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The Castle of Otranto Illustrated by Horace Walpole Pdf
The Castle of Otranto is a book by Horace Walpole first published in 1764 and generally regarded as the first gothic novel. In the second edition, Walpole applied the word 'Gothic' to the novel in the subtitle - "A Gothic Story". The novel merged medievalism and terror in a style that has endured ever since. The aesthetics of the book shaped modern-day gothic books, films, art, music and the goth subculture
After the death of his only son on his wedding day, Manfred, the Prince of Otranto, determines to marry the bride-to-be, setting himself on a course of destruction.
Gothic Classics: The Castle of Otranto and The Old English Baron by Horace Walpole,Clara Reeve Pdf
Manfred, the lord of the castle of Otranto, has long lived in dread of an ancient prophecy: it's foretold that when his family line ends, the true owner of the castle will appear and claim it. In a desperate bid to keep the castle, Manfred plans to coerce a young woman named Isabella into marrying him. Isabella refuses to yield to Manfred's reprehensible plan. But once she escapes into the depths of the castle, it becomes clear that Manfred isn't the only threat. As Isabelle loses herself in the seemingly endless hallways below, voices reverberate from the walls and specters wander through the dungeons. Otranto appears to be alive, and it's seeking revenge for the sins of the past.
The Castle of Otranto is generally regarded as the first gothic novel. It tells the story of Manfred, lord of the castle, and his family. On the wedding-day of his sickly son Conrad and princess Isabella, Conrad is crushed to death by a gigantic helmet that falls on him from above. This inexplicable event is particularly ominous in light of an ancient prophecy. Manfred, terrified that Conrad's death signals the beginning of the end for his line, resolves to avert destruction by marrying Isabella himself while divorcing his current wife Hippolita, whom he feels has failed to bear him a proper heir. The novel merged medievalism and terror in a style that has endured ever since. The aesthetics of the book shaped modern-day gothic books, films, art, music and the Goth subculture.
Three Gothic Novels by Horace Walpole,Mary Shelley,William Beckford Pdf
The Gothic novel, which flourished from about 1765 until 1825, revels in the horrible and the supernatural, in suspense and exotic settings. This volume, with its erudite introduction by Mario Praz, presents three of the most celebrated Gothic novels: The Castle of Otranto, published pseudonymously in 1765, is one of the first of the genre and the most truly Gothic of the three. Vathek (1786), an oriental tale by an eccentric millionaire, exotically combines Gothic romanticism with the vivacity of The Arabian Nights and is a narrative tour de force. The story of Frankenstein (1818) and the monster he created is as spine-chilling today as it ever was; as in all Gothic novels, horror is the keynote.
The Gothic: A Very Short Introduction by Nick Groom Pdf
The Gothic is wildly diverse. It can refer to ecclesiastical architecture, supernatural fiction, cult horror films, and a distinctive style of rock music. It has influenced political theorists and social reformers, as well as Victorian home décor and contemporary fashion. Nick Groom shows how the Gothic has come to encompass so many meanings by telling the story of the Gothic from the ancient tribe who sacked Rome to the alternative subculture of the present day. This unique Very Short Introduction reveals that the Gothic has predominantly been a way of understanding and responding to the past. Time after time, the Gothic has been invoked in order to reveal what lies behind conventional history. It is a way of disclosing secrets, whether in the constitutional politics of seventeenth-century England or the racial politics of the United States. While contexts change, the Gothic perpetually regards the past with fascination, both yearning and horrified. It reminds us that neither societies nor individuals can escape the consequences of their actions. The anatomy of the Gothic is richly complex and perversely contradictory, and so the thirteen chapters here range deliberately widely. This is the first time that the entire story of the Gothic has been written as a continuous history: from the historians of late antiquity to the gardens of Georgian England, from the mediaeval cult of the macabre to German Expressionist cinema, from Elizabethan Revenge Tragedy to American consumer society, from folk ballads to vampires, from the past to the present. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Crammed with invention, entertainment, terror, and pathos, the novel was an immediate success and Walpole's own favourite among his numerous works. His friend, the poet Thomas Gray, wrote that he and his family, having read Otranto, were now 'afraid to go to bed o' nights'.
The Castle of Otranto and The Mysterious Mother by Horace Walpole Pdf
This Broadview edition pairs the first Gothic novel with the first Gothic drama, both by Horace Walpole. Published on Christmas Eve, 1764, on Walpole’s private press at Strawberry Hill, his Gothicized country house, The Castle of Otranto became an instant and immediate classic of the Gothic genre as well as the prototype for Gothic fiction for the next two hundred years. Walpole’s brooding and intense drama, The Mysterious Mother, focuses on the protagonist’s angst over an act of incest with his mother, and includes the appearance of Father Benedict, Gothic literature’s first evil monk. Appendices in this edition include selections from Walpole’s letters, contemporary responses, and writings illustrating the aesthetic and intellectual climate of the period. Also included is Sir Walter Scott’s introduction to the 1811 edition of The Castle of Otranto.
The Italian (1797) is a novel by Ann Radcliffe. Radcliffe’s final novel is a tragic story of romance and mystery set in Naples during the brutal years of the Holy Inquisition. Published in the aftermath of the French Revolution, the novel investigates the issues of religion and class that had inspired the Republican cause, changing Europe and the world forever. Considered an essential work of Gothic fiction, The Italian is an early example of her prowess as a leading novelist of suspense and the supernatural. A young Englishman meets a friar while touring Naples. At the church of Santa Maria del Pianto, he notices a shadowy stranger sitting near the confessional. When the friar informs him that the man is an assassin, his friend, an Italian, offers to send him the narrative containing the man’s shocking confession. Back at his hotel room, he reads a story beginning in 1758 at the church of San Lorenzo, where a young nobleman falls in love with a beautiful orphan named Ellena. When Vicentio informs his mother, the Marchesa, of his desire to marry the girl, she conspires with the wicked Father Schedoni to change her son’s mind. Soon, Ellena disappears, sending Vicentio di Vivaldi on a quest to save her life. With a beautifully designed cover and professionally typeset manuscript, this edition of Ann Radcliffe’s The Italian is a classic of English literature reimagined for modern readers.
The Gothic novel emerged out of the romantic mist alongside a new conception of the home as a separate sphere for women. Looking at novels from Horace Walpole's Castle of Otranto to Mary Shelley's Frankenstein, Kate Ferguson Ellis investigates the relationship between these two phenomena of middle-class culture--the idealization of the home and the popularity of the Gothic--and explores how both male and female authors used the Gothic novel to challenge the false claim of home as a safe, protected place. Linking terror -- the most important ingredient of the Gothic novel -- to acts of transgression, Ellis shows how houses in Gothic fiction imprison those inside them, while those locked outside wander the earth plotting their return and their revenge.
