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The Chivalric Romance and the Essence of Fiction by Dani Cavallaro Pdf
Ranging from Chretien de Troyes to Shakespeare, this study proposes that the chivalric romance is characterized by a centerless structure, self-conscious fictionality and a propensity for irony. The form is tied to historical reality, yet represents the archetype of imaginative literature, declaring its fictional status without claiming to embody fixed truths. Through use of irony, the chivalric romance precludes conclusive interpretations, inviting readers to inhabit multifold fantasy worlds while uncompromisingly showing that an ideal world is only a fiction. Thus the reader is enjoined to confront the suspension of truth in their own lives.
The Chivalric Romance and the Essence of Fiction by Dani Cavallaro Pdf
Ranging from Chretien de Troyes to Shakespeare, this study proposes that the chivalric romance is characterized by a centerless structure, self-conscious fictionality and a propensity for irony. The form is tied to historical reality, yet represents the archetype of imaginative literature, declaring its fictional status without claiming to embody fixed truths. Through use of irony, the chivalric romance precludes conclusive interpretations, inviting readers to inhabit multifold fantasy worlds while uncompromisingly showing that an ideal world is only a fiction. Thus the reader is enjoined to confront the suspension of truth in their own lives.
History and definition - Medieval to Renaissance romance - Cervantes to the Gothic novel - The romance and the rise of the novel - Romaticism and Post-Romantic romance.
Understanding Culture through Language and Literature by Erdem Erinç,Ali Küçükler,Seniye Vural Pdf
Within its wide boundaries, culture creates written and visual reflection areas for itself. As the reflection area expands through time, space and nature, it becomes richer, and, in doing so, it needs to be appreciated. The cultural reflection of historical accumulation leaves us in front of an immense mirror. In general terms, this book presents the reader with the intertwined relationships between culture and literature, culture and language, and culture and history or art history. More specifically, it investigates the joy of a birth, a funeral ritual, the merriness of a melody, and the taste of a meal as they are reflected within the texts that Asia has accumulated throughout its history. Its central concern is the investigation of issues related to culture and how it is reflected in literature, language, or history in a particular place.
Aucassin & Nicolette, and Other Mediaeval Romances and Legends by Anonymous Pdf
Aucassin et Nicholette is a medieval French sung fable, most possibly from the 13th century. Aucassin, a Christian count's son, and Nicolette, a Saracen slave girl, urgently want to marry, but the count denies it and incarcerates the lovers, who ultimately flee. After many romantic and occasionally absurd escapades, Nicolette is discovered to be a Saracen princess and the lovers get married.
Labor Imperfectus by Jacqueline Fabre-Serris,Marco Formisano,Stavros Frangoulidis Pdf
Unfinishedness and incompleteness are a central feature of ancient Greek and Roman literature that has often been taken for granted but not deeply examined; many texts have been transmitted to us incomplete. How and to what extent has this feature of many texts influenced their aesthetic perception and interpretation, and how does it still influence them today? Also, how do various editorial arrangements of fragmentary texts influence the reconstruction of closure? These important questions offer the opportunity to bring together specialists working on Greek and Roman texts across various genres: epic, tragedy, poetry, mythographic texts, rhetorical texts, philosophical treatises, and the novel. Reading a text by focusing on its current unfinishedness or incompleteness, or the textual signs suggesting an unfinished or incomplete state, the contributors examine the relations between author, reader and text as underscored by the verbal, generic and aesthetic features of each work. This edited volume brings together a broad spectrum of approaches to ancient and modern texts and aims to reach out to a broad scholarly community consisting not only of Classicists but also scholars of other literature and aesthetics.
The Cambridge Companion to Medieval Romance by Roberta L. Krueger Pdf
This Companion presents fifteen original and engaging essays by leading scholars on one of the most influential genres of Western literature. Chapters describe the origins of early verse romance in twelfth-century French and Anglo-Norman courts and analyze the evolution of verse and prose romance in France, Germany, England, Italy, and Spain throughout the Middle Ages. The volume introduces a rich array of traditions and texts and offers fresh perspectives on the manuscript context of romance, the relationship of romance to other genres, popular romance in urban contexts, romance as mirror of familiar and social tensions, and the representation of courtly love, chivalry, 'other' worlds and gender roles. Together the essays demonstrate that European romances not only helped to promulgate the ideals of elite societies in formation, but also held those values up for questioning. An introduction, a chronology and a bibliography of texts and translations complete this lively, useful overview.
Chivalric Fiction and the History of the Novel by Caroline A. Jewers Pdf
This work contests the notion that the novel originated after Don Quixote, and argues for the reinstatement of the medieval romance into the current histories of the genre. As well as tracing the early history of chivalric fiction, the author also illustrates the development of the novel.
Combining elements of medievalism, the historical novel and the detective narrative, medieval crime fiction capitalizes upon the appeal of all three--the most famous examples being Umberto Eco's The Name of the Rose (one of the best-selling books ever published) and Ellis Peters' endearing Brother Cadfael series. Hundreds of other novels and series fill out the genre, in settings ranging from the so-called Celtic Enlightenment in seventh-century Ireland to the ruthless Inquisition in fourteenth-century France to the mean streets of medieval London. The detectives are an eclectic group, including weary ex-crusaders, former Knights Templar, enterprising monks and nuns, and historical poets such as Geoffrey Chaucer. This book investigates the enduring popularity of the largely unexamined genre and explores its social, cultural and political contexts.
Ivanhoe by Walter Scott,C. E. Brock,Porter Lander MacClintock Pdf
Ivanhoe is a historical novel by Sir Walter Scott, first published in 1820 in three volumes and subtitled A Romance. Ivanhoe, set in 12th century England, has been credited for increasing interest in romance and medievalism; John Henry Newman claimed Scott "had first turned men's minds in the direction of the Middle Ages", while Carlyle and Ruskin made similar assertions of Scott's overwhelming influence over the revival, based primarily on the publication of this novel.*Plot summary*Protagonist Wilfred of Ivanhoe is disinherited by his father Cedric of Rotherwood for supporting the Norman King Richard and for falling in love with the Lady Rowena, Cedric's ward and a descendant of the Saxon Kings of England, after Cedric planned to marry her to the powerful Lord Aethelstane, a pretender to the Crown of England through his descent from the last Saxon King, Harold Godwinson. Ivanhoe accompanies King Richard on the Crusades, where he is said to have played a notable role in the Siege of Acre; and tends to Louis of Thuringia, who suffers from malaria.The book opens with a scene of Norman knights and prelates seeking the hospitality of Cedric. They are guided there by a pilgrim, known at that time as a palmer, (one who carried blessed palms leaves such as those that were scattered at the feet of Jesus Christ by residents of Jerusalem when he entered seated on an donkey's colt on the Sunday before his arrest, trial and crucifixion; hence the name Palm Sunday). Also returning from the Holy Land that same night, Isaac of York, a Jewish moneylender, seeks refuge at Rotherwood. Following the night's meal, the palmer observes one of the Normans, the Templar Brian de Bois-Guilbert, issue orders to his Saracen soldiers to capture Isaac.The palmer then assists in Isaac's escape from Rotherwood, with the additional aid of the swineherd Gurth.Isaac of York offers to repay his debt to the palmer with a suit of armour and a war horse to participate in the tournament at Ashby-de-la-Zouch, on his inference that the palmer was secretly a knight. The palmer is taken by surprise; but accepts the offer...Sir Walter Scott, 1st Baronet, FRSE (15 August 1771 - 21 September 1832) was a Scottish historical novelist, playwright and poet with many contemporary readers in Europe, Australia, and North America.Scott's novels and poetry are still read, and many of his works remain classics of both English-language literature and of Scottish literature. Famous titles include Ivanhoe, Rob Roy, Old Mortality, The Lady of the Lake, Waverley, The Heart of Midlothian and The Bride of Lammermoor.Although primarily remembered for his extensive literary works and his political engagement, Scott was an advocate, judge and legal administrator by profession, and throughout his career combined his writing and editing work with his daily occupation as Clerk of Session and Sheriff-Depute of Selkirkshire.A prominent member of the Tory establishment in Edinburgh, Scott was an active member of the Highland Society and served a long term as President of the Royal Society of Edinburgh (1820-32).....Porter Lander MacClintock(Born: 1861 Died: 1939), and illustrated By:C. E. Brock(Charles Edmund Brock (5 February 1870 - 28 February 1938))was a widely published English painter,, line artist and book illustrator, who signed most of his work C. E. Brock. He was the eldest of four artist brothers, including Henry Matthew Brock, also an illustrator.
Traditional Petrarchan and Neoplatonic paradigms of love started to show clear signs of inadequacy and exhaustion in the sixteenth century. How did the Spanish Golden Age recast worn out discourses of love and make them compelling again? This volume explores how Spanish letters recognized that old love paradigms, especially the crisis of the subject, presented an extraordinary opportunity for revising traditional literary strictures. As a result, during Spain’s nascent modernity, literature took up the challenge to expand existing forms of desire and subjectivity. A range of scholars show how canonical and non-canonical Golden Age writers like Miguel de Cervantes, Diego Hurtado de Mendoza, Francisco de Quevedo, Luis de Góngora, Lope de Vega, and Francisco de la Torre y Sevil became equal agents of the sweeping ontological reconfiguration of the idea of eros that defined their culture. Such reconfiguration includes: the troubling displacement of "self" and "other" seen in sentimental genres like the pastoral or romance; the overlapping of emotions such as love and jealousy characteristic of the baroque lyric and dramatic production; and the conflation of axioms such as eros and eris prevalent in contemporaneous epic experiments. In uniting the findings of often surprising texts, the collection of essays in Goodbye Eros takes a pioneering look at how Golden Age moral, ideological, scientific, and literary discourses intersected to create fascinating re-elaborations of the trope of love.
Nothing could be further from Amaury de Vries’ expectations than joining his half-brother’s company of mercenaries in the wilds of Scotland. A knight and a champion at the joust, he expected to inherit a holding—until the man he has known as his father revealed a terrible truth and disavowed him. Left with nothing, Amaury rides to Kilderrick, where he loses his heart to a beautiful noblewoman in the forest. A practical man, he knows he has no right to court the lady, but when she is abducted, Amaury follows, determined to fulfill his knightly duty by aiding a damsel in distress. Elizabeth d’Acron has been a pawn and a prize, pursued for her father’s wealthy holding, and wants only to be desired for herself. Seized again, she vows she will surrender to no man—even the handsome knight who comes to her rescue. And truly, there could be no one more vexing than this confident yet inscrutable man, so concerned with duty that he could be wrought of stone—but Elizabeth soon learns that she can trust Amaury to defend her at any cost. She does not expect the seductive fire awakened by his touch, much less his conquest of her wary heart—but has she fallen in love with a man whose affections are already claimed? Snared between duty and passion, Amaury finds himself beguiled by the lady who challenges his every expectation, but knows he has little to offer her. But when Elizabeth is threatened by a former suitor who will not be refused, Amaury risks his all in her defense, hoping it will be enough. But can he intervene in time? And will love alone convince Elizabeth to place her hand in his for all time?
Forbidden flames burn brightest… The knight Alric of Hawksmere has endured years of war and survived dozens of battles in the service of the king. A new challenge awaits him when he returns home to renew his bond with a childhood friend. Alric instead discovers she is now a spirited woman of rare beauty whose kiss makes his blood burn. But the lady Cecily de Vere has been offered in marriage to another man, and Alric‘s duty is to escort her to the wedding. Cecily wants to behave as a proper lady. But she yearns for her childhood flame and knows he shares the same desire. When a sudden twist of fortune puts Cecily in mortal danger, Alric takes an unimaginable risk to rescue her. Left alone in the wild, Alric and Cecily must make a choice that will change their lives forever. The first book in the Swordsworn Knights: A series of full-length historical romance novels set in the vivid and beguiling world of medieval Britannia.
Knight Conrad of Rheinstein by Julius Ludovici Pdf
Set in the heart of medieval Europe, Knight Conrad of Rheinstein is a thrilling romance that captures the spirit of the age. Ludovici's vivid characters and intricate plotting bring to life a world of chivalric romance and adventure that will captivate readers of all ages. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Fictions of Romantick Chivalry by Eithne Henson Pdf
"In Scotland, Johnson found the remains of the lost feudal world of Macbeth, of abbeys, hermitages, castles and arbitrary power, of violence and luxury, and, in a riot of romantic role-playing, concluded that "the fictions of romantick chivalry" had their basis in history. Throughout his writing, however, Johnson is always ambivalent about romance, and it is his prudent rejection of its seductive dangers that has tended to be stressed by successive generations of critics. This study aims to redress the balance."--BOOK JACKET.
