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The Bridges of Constantine by Ahlem Mosteghanemi Pdf
An artist and former revolutionary in Algeria lives in Paris out of frustration with the corruption in his own country, until the daughter of his former commander unexpectedly enters his life and returns his thoughts to Algeria.
Author : Raymond Van Dam Publisher : Cambridge University Press Page : 311 pages File Size : 54,6 Mb Release : 2011-04-29 Category : History ISBN : 9781139499729
Remembering Constantine at the Milvian Bridge by Raymond Van Dam Pdf
Constantine's victory in 312 at the battle of the Milvian Bridge established his rule as the first Christian emperor. This book examines the creation and dissemination of the legends about that battle and its significance. Christian histories, panegyrics and an honorific arch at Rome soon commemorated his victory, and the emperor himself contributed to the myth by describing his vision of a cross in the sky before the battle. Through meticulous research into the late Roman narratives and the medieval and Byzantine legends, this book moves beyond a strictly religious perspective by emphasizing the conflicts about the periphery of the Roman empire, the nature of emperorship and the role of Rome as a capital city. Throughout late antiquity and the medieval period, memories of Constantine's victory served as a powerful paradigm for understanding rulership in a Christian society.
Constantine at the Bridge by Stephen Dando-Collins Pdf
"A marvelous book. Constantine at the Bridge is an engaging and beautifully written study of a pivotal moment in Roman and European history." —Mark Felton, author of Castle of the Eagles: Escape from Mussolini's Colditz The AD 312 Battle of the Milvian Bridge, just outside Rome, marked the start of a monumental change for Rome and her empire. This battle was the figurative bridge between old pagan Rome and new Christian Rome. And once Constantine had crossed that bridge, there was no turning back. After winning this battle against his brother-in-law Maxentius and taking power at Rome, Constantine the Great—strongly influenced by his mother—forcefully steered Romans away from the traditional worship of their classical gods toward Christianity, setting Rome on two paths: the adoption of Christianity as the state religion, and the relegation of the city of Rome to obscurity as the Western Roman Empire collapsed within 175 years.
1,700 years ago, the emperor Constantine marched on Rome to free Italy from the tyrant Maxentius and reunify the Roman Empire. The army marched from Gaul in the spring of AD 312 and fought its way across the Empire. The defining moment of the campaign was the battle of the Milvian Bridge. This highly illustrated book examines how Maxentius's poor choice of battleground ultimately doomed his army to defeat. Forced back toward the river by Constantine, the prospect of death by drowning caused panic to tear through Maxentius's army, who broke and fled for the bridge of boats. Constantine pressed his advantage and broke through the Praetorian rear guard, forcing even more fleeing troops onto the already overcrowded bridges, which foundered and plunged thousands of soldiers, including Maxentius himself, into the waters. Constantine was victorious--and his march into Rome marked the first step in the conversion of the Roman Empire into a Christian state.
The Kaleidoscope of Gendered Memory in Ahlam Mosteghanemi’s Novels by Nuha Baaqeel Pdf
Through its unique kaleidoscopic lens, this book analyzes the work of Algeria’s first postcolonial woman writer to publish a novel in Arabic, Ahlam Mosteghanemi. Her novels Memory in the Flesh and Chaos of the Senses return to the trauma of the Algerian War of Independence to address the lingering anxieties of national belonging and memory in postcolonial Algeria at a time when the nation is caught between two forces: entrenched bureaucratic-political elites and populist Islamists, who imagine a return to a pre-modern, utopian past. This book argues that Mosteghanemi’s polyphonic narratives reveal that national narratives are always multiple—“unity” is not one, all-encompassing narrative, but instead an ever-evolving Bakhtinian dialogism accommodating multiple perspectives, memories, and stories. The study interprets Mosteghanemi’s metaphor of the bridge as a powerful device for exploring tensions between reality and imagination, exile and belonging, and traditional concepts of gender in ways that reimagine nationhood and gesture towards a new, collective future.
The first guide to focus on the renascent Algeria. After a decade of isolated but brutal civil unrest, peace is holding and tourism is emerging. From the northern coastal strip with bays reminiscent of southern Italy to the desert towns of the south, Algeria has a great deal to offer visitors.Algeria's World Heritage sites are free of thronging crowds. There is significant evidence of the country's Roman past; the ruins of Timgad are among the best-preserved in the world, while those at Tipasa overlook the Mediterranean Sea and are within easy reach of the capital, Algiers. The desert holds 8,000-year-old cave paintings and the wonderful Haggar Mountains.
The Reign of Constantine, 306–337 by Stanislav Doležal Pdf
This book explores the reign of Constantine the Great (306–337) and, more generally, the political history of the third century, thus putting Constantine's career and many of his decisions in context. It traces events under the first Tetrarchy and then explores Constantine's rise to power, his rule and reforms, and continuity and change with regard to his predecessors. It considers how he was able to transform the empire and establish his own dynasty, highlighting his political and military prowess, and therefore provides an essential overview of the political history of the period.
An Encyclopaedia of World Bridges by David McFetrich Pdf
Bridges are one of the most important artefacts constructed by man, the structures having had an incalculable effect on the development of trade and civilisation throughout the world. Their construction has led to continuing advances in civil engineering technology, leading to bigger spans and the use of new materials. Their failures, too, whether from an inadequate understanding of engineering principles or as a result of natural catastrophes or warfare, have often caused immense hardship as a result of lost lives or broken communications. In this book, a sister publication to his earlier An Encyclopaedia of British Bridges (Pen & Sword 2019), David McFetrich gives brief descriptions of some 1200 bridges from more than 170 countries around the world. They represent a wide range of different types of structure (such as beam, cantilever, stayed and suspension bridges). Although some of the pictures are of extremely well-known structures, many are not so widely recognisable and a separate section of the book includes more than seventy lists of bridges with distinctly unusual characteristics in their design, usage and history.
Transcolonial Maghreb offers the first thorough analysis of the ways in which Moroccan, Algerian, and Tunisian writers have engaged with the Palestinian question and the Palestinian-Israeli conflict for the past fifty years. Arguing that Palestine has become the figure par excellence of the colonial in the purportedly postcolonial present, the book reframes the field of Maghrebi studies to account for transversal political and aesthetic exchanges across North Africa and the Middle East. Olivia C. Harrison examines and contextualizes writings by the likes of Abdellatif Laâbi, Kateb Yacine, Ahlam Mosteghanemi, Albert Memmi, Abdelkebir Khatibi, Jacques Derrida, and Edmond El Maleh, covering a wide range of materials that are, for the most part, unavailable in English translation: popular theater, literary magazines, television series, feminist texts, novels, essays, unpublished manuscripts, letters, and pamphlets written in the three main languages of the Maghreb—Arabic, French, and Berber. The result has wide implications for the study of transcolonial relations across the Global South.
This prize-winning novel, the first to be written by an Algerian woman in Arabic, is set against Algeria's struggle against foreign domination as well as its post-independence struggle with itself and the fate of revolutionary ideals in a post-revolutionary society. The story, spanning more than four decades of Algerian history, from the 1940s to the 1980s, revolves around a love affair between Khaled, the middle-aged militant who turns to painting after losing his left arm in the struggle, and Hayat, the fiction writer and young daughter of his friend the freedom fighter Si Taher, all brilliantly told through Khaled's voice. It was features such as this convincing embodiment of a male voice alongside narrative techniques in which the author subtly joins the achievements of world literature with that of local storytelling and traditional modes of narration that particularly impressed the judges who awarded this novel the Naguib Mahfouz Medal for Literature.
'In a voice as dim as a lighthouse on a rainy night, he said, “Beware of loving a woman who loves bridges.”' ______________________ Once upon a September in Paris... Still heartsick over the break-up of his relationship with the alluring, elusive novelist Hayat, the narrator of The Dust of Promises finds himself adrift in Paris, where he has come to receive a photography award. His photograph of a traumatised war-orphan has been declared profoundly affecting by the judges, but he knows that no picture can ever fully capture the desolation and destruction he has witnessed in his Algerian homeland. When he stumbles into an art exhibition on one of the capital's side streets, he is struck by the power of the paintings and feels impelled to learn more about the artist – an Algerian exile whose painful longing for the country he has lost shines out of his work. The artist is none other than Khaled, the man who haunted the pages of Hayat's first novel, just as the narrator was inextricably entangled in her second. As the two men embark on a tentative friendship, a twist of fate brings Hayat herself to France, where the destinies of all of them will once again collide. The final novel in the international bestselling trilogy from 'the literary phenomenon' (Elle) Ahlem Mosteghanemi, The Dust of Promises is a haunting, elegiac story of love, memory and betrayal - and of what it means to come home. ______________________ 'Remarkable, insightful ... The elegiac quality is present not just in the themes, but also in the astonishingly poetic language throughout ... I stopped and marvelled every few pages ... This is one of the richest and most evocative books that I have read all year' Independent 'Ahlem has carved a place for herself as one of the most important writers of the Arab world' Youssef Chahine, Egyptian director, winner of the Cannes Film Lifetime Achievement Award