The Cinema Of Jia Zhangke

Author : Cecília Mello
Publisher : Bloomsbury Publishing
Page : 320 pages
File Size : 49,6 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781350121706

Get Book

The Cinema of Jia Zhangke by Cecília Mello Pdf

Shorlisted for the BAFTSS 2020 Award for Best Monograph Despite his films being subjected to censorship and denigration in his native China, Jia Zhangke has become the country's leading independent film director internationally. Seen as one of world cinema's foremost auteurs, he has played a crucial role in documenting and reflecting upon China's era of intense transformations since the 1990s. Cecília Mello provides in-depth analysis of Jia's unique body of work, from his early films Xiao Wu and Platform, to experimental quasi-documentary 24 City and the audacious Mountains May Depart. Mello suggests that Jia's particular expression of the realist mode is shaped by the aesthetics of other Chinese artistic traditions, allowing Jia to unearth memories both personal and collective, still lingering within the ever-changing landscapes of contemporary China. Mello's groundbreaking study opens a door into Chinese cinema and culture, addressing the nature of the so-called 'impure' cinematographic art and the complex representation of China through the ages. Foreword by Walter Salles

Author : Michael Berry
Publisher : Bloomsbury Publishing
Page : 194 pages
File Size : 52,9 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781838716554

Get Book

Jia Zhangke's 'Hometown Trilogy' by Michael Berry Pdf

The three films comprising director Jia Zhangke's 'Hometown Trilogy' - Xiao Wu (1997), Platform (2000) and Unknown Pleasures(2002) - represent key contributions to the cinema of contemporary China. The films, which are set in Jia's home province of Shanxi, highlight the plight of marginalised individuals – singers, dancers, pickpockets, prostitutes and drifters – as they struggle to navigate through the radically transforming terrain of contemporary China. Xiao Wu tells the story of a small-time pickpocket who faces the breakdown of his relationships with his friends, family and girlfriend. Platform, often considered Jia's most ambitious film, is an epic narrative that bears witness to China's roaring eighties and the radical transformation from socialism to capitalism. Jia's third feature, Unknown Pleasures continues his meditation on China in transition, tracing the story of two delinquent teenagers who live on a diet of saccharine Chinese pop music, karaoke, Pulp Fiction, and Coca-Cola while entertaining pipe dreams of joining the army and becoming small-time gangsters. Michael Berry's in-depth study of the three films considers them as an ambitious attempt to re-examine the transformation and fate of provincial China – its places and people – as it is caught up in a whirlwind of sweeping social, cultural and economic change. At the heart of the book lies a series of close readings of each of the three films; through which Berry teases out their central narrative themes, highlighting Jia's use of editing, cinematic language, and mise en scene. He pays special attention to the place of intertextuality in Jia's oeuvre, as well as the central themes of destruction and change, stagnation and movement, political verses popular culture, and, of course, the ceaseless search for home. Michael Berry is Associate Professor of Contemporary Chinese Cultural Studies at the University of California, Santa Barbara. He is the author of Speaking in Images: Interviews with Contemporary Chinese Filmmakers (2005), and A History of Pain: Trauma in Modern Chinese Literature and Film (2008). He is also the translator of several novels, including The Song of Everlasting Sorrow (2008), To Live (2004), Nanjing 1937: A Love Story (2002), and Wild Kids (2000).

Author : Jia Zhangke
Publisher : Transaction Publishers
Page : 0 pages
File Size : 44,5 Mb
Release : 2015-07-15
Category : Performing Arts
ISBN : 1626430306

Get Book

Jia Zhangke Speaks Out by Jia Zhangke Pdf

Jia Zhangke Speaks Out is a collection of writings by China’s most acclaimed film director, Jia Zhangke. The book, originally published in 2009 by Peking University Press, contains Jia’s selections of his own writings on film. While he has given numerous film-specific interviews throughout the years, his own notes on cinema, on his own production, and on Chinese culture are unknown to non-Chinese readers. This collection gives access to the key scenes of his life, films, and meetings with other filmmakers, from Hou Hsiao-hsien to Martin Scorsese. From his point of view, we get an insightful and profoundly original take on China’s film history, its ruptures and failings, as well as on the post-Tiananmen filmmaking industry, with its blockbusters on one side and indie films (like his) on the other.

Author : Michael Berry
Publisher : Sinotheory
Page : 224 pages
File Size : 49,7 Mb
Release : 2022-04
Category : Performing Arts
ISBN : 1478018127

Get Book

Jia Zhangke on Jia Zhangke by Michael Berry Pdf

This volume is an extended dialogue between the internationally acclaimed Chinese filmmaker Jia Zhangke and film scholar Michael Berry in which Jia offers a comprehensive first-hand account of his life, art, and approach to filmmaking.

Author : Corey Kai Nelson Schultz
Publisher : Edinburgh Studies in East Asian Film
Page : 208 pages
File Size : 47,7 Mb
Release : 2019-11-30
Category : China
ISBN : 1474455123

Get Book

Moving Figures by Corey Kai Nelson Schultz Pdf

Since 1979, China has been undergoing a period of immense social and economic change, transitioning from state-run economics to free market capitalism. This book focuses on how the 'Reform Era' has been constructed in the work of the director Jia Zhangke, analysing the archetypal class figures of worker, peasant, soldier, intellectual and entrepreneur that are found in his films. Examining how these figures are represented, and how Jia's cinematography creates those 'structures of feeling' that concretise around a particular time and place, the book argues that Jia's cinema should be understood not just as narratives that represent Chinese social transition, but also as an effort to engage the audience's emotional responses through representation, symbolism and the affective experience of specific cinematic tropes. Making an important contribution to scholarship about the Reform Era, and opening up many new areas in the larger fields of Chinese visual culture, cultural studies and the affective qualities of film, this is groundbreaking work about a cinematic culture in a period of profound transformation.

Author : Zhen Zhang
Publisher : Duke University Press
Page : 468 pages
File Size : 51,8 Mb
Release : 2007-03-28
Category : Performing Arts
ISBN : 0822340747

Get Book

The Urban Generation by Zhen Zhang Pdf

DIVAn anthology that explores film works by the "urban generation,"--filmmakers who operate outside of "mainstream" (officially sanctioned) Chinese cinema -- whose impact has been enormous./div

Author : Zhang ke Jia
Publisher : Unknown
Page : 343 pages
File Size : 48,7 Mb
Release : 2015
Category : Electronic
ISBN : OCLC:1076360815

Get Book

Jia Zhangke Speaks Out by Zhang ke Jia Pdf

Author : Sheldon H. Lu,Jiayan Mi
Publisher : Hong Kong University Press
Page : 384 pages
File Size : 48,7 Mb
Release : 2009-12-01
Category : Social Science
ISBN : 9789622090866

Get Book

Chinese Ecocinema by Sheldon H. Lu,Jiayan Mi Pdf

This anthology is a book-length study of China's ecosystem through the lens of cinema. Proposing 'ecocinema' as a new critical framework, the volume collectively investigates a wide range of urgent topics in today's world.

Author : Jean-Michel Frodon
Publisher : Unknown
Page : 0 pages
File Size : 42,5 Mb
Release : 2021
Category : Motion picture producers and directors
ISBN : 0999468375

Get Book

The World of Jia Zhangke by Jean-Michel Frodon Pdf

"A comparative look at the work of Chinese filmmaker Jia Zhangke by celebrated critic Jean Michel Frodon. Includes an extensive interview with Jia, essays on each of his films, conversations with his main collaborators, and a selection of his own writings. "--Page 4 of cover.

Author : Xiaoping Wang
Publisher : Unknown
Page : 0 pages
File Size : 51,8 Mb
Release : 2020
Category : Motion pictures and globalization
ISBN : 0367367793

Get Book

China in the Age of Global Capitalism by Xiaoping Wang Pdf

This book is a comprehensive exploration of the content, forms, merits, and faults of Jia Zhangke's films. It analyzes ten of his featured film regarding three major themes: Jia's filmmaking and China in the market society; truth claims and political unconscious; "post-socialist modernity" in the age of globalization.

Author : Gina Marchetti
Publisher : University of Hawaii Press
Page : 250 pages
File Size : 55,8 Mb
Release : 2018-03-31
Category : Performing Arts
ISBN : 9780824866600

Get Book

Citing China by Gina Marchetti Pdf

Citing China explores the role film plays in creating a common ground for the exchange of political and aesthetic ideas between China and the rest of the world. It does so by examining the depiction of China in contemporary film, looking at how global filmmakers “cite” China on screen. Author Gina Marchetti’s aim is not to point to how China continues to function as a metaphor or allusion that has little to do with the geopolitical actualities of contemporary China. Rather, she highlights China’s position within global film culture, examining how cinematic quotations link current films to past political movements and unresolved social issues in a continuing multidirectional conversation. Marchetti covers a wide range of cinematic encounters across the China-West divide. She looks closely at specific movements in world film history and at key films that have influenced the way “China” is depicted in global cinema today, from popular entertainment to international art cinema, the DV revolution, video activism, and the emergence of “festival films.” Marchetti first considers contemporary Chinese-language cinema (Edward Yang, Hou Hsiao-Hsien); she then turns to Italian Neorealism and its importance to the Chinese Sixth Generation (Jia Zhangke) and the French New Wave’s ripple effect on filmmakers associated with the Hong Kong New Wave and Taiwan New Cinema (Ann Hui, Evans Chan). As the People’s Republic of China has gained increased global economic clout, filmmakers draw on Euro-American formulae (Bruce Lee, Clara Law) to attract new viewers and define cinematic pleasures for new audiences on the other side of the earth. The book concludes with a consideration of the role film festivals, women filmmakers, and emerging audiences play in the new world of global cinema. Citing China offers a framework for examining cinematic influence as a dynamic and multidirectional process. It is carefully researched, theoretically sophisticated, and animated by detailed and historically nuanced studies of individual films, making clear just how much a part of global film culture today’s China is. The book makes important contributions to debates in transnational film studies, postmodern versus modernist aesthetics and politics, and Asian as well as European art cinema.

Author : Gary Bettinson,James Udden
Publisher : Springer
Page : 227 pages
File Size : 47,9 Mb
Release : 2016-10-05
Category : Social Science
ISBN : 9781137553096

Get Book

The Poetics of Chinese Cinema by Gary Bettinson,James Udden Pdf

This book examines the aesthetic qualities of particular Chinese-language films and the rich artistic traditions from which they spring. It brings together leading experts in the field, and encompasses detailed and wide-ranging case studies of films such as Hero, House of Flying Daggers, Spring in a Small Town, 24 City, and The Grandmaster, and filmmakers including Hou Hsiao-hsien, Jia Zhangke, Chen Kaige, Fei Mu, Zhang Yimou, Johnnie To, and Wong Kar-wai. By illuminating the form and style of Chinese films from across cinema history, The Poetics of Chinese Cinema testifies to the artistic value and uniqueness of Chinese-language filmmaking.

Author : Michael Berry
Publisher : Unknown
Page : 0 pages
File Size : 52,5 Mb
Release : 2009
Category : Electronic
ISBN : 183871328X

Get Book

Xiao Wu, Platform, Unknown Pleasures by Michael Berry Pdf

The three films comprising director Jia Zhangke's 'Hometown Trilogy' - Xiao Wu (1997), Platform (2000) and Unknown Pleasures (2002) - represent key contributions to the cinema of contemporary China. The films, which are set in Jia's home province of Shanxi, highlight the plight of marginalised individuals - singers, dancers, pickpockets, prostitutes and drifters - as they struggle to navigate through the radically transforming terrain of contemporary China. Xiao Wu tells the story of a small-time pickpocket who faces the breakdown of his relationships with his friends, family and girlfriend. Platform, often considered Jia's most ambitious film, is an epic narrative that bears witness to China's roaring eighties and the radical transformation from socialism to capitalism. Jia's third feature, Unknown Pleasures continues his meditation on China in transition, tracing the story of two delinquent teenagers who live on a diet of saccharine Chinese pop music, karaoke, Pulp Fiction, and Coca-Cola while entertaining pipe dreams of joining the army and becoming small-time gangsters. Michael Berry's in-depth study of the three films considers them as an ambitious attempt to re-examine the transformation and fate of provincial China - its places and people - as it is caught up in a whirlwind of sweeping social, cultural and economic change. At the heart of the book lies a series of close readings of each of the three films; through which Berry teases out their central narrative themes, highlighting Jia's use of editing, cinematic language, and mise en scene. He pays special attention to the place of intertextuality in Jia's oeuvre, as well as the central themes of destruction and change, stagnation and movement, political verses popular culture, and, of course, the ceaseless search for home. Michael Berry is Associate Professor of Contemporary Chinese Cultural Studies at the University of California, Santa Barbara. He is the author of Speaking in Images: Interviews with Contemporary Chinese Filmmakers (2005), and A History of Pain: Trauma in Modern Chinese Literature and Film (2008). He is also the translator of several novels, including The Song of Everlasting Sorrow (2008), To Live (2004), Nanjing 1937: A Love Story (2002), and Wild Kids (2000).

Author : Xiaoping Wang
Publisher : Routledge
Page : 237 pages
File Size : 40,9 Mb
Release : 2019-10-24
Category : Social Science
ISBN : 9781000702439

Get Book

China in the Age of Global Capitalism by Xiaoping Wang Pdf

Jia Zhangke is praised as “the most internationally prominent and celebrated figure of the Six-Generation of Chinese filmmakers”. This book provides an examination the content and forms of Jia’s featured films and analyzes their merits and faults. Jia’s films often narrate the lives of ordinary Chinese people against the backdrop of the political-economic changes. The author conducts an in-depth analysis of how this change have ferociously impinged upon the characters’ living conditions since China integrated itself with the world economy in the high tide of accelerated globalization since the 1970s. The author focuses on discussing the “politics of dignity” expressed by Jia’s allegorical renditions to explore the director’s political unconsciousness and cultural-political notions. This book maps ten of Jia Zhangke’s films onto three major themes: Jia’s filmmaking and China in the market society; truth claims and political unconscious; “post-socialist modernity” in the age of globalization. This book will be of interest to students and scholars of Chinese film studies, as well as other disciplines, such as political science, sociology, anthropology, etc.

Author : Hsiu-Chuang Deppman
Publisher : University of Hawaii Press
Page : 193 pages
File Size : 45,9 Mb
Release : 2020-10-31
Category : Art
ISBN : 9780824885670

Get Book

Close-ups and Long Shots in Modern Chinese Cinemas by Hsiu-Chuang Deppman Pdf

Two of the most stylized shots in cinema—the close-up and the long shot—embody distinct attractions. The iconicity of the close-up magnifies the affective power of faces and elevates film to the discourse of art. The depth of the long shot, in contrast, indexes the facts of life and reinforces our faith in reality. Each configures the relation between image and distance that expands the viewer’s power to see, feel, and conceive. To understand why a director prefers one type of shot over the other then is to explore more than aesthetics: It uncovers significant assumptions about film as an art of intervention or organic representation. Close-ups and Long Shots in Modern Chinese Cinemas is the first book to compare these two shots within the cultural, historical, and cinematic traditions that produced them. In particular, the global revival of Confucian studies and the transnational appeal of feminism in the 1980s marked a new turn in the composite cultural education of Chinese directors whose shot selections can be seen as not only stylistic expressions, but ethical choices responding to established norms about self-restraint, ritualism, propriety, and female agency. Each of the films discussed—Zhang Yimou’s Red Sorghum, Ang Lee’s Lust, Caution, Hou Hsiao-hsien’s The Assassin, Jia Zhangke’s I Wish I Knew, and Wei Desheng’s Cape No. 7— represents a watershed in Chinese cinemas that redefines the evolving relations among film, politics, and ethics. Together these works provide a comprehensive picture of how directors contextualize close-ups and long shots in ways that make them interpretable across many films as bellwethers of social change.