The Broadview Anthology Of Restoration And Eighteenth Century Comedy

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The Broadview Anthology of Restoration and Early Eighteenth Century Drama: Concise Edition

Author : J. Douglas Canfield,Maja-Lisa von Sneidern
Publisher : Broadview Press
Page : 1055 pages
File Size : 42,8 Mb
Release : 2003-04-17
Category : Drama
ISBN : 9781770483002

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The Broadview Anthology of Restoration and Early Eighteenth Century Drama: Concise Edition by J. Douglas Canfield,Maja-Lisa von Sneidern Pdf

The Broadview Anthology of Restoration and Early Eighteenth-Century Drama, Concise Edition, with twenty-one plays, is half the length of the full anthology without compromising its breadth. Concentrating on plays from the heyday of 1660-1737, it focuses on Restoration drama proper and Revolution drama, with a selection from the early Georgian period and the later Georgian period's "laughing comedy." Seven of the nine sub-genres (personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy) of the full anthology are represented, with the preponderance of exposure given to the jewel of this theatre, its comedy. Each play is fully annotated and prefaced with an historical introduction. Also included are a general introduction, a statement of procedures, and a glossary.

The Broadview Anthology of Restoration and Early Eighteenth Century Drama: Concise Edition

Author : J. Douglas Canfield,Maja-Lisa von Sneidern
Publisher : Broadview Press
Page : 1055 pages
File Size : 45,8 Mb
Release : 2003-04-17
Category : Drama
ISBN : 9781551115818

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The Broadview Anthology of Restoration and Early Eighteenth Century Drama: Concise Edition by J. Douglas Canfield,Maja-Lisa von Sneidern Pdf

The Broadview Anthology of Restoration and Early Eighteenth-Century Drama, Concise Edition, with twenty-one plays, is half the length of the full anthology without compromising its breadth. Concentrating on plays from the heyday of 1660-1737, it focuses on Restoration drama proper and Revolution drama, with a selection from the early Georgian period and the later Georgian period’s “laughing comedy.” Seven of the nine sub-genres (personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy) of the full anthology are represented, with the preponderance of exposure given to the jewel of this theatre, its comedy. Each play is fully annotated and prefaced with an historical introduction. Also included are a general introduction, a statement of procedures, and a glossary.

The Broadview Anthology of Restoration and Early Eighteenth-Century Drama

Author : J. Douglas Canfield,Maja-Lisa von Sneidern
Publisher : Broadview Press
Page : 2001 pages
File Size : 49,7 Mb
Release : 2001-05-31
Category : Drama
ISBN : 9781551112701

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The Broadview Anthology of Restoration and Early Eighteenth-Century Drama by J. Douglas Canfield,Maja-Lisa von Sneidern Pdf

This is the first new full-scale anthology of Restoration and eighteenth-century drama in over sixty years. Concentrating on plays from the heyday of 1660-1737, it focuses especially on Restoration drama proper (1660-1688) and Revolution drama (1689-1714), with a smaller selection of plays from the early Georgian period (1715-1737) and a glimpse at the later Georgian period’s “laughing comedy” (1770s and 80s). It includes nine sub-genres (heroic romance, political tragedy, personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy), with the preponderance of exposure given to the jewel of this theatre, its comedy. The core canonical plays from the era—from Dryden’s All for Love and Behn’s The Rover to Congreve’s The Way of the World and Sheridan’s School for Scandal—are all here, but so are a remarkably wide range of non-canonical works. There are many more plays by women than in any previous general anthology of drama of the period. Also included are a number of works from the neglected 1660s, whose comedies feature delightful, subversive, levelling folk elements. In all there are forty-one plays; each is fully annotated and prefaced with an historical introduction. Also included are a general introduction, head-notes for each genre, and a glossary.

The Broadview Anthology of Restoration and Eighteenth-Century Comedy

Author : Brian Corman
Publisher : Broadview Press
Page : 615 pages
File Size : 41,6 Mb
Release : 2013-01-21
Category : Drama
ISBN : 9781551119229

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The Broadview Anthology of Restoration and Eighteenth-Century Comedy by Brian Corman Pdf

The ten plays in this new collection show both the continuity and the changes in comedy over the course of the Restoration and eighteenth century. Each play includes its original prologue and epilogue, as well as an historical introduction and full annotation. The editor’s Introduction provides a rich historical and literary context for the plays’ composition and production. A glossary of frequently used words likely to be unfamiliar to general readers is also included.

The Broadview Anthology of Restoration and Early Eighteenth-Century Drama

Author : J. Douglas Canfield,Maja-Lisa von Sneidern
Publisher : Broadview Press
Page : 128 pages
File Size : 48,7 Mb
Release : 2001-05-31
Category : Drama
ISBN : 9781770484115

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The Broadview Anthology of Restoration and Early Eighteenth-Century Drama by J. Douglas Canfield,Maja-Lisa von Sneidern Pdf

This is the first new full-scale anthology of Restoration and eighteenth-century drama in over sixty years. Concentrating on plays from the heyday of 1660-1737, it focuses especially on Restoration drama proper (1660-1688) and Revolution drama (1689-1714), with a smaller selection of plays from the early Georgian period (1715-1737) and a glimpse at the later Georgian period’s “laughing comedy” (1770s and 80s). It includes nine sub-genres (heroic romance, political tragedy, personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy), with the preponderance of exposure given to the jewel of this theatre, its comedy. The core canonical plays from the era—from Dryden’s All for Love and Behn’s The Rover to Congreve’s The Way of the World and Sheridan’s School for Scandal—are all here, but so are a remarkably wide range of non-canonical works. There are many more plays by women than in any previous general anthology of drama of the period. Also included are a number of works from the neglected 1660s, whose comedies feature delightful, subversive, levelling folk elements. In all there are forty-one plays; each is fully annotated and prefaced with an historical introduction. Also included are a general introduction, head-notes for each genre, and a glossary.

The Broadview Anthology of Restoration and Eighteenth-Century Comedy

Author : Brian Corman
Publisher : Broadview Press
Page : 615 pages
File Size : 49,5 Mb
Release : 2013-01-21
Category : Drama
ISBN : 9781460402719

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The Broadview Anthology of Restoration and Eighteenth-Century Comedy by Brian Corman Pdf

The ten plays in this new collection show both the continuity and the changes in comedy over the course of the Restoration and eighteenth century. Each play includes its original prologue and epilogue, as well as an historical introduction and full annotation. The editor’s Introduction provides a rich historical and literary context for the plays’ composition and production. A glossary of frequently used words likely to be unfamiliar to general readers is also included.

Cultural Readings of Restoration and Eighteenth-Century English Theater

Author : Deborah Payne Fisk,J. Douglas Canfield
Publisher : University of Georgia Press
Page : 332 pages
File Size : 55,6 Mb
Release : 2010-12-01
Category : Literary Criticism
ISBN : 9780820337890

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Cultural Readings of Restoration and Eighteenth-Century English Theater by Deborah Payne Fisk,J. Douglas Canfield Pdf

Ranging in approach from feminist to historicist, the eleven essays in this collection share the culturalist premise that the drama of late Stuart and early Georgian England helped to constitute the dominant ideology of the period. The contributors' varied approaches allow for the reconsideration of libertinism, the politics of sexual desire, and other classic issues, as well as such newer concerns as the social construction of the first English actresses, empiricism as an emergent epistemological discourse, cultural anxiety about novelty and repetition, and shifting tropes of inherent worth. By reading well-known works in unexpected ways and focusing on less frequently studied dramatists, from Sedley, Motteux, Pix, and Behn to Manley, Trotter, and Shadwell, the contributors also test the limits of the canon. In addition, they suggest that earlier critical perceptions, perhaps even more than the “innate worth” of the plays, determined the shape of the canon. These essays present a different image of Restoration and eighteenth-century theater, one that reveals how the drama was a site as important for the negotiation of cultural meaning as were novels and verse satires.

A Cultural History of Comedy in the Age of Enlightenment

Author : Elizabeth Kraft
Publisher : Bloomsbury Publishing
Page : 272 pages
File Size : 42,8 Mb
Release : 2021-12-30
Category : History
ISBN : 9781350187726

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A Cultural History of Comedy in the Age of Enlightenment by Elizabeth Kraft Pdf

This volume highlights the variety of forms comedy took in England, with reference to developments in Europe, particularly France, during the European Enlightenment. It argues that comedy in this period is characterized by wit, satire, and humor, provoking both laughter and sympathetic tears. Comic expression in the Enlightenment reflects continuities and engagements with the comedy of previous eras; it is also noted for new forms and preoccupations engendered by the cultural, philosophical, and political concerns of the time, including democratizing revolutions, increasing secularization, and growing emphasis on individualism. Discussions emphasize the period's stage comedy and acknowledge comic expression in various forms of print media including the emerging literary form we now know as the novel. Contributions from scholars reflect a wide variety of interests in the field of 18th-century studies, and the inclusion of a generous number of illustrations throughout demonstrates that the period's visual culture was also an important part of the Enlightenment comic landscape. Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter and ethics. These eight different approaches to Enlightenment comedy add up to an extensive, synoptic coverage of the subject.

British Women Satirists in the Long Eighteenth Century

Author : Amanda Hiner,Elizabeth Tasker Davis
Publisher : Cambridge University Press
Page : 319 pages
File Size : 40,7 Mb
Release : 2022-04-07
Category : Literary Criticism
ISBN : 9781108837361

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British Women Satirists in the Long Eighteenth Century by Amanda Hiner,Elizabeth Tasker Davis Pdf

Featuring cutting-edge essays by leading scholars, this collection formulates a new feminist theory of eighteenth-century women's satire.

Restoration Stage Comedies and Hollywood Remarriage Films

Author : Elizabeth Kraft
Publisher : Taylor & Francis
Page : 254 pages
File Size : 43,7 Mb
Release : 2016-10-04
Category : Literary Criticism
ISBN : 9781317064725

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Restoration Stage Comedies and Hollywood Remarriage Films by Elizabeth Kraft Pdf

In Restoration Stage Comedies and Hollywood Remarriage Films, Elizabeth Kraft brings the canon of Restoration comedy into the conversation initiated by Stanley Cavell in his book Pursuits of Happiness: The Hollywood Comedy of Remarriage. Before there could be imagined remarriages of the sort Cavell documents, there had to be imagined marriages of equality. Such imagined marriages were first mapped out on the Restoration stage by witty pairs such as Harriet and Dorimant, Millamant and Mirabell, and Alithea and Harcourt who are precursors of the central couples in films such as Bringing Up Baby, His Girl Friday, and The Lady Eve. In considering the Restoration comedy canon in one-on-one discourse with the Hollywood remarriage comedy canon, Kraft demonstrates the indebtedness of the twentieth-century films to the Restoration dramatic texts-and the philosophical richness of both canons as they explore the nature and significance of marriage as pursuit of moral perfectionism. Her book will be of interest to specialists in Restoration drama and film scholars.

Popular Plays by Women in the Restoration and Eighteenth Century

Author : Tanya M. Caldwell
Publisher : Broadview Press
Page : 300 pages
File Size : 51,8 Mb
Release : 2011-06-30
Category : Drama
ISBN : 9781770482838

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Popular Plays by Women in the Restoration and Eighteenth Century by Tanya M. Caldwell Pdf

This anthology offers a selection of popular dramatic works by female playwrights from Aphra Behn in the 1670s through Hannah Cowley in the later eighteenth century. These plays were successful as plays of their time, not just as plays by women, together providing evidence that women dramatists often managed better than their male counterparts to please diverse audiences, who were notoriously fickle as well as predisposed to oppose them. Accessible to both graduates and undergraduates, Popular Plays by Women shows how these playwrights captured audiences through wit, social awareness, and dramatic dexterity. As well as including the prologues and epilogues of the four plays presented, this anthology provides additional materials in which female playwrights discuss the prejudices and special difficulties they face.

The Oxford Handbook of the Georgian Theatre 1737-1832

Author : Julia Swindells,David Francis Taylor
Publisher : OUP Oxford
Page : 784 pages
File Size : 44,7 Mb
Release : 2014-01-16
Category : Literary Criticism
ISBN : 9780191655203

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The Oxford Handbook of the Georgian Theatre 1737-1832 by Julia Swindells,David Francis Taylor Pdf

The Oxford Handbook of the Georgian Theatre 1737-1832 provides an essential guide to theatre in Britain between the passing of the Stage Licensing Act in 1737 and the Reform Act of 1832 — a period of drama long neglected but now receiving significant scholarly attention. Written by specialists from a range of disciplines, its forty essays both introduce students and scholars to the key texts and contexts of the Georgian theatre and also push the boundaries of the field, asking questions that will animate the study of drama in the eighteenth and early nineteenth centuries for years to come. The Handbook gives equal attention to the range of dramatic forms — not just tragedy and comedy, but the likes of melodrama and pantomime — as they developed and overlapped across the period, and to the occasions, communities, and materialities of theatre production. It includes sections on historiography, the censorship and regulation of drama, theatre and the Romantic canon, women and the stage, and the performance of race and empire. In doing so, it shows the centrality of theatre to Georgian culture and politics, and paints a picture of a stage defined by generic fluidity and experimentation; by networks of performance that spread far beyond London; by professional women who played pivotal roles in every aspect of production; and by its complex mediation of contemporary attitudes of class, race, and gender.

Teaching Comedy

Author : Bev Hogue
Publisher : Modern Language Association
Page : 269 pages
File Size : 46,8 Mb
Release : 2023-08-03
Category : Language Arts & Disciplines
ISBN : 9781603296168

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Teaching Comedy by Bev Hogue Pdf

From Shakespeare to The Simpsons, comedy has long provided both entertainment and social commentary. It may critique cultural values, undermine authority, satirize sacred beliefs, and make room for the marginalized to approach the center. Comedy can be challenging to teach, but in the classroom it can help students connect with one another, develop critical thinking skills, and engage with important issues. The essays in this volume address a rich variety of texts spanning film, television, stand-up, cartoons, and memes as well as conventional literary works from different places and times. Contributors offer theoretical foundations and practical methods for a broad range of courses, including guidance on contextualizing the humor of historical works and on navigating the ways that comedy can both subvert and reinforce stereotypes. Finally, the volume argues for the value of comedy in difficult times, as a way to create community and meaning. This volume contains discussion of fiction, poetry, plays, and essays by Maya Angelou, Jane Austen, Aphra Behn, Hugh Henry Brackenridge, Frances Burney, Charles W. Chesnutt, Roddy Doyle, Maria Edgeworth, Ben Jonson, Anita Loos, Emtithal Mahmoud, Thomas Middleton, Okot p'Bitek, William Shakespeare, Laurence Sterne, Jonathan Swift, Alma Villanueva, Paula Vogel, Oscar Wilde, John Wilmot, and William Wycherley; TV shows and films including Crazy Ex-Girlfriend, The Gold Rush, Life Is Beautiful, The Marvelous Mrs. Maisel, The Office, Office Space, Rick and Morty, and South Park; works and stand-up performances by Aziz Ansari, Samantha Bee, Dave Chappelle, Louis C.K., Tina Fey, Moms Mabley, Hasan Minhaj, Eddie Murphy, Trevor Noah, Richard Pryor, Issa Rae, and Wanda Sykes; and visual works and other media including Aaron McGruder's The Boondocks, Bill Watterson's Calvin and Hobbes, Nick Sousanis's Unflattening, Marvel's Hawkeye, The Onion, YouTube videos, advertisements, and memes.

Moral Reform in Comedy and Culture, 1696–1747

Author : Dr Aparna Gollapudi
Publisher : Ashgate Publishing, Ltd.
Page : 198 pages
File Size : 54,6 Mb
Release : 2013-05-28
Category : Performing Arts
ISBN : 9781409478799

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Moral Reform in Comedy and Culture, 1696–1747 by Dr Aparna Gollapudi Pdf

In the first half of the eighteenth century, a new comic plot formula dramatizing the moral reform of a flawed protagonist emerged on the English stage. The comic reform plot was not merely a generic turn towards morality or sentimentality, Aparna Gollapudi argues, but an important social mechanism for controlling and challenging political and economic changes. Gollapudi looks at reform comedies by dramatists such as Colley Cibber, Susanna Centlivre, Richard Steele, Charles Johnson, and Benjamin Hoadly in relation to emergent trends in finance capitalism, imperial nationalism, political factionalism, domestic ideology, and middling class-consciousness. Within the context of the cultural anxieties engendered by these developments, Gollapudi suggests, the reform comedies must be seen not as clichéd and moralistic productions but as responses to vital ideological shifts and cultural transvaluations that impose a reassuring moral schema on everyday conduct. Thoroughly researched and elegantly written, Gollapudi's study shows that reform comedies covered a range of contemporary concerns from party politics to domestic harmony and are crucial for understanding eighteenth-century literature and culture.