The Blockbuster Bible Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Blockbuster Bible book. This book definitely worth reading, it is an incredibly well-written.
TAKE YOUR SEAT FOR AN EPIC BLOCKBUSTER! Lights, Camera, Action...! Join 3D Freddie and Popcorn Sally for the Bible story, retold as never before. Meet the Bible's best-loved characters through scripts and storyboards, movie posters and social media, acceptance speeches, and interviews with the stars. Discover a wide range of passages from Genesis to Revelation, written in a lively way but staying very close to the original text, complete with cast list, glossary, maps, and timelines. Follow the scene selection cards as a visual guide through the Bible story, and track the theme cards as the three big storylines unfold. Use flashbacks and flash-forwards to see how one Bible event links to another. Check out theblockbusterbible.com for more information.
The Blockbuster Bible the Teacher's Cut by Andrew Prichard Pdf
The Blockbuster Bible: The Teacher's Cut supports planning and delivery of teaching a thorough overview of the whole Bible story. - Explore connections between the Bible's storylines - Engage and make sense of standalone Bible stories Production notes - Simple and accessible unit aims, content and background information Action plans - Imaginative, varied and creative lesson activities to encourage discussion and independent working Activities and ideas include games, video clips, modelling, music and plenty of acting with 70 photocopiable resource sheets A teaching resource to accompany The Blockbuster Bible, an appealing and visual way to read and engage with the Bible through a fun, creative film-theme.
Biblical Reception is rapidly becoming the go-to annual publication for all matters related to the reception of the bible. The annual addresses all kinds of use of the bible in art, music, literature, film and popular culture, as well as in the history of interpretation. For this fourth edition of the annual, guest editor David Tollerton has commissioned pieces specifically on the use of the bible in one film: Exodus: Gods and Kings and these chapters consider how the film uses the bible, and how the bible functions within the film.
Saving the Bible from Ourselves by Glenn R. Paauw Pdf
ECPA 2017 Christian Book Award Finalist Does the Bible need to be saved? Over the course of the centuries, Bible scholars and publishers have increasingly added "helps"—chapter divisions, verses, subheads, notes—to the Bible in an effort to make it easier to study and understand. In the process, however, these have led to sampling Scripture rather than reading deeply. According to author Glenn R. Paauw, the text has become divorced from the Bible's literary and historical context, leading to misinterpretation and a "narrow, individualistic and escapist view of salvation." Rather than being a culture-shaping force, the Bible has become a database of quick and easy answers to life's troubling questions. But these deficiencies can be corrected by engaging in what the author calls "big readings." In these pages Paauw introduces us to seven new (to us) understandings of the Bible as steps on the path to recovering one deeply engaged Bible. With each "new" Bible presented, deficiencies in how we currently interact with the Bible are explored, followed by recommendations for a new practice. The Bible's transformative power is recovered when we remove the chains Christians have applied to it over the centuries. The Bible does not need to be saved because of any defect in itself, but because we have distorted and misread it. Saving the Bible from Ourselves provides students of the Bible a new paradigm for reading and living the Bible well.
The Oxford Companion to the Bible by Bruce M. Metzger,Michael David Coogan Pdf
The Bible has had an immeasurable influence on Western culture, touching on virtually every aspect of our lives. It is one of the great wellsprings of Western religious, ethical, and philosophical traditions. It has been an endless source of inspiration to artists, from classic works such as Michaelangelo's Last Judgment, Handel's Messiah, or Milton's Paradise Lost, to modern works such as Thomas Mann's Joseph and His Brothers or Martin Scorsese's controversial Last Temptation of Christ. For countless generations, it has been a comfort in suffering, a place to reflect on the mysteries of birth, death, and immortality. Its stories and characters are an integral part of the repertoire of every educated adult, forming an enduring bond that spans thousands of years and embraces a vast community of believers and nonbelievers. The Oxford Companion to the Bible provides an authoritative one-volume reference to the people, places, events, books, institutions, religious belief, and secular influence of the Bible. Written by more than 250 scholars from some 20 nations and embracing a wide variety of perspectives, the Companion offers over seven hundred entries, ranging from brief identifications--who is Dives? where is Pisgah?--to extensive interpretive essays on topics such as the influence of the Bible on music or law. Ranging far beyond the scope of a traditional Bible dictionary, the Companion features, in addition to its many informative, factual entries, an abundance of interpretive essays. Here are extended entries on religious concepts from immortality, sin, and grace, to baptism, ethics, and the Holy Spirit. The contributors also explore biblical views of modern issues such as homosexuality, marriage, and anti-Semitism, and the impact of the Bible on the secular world (including a four-part article on the Bible's influence on literature). Of course, the Companion can also serve as a handy reference, the first place to turn to find factual information on the Bible. Readers will find fascinating, informative articles on all the books of the Bible--including the Apocrypha and many other ancient texts, such as the Dead Sea Scrolls, Pseudepigrapha, and the Mishrah. Virtually every figure who walked across the biblical stage is identified here, ranging from Rebekah, Rachel, and Mary, to Joseph, Barabbas, and Jesus. The Companion also offers entries that shed light on daily life in ancient Israel and the earliest Christian communities, with fascinating articles on feasts and festivals, clothing, medicine, units of time, houses, and furniture. Finally, there are twenty-eight pages of full-color maps, providing an accurate, detailed portrait of the biblical world. A vast compendium of information related to scriptures, here is an ideal complement to the Bible, an essential volume for every home and library, the first place to turn for information on the central book of Western culture.
Unfolding Sacred Scripture: How Catholics Read the Bible by Michael Cameron Pdf
Unfolding Sacred Scripture: How Catholics Read the Bible invites readers into the Catholic practice of reading Scripture. In the first part, the book introduces insights from the tradition, from its early days to its present teachings, showing what makes the Catholic approach distinct from other ways of reading the Bible. The author explains the Catholic understanding of the Bible as the revealed and sacred Word of God and discusses how Catholics set about interpreting the Bible. In the second part, he offers a guided tour through the major parts and essential themes of the Bible.
The Old Religion in a New World by Mark A. Noll Pdf
One of our foremost historians of religion here chronicles the arrival of Christianity in the New World, tracing the turning points in the development of the immigrant church that have led to today's distinctly American faith. Taking a unique approach to this fascinating subject, Noll focuses on what was new about organized Christian religion on the American continent by comparison with European Christianity. In doing so, Noll provides a broad outline of the major events in the history of the Christian churches that have filled North America with such remarkable vitality and diversity. He also highlights some of the most important interpretive issues in the transfer of the hereditary religion of Europe to America.
Noah as Antihero by Rhonda Burnette-Bletsch,Jon Morgan Pdf
Cover -- Title -- Copyright -- Dedication -- Contents -- List of figures -- List of contributors -- Introduction: Russell Crowe's Knees and Darren Aronofsky's Vision -- 1 An Ongoing Tradition: Aronofsky's Noah as 21st-Century Rewritten Scripture -- 2 Rock Giants and the Magic Stone of Torah: Allusions to Esoteric and Extra-Biblical Literature in Noah -- 3 Retelling the Biblical Story of Noah: Jewish and Christian Perspectives -- 4 Moving Beyond 'Fatwā This!': On the Possibility of Human Redemption in Noah, The Ark, and Islamic Tradition -- 5 Seeing Is Believing: Aronofsky's Noah and Cinematic Spectacle -- 6 Commercial Configurations of Scriptural Temporality: Noah as a Blockbuster -- 7 Noah: Aronofsky's Nuancing of the Biblical Epic -- 8 The Presence and Hiddenness of God in Noah -- 9 "How-How Is This Just?!": How Aronofksy and Handel Handle Noah's Curse -- 10 'Real' Women and Multiple Masculinities in Aronofsky's Noah -- 11 'It's Not the End of the World': Aronofsky's Noah and IMAXed Apocalyptic Animals -- 12 The Innocent, the Image, and the White Imagination: Noah as Ecological Mythology -- Index
From the mid-90s to the present, television drama with religious content has come to reflect the growing cultural divide between white middle-America and concentrated urban elites. As author Charlotte E. Howell argues in this book, by 2016, television narratives of white Christianity had become entirely disconnected from the religion they were meant to represent. Programming labeled 'family-friendly' became a euphemism for white, middlebrow America, and developing audience niches became increasingly significant to serial dramatic television. Utilizing original case studies and interviews, Divine Programming investigates the development, writing, producing, marketing, and positioning of key series including 7th Heaven, Friday Night Lights, Rectify, Supernatural, Jane the Virgin, Daredevil, and Preacher. As this book shows, there has historically been a deep ambivalence among television production cultures regarding religion and Christianity more specifically. It illustrates how middle-American television audiences lost significance within the Hollywood television industry and how this in turn has informed and continues to inform television programming on a larger scale. In recent years, upscale audience niches have aligned with the perceived tastes of affluent, educated, multicultural, and-importantly-secular elites. As a result, the televised representation of white Christianity had to be othered, and shifted into the unreality of fantastic genres to appeal to niche audiences. To examine this effect, Howell looks at religious representation through four approaches - establishment, distancing, displacement, and use - and looks at series across a variety of genres and outlets in order to provied varied analyses of each theme.
The New Cambridge History of the Bible by John Riches Pdf
This volume examines the development and use of the Bible from late Antiquity to the Reformation, tracing both its geographical and its intellectual journeys from its homelands throughout the Middle East and Mediterranean and into northern Europe. Richard Marsden and Ann Matter's volume provides a balanced treatment of eastern and western biblical traditions, highlighting processes of transmission and modes of exegesis among Roman and Orthodox Christians, Jews and Muslims and illuminating the role of the Bible in medieval inter-religious dialogue. Translations into Ethiopic, Slavic, Armenian and Georgian vernaculars, as well as Romance and Germanic, are treated in detail, along with the theme of allegorized spirituality and established forms of glossing. The chapters take the study of Bible history beyond the cloisters of medieval monasteries and ecclesiastical schools to consider the influence of biblical texts on vernacular poetry, prose, drama, law and the visual arts of East and West"
The Oxford Handbook of the Bible and American Popular Culture by Dan W. Clanton, Jr.,Terry R. Clark Pdf
The study of the reciprocal relationship between the Bible and popular culture has blossomed in the past few decades, and the time seems ripe for a broadly-conceived work that assesses the current state of the field, offers examples of work in that field, and suggests future directions for further study. This Handbook includes a wide range of topics organized under several broad themes, including biblical characters (such as Adam, Eve, David and Jesus) and themes (like Creation, Hell, and Apocalyptic) in popular culture; the Bible in popular cultural genres (for example, film, comics, and Jazz); and "lived" examples (such as museums and theme parks). The Handbook concludes with a section taking stock of methodologies and the impact of the field on teaching and publishing. The Oxford Handbook of the Bible and American Popular Culture represents a major contribution to the field by some of its leading practitioners, and will be a key resource for the future development of the study of both the Bible and its role in American popular culture.
This is the only book of its kind to explore biblical epics from an LGBT perspective, studying films from the silent era, to the postwar major studio era, to the present day. In spite of restrictive Hollywood censorship regulations, filmmakers throughout history have pushed the boundaries of sex and violence when making religious films. In this unrivaled text, author and educator Richard Lindsay analyzes the relationship between bible-based epics and "camp"—films with overwrought acting, casts of thousands, and exotic sexuality. Lindsay presents the ways in which camp style identifies films as "biblical" in the mainstream imagination, while undermining their traditional religious messages through the inclusion of sexually diverse subtexts. Viewed through this lens, this provocative book explores topics like the Jazz Age excesses of The King of Kings, the pre-code decadence of The Sign of the Cross, the horror movie tropes of The Passion of the Christ, and comparisons between Ben-Hur and the gay male fantasies of 1960s beefcake magazines. Additional content features the history of biblical epics and a comparison of the pious expectations of filmgoers against the real content of the films.
