal money from every American through the banks: Libor Scandal, AIG and Goldman Sachs, JP Morgan, Deutsche, China Banks and other big banks. Ninth: Create fake and proxy wars to drive down the dollar and have a one world government. Ten: Give our jobs to robots and enslave the people but this time all races, that’s not Democracy that's Fascism.
This is a novel about love, hate, loyalty, and betrayal, how many of us history connects and separates, how many of us and our lives go in a limbo between life and death. It is a novel written with a rich inspiration that we leave the subject of a secret organization and powers and our things in the wrong or right hands and an impossible love that does not happen by accident. It can all run past.
WINNER OF THE EISNER AWARD • A bold and fascinating graphic novel history of the revolutionary Black Panther Party. Founded in Oakland, California, in 1966, the Black Panther Party for Self-Defense was a radical political organization that stood in defiant contrast to the mainstream civil rights movement. This gripping illustrated history explores the impact and significance of the Panthers, from their social, educational, and healthcare programs that were designed to uplift the Black community to their battle against police brutality through citizen patrols and frequent clashes with the FBI, which targeted the Party from its outset. Using dramatic comic book-style retellings and illustrated profiles of key figures, The Black Panther Party captures the major events, people, and actions of the party, as well as their cultural and political influence and enduring legacy.
Author : Joshua Bloom,Waldo E. Martin Jr. Publisher : Univ of California Press Page : 568 pages File Size : 53,8 Mb Release : 2016-10-25 Category : History ISBN : 9780520966451
Black against Empire by Joshua Bloom,Waldo E. Martin Jr. Pdf
This timely special edition, published on the fiftieth anniversary of the founding of the Black Panther Party, features a new preface by the authors that places the Party in a contemporary political landscape, especially as it relates to Black Lives Matter and other struggles to fight police brutality against black communities. In Oakland, California, in 1966, community college students Bobby Seale and Huey Newton armed themselves, began patrolling the police, and promised to prevent police brutality. Unlike the Civil Rights Movement that called for full citizenship rights for blacks within the United States, the Black Panther Party rejected the legitimacy of the U.S. government and positioned itself as part of a global struggle against American imperialism. In the face of intense repression, the Party flourished, becoming the center of a revolutionary movement with offices in sixty-eight U.S. cities and powerful allies around the world. Black against Empire is the first comprehensive overview and analysis of the history and politics of the Black Panther Party. The authors analyze key political questions, such as why so many young black people across the country risked their lives for the revolution, why the Party grew most rapidly during the height of repression, and why allies abandoned the Party at its peak of influence. Bold, engrossing, and richly detailed, this book cuts through the mythology and obfuscation, revealing the political dynamics that drove the explosive growth of this revolutionary movement and its disastrous unraveling. Informed by twelve years of meticulous archival research, as well as familiarity with most of the former Party leadership and many rank-and-file members, this book is the definitive history of one of the greatest challenges ever posed to American state power.
In his youth Mumia Abu-Jamal helped found the Philadelphia branch of the Black Panther Party, wrote for the national newspaper, and began his life-long work of exposing the violence of the state as it manifests in entrenched poverty, endemic racism, and unending police brutality and celebrating a people's unending quest for freedom. In We Want Freedom, Mumia combines personal experience with extensive research to provide a compelling history of the Black Panther Party--what it was, where it came from, and what rose from its ashes. Mumia also pays special attention to the U.S. government's disruption of the organization through COINTELPRO and similar operations. While Abu-Jamal is a prolific writer and probably the world's most famous political prisoner, this book is unlike any of Mumia's previous works. In We Want Freedom, Abu-Jamal applies his sharp critical faculties to an examination of one of the U.S.'s most revolutionary and most misrepresented groups. A subject previously explored by various historians and forever ripe for "insider" accounts, the Black Panther Party has not yet been addressed by a writer with the well-earned international acclaim of Abu-Jamal, nor with his unique combination of a powerful, even poetic, voice and an unsparing critical gaze. Abu-Jamal is able to make his own Black Panther Party days come alive as well as help situate the organization within its historical context, a context that included both great revolutionary fervor and hope, and great repression. In this era, when the US PATRIOT Act dismantles some of the same rights and freedoms violated by the FBI in their attack on the Black Panther Party, the story of how the Party grew and matured while combating such invasions is a welcome and essential lesson.
The Assassination of Fred Hampton by Jeffrey Haas Pdf
Read the story behind the award-winning film Judas and the Black Messiah On December 4, 1969, attorney Jeff Haas was in a police lockup in Chicago, interviewing Fred Hampton's fiancÉe. Deborah Johnson described how the police pulled her from the room as Fred lay unconscious on their bed. She heard one officer say, "He's still alive." She then heard two shots. A second officer said, "He's good and dead now." She looked at Jeff and asked, "What can you do?" The Assassination of Fred Hampton remains Haas's personal account of how he and People's Law Office partner Flint Taylor pursued Hampton's assassins, ultimately prevailing over unlimited government resources and FBI conspiracy. Fifty years later, Haas writes that there is still an urgent need for the revolutionary systemic changes Hampton was organizing to accomplish. Not only a story of justice delivered, this book spotlights Hampton as a dynamic community leader and an inspiration for those in the ongoing fight against injustice and police brutality.
Art of the Cut provides an unprecedented look at the art and technique of contemporary film and television editing. It is a fascinating "virtual roundtable discussion" with more than 50 of the top editors from around the globe. Included in the discussion are the winners of more than a dozen Oscars for Best Editing and the nominees of more than forty, plus numerous Emmy winners and nominees. Together they have over a thousand years of editing experience and have edited more than a thousand movies and TV shows. Hullfish carefully curated over a hundred hours of interviews, organizing them into topics critical to editors everywhere, generating an extended conversation among colleagues. The discussions provide a broad spectrum of opinions that illustrate both similarities and differences in techniques and artistic approaches. Topics include rhythm, pacing, structure, storytelling and collaboration. Interviewees include Margaret Sixel (Mad Max: Fury Road), Tom Cross (Whiplash, La La Land), Pietro Scalia (The Martian, JFK), Stephen Mirrione (The Revenant), Ann Coates (Lawrence of Arabia, Murder on the Orient Express), Joe Walker (12 Years a Slave, Sicario), Kelley Dixon (Breaking Bad, The Walking Dead), and many more. Art of the Cut also includes in-line definitions of editing terminology, with a full glossary and five supplemental web chapters hosted online at www.routledge.com/cw/Hullfish. This book is a treasure trove of valuable tradecraft for aspiring editors and a prized resource for high-level working professionals. The book’s accessible language and great behind-the-scenes insight makes it a fascinating glimpse into the art of filmmaking for all fans of cinema. Please access the link below for the book's illustration files. Please note that an account with Box is not required to access these files: https://informausa.app.box.com/s/plwbtwndq4wab55a1p7xlcr7lypvz64c
Black Messiahs and Uncle Toms by Wilson Jeremiah Moses Pdf
'Moving chronologically over 150 years of Afro-American history, Moses discusses the religio-political positions of diverse historic figures and the messianic themes of several novels. It's obvious that he has read exhaustively and reflected seriously. Fresh insights abound. His assertion, for example, that David Walker's Appeal is more a jeremiad than a protonationalist tract is a convincing rereading. He sardonically demonstrates that the 'Uncle Tom' ideal, correctly understood, has exerted a lasting appeal not only upon integrationists but upon separatists as well....An impressive study of an important myth in Afro-American and American culture.' -Albert J. Raboteau, The Journal of Southern History
