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Author : Patrick Hanan
Publisher : Unknown
Page : 276 pages
File Size : 44,6 Mb
Release : 1982
Category : Chinese fiction
ISBN : OCLC:1228237973
Author : Patrick Hanan
Publisher : Harvard University Press
Page : 298 pages
File Size : 50,8 Mb
Release : 1981
Category : History
ISBN : 0674125657
Author : Yang Shuhui
Publisher : U OF M CENTER FOR CHINESE STUDIES
Page : 197 pages
File Size : 41,9 Mb
Release : 2021-01-19
Category : Language Arts & Disciplines
ISBN : 9780472038107
Feng Menglong (1574–1646) was recognized as the most knowledgeable connoisseur of popular literature of his time. He is known today for compiling three famous collections of vernacular short stories, each containing forty stories, collectively known as Sanyan. Appropriation and Representation adapts concepts of ventriloquism and dialogism from Bakhtin and Holquist to explore Feng’s methods of selecting source materials. Shuhui Yang develops a model of development in which Feng’s approach to selecting and working with his source materials becomes clear. More broadly, Appropriation and Representation locates Feng Menglong’s Sanyan in the cultural milieu of the late Ming, including the archaist movement in literature, literati marginality and anxieties, the subversive use of folk works, and the meiren xiangcao tradition—appropriating a female identity to express male frustration. Against this background, a rationale emerges for Feng’s choice to elevate and promote the vernacular story while stepping back form an overt authorial role.
Author : Patrick Hanan
Publisher : Harvard Univ Asia Center
Page : 274 pages
File Size : 49,8 Mb
Release : 1973
Category : Literary Criticism
ISBN : 0674125258
During the centuries of its popularity, early Chinese vernacular fiction was never adequately preserved or even documented. The great popular appeal of the short stories saved them from oblivion, but it was only in the sixteenth and seventeenth centuries that they were first collected and published. Mr. Hanan's erudite study is the first thorough attempt to uncover the history of the Chinese short story. Using a variety of techniques, but principally that of stylistic analysis, the author solves the fundamental problem of dating the stories in terms of periods. He is able to place each story in one of three broad categories, early (ca. 1250-1450), middle (ca. 1400-1575), and late (ca. 1550-1627), and to assign some of them to the earlier or later part of the time span. In many cases he offers evidence of sources and influences, place of origin, and possible or probable authorship. On the basis of the author's research, it is possible to see in minutely researched detail how the short story developed in China, what kind of men composed it, its relationship to other kinds of literature, and the main social preoccupations with which it deals. The results of Mr. Hanan's study are vitally important to all scholars of Chinese literature. Historians and linguists will also find it valuable as a model of the innovative use of stylistic analysis.
Author : Si Nae Park
Publisher : Columbia University Press
Page : 193 pages
File Size : 41,5 Mb
Release : 2020-08-04
Category : Literary Criticism
ISBN : 9780231551328
As the political, economic, and cultural center of Chosŏn Korea, eighteenth-century Seoul epitomized a society in flux: It was a bustling, worldly metropolis into which things and people from all over the country flowed. In this book, Si Nae Park examines how the culture of Chosŏn Seoul gave rise to a new vernacular narrative form that was evocative of the spoken and written Korean language of the time. The vernacular story (yadam) flourished in the nineteenth century as anonymously and unofficially circulating tales by and for Chosŏn people. The Korean Vernacular Story focuses on the formative role that the collection Repeatedly Recited Stories of the East (Tongp’ae naksong) played in shaping yadam, analyzing the collection’s language and composition and tracing its reception and circulation. Park situates its compiler, No Myŏnghŭm, in Seoul’s cultural scene, examining how he developed a sense of belonging in the course of transforming from a poor provincial scholar to an urbane literary figure. No wrote his tales to serve as stories of contemporary Chosŏn society and chose to write not in cosmopolitan Literary Sinitic but instead in a new medium in which Literary Sinitic is hybridized with the vernacular realities of Chosŏn society. Park contends that this linguistic innovation to represent tales of contemporary Chosŏn inspired readers not only to circulate No’s works but also to emulate and cannibalize his stylistic experimentation within Chosŏn’s manuscript-heavy culture of texts. The first book in English on the origins of yadam, The Korean Vernacular Story combines historical insight, textual studies, and the history of the book. By highlighting the role of negotiation with Literary Sinitic and sinographic writing, it challenges the script (han’gŭl)-focused understanding of Korean language and literature.
Author : Anonim
Publisher : University of Washington Press
Page : 245 pages
File Size : 55,8 Mb
Release : 2015-01-01
Category : Literary Collections
ISBN : 9780295805696
Presented here are nine tales from the celebrated Ming dynasty Sanyan collection of vernacular stories compiled and edited by Feng Menglong (1574–1646), the most knowledgeable connoisseur of popular literature of his time in China. The stories he collected were pivotal to the development of Chinese vernacular fiction, and their importance in the Chinese literary canon and world literature has been compared to that of Boccaccio’s Decameron and the stories of One Thousand and One Nights. Peopled with scholars, emperors, ministers, generals, and a gallery of ordinary men and women in their everyday surroundings—merchants and artisans, prostitutes and courtesans, matchmakers and fortune-tellers, monks and nuns, servants and maids, thieves and imposters—the stories provide a vivid panorama of the bustling world of imperial China before the end of the Ming dynasty. The three volumes constituting the Sanyan set—Stories Old and New, Stories to Caution the World, and Stories to Awaken the World, each containing forty tales—have been translated in their entirety by Shuhui Yang and Yunqin Yang. The stories in this volume were selected for their popularity with American readers and their usefulness as texts in classes on Chinese and comparative literature. These unabridged translations include all the poetry that is scattered throughout the original stories, as well as Feng Menglong’s interlinear and marginal comments, which point out what seventeenth-century readers of the stories were being asked to appreciate.
Author : Yuanfei Wang
Publisher : University of Michigan Press
Page : 227 pages
File Size : 47,8 Mb
Release : 2021-06-23
Category : Literary Criticism
ISBN : 9780472038510
Examines writings on China's oceanic piracy wars of the sixteenth century
Author : Anonim
Publisher : University of Hawaii Press
Page : 284 pages
File Size : 47,9 Mb
Release : 2006-05-31
Category : Fiction
ISBN : 0824829956
Falling in love, with all its accompanying problems, was a subject of obsessive interest among writers and readers in the Ming Dynasty, when society held strictly to arranged marriages. The stories in this engaging collection all deal with this theme in very different ways, sometimes comically, sometimes tragically. They portray young people choosing their own lovers, resorting to ingenious stratagems and risky escapades in defiance of contemporary mores. Chosen to represent the best works from the great age of the vernacular story, they offer an admirable introduction to the world of Chinese fiction in this era. All of the stories in Falling in Love have been translated especially for this volume, and most appear here in translation for the first time. They are taken from two works, Constant Words to Awaken the World (Xing shi heng yan) and a related collection, The Rocks Nod Their Heads (Shi dian tou), both published in the early seventeenth century.
Author : Liangyan Ge
Publisher : University of Hawaii Press
Page : 306 pages
File Size : 47,7 Mb
Release : 2001-09-30
Category : Literary Criticism
ISBN : 9780824863821
The novel Water Margin (Shuihu zhuan), China's earliest full-length narrative in vernacular prose, first appeared in print in the sixteenth century. The tale of one hundred and eight bandit heroes evolved from a long oral tradition; in its novelized form, it played a pivotal role in the rise of Chinese vernacular fiction, which flourished during the late Ming (1368-1644) and Qing (1644-1911) periods. Liangyan Ge's multidimensional study considers the evolution of Water Margin and the rise of vernacular fiction against the background of the vernacularization of premodern Chinese literature as a whole. This gradual and arduous process, as the book convincingly shows, was driven by sustained contact and interaction between written culture and popular orality. Ge examines the stylistic and linguistic features of the novel against those of other works of early Chinese vernacular literature (stories, in particular), revealing an accretion of features typical of different historical periods and a prolonged and cumulative process of textualization. In addition to providing a meticulous philological study, his work offers a new reading of the novel that interprets some of its salient characteristics in terms of the interplay between audience, storytellers, and men of letters associated with popular orality.
Author : Wilt Idema
Publisher : BRILL
Page : 213 pages
File Size : 48,7 Mb
Release : 2021-09-13
Category : History
ISBN : 9789004482807
Author : Anonim
Publisher : University of Washington Press
Page : 792 pages
File Size : 44,6 Mb
Release : 2012-09-01
Category : Literary Collections
ISBN : 9780295801292
Stories to Caution the World is the first complete translation of Jingshi tongyan, the second of Feng Menglong's three collections of stories which were pivotal in the development of Chinese vernacular fiction. These tales, whose importance in the Chinese literary canon and in world literature is without question, have been compared to Boccaccio's Decameron and the stories of A Thousand and One Nights. Peopled with scholars, emperors, ministers, generals, and a gallery of ordinary men and women in their everyday surroundings -- merchants and artisans, prostitutes and courtesans, matchmakers and fortune-tellers, monks and nuns, servants and maids, thieves and imposters -- the stories in this collection provide a vivid panorama of the bustling world of imperial China before the end of the Ming dynasty. Feng Menglong collected popular stories from a variety of sources (some dating back centuries) and circulated them via the flourishing seventeenth-century publishing industry. He not only saved them from oblivion but elevated the status of vernacular literature and provided material for authors of the great late-Ming and Qing novels to draw upon. As in their translation of the first collection of Feng's trilogy, Stories Old and New, Shuhui and Yunqin Yang include all forty stories as well as Feng's interlinear and marginal comments and all of the verse woven throughout the stories. For other titles in the collection go to http://www.washington.edu/uwpress/books/ming.html
Author : Eugenia Lean
Publisher : Columbia University Press
Page : 254 pages
File Size : 55,5 Mb
Release : 2020-03-17
Category : History
ISBN : 9780231550338
In early twentieth-century China, Chen Diexian (1879–1940) was a maverick entrepreneur—at once a prolific man of letters and captain of industry, a magazine editor and cosmetics magnate. He tinkered with chemistry in his private studio, used local cuttlefish to source magnesium carbonate, and published manufacturing tips in how-to columns. In a rapidly changing society, Chen copied foreign technologies and translated manufacturing processes from abroad to produce adaptations of global commodities that bested foreign brands. Engaging in the worlds of journalism, industry, and commerce, he drew on literati practices associated with late-imperial elites but deployed them in novel ways within a culture of educated tinkering that generated industrial innovation. Through the lens of Chen’s career, Eugenia Lean explores how unlikely individuals devised unconventional, homegrown approaches to industry and science in early twentieth-century China. She contends that Chen’s activities exemplify “vernacular industrialism,” the pursuit of industry and science outside of conventional venues, often involving ad hoc forms of knowledge and material work. Lean shows how vernacular industrialists accessed worldwide circuits of law and science and experimented with local and global processes of manufacturing to navigate, innovate, and compete in global capitalism. In doing so, they presaged the approach that has helped fuel China’s economic ascent in the twenty-first century. Rather than conventional narratives that depict China as belatedly borrowing from Western technology, Vernacular Industrialism in China offers a new understanding of industrialization, going beyond material factors to show the central role of culture and knowledge production in technological and industrial change.
Author : Victor H. Mair
Publisher : Columbia University Press
Page : 1369 pages
File Size : 53,8 Mb
Release : 2010-03-10
Category : Literary Criticism
ISBN : 9780231528511
The Columbia History of Chinese Literature is a comprehensive yet portable guide to China's vast literary traditions. Stretching from earliest times to the present, the text features original contributions by leading specialists working in all genres and periods. Chapters cover poetry, prose, fiction, and drama, and consider such contextual subjects as popular culture, the impact of religion, the role of women, and China's relationship with non-Sinitic languages and peoples. Opening with a major section on the linguistic and intellectual foundations of Chinese literature, the anthology traces the development of forms and movements over time, along with critical trends, and pays particular attention to the premodern canon.
Author : Wilt L. Idema
Publisher : BRILL
Page : 216 pages
File Size : 46,5 Mb
Release : 1974
Category : Social Science
ISBN : 9004039740
Author : Maria Franca Sibau
Publisher : State University of New York Press
Page : 246 pages
File Size : 50,6 Mb
Release : 2018-03-20
Category : Literary Criticism
ISBN : 9781438469911
Reassesses didacticism in seventeenth-century Chinese vernacular fiction and challenges the view that the late Ming was a notoriously immoral time. Reading for the Moral offers an innovative reassessment of the nature of moral representation and exemplarity in Chinese vernacular fiction. Maria Franca Sibau focuses on two little-studied story collections published at the end of the Ming dynasty, Exemplary Words for the World (Xingshi yan, 1632) and Bell in the Still Night (Qingye zhong, c. 1645). Far from being tediously moralistic tales, these stories of loyal ministers, filial children, chaste widows, and selfless friends provide a deeper understanding of the five cardinal relationships central to Confucian ethics. They explore the inherent tension between what we might call textbook morality, on the one hand, and untidy everyday life, on the other. The stories often take a critical view of mechanical notions of retribution, countering it with the logic of virtue as its own reward. Conflict between passion and duty is typically resolved in favor of duty, a duty redefined with a palpable sense of urgency. In constructing vernacular representations of moral exemplars from the recent historical past rather than from remote or fictitious antiquity, the story compilers show how these virtues are not abstract or monolithic norms, but play out within the contingencies of time and space. Maria Franca Sibau is Assistant Professor of Chinese at Emory University.