The Cinema Of The Soviet Thaw

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The Cinema of the Soviet Thaw

Author : Lida Oukaderova
Publisher : Indiana University Press
Page : 258 pages
File Size : 55,5 Mb
Release : 2017-05-15
Category : Performing Arts
ISBN : 9780253027085

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The Cinema of the Soviet Thaw by Lida Oukaderova Pdf

Following Joseph Stalin's death in 1953, the Soviet Union experienced a dramatic resurgence in cinematic production. The period of the Soviet Thaw became known for its relative political and cultural liberalization; its films, formally innovative and socially engaged, were swept to the center of international cinematic discourse. In The Cinema of the Soviet Thaw, Lida Oukaderova provides an in-depth analysis of several Soviet films made between 1958 and 1967 to argue for the centrality of space—as both filmic trope and social concern—to Thaw-era cinema. Opening with a discussion of the USSR's little-examined late-fifties embrace of panoramic cinema, the book pursues close readings of films by Mikhail Kalatozov, Georgii Danelia, Larisa Shepitko and Kira Muratova, among others. It demonstrates that these directors' works were motivated by an urge to interrogate and reanimate spatial experience, and through this project to probe critical issues of ideology, social progress, and subjectivity within post–Stalinist culture.

The Cinema of the Soviet Thaw

Author : Lida Oukaderova
Publisher : Indiana University Press
Page : 229 pages
File Size : 40,8 Mb
Release : 2017-05-15
Category : Performing Arts
ISBN : 9780253027085

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The Cinema of the Soviet Thaw by Lida Oukaderova Pdf

Following Joseph Stalin's death in 1953, the Soviet Union experienced a dramatic resurgence in cinematic production. The period of the Soviet Thaw became known for its relative political and cultural liberalization; its films, formally innovative and socially engaged, were swept to the center of international cinematic discourse. In The Cinema of the Soviet Thaw, Lida Oukaderova provides an in-depth analysis of several Soviet films made between 1958 and 1967 to argue for the centrality of space—as both filmic trope and social concern—to Thaw-era cinema. Opening with a discussion of the USSR's little-examined late-fifties embrace of panoramic cinema, the book pursues close readings of films by Mikhail Kalatozov, Georgii Danelia, Larisa Shepitko and Kira Muratova, among others. It demonstrates that these directors' works were motivated by an urge to interrogate and reanimate spatial experience, and through this project to probe critical issues of ideology, social progress, and subjectivity within post–Stalinist culture.

Real Images

Author : Josephine Woll
Publisher : Bloomsbury Publishing
Page : 429 pages
File Size : 54,6 Mb
Release : 1999-12-31
Category : History
ISBN : 9780755605835

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Real Images by Josephine Woll Pdf

During ""the thaw"" from Stalin's death in 1953 to the late 1960s and Khrushchev's rule, Soviet society experienced major transformations. So did films. In this first comprehensive account of the relationship between politics and cinema in this period, Josephine Woll skillfully interweaves cultural history with film analysis to explore how movies at once responded to the changes around them and helped engender them. She considers dozens of individual films within the context of Khrushchev's policies and the artistic foment they inspired.

Women in Soviet Film

Author : Marina Rojavin,Tim Harte
Publisher : Routledge
Page : 216 pages
File Size : 52,9 Mb
Release : 2017-09-22
Category : Social Science
ISBN : 9781315409832

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Women in Soviet Film by Marina Rojavin,Tim Harte Pdf

This book illuminates and explores the representation of women in Soviet cinema from the late 1950s, through the 1960s, and into the 1970s, a period when Soviet culture shifted away, to varying degrees, from the well-established conventions of socialist realism. Covering films about working class women, rural and urban women, and women from the intelligentsia, it probes various cinematic genres and approaches to film aesthetics, while it also highlights how Soviet cinema depicted the ambiguity of emerging gender roles, pressing social issues, and evolving relationships between men and women. It thereby casts a penetrating light on society and culture in this crucial period of the Soviet Union’s development.

The Thaw

Author : Denis Kozlov,Eleonory Gilburd
Publisher : University of Toronto Press
Page : 529 pages
File Size : 49,8 Mb
Release : 2013-01-01
Category : History
ISBN : 9781442644601

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The Thaw by Denis Kozlov,Eleonory Gilburd Pdf

The period from Stalin's death in 1953 to the end of the 1960s marked a crucial epoch in Soviet history. Though not overtly revolutionary, this era produced significant shifts in policies, ideas, language, artistic practices, daily behaviours, and material life. It was also during this time that social, cultural, and intellectual processes in the USSR began to parallel those in the West (and particularly in Europe) as never before. This volume examines in fascinating detail the various facets of Soviet life during the 1950s and 1960s, a period termed the 'Thaw.' Featuring innovative research by historical, literary, and film scholars from across the world, this book helps to answer fundamental questions about the nature and ultimate fortune of the Soviet order – both in its internal dynamics and in its long-term and global perspectives.

Ukrainian Cinema

Author : Joshua First
Publisher : Bloomsbury Publishing
Page : 264 pages
File Size : 54,8 Mb
Release : 2015-01-06
Category : History
ISBN : 9780857726704

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Ukrainian Cinema by Joshua First Pdf

Ukrainian Cinema: Belonging and Identity during the Soviet Thaw is the first concentrated study of Ukrainian cinema in English. In particular, historian Joshua First explores the politics and aesthetics of Ukrainian Poetic Cinema during the Soviet 1960s-70s. He argues that film-makers working at the Alexander Dovzhenko Feature Film Studio in Kiev were obsessed with questions of identity and demanded that the Soviet film industry and audiences alike recognize Ukrainian cultural difference. The first two chapters provide the background on how Soviet cinema since Stalin cultivated an exoticised and domesticated image of Ukrainians, along with how the film studio in Kiev attempted to rebuild its reputation during the early Sixties as a centre of the cultural thaw in the USSR. The next two chapters examine Sergei Paradjanov's highly influential Shadows of Forgotten Ancestors (1965) and its role in reorienting the Dovzhenko studio toward the auteurist (some would say elitist) agenda of Poetic Cinema. In the final three chapters, Ukrainian Cinema looks at the major works of film-makers Yurii Illienko, Leonid Osyka, and Leonid Bykov, among others, who attempted (and were compelled) to bridge the growing gap between a cinema of auteurs and concerns to generate profit for the Soviet film industry.

Soviet Animation and the Thaw of the 1960s

Author : Laura Pontieri
Publisher : JOHN LIBBEY PUBLISHING
Page : 0 pages
File Size : 45,5 Mb
Release : 2012
Category : Animated films
ISBN : 0861967054

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Soviet Animation and the Thaw of the 1960s by Laura Pontieri Pdf

Pontieri offers a meticulous study of Soviet animated films of the period, using the world of Soviet animation as a lens for viewing the historical moment of the thaw from a fresh and less conventional point of view.

Men Out of Focus

Author : Marko Dumančić
Publisher : University of Toronto Press
Page : 413 pages
File Size : 54,6 Mb
Release : 2020-12-16
Category : History
ISBN : 9781487531850

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Men Out of Focus by Marko Dumančić Pdf

Men Out of Focus charts conversations and polemics about masculinity in Soviet cinema and popular media during the liberal period – often described as "The Thaw" – between the death of Stalin in 1953 and the invasion of Czechoslovakia in 1968. The book shows how the filmmakers of the long 1960s built stories around male protagonists who felt disoriented by a world that was becoming increasingly suburbanized, rebellious, consumerist, household-oriented, and scientifically complex. The dramatic tension of 1960s cinema revolved around the male protagonists’ inability to navigate the challenges of postwar life. Selling over three billion tickets annually, the Soviet film industry became a fault line of postwar cultural contestation. By examining both the discussions surrounding the period’s most controversial movies as well as the cultural context in which these debates happened, the book captures the official and popular reactions to the dizzying transformations of Soviet society after Stalin.

To See Paris and Die

Author : Eleonory Gilburd
Publisher : Belknap Press
Page : 481 pages
File Size : 41,6 Mb
Release : 2018-11-26
Category : HISTORY
ISBN : 9780674980716

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To See Paris and Die by Eleonory Gilburd Pdf

After Stalin died a torrent of Western novels, films, and paintings invaded Soviet streets and homes. Soviet citizens invested these imports with political and personal significance, transforming them into intimate possessions. Eleonory Gilburd reveals how Western culture defined the last three decades of the Soviet Union, its death, and afterlife.

A History of Russian Cinema

Author : Birgit Beumers
Publisher : Berg Publishers
Page : 344 pages
File Size : 40,6 Mb
Release : 2009
Category : History
ISBN : UOM:39015082675730

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A History of Russian Cinema by Birgit Beumers Pdf

Film emerged in pre-Revolutionary Russia to become the 'most important of all arts' for the new Bolshevik regime and its propaganda machine. This text is a complete history from the beginning of film onwards and presents an engaging narrative of both the industry and its key films in the context of Russia's social and political history.

Cinepaternity

Author : Helena Goscilo,Yana Hashamova
Publisher : Indiana University Press
Page : 344 pages
File Size : 50,6 Mb
Release : 2010-03-30
Category : History
ISBN : 9780253221872

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Cinepaternity by Helena Goscilo,Yana Hashamova Pdf

This wide-ranging collection investigates the father/son dynamic in post-Stalinist Soviet cinema and its Russian successor. Contributors analyze complex patterns of identification, disavowal, and displacement in films by such diverse directors as Khutsiev, Motyl', Tarkovsky, Balabanov, Sokurov, Todorovskii, Mashkov, and Bekmambetov. Several chapters focus on the difficulties of fulfilling the paternal function, while others show how vertical and horizontal male bonds are repeatedly strained by the pressure of redefining an embattled masculinity in a shifting political landscape.

Cinematic Cold War

Author : Tony Shaw,Denise J. Youngblood
Publisher : University Press of Kansas
Page : 312 pages
File Size : 50,6 Mb
Release : 2014-08-15
Category : Performing Arts
ISBN : 9780700620203

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Cinematic Cold War by Tony Shaw,Denise J. Youngblood Pdf

The Cold War was as much a battle of ideas as a series of military and diplomatic confrontations, and movies were a prime battleground for this cultural combat. As Tony Shaw and Denise Youngblood show, Hollywood sought to export American ideals in movies like Rambo, and the Soviet film industry fought back by showcasing Communist ideals in a positive light, primarily for their own citizens. The two camps traded cinematic blows for more than four decades. The first book-length comparative survey of cinema's vital role in disseminating Cold War ideologies, Shaw and Youngblood's study focuses on ten films—five American and five Soviet—that in both obvious and subtle ways provided a crucial outlet for the global "debate" between democratic and communist ideologies. For each nation, the authors outline industry leaders, structure, audiences, politics, and international reach and explore the varied relationships linking each film industry to its respective government. They then present five comparative case studies, each pairing an American with a Soviet film: Man on a Tightrope with The Meeting on the Elbe; Roman Holiday with Spring on Zarechnaya Street; Fail-Safe with Nine Days in One Year; Bananas with Officers; Rambo: First Blood Part II with Incident at Map Grid 36-80. Shaw breathes new life into familiar American films by Elia Kazan and Woody Allen, while Youngblood helps readers comprehend Soviet films most have never seen. Collectively, their commentaries track the Cold War in its entirety—from its formative phase through periods of thaw and self-doubt to the resurgence of mutual animosity during the Reagan years-and enable readers to identify competing core propaganda themes such as decadence versus morality, technology versus humanity, and freedom versus authority. As the authors show, such themes blurred notions regarding "propaganda" and "entertainment," terms that were often interchangeable and mutually reinforcing during the Cold War. Featuring engaging commentary and evocative images from the films discussed, Cinematic Cold War offers a shrewd analysis of how the silver screen functioned on both sides of the Iron Curtain. As such it should have great appeal for anyone interested in the Cold War or the cinematic arts.

Khrushchev's Thaw and National Identity in Soviet Azerbaijan, 1954–1959

Author : Jamil Hasanli
Publisher : Lexington Books
Page : 483 pages
File Size : 43,5 Mb
Release : 2014-12-18
Category : History
ISBN : 9781498508148

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Khrushchev's Thaw and National Identity in Soviet Azerbaijan, 1954–1959 by Jamil Hasanli Pdf

On February 25, 1956, Soviet leader Nikita S. Khrushchev delivered the so-called “secret speech” in the Twentieth Party Congress of the CPSU in which he denounced Stalin’s transgressions and the cult of personality around the deceased dictator. Replete with sharp criticism of the Terror of the late 1930s, the unpreparedness of the USSR for the Nazi invasion, numerous wartime blunders, and the deportation of various nationalities, the speech reverberated throughout the subordinate Soviet republics. For republics such as Azerbaijan, the speech was an unmistakable signal to readjust the entire political orientation and figure out ways to redefine governance in post-Stalin era. Previously frozen under the mortal threat of Stalinist persecution, various forms of national self-expression began to experience rapid revival under the Khrushchev thaw. Encouraged by the winds of change at the Center, the Azeris cautiously began to reclaim possession of their administrative domain. Among other local initiatives, the declaration of the Azerbaijani language as the official language was one step that stood out in its audacity, for it was not pre-arranged with the Kremlin and defied the modus operandi of the Soviet leadership. Somewhat reformist in his intentions yet ignorant of the non-Slavic peripheries, Mr. Khrushchev had not foreseen the scenarios that would unfold as a result of its new tone and the developments that would come to be interpreted as the rise of nationalism in the republics. Jamil Hasanli’s research on 1950s’ Azerbaijan sheds light on this watershed period in Soviet history while also furnishing the reader with a greater understanding of the root causes of the dissolution of the USSR.

Cinema and Soviet Society from the Revolution to the Death of Stalin

Author : Peter Kenez
Publisher : Unknown
Page : 252 pages
File Size : 51,7 Mb
Release : 2024-06-30
Category : Electronic books
ISBN : 075560461X

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Cinema and Soviet Society from the Revolution to the Death of Stalin by Peter Kenez Pdf

In this updated edition of his classic text, Kenez covers the roots of Soviet cinema in the film heritage of pre-Revolutionary Russia, tracing the changes generated by the Revolution of 1917.