The Childkeeper Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Childkeeper book. This book definitely worth reading, it is an incredibly well-written.
Roger Maxwell was a successful banker. He was the new owner of a beautiful old house in the country. He was the loving husband of a captivating and sensual woman. He was the proud father of four “great kids.” Then, on one long holiday weekend at his isolated home, Roger Maxwell began to learn the truth about his children, his wife, and himself—as his whole world of illusion came apart in bloody pieces…
It really wasnt Blorks fault he was a brat. It was the piece of eggshell that got stuck behind his ear the day he was hatched. It made him cry. But baby Splatoons arent supposed to cry. So Blork got a brat label stuck on his head. Soon Blork really was a brat - the worst on the planet Splat. And he learned to throw tantrums better than anyone else on the planet. But even a mega-tantrum cant save Blorks pet poodnoobie the day its taken away by the Big Pest Squad.
Whether you are a beginner or an accomplished professional, whether your field is fiction, nonfiction or journalism, Sol Stein's Solutions for Writers is an indispensable guide to enhancing your work. In Stein's own words, 'This is not a book of theory': just practical, immediately useful solutions to help with every type of writing problem. From shaping an opening sentence that hooks the reader to the secret of successful revision, deft character development to pumping up pacing, Solutions for Writers contains a wealth of wisdom from one of publishing's most storied editors. Packed with ideas, examples of techniques in practice, and advice that shines a new light on craft, Sol Stein's writing guide is a timeless classic - a book for writers to mark up, dog-ear, and cherish.
Your future as a writer is in your hands. Whether you are a newcomer or an accomplished professional, a novelist, story writer, or a writer of nonfiction, you will find this book a wealth of immediately useful guidance not available anywhere else. As Sol Stein, renowned editor, author, and instructor, explains, "This is not a book of theory. It is a book of useable solutions-- how to fix writing that is flawed, how to improve writing that is good, how to create interesting writing in the first place." You will find one of the great unspoken secrets of craftsmanship in Chapter 5, called "Markers: The Key to Swift Characterization." In Chapter 7, Stein reveals for he first time in print the wonderful system for creating instant conflict developed in the Playwrights Group of the Actors Studio, of which he was a founder. In "Secrets of Good Dialogue," the premier teacher of dialogue gives you the instantly useable techniques that not only make verbal exchanges exciting but that move the story forward immediately. You won't need to struggle with flashbacks or background material after you've read Chapter 14, which shows you how to bring background into the foreground. Writers of both fiction and nonfiction will relish the amphetamines for speeding up pace, and the many ways to liposuction flab, as well as how to tap originality and recognize what successful titles have in common. You'll discover literary values that enhance writing, providing depth and resonance. You'll bless the day you read Chapters 32 and 33 and discover why revising by starting at page one can be a serious mistake, and how to revise without growing cold on your manuscript. In the pages of this book, nonfiction writers will find a passport to the new revolution in journalism and a guide to using the techniques of fiction to enhance nonfiction. Fresh, useful, informative, and fun to read and reread, Stein on Writing is a book you will mark up, dog-ear, and cherish.
Each year thousands of fiction writers, from beginners to bestselling author, benefit from Sol Stein's sold-out workshops, featured appearances at writers' conferences, software for writers, on-line columns, and his popular first book for writers, Stein on Writing. Stein practices what he teaches: He is the author of nine novels, including the million-copy bestseller The Magician, as well as editor of such major writers as James Baldwin, Jack Higgins, Elia Kazan, Budd Schulberg, W. H. Auden, and Jacques Barzun, and the teacher and editor of several current bestselling authors. What sets Stein apart is his practical approach. He provides specific techniques that speed writers to successful publication. How to Grow a Novel is not just a book, but an invaluable workshop in print. It includes details and examples from Stein's editorial work with a #1 bestselling novelist as well as talented newcomers. Stein takes the reader backstage in the development of memorable characters and fascinating plots. The chapter on dialogue overflows with solutions for short-story writers, novelists, screenwriters, and playwrights. Stein shows what readers are looking for-- and what they avoid-- in the experience of reading fiction. The book offers guidelines-- and warnings-- of special value for nonfiction writers who want to move into fiction. Stein points to the little, often overlooked things that damage the writer's authority without the writer knowing it. And this book, like no other writing book, takes the reader behind the scenes of the publishing business as it affects writers of every level of experience, revealing the hard truths that are kept behind shut doors.
Described by the Chicago Tribune as a "latter-day version of Dickens' Bleak House," Bankruptcy: A Feast for Lawyers is a shattering indictment of bankruptcy law by a CEO who lived through the experience of Chapter 11. Author Sol Stein exposes a system that is supposed to provide an opportunity for troubled companies to reorganize, but kills more than 70% of the businesses that take refuge in it while enriching legions of lawyers. In the nightmare world of Chapter 11, the gainers are seldom the creditors or the debtor company, but rather the bankruptcy bar, impeached in this book by their own conduct and the condemnation of their ethical brethren. Besides his own experience, the author draws examples from diverse industries -- trucking, food, real estate, oil, and publishing.
From "the best essayist in this country” (The New York Times Book Review) comes an incisive book-length essay about racism in American movies that challenges the underlying assumptions in many of the films that have shaped our consciousness. Baldwin’s personal reflections on movies gathered here in a book-length essay are also an appraisal of American racial politics. Offering a look at racism in American movies and a vision of America’s self-delusions and deceptions, Baldwin considers such films as In the Heat of the Night, Guess Who’s Coming to Dinner, and The Exorcist. Here are our loves and hates, biases and cruelties, fears and ignorance reflected by the films that have entertained and shaped us. And here too is the stunning prose of a writer whose passion never diminished his struggle for equality, justice, and social change.
James Baldwin was beginning to be recognized as the most brilliant black writer of his generation when his first book of essays, Notes of a Native Son, established his reputation in 1955. No one was more pleased by the book’s reception than Baldwin’s high school friend Sol Stein. A rising New York editor, novelist, and playwright, Stein had suggested that Baldwin do the book and coaxed his old friend through the long and sometimes agonizing process of putting the volume together and seeing it into print. Now, in this fascinating new book, Sol Stein documents the story of his intense creative partnership with Baldwin through newly uncovered letters, photos, inscriptions, and an illuminating memoir of the friendship that resulted in one of the classics of American literature. Included in this book are the two works they created together–the story “Dark Runner” and the play Equal in Paris, both published here for the first time. Though a world of difference separated them–Baldwin was black and gay, living in self-imposed exile in Europe; Stein was Jewish and married, with a growing family to support–the two men shared the same fundamental passion. Nothing mattered more to either of them than telling and writing the truth, which was not always welcome. As Stein wrote Baldwin in a long, heartfelt letter, “You are the only friend with whom I feel comfortable about all three: heart, head, and writing.” In this extraordinary book, Stein unfolds how that shared passion played out in the months surrounding the creation and publication of Baldwin’s Notes of a Native Son, in which Baldwin’s main themes are illuminated. A literary event published to honor the eightieth anniversary of James Baldwin’s birth, Native Sons is a celebration of one of the most fruitful and influential friendships in American letters.
What does a man really know about love? "Francis Widmer is a well-bred, beautiful, provocative young woman with a good mind. When she is raped by Harry Koslak, she decides to press charges. Her attorney father sends her to George Thomassy, as successful criminal lawyer. Thomassy, against his better judgment, involves himself in the case and finds himself attracted to Francine more than he cares to admit. Stein lays bare the unsavory, manipulative aspects of criminal law as he explores today's sexuality--its cruelties, hypocrisies, joys and mysteries. This fast, suspenseful, unusual love story is best seller material."--Publishers Weekly "Bound to be a success!"--The New York Times Book Review "Wonderful...full of unexpected twists and breathless turns."--The Washington Post "Sure to cause a sensation...a fast-moving story that reveals the dark underside of unanswered love."--Boston Herald American "Highly original. Stein gives readers what they want."--Cleveland Press "Riveting...shocking...so many intriguing characters, as credible as they are memorable."--King Features Syndicate "A timely, powerful story."--Library Journal
"Stein attains a new level of achievement that demonstrates his ability to write as well as, and perhaps better than, most of the novelists he publishes... It's the sort of book you hate to stop reading." --John Barkham Reviews "If you bury yourself in a Sol Stein book while walking, you will walk into a wall." --The New York Times "Brilliantly conceived, highly recommended." --United Press International
An essential compendium of James Baldwin’s most powerful nonfiction work, calling on us “to end the racial nightmare, and achieve our country.” Personal and prophetic, these essays uncover what it means to live in a racist American society with insights that feel as fresh today as they did over the 4 decades in which he composed them. Longtime Baldwin fans and especially those just discovering his genius will appreciate this essential collection of his great nonfiction writing, available for the first time in affordable paperback. Along with 46 additional pieces, it includes the full text of dozens of famous essays from such books as: • Notes of a Native Son • Nobody Knows My Name • The Fire Next Time • No Name in the Street • The Devil Finds Work This collection provides the perfect entrée into Baldwin’s prescient commentary on race, sexuality, and identity in an unjust American society.
"It's good to be ambitious. Only remember, the nearer you get to the front of the line, the more people with knives can see your back." That's Louie Riller giving advice to his son, Ben, who happens to be the most successful producer on Broadway. Louie Riller himself happens to be long dead. "Joan of Arc heard voices," Ben Riller's secretary tells him. "Why shouldn't you?" But Ben isn't just hearing voices; he's having a running argument with the late Louie about life, love, and Ben's newest production, The Best Revenge, a play that has already gobbled up too much of other people's money and is in danger of closing before it opens. When, on Louie's advice, Ben visits his father's master shylock, Aldo Manucci, we are suddenly involved with two generations of wonderful underworld characters. One of them pulls the trapdoor under Ben's feet, forcing him to choose between his moral and financial ruin. In turn hilarious, poignant, and profound, The Best Revenge takes us on a vastly entertaining excursion behind the scenes of the Great White Way, where the drama is often more suspenseful than anything that happens onstage and where the best revenge is, of course, success. In The Best Revenge, the author of the million-copy seller The Magician, out-triumphs all his previous work. Saul Bellow has said of The Best Revenge, “It reads itself.” And The New York Times affirms, “If you bury yourself in a Sol Stein novel while walking, you’ll walk into a wall.”
Cliffhaven--Magnificent new resort near Big Sur. Surrounded by redwoods. Guarded by Oceanside cliffs. Protected from prying eyes. By reservation only. Cliffhaven--Founded by a man with very special interests, catering to a very special clientele. Margaret and Henry Brown, vacationing New Yorkers innocently driving down the sea-washed coast of California, are just the right sort of people. Cliffhaven--It has a spectacular entrance, a three-star restaurant, lavish accommodations--and no exit! "This novel should do for California vacation retreats what jaws did for swimming in the Atlantic."--Los Angeles Times Book Review "A thrilling nightmare...A Dante's Inferno...more than fulfills the remark "I read it all in one nail-biting session."--Eli Wallach "Not only a thriller...a parable and a warning to all who say 'It can't happen here.'"--Jewish Post and Opinion