The Cambridge Companion To Mahler

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The Cambridge Companion to Mahler

Author : Jeremy Barham
Publisher : Cambridge University Press
Page : 370 pages
File Size : 44,5 Mb
Release : 2007-12-13
Category : Music
ISBN : 9781139827201

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The Cambridge Companion to Mahler by Jeremy Barham Pdf

In the years approaching the centenary of Mahler's death, this book provides both summation of, and starting point for, an assessment and reassessment of the composer's output and creative activity. Authored by a collection of leading specialists in Mahler scholarship, its opening chapters place the composer in socio-political and cultural contexts, and discuss his work in light of developments in the aesthetics of musical meaning. Part II examines from a variety of analytical, interpretative and critical standpoints the complete range of his output, from early student works and unfinished fragments to the sketches and performing versions of the Tenth Symphony. Part III evaluates Mahler's role as interpreter of his own and other composers' works during his lifelong career as operatic and orchestral conductor. Part IV addresses Mahler's fluctuating reception history from scholarly, journalistic, creative, public and commercial perspectives, with special attention being paid to his compositional legacy.

The Cambridge Companion to the Symphony

Author : Julian Horton
Publisher : Cambridge University Press
Page : 470 pages
File Size : 52,9 Mb
Release : 2013-05-02
Category : Music
ISBN : 9781107469709

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The Cambridge Companion to the Symphony by Julian Horton Pdf

Few genres of the last 250 years have proved so crucial to the course of music history, or so vital to public musical experience, as the symphony. This Companion offers an accessible guide to the historical, analytical and interpretative issues surrounding this major genre of Western music, discussing an extensive variety of works from the eighteenth century to the present day. The book complements a detailed review of the symphony's history with focused analytical essays from leading scholars on the symphonic music of both mainstream composers, including Haydn, Mozart and Beethoven and lesser-known figures, including Carter, Berio and Maxwell Davies. With chapters on a comprehensive range of topics, from the symphony's origins to the politics of its reception in the twentieth century, this is an invaluable resource for anyone with an interest in the history, analysis and performance of the symphonic repertoire.

The Cambridge Companion to Bruckner

Author : John Williamson
Publisher : Cambridge University Press
Page : 340 pages
File Size : 46,6 Mb
Release : 2004-07-15
Category : Biography & Autobiography
ISBN : 0521008786

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The Cambridge Companion to Bruckner by John Williamson Pdf

This Companion provides an overview of the composer Anton Bruckner (1824-1896). Sixteen chapters by leading scholars investigate aspects of his life and works and consider the manner in which critical appreciation has changed in the twentieth century. The first section deals with Bruckner's Austrian background, investigating the historical circumstances in which he worked, his upbringing in Upper Austria, and his career in Vienna. A number of misunderstandings are dealt with in the light of recent research. The remainder of the book covers Bruckner's career as church musician and symphonist, with a chapter on the neglected secular vocal music. Religious, aesthetic, formal, harmonic, and instrumental aspects are considered, while one chapter confronts the problem of the editions of the symphonies. Two concluding chapters discuss the symphonies in performance, and the history of Bruckner-reception with particular reference to German Nationalism, the Third Reich and the appropriation of Bruckner by the Nazis.

Gustav Mahler's Symphonic Landscapes

Author : Thomas Peattie
Publisher : Cambridge University Press
Page : 233 pages
File Size : 43,6 Mb
Release : 2015-04-06
Category : History
ISBN : 9781107027084

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Gustav Mahler's Symphonic Landscapes by Thomas Peattie Pdf

In this study Thomas Peattie offers a new account of Mahler's symphonies by considering the composer's reinvention of the genre in light of his career as a conductor and more broadly in terms of his sustained engagement with the musical, theatrical, and aesthetic traditions of the Austrian fin de siècle. Drawing on the ideas of landscape, mobility, and theatricality, Peattie creates a richly interdisciplinary framework that reveals the uniqueness of Mahler's symphonic idiom and its radical attitude toward the presentation and ordering of musical events. The book goes on to identify a fundamental tension between the music's episodic nature and its often-noted narrative impulse and suggests that Mahler's symphonic dramaturgy can be understood as a form of abstract theatre.

The Cambridge Companion to Schoenberg

Author : Jennifer Shaw,Joseph Auner
Publisher : Cambridge University Press
Page : 128 pages
File Size : 51,8 Mb
Release : 2010-05-13
Category : Music
ISBN : 9781139828079

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The Cambridge Companion to Schoenberg by Jennifer Shaw,Joseph Auner Pdf

Arnold Schoenberg – composer, theorist, teacher, painter, and one of the most important and controversial figures in twentieth-century music. This Companion presents engaging essays by leading scholars on Schoenberg's central works, writings, and ideas over his long life in Vienna, Berlin, and Los Angeles. Challenging monolithic views of the composer as an isolated elitist, the volume demonstrates that what has kept Schoenberg and his music interesting and provocative was his profound engagement with the musical traditions he inherited and transformed, with the broad range of musical and artistic developments during his lifetime he critiqued and incorporated, and with the fundamental cultural, social, and political disruptions through which he lived. The book provides introductions to Schoenberg's most important works, and to his groundbreaking innovations including his twelve-tone compositions. Chapters also examine Schoenberg's lasting influence on other composers and writers over the last century.

The Cambridge Companion to the Lied

Author : James Parsons
Publisher : Cambridge University Press
Page : 446 pages
File Size : 54,5 Mb
Release : 2004-07
Category : Music
ISBN : 052180471X

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The Cambridge Companion to the Lied by James Parsons Pdf

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The Cambridge Companion to Berg

Author : Anthony Pople
Publisher : Cambridge University Press
Page : 324 pages
File Size : 43,6 Mb
Release : 1997-04-24
Category : Biography & Autobiography
ISBN : 0521564891

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The Cambridge Companion to Berg by Anthony Pople Pdf

The world of Alban Berg is full of paradoxes, secrets and allusions, but he was able to handle emotional and moral issues at a distance and with profound sympathy. His unhurried, almost aristocratic attitude to life and his extreme self-criticism in professional matters resulted in an extraordinarily small musical output, but it includes towering masterpieces such as the operas Wozzeck and Lulu, and his last work, the Violin Concerto. All of Berg's substantial works are discussed in this Companion which brings together a team of experts who write from a variety of historical and critical perspectives, outlining the place of the music in the cultural history of its time and recontextualising it against the broader twentieth-century interplay of fashions, aesthetics and ideas.

The Cambridge Companion to Richard Strauss

Author : Charles Youmans
Publisher : Cambridge University Press
Page : 369 pages
File Size : 49,6 Mb
Release : 2010-11-18
Category : Music
ISBN : 9781139828529

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The Cambridge Companion to Richard Strauss by Charles Youmans Pdf

Richard Strauss is a composer much loved among audiences throughout the world, both in the opera house and the concert hall. Despite this popularity, Strauss was for many years ignored by scholars, who considered his commercial success and his continued reliance on the tonal system to be liabilities. However, the past two decades have seen a resurgence of scholarly interest in the composer. This Companion surveys the results, focusing on the principal genres, the social and historical context, and topics perennially controversial over the last century. Chapters cover Strauss's immense operatic output, the electrifying modernism of his tone poems, and his ever-popular Lieder. Controversial topics are explored, including Strauss's relationship to the Third Reich and the sexual dimension of his works. Reintroducing the composer and his music in light of recent research, the volume shows Strauss's artistic personality to be richer and much more complicated than has been previously acknowledged.

The Cambridge Companion to the Symphony

Author : Julian Horton
Publisher : Cambridge University Press
Page : 469 pages
File Size : 44,7 Mb
Release : 2013-05-02
Category : Music
ISBN : 9780521884983

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The Cambridge Companion to the Symphony by Julian Horton Pdf

A comprehensive guide to the historical, analytical and interpretative issues surrounding one of the major genres of Western music.

The Cambridge Companion to the Orchestra

Author : Colin James Lawson,Colin Lawson
Publisher : Cambridge University Press
Page : 316 pages
File Size : 43,7 Mb
Release : 2003-04-24
Category : Music
ISBN : 0521001323

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The Cambridge Companion to the Orchestra by Colin James Lawson,Colin Lawson Pdf

This guide to the orchestra and orchestral life is unique in its breadth of coverage. It combinesorchestral history and repertory with a practical bias offering critical thought about the past, present and future of the orchestra. Including topics such as the art of orchestration, scorereading, conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener, it will be of interest to a wideranging readership of music historians and professional or amateur performers.

The Cambridge Companion to Adorno

Author : Tom Huhn
Publisher : Cambridge University Press
Page : 452 pages
File Size : 42,7 Mb
Release : 2004-07-05
Category : Literary Criticism
ISBN : 0521775000

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The Cambridge Companion to Adorno by Tom Huhn Pdf

The great German philosopher and aesthetic theorist Theodor Wiesengrund Adorno (1903-1969) was one of the main philosophers of the first generation of the Frankfurt School of critical theory. An accomplished musician Adorno first focused on the theory of culture and art. Later he turned to the problem of the self-defeating dialectic of modern reason and freedom. In this collection of essays, imbued with the most up-to-date research, a distinguished roster of Adorno specialists explore the full range of his contributions to philosophy, history, music theory, aesthetics and sociology.

The Cambridge Companion to the Clarinet

Author : Colin James Lawson
Publisher : Cambridge University Press
Page : 264 pages
File Size : 51,9 Mb
Release : 1995-12-14
Category : Music
ISBN : 0521476682

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The Cambridge Companion to the Clarinet by Colin James Lawson Pdf

Written for students, performers, and music lovers.

The Cambridge Companion to Music and Romanticism

Author : Benedict Taylor
Publisher : Cambridge University Press
Page : 403 pages
File Size : 46,9 Mb
Release : 2021-08-26
Category : History
ISBN : 9781108475433

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The Cambridge Companion to Music and Romanticism by Benedict Taylor Pdf

A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.

Mahler's Sixth Symphony

Author : Robert Samuels
Publisher : Cambridge University Press
Page : 196 pages
File Size : 43,7 Mb
Release : 2004-03-11
Category : Literary Criticism
ISBN : 0521602831

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Mahler's Sixth Symphony by Robert Samuels Pdf

This study uses semiotic theory in order to investigate different kinds of musical communication.

After Mahler

Author : Stephen Downes
Publisher : Cambridge University Press
Page : 230 pages
File Size : 53,9 Mb
Release : 2013-09-19
Category : Music
ISBN : 9781107469938

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After Mahler by Stephen Downes Pdf

The music of Gustav Mahler repeatedly engages with Romantic notions of redemption. This is expressed in a range of gestures and procedures, shifting between affirmative fulfilment and pessimistic negation. In this groundbreaking study, Stephen Downes explores the relationship of this aspect of Mahler's music to the output of Benjamin Britten, Kurt Weill and Hans Werner Henze. Their initial admiration was notably dissonant with the prevailing Zeitgeist – Britten in 1930s England, Weill in 1920s Germany and Henze in 1950s Germany and Italy. Downes argues that Mahler's music struck a profound chord with them because of the powerful manner in which it raises and intensifies dystopian and utopian complexes and probes the question of fulfilment or redemption, an ambition manifest in ambiguous tonal, temporal and formal processes. Comparisons of the ways in which this topic is evoked facilitate new interpretative insights into the music of these four major composers.