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Murray gives readers the redefined essence of his lifetime meditation on the blues as this musical style informs American life. Here are incisive essays on writing, music, and art that go beyond the social-science fiction of Negrohood to describe in no uncertain terms what it means to be American.
Horace Porter is the chair of African American World Studies and professor of English at the University of Iowa. He is the author of Stealing Fire: The Art and Protest of James Baldwin and one of the editors of Call and Response: The Riverside Anthology of the African American Literary Tradition. The first book to reassess Ralph Ellison after his death and the posthumous publication ofJuneteenth, his second novel, Jazz Country: Ralph Ellison in America explores Ellison's writings and views on American culture through the lens of jazz music. Horace Porter's groundbreaking study addresses Ellison's jazz background, including his essays and comments about jazz musicians such as Louis Armstrong, Duke Ellington, and Charlie Parker. Porter further examines the influences of Ellington and Armstrong as sources of the writer's personal and artistic inspiration and highlights the significance of Ellison's camaraderie with two African American friends and fellow jazz fans—the writer Albert Murray and the painter Romare Bearden. Most notably, Jazz Country demonstrates how Ellison appropriated jazz techniques in his two novels, Invisible Man and Juneteenth. Using jazz as the key metaphor, Porter refocuses old interpretations of Ellison by placing jazz in the foreground and by emphasizing, especially as revealed in his essays, the power of Ellison's thought and cultural perception. The self-proclaimed “custodian of American culture,” Ellison offers a vision of “jazz-shaped” America—a world of improvisation, individualism, and infinite possibility.
An easy-to-navigate guide to Herman Melville's epic American novel, Dive Deeper consists of 135 brief chapters, along with Etymology, Extracts, and Epilogue, each keyed to a phrase, issue, image, sensibility or notion in corresponding chapters of the original.
Contemporary Southern Men Fiction Writers by Rosemary M. Canfield Reisman,Suzanne Booker-Canfield Pdf
This carefully annotated bibliography lists sources of criticism for thirty-nine Southern male authors, each of whom has published at least one significant book of fiction between 1970 and 1994.
The Oxford Handbook of Critical Improvisation Studies by George E. Lewis,Benjamin Piekut Pdf
Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.
Uptown Conversation by Robert G. O'Meally,Brent Hayes Edwards,Farah Jasmine Griffin Pdf
Jackson Pollock dancing to the music as he painted; Romare Bearden's stage and costume designs for Alvin Ailey and Dianne McIntyre; Stanley Crouch stirring his high-powered essays in a room where a drumkit stands at the center: from the perspective of the new jazz studies, jazz is not only a music to define—it is a culture. Considering musicians and filmmakers, painters and poets, the intellectual improvisations in Uptown Conversation reevaluate, reimagine, and riff on the music that has for more than a century initiated a call and response across art forms, geographies, and cultures. Building on Robert G. O'Meally's acclaimed Jazz Cadence of American Culture, these original essays offer new insights in jazz historiography, highlighting the political stakes in telling the story of the music and evaluating its cultural import in the United States and worldwide. Articles contemplating the music's experimental wing—such as Salim Washington's meditation on Charles Mingus and the avant-garde or George Lipsitz's polemical juxtaposition of Ken Burns's documentary Jazz and Horace Tapscott's autobiography Songs of the Unsung—share the stage with revisionary takes on familiar figures in the canon: Thelonious Monk, Miles Davis, Duke Ellington, and Louis Armstrong.
Afro-modernist Aesthetics & the Poetry of Sterling A. Brown by Mark A. Sanders Pdf
Sterling A. Brown’s poetry and aesthetics are central to a proper understanding of African American art and politics of the early twentieth century. This study redefines the relationship between modernism and the New Negro era in light of Brown’s uniquely hybrid poetry and vision of a heterodox, pluralist modernism. Brown, also a folklorist and critic, saw the Harlem Renaissance and modernism as interactive rather than mutually exclusive and perceived the New Negro era as the dawning of African American modernity. Reading Brown’s three collections of poetry in light of their respective historical contexts, Sanders examines the ways in which Brown reconfigured black being and created alternative conceptual space for African Americans amid the prevailing racial discourses of American culture. Brown’s poetics call for revised conceptions of the Harlem Renaissance, black identity, artistic expression, and modernity that recognize the range, depth, and complexity of African American life.
Conversations with Albert Murray by Albert Murray Pdf
In these conversations Murray discusses those who influenced him - Thomas Mann, Ernest Hemingway, Louis Armstrong, and Duke Ellington - and tells how they helped him develop a philosophy of art based on the blues as well as a new archetype of the American hero, the blues hero.
Albert Murray and the Aesthetic Imagination of a Nation by Barbara A. Baker Pdf
This is the first book-length study of the writings, work, and life of Renaissance man and Alabama native Albert Murray. The collection consists of essays and interviews written by prominent scholars of African American literature, jazz, and Albert Murray that illustrate Murray's place as a central figure in African American arts and letters and as an American cultural pioneer. Book jacket.
The Duende of Tetherball fearlessly ransacks the scrutinizing role of the past on the present; the interactions and accountabilities of ourselves and other species; the challenges and pleasures of getting older and forever striving to balance our most cherished and often incomprehensible relationships both with the world and each other. Bowling strives to account for and address our human need to resolve the tension between personal freedom and a world burdened by increasing homogenization and centralized control by adopting an industry of personal fortitude and thoughtful redress. He seeks to remember and to remember again the lessons polished over a lifetime: “Fifteen, scared but still apt / to toss “damn thee black / thou cream-faced loon” / in PE class at the rippling back / of some hoop or net-bound jock, / I was learning – too soon – / the only lesson that counts: / how to be alone.”
Author : Alex Stewart Publisher : Univ of California Press Page : 419 pages File Size : 43,6 Mb Release : 2007-08-02 Category : Music ISBN : 9780520249547
Challenges conventional jazz historiography by demonstrating the role of big bands in the development of jazz. This book describes how jazz musicians found big bands valuable. It explores the rehearsal band scene in New York and rise of orchestras. It combines historical research, ethnography, and participant observation with musical analysis.
As a cultural and political commentator, Stanley Crouch in unapologetically contentious and delightfully iconoclastic. Whether he is writing on the uniqueness of the American South, the death of Tupak Shakur, the O.J. Simpson verdict, or the damage done by the Oklahoma City bombing, Crouch's high-velocity exchange with American culture is conducted with scrupulous allegiance to the truth, even when it hurts—and it usually does. And on the subject of jazz—from Sidney Bechet to Billy Strayhorn, Duke Ellington to Miles Davis—there is no one more articulate, impassioned, and encyclopedic in his knowledge than Stanley Crouch. Crouch approaches everything in his path with head-on energy, restless intelligence, and a refreshing faith in the collective experiment that is America—and he does so in a virtuosic prose style that is never less than thrilling.
The devil is the most charismatic and important figure in the blues tradition. He's not just the music's namesake ("the devil's music"), but a shadowy presence who haunts an imagined Mississippi crossroads where, it is claimed, Delta bluesman Robert Johnson traded away his soul in exchange for extraordinary prowess on the guitar. Yet, as scholar and musician Adam Gussow argues, there is much more to the story of the devil and the blues than these cliched understandings. In this groundbreaking study, Gussow takes the full measure of the devil's presence. Working from original transcriptions of more than 125 recordings released during the past ninety years, Gussow explores the varied uses to which black southern blues people have put this trouble-sowing, love-wrecking, but also empowering figure. The book culminates with a bold reinterpretation of Johnson's music and a provocative investigation of the way in which the citizens of Clarksdale, Mississippi, managed to rebrand a commercial hub as "the crossroads" in 1999, claiming Johnson and the devil as their own.
Author : Adam Gussow Publisher : University of Chicago Press Page : 356 pages File Size : 52,8 Mb Release : 2010-03-15 Category : Social Science ISBN : 9780226311005
Winner of the 2004 C. Hugh Holman Award from the Society for the Study of Southern Literature. Seems Like Murder Here offers a revealing new account of the blues tradition. Far from mere laments about lost loves and hard times, the blues emerge in this provocative study as vital responses to spectacle lynchings and the violent realities of African American life in the Jim Crow South. With brilliant interpretations of both classic songs and literary works, from the autobiographies of W. C. Handy, David Honeyboy Edwards, and B. B. King to the poetry of Langston Hughes and the novels of Zora Neale Hurston, Seems Like Murder Here will transform our understanding of the blues and its enduring power.
Author : Peter M. Birkeland Publisher : University of Chicago Press Page : 564 pages File Size : 47,5 Mb Release : 2004-04 Category : Business & Economics ISBN : 0226051919
Franchises have become an ever-present feature of American life, both in our landscapes and our economics. Peter M. Birkeland worked for three years in the front-line operations of franchise units for three companies, met with CEOs and executives, and attended countless trade shows, seminars, and expositions. Through this extensive fieldwork Birkeland not only discovered what makes franchisees succeed or fail, he uncovered the difficulties in running a business according to someone else's system and values. Bearing witness to a market flooded with fierce competitors and dependent on the inscrutable whims of consumers, he revealed the numerous challenges that franchisees face in making their businesses succeed. Book jacket.
