The Cinema Of Urban Crisis

Author : Lawrence Webb
Publisher : Cities and Cultures
Page : 423 pages
File Size : 50,8 Mb
Release : 2014
Category : Art
ISBN : 908964637X

Get Book

The Cinema of Urban Crisis by Lawrence Webb Pdf

The Cinema of Urban Crisis explores the relationships between cinema and urban crises in the United States and Europe in the 1970s. Discussing films by Robert Altman, Stanley Kubrick, and Jean-Luc Godard, among others, Lawrence Webb reflects on processes of globalization and urban change that were beginning to transform cities like New York, London, and Berlin. Throughout, the 1970s are conceptualized as a historically distinctive period of crisis in capitalism, which reorganized urban landscapes and produced cultural innovation, technological change, and new configurations of power and resistance. Addressing themes of interest for film, cultural, and urban studies, this book is a compelling take on cinema from both sides of the Atlantic.

Author : Nathan Holmes
Publisher : SUNY Press
Page : 246 pages
File Size : 45,8 Mb
Release : 2018-09-26
Category : History
ISBN : 9781438471211

Get Book

Welcome to Fear City by Nathan Holmes Pdf

Analyzes how location-shot crime films of the 1970s reflected and influenced understandings of urban crisis. The early 1970s were a moment of transformation for both the American city and its cinema. As intensified suburbanization, racial division, deindustrialization, and decaying infrastructure cast the future of the city in doubt, detective films, blaxploitation, police procedurals, and heist films confronted spectators with contemporary scenes from urban streets. Welcome to Fear City argues that the location-shot crime films of the 1970s were part of a larger cultural ambivalence felt toward urban life, evident in popular magazines, architectural discourse, urban sociology, and visual culture. Yet they also helped to reinvigorate the city as a site of variegated experience and a positively disordered public life—in stark contrast to the socially homogenous and spatially ordered suburbs. Discussing the design of parking garages and street lighting, the dynamics of mugging, panoramas of ruin, and the optics of undercover police operations in such films as Klute, The French Connection, Detroit 9000, Death Wish, and The Taking of Pelham One Two Three, Nathan Holmes demonstrates that crime genres did not simply mirror urban settings and social realities, but actively produced and circulated new ideas about the shifting surfaces of public culture. “Rejecting the easy abstractions and postmodern playfulness of noir and neo-noir criticism, Holmes places 1970s crime films, as he says, ‘in relation to the urban context that was their location, setting, and subject.’ He does this brilliantly, convincingly, and uniquely.” — David Desser, former editor, Cinema Journal

Author : Addamms Mututa
Publisher : Routledge
Page : 172 pages
File Size : 50,9 Mb
Release : 2021-10-09
Category : Science
ISBN : 9781000462203

Get Book

Crisis Urbanism and Postcolonial African Cities in Postmillennial Cinema by Addamms Mututa Pdf

This book provides a framework to rethink postcoloniality and urbanism from African perspectives. Bringing together multidisciplinary perspectives on African crises through postmillennial films, the book addresses the need to situate global south cultural studies within the region. The book employs film criticism and semiotics as devices to decode contemporary cultures of African cities, with a specific focus on crisis. Drawing on a variety of contemporary theories on cities of the global south, especially Africa, the book sifts through nuances of crisis urbanism within postmillennial African films. In doing so the book offers unique perspectives that move beyond the confines of sociological or anthropological studies of cities. It argues that crisis has become a mainstay reality of African cities and thus occupies a central place in the way these cities may be theorized or imagined. The book considers crises of six African cities: nonentity in post-apartheid Johannesburg, laissez faire economies of Kinshasa, urban commons in Nairobi, hustlers in postwar Monrovia, latent revolt in Cairo, and cantonments in postwar Luanda, which offer useful insights on African cities today. The book will be of interest to students and scholars of urban studies, urban geography, urban sociology, cultural studies, and media studies.

Author : Johan Andersson,Lawrence Webb
Publisher : Bloomsbury Publishing
Page : 400 pages
File Size : 50,5 Mb
Release : 2019-06-27
Category : Performing Arts
ISBN : 9781350115637

Get Book

The City in American Cinema by Johan Andersson,Lawrence Webb Pdf

How has American cinema engaged with the rapid transformation of cities and urban culture since the 1960s? And what role have films and film industries played in shaping and mediating the “postindustrial” city? This collection argues that cinema and cities have become increasingly intertwined in the era of neoliberalism, urban branding, and accelerated gentrification. Examining a wide range of films from Hollywood blockbusters to indie cinema, it considers the complex, evolving relationship between moving image cultures and the spaces, policies, and politics of US cities from New York, Los Angeles, and Boston to Detroit, Oakland, and Baltimore. The contributors address questions of narrative, genre, and style alongside the urban contexts of production, exhibition, and reception, discussing films including The Friends of Eddie Coyle (1973), Cruising (1980), Desperately Seeking Susan (1985), King of New York (1990), Inception (2010), Frances Ha (2012), Fruitvale Station (2013), Only Lovers Left Alive (2013), and Doctor Strange (2016).

Author : Victor Gruen
Publisher : Unknown
Page : 388 pages
File Size : 40,6 Mb
Release : 1967
Category : City planning
ISBN : UVA:X000375524

Get Book

The Heart of Our Cities by Victor Gruen Pdf

Author : Thomas Sugrue
Publisher : Unknown
Page : 124 pages
File Size : 45,6 Mb
Release : 1993
Category : Green movement
ISBN : 0809052180

Get Book

Origins of the Urban Crisis by Thomas Sugrue Pdf

Author : Cynthia Lucia,Roy Grundmann,Art Simon
Publisher : John Wiley & Sons
Page : 514 pages
File Size : 52,7 Mb
Release : 2015-09-08
Category : Performing Arts
ISBN : 9781118475126

Get Book

American Film History by Cynthia Lucia,Roy Grundmann,Art Simon Pdf

From the American underground film to the blockbuster superhero, this authoritative collection of introductory and specialized readings explores the core issues and developments in American cinematic history during the second half of the twentieth-century through the present day. Considers essential subjects that have shaped the American film industry—from the impact of television and CGI to the rise of independent and underground film; from the impact of the civil rights, feminist and LGBT movements to that of 9/11. Features a student-friendly structure dividing coverage into the periods 1960-1975, 1976-1990, and 1991 to the present day, each of which opens with an historical overview Brings together a rich and varied selection of contributions by established film scholars, combining broad historical, social, and political contexts with detailed analysis of individual films, including Midnight Cowboy, Nashville, Cat Ballou, Chicago, Back to the Future, Killer of Sheep, Daughters of the Dust, Nothing But a Man, Ali, Easy Rider, The Conversation, The Texas Chain Saw Massacre, Longtime Companion, The Matrix, The War Tapes, the Batman films, and selected avant-garde and documentary films, among many others. Additional online resources, such as sample syllabi, which include suggested readings and filmographies, for both general and specialized courses, will be available online. May be used alongside American Film History: Selected Readings, Origins to 1960 to provide an authoritative study of American cinema from its earliest days through the new millennium

Author : Johan Andersson,Lawrence Webb
Publisher : Bloomsbury Publishing
Page : 402 pages
File Size : 44,7 Mb
Release : 2019-06-27
Category : Performing Arts
ISBN : 9781350115620

Get Book

The City in American Cinema by Johan Andersson,Lawrence Webb Pdf

How has American cinema engaged with the rapid transformation of cities and urban culture since the 1960s? And what role have films and film industries played in shaping and mediating the “postindustrial” city? This collection argues that cinema and cities have become increasingly intertwined in the era of neoliberalism, urban branding, and accelerated gentrification. Examining a wide range of films from Hollywood blockbusters to indie cinema, it considers the complex, evolving relationship between moving image cultures and the spaces, policies, and politics of US cities from New York, Los Angeles, and Boston to Detroit, Oakland, and Baltimore. The contributors address questions of narrative, genre, and style alongside the urban contexts of production, exhibition, and reception, discussing films including The Friends of Eddie Coyle (1973), Cruising (1980), Desperately Seeking Susan (1985), King of New York (1990), Inception (2010), Frances Ha (2012), Fruitvale Station (2013), Only Lovers Left Alive (2013), and Doctor Strange (2016).

Author : Johan Andersson,Lawrence Webb
Publisher : Columbia University Press
Page : 272 pages
File Size : 44,7 Mb
Release : 2016-09-13
Category : Performing Arts
ISBN : 9780231850995

Get Book

Global Cinematic Cities by Johan Andersson,Lawrence Webb Pdf

Cinema and audiovisual media are integral to the culture, economy and social experience of the contemporary global city. But how has the relationship between cinema and the urban environment evolved in the era of digital technology, new media and globalization? And what are the critical tools and concepts with which we can grasp this vital interconnection between space and screen, viewer and built environment? Engaging with a rapidly transforming urban world, the contributions to this collection rethink the 'cinematic city' at a global scale. By presenting a global constellation of screen cities within one volume, the book encourages juxtapositions and comparisons across the North and South to capture the global city and its dynamics of exchange, hybridity, and circulation. The contributions examine film and screen cultures in a range of locations spanning five continents: Antibes, Beijing, Buenos Aires, Busan, Cairo, Caracas, Copenhagen, Jakarta, Kolkata, Lagos, Los Angeles, Malmö, Manila, Mumbai, Nairobi, Paris, Seoul, Sète, and Shanghai. The chapters address topics that range across the contemporary film and media landscape, from popular cinema, art cinema, and film festivals to serial television, public screens, multimedia installations, and video art. Contributors: Chris Berry, Yomi Braester, Jinhee Choi, Pei-Sze Chow, Thomas Elsaesser, Malini Guha, Jonathan Haynes, Will Higbee, Igor Krstic, Christian B. Long, Joanna Page, Lawrence Webb.

Author : Julia Prewitt Brown
Publisher : Anthem Press
Page : 184 pages
File Size : 50,7 Mb
Release : 2019-08-24
Category : Art
ISBN : 9781783089796

Get Book

The Films of John Schlesinger by Julia Prewitt Brown Pdf

The city, with its manifold distractions and violence, its invitation to intoxication and dream, had long served to represent the experience of modernity in works of art at the time John Schlesinger made his acclaimed urban documentary ‘Terminus’ in 1961. To be a reader of the city was to be a reader of modern life, and Schlesinger was a discriminating, at times relentless, reader of the city throughout his career, especially in his three greatest films, ‘Midnight Cowboy’, ‘Sunday Bloody Sunday’ and ‘The Day of the Locust’, set in New York, London and Los Angeles, respectively. His character-driven stories, evocation of the significance of the everyday, and insistence on ambiguities of situation and motive – all qualities he was known for – point to literary influences that reach back to the nineteenth century and earlier. ‘The Films of John Schlesinger’ is not only the first book to fully acknowledge those influences, but also the first book to explicate the power of his art to capture the modern, urban experiences of becoming an adult in an atmosphere that relentlessly promotes fantasies of success and wealth; of coming to terms with one’s national identity in the context of international politics; and of attempting to transform the past, both personal and cultural, into a viable present.

Author : Cortland Rankin
Publisher : Taylor & Francis
Page : 304 pages
File Size : 44,5 Mb
Release : 2022-09-02
Category : Performing Arts
ISBN : 9781000647181

Get Book

Decline and Reimagination in Cinematic New York by Cortland Rankin Pdf

Decline and Reimagination in Cinematic New York examines the cinematic representation of New York from the mid-1960s through the mid-1980s, placing the dominant discourse of urban decline in dialogue with marginal perspectives that reimagine the city along alternative paths as a resilient, adaptive, and endlessly inspiring place. Drawing on mainstream, independent, documentary, and experimental films, the book offers a multifaceted account of the power of film to imagine the city’s decline and reimagine its potential. The book analyzes how filmmakers mobilized derelict space and various articulations of “nature” as settings and signifiers that decenter traditional understandings of the city to represent New York alternately as a desolate wasteland, a hostile wilderness, a refuge and playground for outcasts, a home to resilient and resourceful communities, a studio for artistic experimentation, an arcadia conducive to alternative social arrangements, and a complex ecosystem. This book will be of interest to scholars and students of film studies, media studies, urban cinema, urban studies, and eco-cinema.

Author : Barbara Mennel
Publisher : Routledge
Page : 318 pages
File Size : 47,9 Mb
Release : 2008-03-19
Category : Science
ISBN : 9781134219834

Get Book

Cities and Cinema by Barbara Mennel Pdf

Films about cities abound. They provide fantasies for those who recognize their city and those for whom the city is a faraway dream or nightmare. How does cinema rework city planners’ hopes and city dwellers’ fears of modern urbanism? Can an analysis of city films answer some of the questions posed in urban studies? What kinds of vision for the future and images of the past do city films offer? What are the changes that city films have undergone? Cities and Cinema puts urban theory and cinema studies in dialogue. The book’s first section analyzes three important genres of city films that follow in historical sequence, each associated with a particular city, moving from the city film of the Weimar Republic to the film noir associated with Los Angeles and the image of Paris in the cinema of the French New Wave. The second section discusses socio-historical themes of urban studies, beginning with the relationship of film industries and individual cities, continuing with the portrayal of war torn and divided cities, and ending with the cinematic expression of utopia and dystopia in urban science fiction. The last section negotiates the question of identity and place in a global world, moving from the portrayal of ghettos and barrios to the city as a setting for gay and lesbian desire, to end with the representation of the global city in transnational cinematic practices. The book suggests that modernity links urbanism and cinema. It accounts for the significant changes that city film has undergone through processes of globalization, during which the city has developed from an icon in national cinema to a privileged site for transnational cinematic practices. It is a key text for students and researchers of film studies, urban studies and cultural studies.

Author : Nathan Abrams,Gregory Frame
Publisher : Bloomsbury Publishing USA
Page : 270 pages
File Size : 51,5 Mb
Release : 2021-09-23
Category : Performing Arts
ISBN : 9781501360398

Get Book

New Wave, New Hollywood by Nathan Abrams,Gregory Frame Pdf

As a period of film history, The American New Wave (ordinarily understood as beginning in 1967 and ending in 1980) remains a preoccupation for scholars and audiences alike. In traditional accounts, it is considered to be bookended by two periods of conservatism, and viewed as a (brief) period of explosive creativity within the Hollywood system. From Bonnie and Clyde to Heaven's Gate, it produced films that continue to be watched, discussed, analysed and poured over. It has, however, also become rigidly defined as a cinema of director-auteurs who made a number of aesthetically and politically significant films. This has led to marginalization and exclusion of many important artists and filmmakers, as well as a temporal rigidity about what and who is considered part of the 'New Wave proper'. This collection seeks to reinvigorate debate around this area of film history. It also looks in part to demonstrate the legacy of aesthetic experimentation and political radicalism after 1980 as part of the 'legacy' of the New Wave. Thanks to important new work that questions received scholarly wisdom, reveals previously marginalised filmmakers (and the films they made), considers new genres, personnel, and films under the banner of 'New Wave, New Hollywood', and reevaluates the traditional approaches and perspectives on the films that have enjoyed most critical attention, New Wave, New Hollywood: Reassessment, Recovery, Legacy looks to begin a new discussion about Hollywood cinema after 1967.

Author : Gyan Prakash
Publisher : Princeton University Press
Page : 286 pages
File Size : 49,9 Mb
Release : 2010-09-27
Category : History
ISBN : 9781400836628

Get Book

Noir Urbanisms by Gyan Prakash Pdf

Dystopic imagery has figured prominently in modern depictions of the urban landscape. The city is often portrayed as a terrifying world of darkness, crisis, and catastrophe. Noir Urbanisms traces the history of the modern city through its critical representations in art, cinema, print journalism, literature, sociology, and architecture. It focuses on visual forms of dystopic representation--because the history of the modern city is inseparable from the production and circulation of images--and examines their strengths and limits as urban criticism. Contributors explore dystopic images of the modern city in Germany, Mexico, Japan, India, South Africa, China, and the United States. Their topics include Weimar representations of urban dystopia in Fritz Lang's 1927 film Metropolis; 1960s modernist architecture in Mexico City; Hollywood film noir of the 1940s and 1950s; the recurring fictional destruction of Tokyo in postwar Japan's sci-fi doom culture; the urban fringe in Bombay cinema; fictional explorations of urban dystopia in postapartheid Johannesburg; and Delhi's out-of-control and media-saturated urbanism in the 1980s and 1990s. What emerges in Noir Urbanisms is the unsettling and disorienting alchemy between dark representations and the modern urban experience. In addition to the editor, the contributors are David R. Ambaras, James Donald, Rubén Gallo, Anton Kaes, Ranjani Mazumdar, Jennifer Robinson, Mark Shiel, Ravi Sundaram, William M. Tsutsui, and Li Zhang.

Author : Nathan Holmes
Publisher : State University of New York Press
Page : 246 pages
File Size : 55,6 Mb
Release : 2018-09-26
Category : Performing Arts
ISBN : 9781438471228

Get Book

Welcome to Fear City by Nathan Holmes Pdf

Analyzes how location-shot crime films of the 1970s reflected and influenced understandings of urban crisis. 2019 CHOICE Outstanding Academic Title The early 1970s were a moment of transformation for both the American city and its cinema. As intensified suburbanization, racial division, deindustrialization, and decaying infrastructure cast the future of the city in doubt, detective films, blaxploitation, police procedurals, and heist films confronted spectators with contemporary scenes from urban streets. Welcome to Fear City argues that the location-shot crime films of the 1970s were part of a larger cultural ambivalence felt toward urban life, evident in popular magazines, architectural discourse, urban sociology, and visual culture. Yet they also helped to reinvigorate the city as a site of variegated experience and a positively disordered public life—in stark contrast to the socially homogenous and spatially ordered suburbs. Discussing the design of parking garages and street lighting, the dynamics of mugging, panoramas of ruin, and the optics of undercover police operations in such films as Klute, The French Connection, Detroit 9000, Death Wish, and The Taking of Pelham One Two Three, Nathan Holmes demonstrates that crime genres did not simply mirror urban settings and social realities, but actively produced and circulated new ideas about the shifting surfaces of public culture. Nathan Holmes is a New York–based scholar and teacher, with a PhD in film and media studies from the University of Chicago.