The Cinema Ideal

Author : Harriet E. Margolis
Publisher : Routledge
Page : 329 pages
File Size : 44,8 Mb
Release : 2013-12-04
Category : Performing Arts
ISBN : 9781317928737

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The Cinema Ideal by Harriet E. Margolis Pdf

This study explores the model derived from Freudian and Lacanian psychoanalysis, via Marxism and semiotics, of looking at film. It retraces the steps of film theory from ideological criticism of the late ‘60s to spectator studies in 1988 when the book was originally published. Psychoanalysis enables a discussion of the cinema’s role as a social and political force and this book enters a discourse of the politics of representation. Reconstructing discussion of basic issues, the book addresses our instincts and defences in reacting to cinema, the similarity between mental processes and cinematic technique, narrative techniques and the ‘cinematic apparatus’. Importantly, the book concerns itself with the concept of ideology and how the filmviewing experience engages the spectator in a complex net of stimuli presenting representations of an ideal world and the effect of this within film studies.

Author : Harriet E. Margolis
Publisher : Routledge
Page : 206 pages
File Size : 45,6 Mb
Release : 2013-12-04
Category : Performing Arts
ISBN : 9781317928720

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The Cinema Ideal by Harriet E. Margolis Pdf

This study explores the model derived from Freudian and Lacanian psychoanalysis, via Marxism and semiotics, of looking at film. It retraces the steps of film theory from ideological criticism of the late ‘60s to spectator studies in 1988 when the book was originally published. Psychoanalysis enables a discussion of the cinema’s role as a social and political force and this book enters a discourse of the politics of representation. Reconstructing discussion of basic issues, the book addresses our instincts and defences in reacting to cinema, the similarity between mental processes and cinematic technique, narrative techniques and the ‘cinematic apparatus’. Importantly, the book concerns itself with the concept of ideology and how the filmviewing experience engages the spectator in a complex net of stimuli presenting representations of an ideal world and the effect of this within film studies.

Author : Tom O'Regan
Publisher : Routledge
Page : 403 pages
File Size : 51,7 Mb
Release : 2005-08-10
Category : Education
ISBN : 9781134933495

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Australian National Cinema by Tom O'Regan Pdf

Situates Australian cinema in its historical and cultural perspective, offering detailed critiques of key films from 1970 onwards, and using them to illustrate the recent theories on the cinema industries.

Author : Huntly Carter
Publisher : Unknown
Page : 514 pages
File Size : 54,8 Mb
Release : 1930
Category : Cinema films
ISBN : UCAL:$B51278

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The New Spirit in the Cinema by Huntly Carter Pdf

Author : Lucie Ryzova
Publisher : Oxford University Press
Page : 304 pages
File Size : 54,7 Mb
Release : 2017-09-18
Category : History
ISBN : 9780192563736

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The Age of the Efendiyya by Lucie Ryzova Pdf

In colonial-era Egypt, a new social category of "modern men" emerged, the efendiyya. Working as bureaucrats, teachers, journalists, free professionals, and public intellectuals, the efendiyya represented the new middle class elite. They were the experts who drafted and carried out the state's modernisation policies, and the makers as well as majority consumers of modern forms of politics and national culture. As simultaneously "authentic" and "modern", they assumed a key political role in the anti-colonial movement and in the building of a modern state both before and after the revolution of 1952. Lucie Ryzova explores where these self-consciously modern men came from, and how they came to be such major figures, by examining multiple social, cultural, and institutional contexts. These contexts include the social strategies pursued by "traditional" households responding to new opportunities for social mobility; modern schools as vehicles for new forms of knowledge dissemination, which had the potential to redefine social authority; but also include new forms of youth culture, student rituals, peer networks, and urban popular culture. The most common modes of self-expression among the effendiyya were through politics and writing (either literature or autobiography). This articulated an efendi culture imbued with a sense of mission, duty, and entitlement, and defined the ways in which their social experiences played into the making of modern Egyptian culture and politics.

Author : Richard Ford
Publisher : Unknown
Page : 262 pages
File Size : 54,9 Mb
Release : 1939
Category : Child development
ISBN : UOM:39015003750679

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Children in the Cinema by Richard Ford Pdf

Author : Birgit Beumers
Publisher : Bloomsbury Publishing
Page : 157 pages
File Size : 43,8 Mb
Release : 2004-11-26
Category : Performing Arts
ISBN : 9780857715203

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Nikita Mikhalkov by Birgit Beumers Pdf

Adored by Russian audiences for his commercially-oriented films, and loathed by the Russian intelligentsia for the same, Nikita Mikhalkov is one of the most successful, ambitious and controversial film-directors in the history of Soviet and Russian cinema. Revealing and discussing the key themes explored in his work, Birgit Beumers follows his career from his 1974 debut At Home Among Strangers, a Stranger at Home; through to the French co-productions: the award-winning Urga and the internationally renowned Oscar-winning Burnt by the Sun, 1994.

Author : Miriam Hansen
Publisher : Harvard University Press
Page : 390 pages
File Size : 42,5 Mb
Release : 2009-07-01
Category : Performing Arts
ISBN : 9780674038295

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Babel and Babylon by Miriam Hansen Pdf

Although cinema was invented in the mid-1890s, it was a decade more before the concept of a “film spectator” emerged. As the cinema began to separate itself from the commercial entertainments in whose context films initially had been shown—vaudeville, dime museums, fairgrounds—a particular concept of its spectator was developed on the level of film style, as a means of predicting the reception of films on a mass scale. In Babel and Babylon, Miriam Hansen offers an original perspective on American film by tying the emergence of spectatorship to the historical transformation of the public sphere. Hansen builds a critical framework for understanding the cultural formation of spectatorship, drawing on the Frankfurt School’s debates on mass culture and the public sphere. Focusing on exemplary moments in the American silent era, she explains how the concept of the spectator evolved as a crucial part of the classical Hollywood paradigm—as one of the new industry’s strategies to integrate ethnically, socially, and sexually differentiated audiences into a modern culture of consumption. In this process, Hansen argues, the cinema might also have provided the conditions of an alternative public sphere for particular social groups, such as recent immigrants and women, by furnishing an intersubjective context in which they could recognize fragments of their own experience. After tracing the emergence of spectatorship as an institution, Hansen pursues the question of reception through detailed readings of a single film, D. W. Griffith’s Intolerance (1916), and of the cult surrounding a single star, Rudolph Valentino. In each case the classical construction of spectatorship is complicated by factors of gender and sexuality, crystallizing around the fear and desire of the female consumer. Babel and Babylon recasts the debate on early American cinema—and by implication on American film as a whole. It is a model study in the field of cinema studies, mediating the concerns of recent film theory with those of recent film history.

Author : Ben Goldsmith,Mark David Ryan,Geoff Lealand
Publisher : Intellect Books
Page : 372 pages
File Size : 48,5 Mb
Release : 2015-04-01
Category : Performing Arts
ISBN : 9781783204816

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Directory of World Cinema: Australia and New Zealand 2 by Ben Goldsmith,Mark David Ryan,Geoff Lealand Pdf

Building on and bringing up to date the material presented in the first instalment of Directory of World Cinema: Australia and New Zealand, this volume continues the exploration of the cinema produced in Australia and New Zealand since the beginning of the twentieth century. Among the additions to this volume are in-depth treatments of the locations that feature prominently in the countries’ cinema. Essays by leading critics and film scholars consider the significance of the outback and the beach in films, which are evoked as a liminal space in Long Weekend and a symbol of death in Heaven’s Burning, among other films. Other contributions turn the spotlight on previously unexplored genres and key filmmakers, including Jane Campion, Rolf de Heer, Charles Chauvel and Gillian Armstrong. Accompanying the critical essays in this volume are more than one hundred and fifty new film reviews, complemented by film stills and significantly expanded references for further study. From The Piano to Crocodile Dundee, Directory of World Cinema: Australia and New Zealand 2 completes this comprehensive treatment of a consistently fascinating national cinema.

Author : Tim Bergfelder,Erica Carter,Deniz Göktürk,Claudia Sandberg
Publisher : Bloomsbury Publishing
Page : 624 pages
File Size : 42,7 Mb
Release : 2020-02-20
Category : History
ISBN : 9781911239413

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The German Cinema Book by Tim Bergfelder,Erica Carter,Deniz Göktürk,Claudia Sandberg Pdf

This comprehensively revised, updated and significantly extended edition introduces German film history from its beginnings to the present day, covering key periods and movements including early and silent cinema, Weimar cinema, Nazi cinema, the New German Cinema, the Berlin School, the cinema of migration, and moving images in the digital era. Contributions by leading international scholars are grouped into sections that focus on genre; stars; authorship; film production, distribution and exhibition; theory and politics, including women's and queer cinema; and transnational connections. Spotlight articles within each section offer key case studies, including of individual films that illuminate larger histories (Heimat, Downfall, The Lives of Others, The Edge of Heaven and many more); stars from Ossi Oswalda and Hans Albers, to Hanna Schygulla and Nina Hoss; directors including F.W. Murnau, Walter Ruttmann, Wim Wenders and Helke Sander; and film theorists including Siegfried Kracauer and Béla Balázs. The volume provides a methodological template for the study of a national cinema in a transnational horizon.

Author : Thomas Barker
Publisher : Hong Kong University Press
Page : 243 pages
File Size : 48,7 Mb
Release : 2019-09-16
Category : Performing Arts
ISBN : 9789888528073

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Indonesian Cinema after the New Order by Thomas Barker Pdf

In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to international recognition. More than a simple narrative, Barker contributes to cultural studies and sociological research by defining the three stages of an industry moving from state administration; through needing to succeed in local pop culture, specifically succeeding with Indonesian youth, to remain financially viable; until it finally realizes international recognition as an art form. This “going mainstream” paradigm reaches far beyond film history and forms a methodology for understanding the market in which all cultural industries operate, where the citizen-consumer (not the state) becomes sovereign. Indonesia presents a particularly interesting case because “going mainstream” has increasingly meant catering to the demands of new Islamic piety movements. It has also meant working with a new Ministry of Tourism and Creative Economy, established in 2011. Rather than a simplified creative world many hoped for, Indonesian filmmaking now navigates a new complex of challenges different to those faced before 1998. Barker sees this industry as a microcosm of the entire country: democratic yet burdened by authoritarian legacies, creative yet culturally contested, international yet domestically shaped. “This is a significant piece of scholarly contribution informed by an extensive range of interviews with industry insiders. This volume is particularly welcome given the dearth of English-language publications on Indonesian cinema in the last two decades. I have no doubt that the book will be extensively used in any future work on national cinema, not just in Indonesia, but Southeast Asia more widely.” —Krishna Sen, University of Western Australia “Indonesian Cinema after the New Order is a marvelously entertaining and important contribution to the study of Indonesian cinema, youth culture, and media worlds in a global context. In fact, I would consider it the best book I have seen on the subject of the Indonesian film industry.” —Mary Steedly, Harvard University

Author : Maite Conde
Publisher : University of Virginia Press
Page : 400 pages
File Size : 53,6 Mb
Release : 2012
Category : Literary Criticism
ISBN : 9780813932149

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Consuming Visions by Maite Conde Pdf

Consuming Visions explores the relationship between cinema and writing in early twentieth-century Brazil, focusing on how the new and foreign medium of film was consumed by a literary society in the throes of modernization. Maite Conde places this relationship in the specific context of turn-of-the-century Rio de Janeiro, which underwent a radical transformation to a modern global city, becoming a concrete symbol of the country's broader processes of change and modernization. Analyzing an array of literary texts, from journalistic essays and popular women's novels to anarchist treatises and vaudeville plays, the author shows how the writers' encounters with the cinema were consistent with the significant changes taking place in the city. The arrival and initial development of the cinema in Brazil were part of the new urban landscape in which early Brazilian movies not only articulated the processes of the city's modernization but also enabled new urban spectators--women, immigrants, a new working class, and a recently liberated slave population--to see, believe in, and participate in its future. In the process, these early movies challenged the power of the written word and of Brazilian writers, threatening the hegemonic function of writing that had traditionally forged the contours of the nation's cultural life. An emerging market of consumers of the new cultural phenomena--popular theater, the department store, the factory, illustrated magazines--reflected changes that not only modernized literary production but also altered the very life and everyday urban experiences of the population. Consuming Visions is an ambitious and engaging examination of the ways in which mass culture can become an agent of intellectual and aesthetic transformation.

Author : Sumita S. Chakravarty
Publisher : University of Texas Press
Page : 347 pages
File Size : 42,6 Mb
Release : 2011-05-18
Category : Performing Arts
ISBN : 9780292789852

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National Identity in Indian Popular Cinema, 1947-1987 by Sumita S. Chakravarty Pdf

Although Indian popular cinema has a long history and is familiar to audiences around the world, it has rarely been systematically studied. This book offers the first detailed account of the popular film as it has grown and changed during the tumultuous decades of Indian nationhood. The study focuses on the cinema’s characteristic forms, its range of meanings and pleasures, and, above all, its ideological construction of Indian national identity. Informed by theoretical developments in film theory, cultural studies, postcolonial discourse, and “Third World” cinema, the book identifies the major genres and movements within Bombay cinema since Independence and uses them to enter larger cultural debates about questions of identity, authenticity, citizenship, and collectivity. Chakravarty examines numerous films of the period, including Guide (Vijay Anand, 1965), Shri 420 [The gentleman cheat] (Raj Kapoor, 1955), and Bhumika [The role] (Shyam Benegal, 1977). She shows how “imperso-nation,” played out in masquerade and disguise, has characterized the representation of national identity in popular films, so that concerns and conflicts over class, communal, and regional differences are obsessively evoked, explored, and neutralized. These findings will be of interest to film and area specialists, as well as general readers in film studies.

Author : Janina Falkowska
Publisher : Berghahn Books
Page : 212 pages
File Size : 52,5 Mb
Release : 1996
Category : Performing Arts
ISBN : 1571810056

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The Political Films of Andrzej Wajda by Janina Falkowska Pdf

Controversial, painful, stimulating, and cinematically beautiful, they never fail to fully engage the spectator. This is particularly true for his major political films, which form the basis of this study. Applying Bakhtin's concept of dialogism, the author shows how a creative interaction between the image on the screen and the viewer is established through Wajda's films.

Author : John Protevi
Publisher : Edinburgh University Press
Page : 640 pages
File Size : 44,8 Mb
Release : 2005-12-05
Category : Philosophy
ISBN : 9780748626236

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Edinburgh Dictionary of Continental Philosophy by John Protevi Pdf

The first ever dictionary of continental philosophy to be published.With over 450 clearly written definitions and articles by an international team of specialists, this authoritative dictionary covers the thinkers, topics and technical terms associated with the many fields known as 'continental' philosophy'. Special care has been taken to explain the complex terminology of many continental thinkers. Researchers, students and professional philosophers alike will find the dictionary an invaluable reference tool.Key features include:*in-depth entries on major figures and topics*over 190 shorter articles on other figures and topics*over 250 items on technical terms used by continental thinkers, from abjection [Kristeva] to worldhood [Heidegger]*coverage of related subjects that use continental terms and methods*extensive cross-referencing, allowing readers to relate and pursue ideas in depth.Entries include: Major Figures and Topics: Deleuze, Derrida, Foucault, Hegel, Heidegger, Husserl, Irigaray, Kant, NietzscheEpistemology, Feminism, German Idealism, Marxism, Phenomenology, Poststructuralism, Time, etc.Other figures and topics covered include: Adorno, Althusser, Arendt, Badiou, Barthes, Bergson, Butler, Haraway, Habermas, Kristeva, Merleau-Ponty, Sartre, Schelling, Schiller, Weber, Weil, Wittgenstein, Zizek, etc;African Philosophy, Cognitive Science, Death, Ecocriticism, Embodiment, Environmental Philosophy, Modernity, Philosophy of Nature, NeoThomism, Postcolonial Theory, Psychology, Race Theory, Sex / sexuality, Space, Speech Act Theory, Structuralism, Subject, 'Young Hegelians', etc.