The Buffalo Head Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Buffalo Head book. This book definitely worth reading, it is an incredibly well-written.
The wildest, loveliest and least-travelled region of Alberta was R.M. Patterson’s home territory in the 1930s and ’40s. The Buffalo Head ranch was located in the foothills of the majestic Canadian Rockies. With the mountains as a backdrop, this dude ranch hosted visitors from around the world. Patterson bought it from its founder, a wild Italian named George Pocaterra, and explored the steep valleys and high mountain passes. Patterson’s tales of the ranch in The Buffalo Head culminate with a fantastic story of meeting a growling grizzly while crossing the Continental Divide in an October snowstorm.
"At the place known as Head-Smashed-In in southwestern Alberta, Aboriginal people practiced a form of group hunting for nearly 6,000 years before European contact. The large communal bison traps of the Plains were the single greatest food-getting method ever developed in human history. Hunters, working with their knowledge of the land and of buffalo behaviour, drove their quarry over a cliff and into wooden corrals. The rest of the group butchered the kill in the camp below
Head-Smashed-In Buffalo Jump in Alberta is one of the oldest, largest, and best-preserved buffalo jump sites in North America and was declared a World Heritage Site in 1981. Author Gordon Reid has compiled a history of this significant site, describing the importance of the buffalo to Native peoples, how the jump was used, and the traditions and skills surrounding the hunt. He also looks at the excavation of the site, explaining how archaeologists uncovered artifacts, and what they learned about the history of the site and the people who used it. Also included is an overview of the resources offered by the Head Smashed-In Buffalo Jump interpretive centre. This book, originally published in 1993, has been a very popular resource for tourists, educators, students, and people interested in Alberta's heritage. Completely updated and redesigned for this new edition, it will be the only book available that explains, in depth, the vital role of Head-Smashed-In Buffalo Jump in Native history.
Images and texts document the legendary Department of Media Study at SUNY Buffalo when it set the world standard; a history of the program and examples of work by “Buffalo heads” James Blue, Tony Conrad, Hollis Frampton, Gerald O'Grady, Paul Sharits, Steina, Woody Vasulka, and Peter Weibel. Twentieth-century art history is not just a history of individuals, but of collectives, groups. Universities and colleges have had much to do with this through their support of artistic communities and creative interactions. In the 1920s and 1930s, the Bauhaus was known for this. In the 1940s, Black Mountain College became a leader in community-based visual art practice and education. And in the 1970s and 1980s, the Department of Media Study at the State University of New York at Buffalo was the place to be. It was there, in 1973, well before any other university had a program explicitly devoted to media art, that Gerald O'Grady founded a media study program that is now legendary. Artists—including avant-garde filmmakers Hollis Frampton, Tony Conrad, and Paul Sharits, documentary maker James Blue, video artists Woody Vasulka and Steina, and Viennese action artist Peter Weibel—investigated, taught, and made media art in all forms, and founded the first Digital Arts Laboratory. These Buffalo faculty members were not just practicing artists, but also theorists who wrote and spoke on issues raised by their work. They set the terms for the development of media art and paved the way for the triumph of video installation art in the 1990s. The images and texts in Buffalo Heads bear witness to the groundbreaking events at the Buffalo Center for Media Study. The book presents not just a tribute to a famous media department finally receiving its due; it is a rich inventory of primary texts (many never before published), works that will improve our understanding of media, amplify our cultural memory, and offer a perspective on contemporary issues.
The Buffalo Head by R M (Raymond M ) Patterson Pdf
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A prowling wildcat finds a surprise in an old dried-up buffalo skull. A group of mice are dancing the night away and not paying attention to the dangers around them. Does the wildcat spell doom for the mice, or will they escape to safety? Dance in a Buffalo Skull is an American Indain tale of danger and survival on the Great Plains.
Author : James A. Belasco,Ralph C. Stayer Publisher : Grand Central Publishing Page : 355 pages File Size : 50,8 Mb Release : 2008-11-16 Category : Business & Economics ISBN : 0446549304
Flight of the Buffalo by James A. Belasco,Ralph C. Stayer Pdf
A hardcover bestseller now in paperback presents a management program that encourages employee leadership--which today's companies must have more of if they are to survive the coming decades.
This thoroughly researched and superbly written book combines history, myth, folklore, and fiction to tell the story not only of the buffalo but of the relationship between buffalo and man on the North American continent. Synthesizing larger and longer histories of this unique animal, this book traces the history of the buffalo from the time it led man to North America, fed him, clothed him, and housed him. As buffalo increased in numbers, they became central to the culture of the Great Plains Indians who lived surrounded by them. Much of the Indian way of life was related to knowledge of and reverence for the buffalo. When the European white man arrived, he lived off the buffalo as he explored the continent. Later, he slaughtered the great herds of animals when they trampled his crops, stopped his railway trains, and fed the Indians who fought him for the land. But when extinction threatened the buffalo, the white man was challenged by the idea of saving the animal, an idea that captures the imagination of Americans yet today. Heads, Hides & Horns traces this major history in a thousand small stories, with directions for tanning, recipes for cooking, stories of tenderfeet and hide hunters, Metis from Canada who searched for bones, ciboleros from Mexico who hunted buffalo in Texas, and hundreds of anecdotes and first-person accounts. Over one hundred illustrations accompany the lively text. The pictorial research behind this book is as thorough as the textual study, and the illustrations include works by major artists of the period - Karl Bodmer and Frederic Remington, for example - along with actual period photographs. Combining the best of art and history told in an anecdotal and readable manner, Heads, Hides & Horns offers fascinating reading for anyone interested in the American West, its culture, traditions, and ecology.
“Education is the new buffalo” is a metaphor widely used among Indigenous peoples in Canada to signify the importance of education to their survival and ability to support themselves, as once Plains nations supported themselves as buffalo peoples. The assumption is that many of the pre-Contact ways of living are forever gone, so adaptation is necessary. But Chelsea Vowel asks, “Instead of accepting that the buffalo, and our ancestral ways, will never come back, what if we simply ensure that they do?” Inspired by classic and contemporary speculative fiction, Buffalo Is the New Buffalo explores science fiction tropes through a Métis lens: a Two-Spirit rougarou (shapeshifter) in the nineteenth century tries to solve a murder in her community and joins the nêhiyaw-pwat (Iron Confederacy) in order to successfully stop Canadian colonial expansion into the West. A Métis man is gored by a radioactive bison, gaining super strength, but losing the ability to be remembered by anyone not related to him by blood. Nanites babble to babies in Cree, virtual reality teaches transformation, foxes take human form and wreak havoc on hearts, buffalo roam free, and beings grapple with the thorny problem of healing from colonialism. Indigenous futurisms seek to discover the impact of colonization, remove its psychological baggage, and recover ancestral traditions. These eight short stories of “Métis futurism” explore Indigenous existence and resistance through the specific lens of being Métis. Expansive and eye-opening, Buffalo Is the New Buffalo rewrites our shared history in provocative and exciting ways.
The journals and memoirs of 19th century explorers and travelers in the American West often told of viewing buffalo massed together as far as the eye could see. This book appropriately covers the subject of the buffalo as extensively as that animal covered the plains. Other recent accounts of the buffalo have focused on two or three aspects, emphasizing its natural history, the hunters and the hunted in prehistoric time, the relationship between the buffalo and the American Indian. David Dary's treatment stretches from horizon to horizon. Of course he discusses the origin of the buffalo in North America, its locations and migrations, its habits, its significance and role in both Indian and white cultures, its near demise, its salvation. But more. Dary weaves throughout his fact-filled book fascinating threads of lore and legend of this animal that literally helped mold who and what America is. Further, in addition to detailing the extinction which almost befell this mythic beast and the attempts to give life again to the herds, Dary concentrates significant attention on the buffalo as part of 20th century America in terms of captivity, husbandry, and symbol. The Buffalo Book rounds up all the contemporary buffalo. Dary has located just about every single buffalo alive today in the United States. He has visited or corresponded with everyone who raises a private or government herd, small or large. He maps their location, size, purpose, future. There are even some instructions about how to raise buffalo if one is so inclined. For the gourmet The Buffalo Book provides a number of recipes, such as Sweetgrass Buffalo and Beer Pie or Buffalo Tips a la Bourgogne. From the buffalo nickel to Wyoming's state flag, from The University of Colorado's mascot to Indiana's state seal, we picture and use the buffalo in hundreds of ways; Dary surveys the 19th and 20th century symbol adaptation of the animal.
This adorably illustrated picture book celebrates the love we have for books and the strength of friendship. Raymond is a brave, strong and hairy buffalo. Gilbert is a quiet, growing and not-at-all hairy boy. Raymond is the hero of Gilbert's favorite book, and Gilbert brings his favorite book everywhere. When an unfortunate incident separates the two, Raymond finds himself in a very unusual situation—outside of his book and loose in the local library! There's nothing for Raymond to do but wait for Gilbert to come find him. But as the days turn into months and months into years, Raymond has to be brave and make a new home in the library shelves and a new friend in the librarian, Nicole.
From the host of the Travel Channel’s “The Wild Within.” A hunt for the American buffalo—an adventurous, fascinating examination of an animal that has haunted the American imagination. In 2005, Steven Rinella won a lottery permit to hunt for a wild buffalo, or American bison, in the Alaskan wilderness. Despite the odds—there’s only a 2 percent chance of drawing the permit, and fewer than 20 percent of those hunters are successful—Rinella managed to kill a buffalo on a snow-covered mountainside and then raft the meat back to civilization while being trailed by grizzly bears and suffering from hypothermia. Throughout these adventures, Rinella found himself contemplating his own place among the 14,000 years’ worth of buffalo hunters in North America, as well as the buffalo’s place in the American experience. At the time of the Revolutionary War, North America was home to approximately 40 million buffalo, the largest herd of big mammals on the planet, but by the mid-1890s only a few hundred remained. Now that the buffalo is on the verge of a dramatic ecological recovery across the West, Americans are faced with the challenge of how, and if, we can dare to share our land with a beast that is the embodiment of the American wilderness. American Buffalo is a narrative tale of Rinella’s hunt. But beyond that, it is the story of the many ways in which the buffalo has shaped our national identity. Rinella takes us across the continent in search of the buffalo’s past, present, and future: to the Bering Land Bridge, where scientists search for buffalo bones amid artifacts of the New World’s earliest human inhabitants; to buffalo jumps where Native Americans once ran buffalo over cliffs by the thousands; to the Detroit Carbon works, a “bone charcoal” plant that made fortunes in the late 1800s by turning millions of tons of buffalo bones into bone meal, black dye, and fine china; and even to an abattoir turned fashion mecca in Manhattan’s Meatpacking District, where a depressed buffalo named Black Diamond met his fate after serving as the model for the American nickel. Rinella’s erudition and exuberance, combined with his gift for storytelling, make him the perfect guide for a book that combines outdoor adventure with a quirky blend of facts and observations about history, biology, and the natural world. Both a captivating narrative and a book of environmental and historical significance, American Buffalo tells us as much about ourselves as Americans as it does about the creature who perhaps best of all embodies the American ethos.
For twenty years Dan O’Brien struggled to make ends meet on his cattle ranch in South Dakota. But when a neighbor invited him to lend a hand at the annual buffalo roundup, O’Brien was inspired to convert his own ranch, the Broken Heart, to buffalo. Starting with thirteen calves, “short-necked, golden balls of wool,” O’Brien embarked on a journey that returned buffalo to his land for the first time in more than a century and a half. Buffalo for the Broken Heart is at once a tender account of the buffaloes’ first seasons on the ranch and an engaging lesson in wildlife ecology. Whether he’s describing the grazing pattern of the buffalo, the thrill of watching a falcon home in on its prey, or the comical spectacle of a buffalo bull wallowing in the mud, O’Brien combines a novelist’s eye for detail with a naturalist’s understanding to create an enriching, entertaining narrative.
