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Death in Contemporary Popular Culture by Adriana Teodorescu,Michael Hviid Jacobsen Pdf
With intense and violent portrayals of death becoming ever more common on television and in cinema and the growth of death-centric movies, series, texts, songs, and video clips attracting a wide and enthusiastic global reception, we might well ask whether death has ceased to be a taboo. What makes thanatic themes so desirable in popular culture? Do representations of the macabre and gore perpetuate or sublimate violent desires? Has contemporary popular culture removed our unease with death? Can social media help us cope with our mortality, or can music and art present death as an aesthetic phenomenon? This volume adopts an interdisciplinary approach to the discussion of the social, cultural, aesthetic, and theoretical aspects of the ways in which popular culture understands, represents, and manages death, bringing together contributions from around the world focused on television, cinema, popular literature, social media and the internet, art, music, and advertising.
Author : João José Reis Publisher : Univ of North Carolina Press Page : 400 pages File Size : 48,7 Mb Release : 2003-11-20 Category : History ISBN : 9780807862728
This award-winning social history of death and funeral rites during the early decades of Brazil's independence from Portugal focuses on the Cemiterada movement in Salvador, capital of the province of Bahia. The book opens with a lively account of the popular riot that ensued when, in 1836, the government condemned the traditional burial of bodies inside Catholic church buildings and granted a private company a monopoly over burials. This episode is used by Reis to examine the customs of death and burial in Bahian society, explore the economic and religious conflicts behind the move for funerary reforms and the maintenance of traditional rituals of dying, and understand how people dealt with new concerns sparked by modernization and science. Viewing culture within its social context, he illuminates the commonalities and differences that shaped death and its rituals for rich and poor, men and women, slaves and masters, adults and children, foreigners and Brazilians. This translation makes the book, originally published in Brazil in 1993, available in English for the first time.
Death, The Dead and Popular Culture by Ruth Penfold-Mounce Pdf
Portrayals of death and the dead are everywhere within popular culture revealing much about contemporary society’s engagement with mortality. Drawing upon celebrity posthumous careers, organ transplantation mythology and the fictional dead, this book considers how representations of the dead in popular culture exert powerful agency.
Day of the Dead in the USA, Second Edition by Regina M Marchi Pdf
Examines how Day of the Dead celebrations among America's Latino communities have changed throughout history, discussing how the traditional celebration has been influenced by mass media, consumer culture, and globalization.
Celebrations of Death by Peter Metcalf,Richard Huntington Pdf
Machine derived contents note: List of illustrations -- Preface -- Introduction to the second edition -- 1. Preliminaries -- Part I. Universals and Culture: 2. Emotional reactions to death -- 3. Symbolic associations of death -- Part II. Death as Transition: 4. The living and the dead: a re-examination of Hertz -- 5. Death rituals and life values: rites of passage reconsidered -- Part III. The Royal Corpse and the Body Politic: 6. The dead king -- 7. The immortal kingship -- Part IV. Seeing Ourselves Anew: 8. American deathways -- Bibliography -- Index.
What role do man-eating monsters - vampires, zombies, werewolves and cannibals - play in contemporary culture? This book explores the question of whether recent representations of humans as food in popular culture characterizes a unique moment in Western cultural history and suggests a new set of attitudes toward people, monsters, and death.
Death, Culture and Leisure: Playing Dead is an inter- and multi-disciplinary volume that engages with the diverse nexuses that exist between death, culture and leisure. At its heart, it is a playful exploration of the way in which we play with both death and the dead.
The Routledge History of Death since 1800 by Peter N. Stearns Pdf
The Routledge History of Death Since 1800 looks at how death has been treated and dealt with in modern history – the history of the past 250 years – in a global context, through a mix of definite, often quantifiable changes and a complex, qualitative assessment of the subject. The book is divided into three parts, with the first considering major trends in death history and identifying widespread patterns of change and continuity in the material and cultural features of death since 1800. The second part turns to specifically regional experiences, and the third offers more specialized chapters on key topics in the modern history of death. Historical findings and debates feed directly into a current and prospective assessment of death, as many societies transition into patterns of ageing that will further alter the death experience and challenge modern reactions. Thus, a final chapter probes this topic, by way of introducing the links between historical experience and current trajectories, ensuring that the book gives the reader a framework for assessing the ongoing process, as well as an understanding of the past. Global in focus and linking death to a variety of major developments in modern global history, the volume is ideal for all those interested in the multifaceted history of how death is dealt with in different societies over time and who want access to the rich and growing historiography on the subject. Chapter 1 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Death Matters by Tora Holmberg,Annika Jonsson,Fredrik Palm Pdf
This book investigates death as part of contemporary everyday experience and practices. Through a cultural sociological lens, it studies death as it remains constantly at the edge of our consciousness, shaping the ways in which we move through social reality. As such, Death Matters is a significant contribution to death studies, going beyond traditional parameters of the field by addressing the cultural omnipresence of death. The contributions analyse several death-related meaning-making processes, arguing that meanings emerging from culturally shared narratives, social institutions, and material conditions, are just as important as ’death practices’ in understanding the role of death in society. Drawing on the related themes of places of absence and presence, disease and bodies, and persons and non-persons, the authors explore a variety of areas of social life, from haunting to celebrity deaths, to move the notion of death from the margins of social reality to ongoing everyday life. This far-reaching collection will be of use to scholars and students across death studies, sociology, anthropology, philosophy, culture, media and communication studies.
Kristin Norget explores the practice and meanings of death rituals in the popular culture of poor urban neighborhoods on the outskirts of the southern Mexican city of Oaxaca. Norget's work offers an original perspective on the significance of the Day of the Dead and other Oaxacan ritual practices in shaping people's values and social identities. Drawing on her extensive fieldwork in Oaxacan neighborhoods, Norget includes vivid descriptions of Day of the Dead rituals.
The Anthem Companion to Zygmunt Bauman by Michael Hviid Jacobsen Pdf
This edited volume will illustrate the continuing interest in Bauman’s work through a number of chapters each dealing with the important aspects of his work and shedding light on some new angles and perspectives on his life and work. It seeks to position Bauman within the field of sociology and to provide some examples of his lasting contribution to and relevance for the discipline. Bauman’s ideas remain an important source of inspiration for many scholars and researchers working within a variety of different fields and sub-fields, appealing equally to empirical work and theoretical elaboration. This book contains ten chapters, and all chapters are devoted to the presentation and discussion of themes and ideas that were characteristic of Bauman’s way of doing and writing. The purpose of this volume – as with the other volumes published in the Anthem Press ‘Companion to Sociology’ series – is to provide a comprehensive overview of Zygmunt Bauman’s continued importance within the field of sociology and related social science disciplines.
Halloween and Other Festivals of Death and Life by Jack Santino Pdf
However, the essays in this volume also suggest that there is something ironic and unsettling about the immense popularity of a holiday whose main images are of death, evil, and the grotesque. Halloween and Other Festivals of Death and Life is a unique contribution that questions our concepts of religiosity and spirituality while contributing to our understanding of Halloween as a rich and diverse reflection of our society's past, present, and future identity.
Comic Drunks, Crazy Cults, and Lovable Monsters by David Scott Diffrient Pdf
Contradictory to its core, the sitcom—an ostensibly conservative, tranquilizing genre—has a long track record in the United States of tackling controversial subjects with a fearlessness not often found in other types of programming. But the sitcom also conceals as much as it reveals, masking the rationale for socially deviant or deleterious behavior behind figures of ridicule whose motives are rarely disclosed fully over the course of a thirty-minute episode. Examining a broad range of network and cable TV shows across the history of the medium, from classic, working-class comedies such as The Honeymooners, All in the Family, and Roseanne to several contemporary cult series, animated programs, and online hits that have yet to attract much scholarly attention, this book explores the ways in which social imaginaries related to “bad behavior” have been humorously exploited over the years. The repeated appearance of socially wayward figures on the small screen—from raging alcoholics to brainwashed cult members to actual monsters who are merely exaggerated versions of our own inner demons—has the dual effect of reducing complex individuals to recognizable “types” while neutralizing the presumed threats that they pose. Such representations not only provide strangely comforting reminders that “badness” is a cultural construct, but also prompt audiences to reflect on their own unspoken proclivities for antisocial behavior, if only in passing.