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Author : Andrew Kellett Publisher : University of Michigan Press Page : 273 pages File Size : 41,6 Mb Release : 2017-09-19 Category : History ISBN : 9780472036998
Beginning in the late 1950s, an influential cadre of young, white, mostly middle-class British men were consuming and appropriating African-American blues music, using blues tropes in their own music and creating a network of admirers and emulators that spanned the Atlantic. This cross-fertilization helped create a commercially successful rock idiom that gave rise to some of the most famous British groups of the era, including The Rolling Stones, The Yardbirds, Eric Clapton, and Led Zeppelin. What empowered these white, middle-class British men to identify with and claim aspects of the musical idiom of African-American blues musicians? The British Blues Network examines the role of British narratives of masculinity and power in the postwar era of decolonization and national decline that contributed to the creation of this network, and how its members used the tropes, vocabulary, and mythology of African-American blues traditions to forge their own musical identities.
Transatlantic Roots Music by Jill Terry,Neil A. Wynn Pdf
This book presents a collection of essays on the debates about origins, authenticity, and identity in folk and blues music. The essays had their origins in an international conference on the Transatlantic routes of American roots music, out of which emerged common themes and questions of origins and authenticity in folk music, black and white, American and British. The central theme is musical influences, but issues of identity—national, local, and racial—are also recurring subjects. The extent to which these identities were invented, imagined, or constructed by the performers, or by those who recorded their work for posterity, is also a prominent concern and questions of racial identity are particularly central. The book features a new essay on the blues by Paul Oliver alongside an essay on Oliver's seminal blues scholarship. There are also several essays on British blues and the links between performers and styles in the United States and Britain and new essays on critical figures such as Alan Lomax and Woody Guthrie. This volume uniquely offers perspectives from both sides of the Atlantic on the connections and interplay of influences in roots music and the debates about these subjects drawing on the work of eminent established scholars and emerging young academics who are already making a contribution to the field. Throughout, the contributors offer the most recent scholarship available on key issues.
How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom by Roberta Freund Schwartz Pdf
This book explores how, and why, the blues became a central component of English popular music in the 1960s. It is commonly known that many 'British invasion' rock bands were heavily influenced by Chicago and Delta blues styles. But how, exactly, did Britain get the blues? Blues records by African American artists were released in the United States in substantial numbers between 1920 and the late 1930s, but were sold primarily to black consumers in large urban centres and the rural south. How, then, in an era before globalization, when multinational record releases were rare, did English teenagers in the early 1960s encounter the music of Robert Johnson, Blind Boy Fuller, Memphis Minnie, and Barbecue Bob? Roberta Schwartz analyses the transmission of blues records to England, from the first recordings to hit English shores to the end of the sixties. How did the blues, largely banned from the BBC until the mid 1960s, become popular enough to create a demand for re-released material by American artists? When did the British blues subculture begin, and how did it develop? Most significantly, how did the music become a part of the popular consciousness, and how did it change music and expectations? The way that the blues, and various blues styles, were received by critics is a central concern of the book, as their writings greatly affected which artists and recordings were distributed and reified, particularly in the early years of the revival. 'Hot' cultural issues such as authenticity, assimilation, appropriation, and cultural transgression were also part of the revival; these topics and more were interrogated in music periodicals by critics and fans alike, even as English musicians began incorporating elements of the blues into their common musical language. The vinyl record itself, under-represented in previous studies, plays a major part in the story of the blues in Britain. Not only did recordings shape perceptions and listening habits, but which artists were available at any given time also had an enormous impact on the British blues. Schwartz maps the influences on British blues and blues-rock performers and thereby illuminates the stylistic evolution of many genres of British popular music.
Talking Music is a collection of nineteen of Holger Petersen's in-depth radio interviews with artists--the pioneering men and women who created the blues and roots sounds that have influenced the course of popular culture and music in North America. Many of his interview subjects are no longer with us--their stories need to be told.The book is divided into four collections of interviews: British Blues Revival, Delta and Memphis Blues, Artists Who Helped Build Stony Plain, and Bonus Tracks.Each interview is preceded by informative background material on the artist, Petersen's own stories of their meetings, and photographs.
Former Fleetwood Mac member Brunning charts how London shows by US Bluesmen like Muddy Waters and John Lee Hooker-then forgotten at home-influenced a generation of British musicians from The Stones and The Animals to The Bluesbreakers and The Yardbirds. This led to huge Stateside 1970s success for blues-influenced British rock giants like Fleetwood Mac and Led Zeppelin and a renaissance of the U.S. blues scene. "An engaging personal memoir."-Charles Shaar Murray
The British Union Catalogue of Music Periodicals by John Wagstaff Pdf
New edition of a reference tool for music libraries in the United Kingdom and worldwide. It lists music periodicals and where they are located, and includes details of the holdings of six libraries in the Republic of Ireland. Entries are presented in a standard format: filing title and subtitle(s); ISSN or other identifier; publication information; miscellaneous notes; and the library's unique identifying symbol followed by holdings information. Annotation copyrighted by Book News, Inc., Portland, OR
"This book offers an alternative perspective on popular music and youth culture in the 1980s and beyond. Based on interviews with disc jockeys, record label owners, musicians, producers and fans, it describes and analyses the shift from New Pop in the early 1980s to what it calls Political Pop in the mid-late 1980s."--From synopsis.
Broadcast/cable/web Programming by Susan Tyler Eastman,Douglas A. Ferguson Pdf
In this revision of the market-leading text, Susan Eastman and Douglas Ferguson, two noted scholars and experts in the area of broadcast programming, provide students with the most accurate and current information on the techniques and strategies used in the programming industry. The text has helped professors teach this course with clear current illustrations and examples, and just right approach of student friendly writing. Comprehensive, accurate and up- to- date, the text covers all aspects of programming for broadcast, cable, radio, and the Web.
The New Grove Dictionary of Music and Musicians: Appendixes by Stanley Sadie,John Tyrrell Pdf
"This reference classic has approximately doubled in size since its last publication 20 years ago, and the expansion involves more than the thorough revision and addition of articles about music of the past. More articles about 20th-century composers and composer-performers have been added, as well as topical articles about the gender-related, multicultural, and interdisciplinary ways that music is now being studied. Add to these changes that New Grove is also available online, making it a source that would have made its many-faceted creator Sir George Grove proud"--Outstanding reference sources, American Libraries, May 2002.
Long John Baldry is considered the father of the '60s British blues movement. Drawing on intimate anecdotes from Baldry's legendary friends, lovers, and peers, author Paul Myers uncovers the man behind the mythic persona. An entire generation of British rock legends flourished under Baldry's tutelage, and It Ain't Easy features exclusive personal recollections from artists such as Sir Elton John, Rod Stewart, Eric Clapton, Sir Paul McCartney, John Mayall, and Mick Fleetwood, as well as interviews with renowned music industry insiders like songwriter/producer Tony Macaulay, Yardbirds manager Giorgio Gomelsky, ex-Rolling Stones manager Andrew Loog Oldham, filmmaker Cameron Crowe, and others. Extensively researched, It Ain't Easy traces Baldry's extraordinary life from his birth during the London Blitz, to his discovery of black American music, to the sexual revolution, to the musical and social upheaval of the 1960s and '70s, and to his eventual happy retreat to the tranquility of Canada's Pacific Coast.
