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'Grandly conceived, gorgeously realised, and sparklingly alert to the making not just of works of art, but of a language, this crammed compendium, so copiously yet lightly learned, so drolly self-reflexive, yet enticingly accessible, so exhilaratingly, quixotically magniloquent, is the last word in forewords.' Herald
Author : Henry James Publisher : University of Chicago Press Page : 402 pages File Size : 51,5 Mb Release : 2011-06-15 Category : Language Arts & Disciplines ISBN : 9780226392059
This collection of prefaces, originally written for the 1909 multi-volume New York Edition of Henry James’s fiction, first appeared in book form in 1934 with an introduction by poet and critic R. P. Blackmur. In his prefaces, James tackles the great problems of fiction writing—character, plot, point of view, inspiration—and explains how he came to write novels such as The Portrait of a Lady and The American. As Blackmur puts it, “criticism has never been more ambitious, nor more useful.” The latest edition of this influential work includes a foreword by bestselling author Colm Tóibín, whose critically acclaimed novel The Master is told from the point of view of Henry James. As a guide not only to James’s inspiration and execution, but also to his frustrations and triumphs, this volume will be valuable both to students of James’s fiction and to aspiring writers.
Kierkegaard's Writings, IX, Volume 9 by Søren Kierkegaard Pdf
Prefaces was the last of four books by Søren Kierkegaard to appear within two weeks in June 1844. Three Upbuilding Discourses and Philosophical Fragments were published first, followed by The Concept of Anxiety and its companion--published on the same day--the comically ironic Prefaces. Presented as a set of prefaces without a book to follow, this work is a satire on literary life in nineteenth-century Copenhagen, a lampoon of Danish Hegelianism, and a prefiguring of Kierkegaard's final collision with Danish Christendom. Shortly after publishing Prefaces, Kierkegaard began to prepare Writing Sampler as a sequel. Writing Sampler considers the same themes taken up in Prefaces but in yet a more ironical and satirical vein. Although Writing Sampler remained unpublished during his lifetime, it is presented here as Kierkegaard originally envisioned it, in the company of Prefaces.
Prefaces and Prologues to Famous Books by Charles W. Eliot Pdf
Originally published between 1909 and 1917 under the name "Harvard Classics," this stupendous 51-volume set-a collection of the greatest writings from literature, philosophy, history, and mythology-was assembled by American academic CHARLES WILLIAM ELIOT (1834-1926), Harvard University's longest-serving president. Also known as "Dr. Eliot's Five Foot Shelf," it represented Eliot's belief that a basic liberal education could be gleaned by reading from an anthology of works that could fit on five feet of bookshelf. Volume XXXIX features the prefaces and prologues to works that have since been superceded, though their author's introductions to which still retain vital importance. Discover here, in otherwise hard-to-find form, the unexpected enthusiasms and insights of writers including: William Caxton, John Calvin, Nicolaus Copernicus, John Knox, Edmund Spenser, Sir Walter Raleigh, Francis Bacon, John Heminge, Henrie Condell, Sir Isaac Newton, John Dryden, Henry Fielding, Samuel Johnson, J.W. von Goethe, William Wordsworth, Victor Hugo, Walter Whitman, and H.A. Taine.
Prefaces to Unwritten Works by Friedrich Wilhelm Nietzsche Pdf
"Prefaces to Unwritten Works is a collection of five essays, prefaces to books that Nietzsche never went on to write. Nietzsche himself put these prefaces together in the form of a small leather-bound, handwritten book, and gave that book to Cosima Wagner as a Christmas present in 1872. The dedicatory letter indicates that Nietzsche sent this little book to Cosima "in heartfelt reverence and as an answer to verbal and epistolary questions." As such, this work is a window into Nietzsche's relations with the Wagners at the height of their association, but it is also a continuation of Nietzsche's radical confrontation with Greek antiquity that had begun with the then-recently published Birth of Tragedy. The Wagners read Nietzsche's book of prefaces on the evening of New Year's Day 1873, and Cosima records in her diary five days later that at night, "again" she reflected about the essence of art as a consequence of Nietzsche's work. A month later, Cosima sent Nietzsche a letter encouraging him to write at least two of the books promised by his prefaces." "Nietzsche did not go to write the books heralded by these prefaces, but the prefaces themselves provide substantial challenges of their own and intriguing clues as to the form and content of the books Nietzsche may have intended. Some of these prefaces are better known to students of Nietzsche than others and have attracted significant attention from scholars. The first essay is entitled On the Pathos of Truth, and it consider the relative value of truth and art for human life. The second essay, Thoughts on the Future of Our Educational Institutions, is the only preface in this collection regarding which Nietzsche did actually go on to write a book, albeit a book he did not publish (entitled On the Future of Our Educational Institutions, available from St. Augustine's Press). This essay is a revised version of the preface Nietzsche wrote for that book, and the changes Nietzsche made are indicative of the plans he had for an improved version. The topic of the essay is almost entirely the art of careful reading. The third essay is entitled The Greek State, and it treats of the relation of slavery to culture and of the genius to the state. This essay is also an interpretation of Plato's Republic, in which Nietzsche claims to reveal everything he has "divined of this secret writing." The fourth essay, The Relation of Schopenhauerian Philosophy to a German Culture, neither assumes that there is in fact, at present, a German Culture, nor hardly mentions Schopen-hauer at all, except to suggest that he is one about whom a culture could be built. The final essay is entitled Homer's Contest and is an exploration of the place of jealousy, strife, and agonistic competition in Greek culture."--BOOK JACKET.
In the final ten years of his life, Tony Tanner tackled the largest project any critic in English can take on, writing a preface to each of Shakespeare's plays. This collection serves as a comprehensive introduction for the general reader. Tanner brings Shakespeare to life, explicating everything from big-picture issues such as the implications of shifts in Elizabethan culture to close readings of Shakespeare's deployment of complex words in his plays.--[book jacket].
Critical Prefaces of the French Renaissance by Bernard Weinberg Pdf
Critical Prefaces of the French Renaissance contains nearly 30 prefaces from the works of French poets and dramatists published from 1525 to 1611. Bernard Weinberg's helpful book collects prefaces from the works of satirical poets, as well as dramatists, and provides a short introduction to each preface setting it in its literary and historical context. Lyrical and satirical poets represented vary from Marot to Du Bellay to Ronsard. Dramatists represented include Jean de la Tille and Larivey, among others. The larger introduction to the volume provides literary analysis of five longer texts by Sebillet, Du Bellay, Peletier du Mans, the obscure Pierre De-laudun, and Horace. Weinberg's study brings attention back to these primary writings that are crucial for an understanding of the period.
'Superb ... There is no disputing the enormous knowledge, the sheer love of books that is gathered here' SCOTLAND ON SUNDAY ____________________ A great and fascinating work from Scottish literary legend Alasdair Gray, beautifully illustrated throughout, chronicling the history of how literature spread and developed throughout the world. This is a unique history of literature as presented through the collected and annotated prefaces of major writers, including commentary by a range of authors including James Kelman, A.L. Kennedy, and Virginia Woolf. The result of a lifetime's reading and creative labour, intellectual and artistic, The Book of Prefaces will delight, amaze and inform both casual browsers and students. Its like will not be seen again for at least another millennium. ____________________ Praise for Alasdair Gray 'A necessary genius' ALI SMITH 'One of the brightest intellectual and creative lights Scotland has known in modern times' NICOLA STURGEON
Album Prefaces and Other Documents on the History of Calligraphers and Painters by Wheeler McIntosh Thackston Pdf
Persian text and English translation of the major texts of album prefaces, miscellaneous documents, and travel literature from the Timurid and Safavid periods.
"In this incisive, original book, S. Williams reads prefaces to German literature and philosophy around 1800 as pretexts for writing, examining three of the most remarkable preface-writers of that era--Goethe, Jean Paul, and Hegel--in the contexts not only of German, but also European print culture, thought, and literature"--
The Birth of the Author by Jeffrey F. Hamburger Pdf
The images devised to accompany medieval commentaries, whether on the Bible or on classical texts, made claims to authority, even inspiration, that at times were even more forceful than those made by the texts themselves. Pictorial prefaces of the twelfth century represent commentaries of their own; they articulate and elaborate complex arguments regarding critical matters of faith. This study examines pictorial programmes in copies of Horace?s poetic works, the Glossa ordinaria, anti-heretical polemics, and Rupert of Deutz?s commentary on the Song of Songs to demonstrate the ways in which they helped to shape understandings of authorship at a critical historical moment.
Leila Hadley, twenty-five years old, divorced, restless, bored with her succesful career, set off for the Far East with her six-year-old son for an adventure that would last a lifetime. Now available for the first time in many years, Give Me the World is the classic memoir of that trip--to Manilla and Hong Kong, Siam and Singapore, India and Damascus, and on around the world. Told with a remarkable sense of emotion and observation, it is an evocative record of what meets the eye and heart of the traveler. A timeless and moving personal story, Give Me the World is proof of the paradox that a 60-foot-long ship deck can enclose complete and boundless freedom.
