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The City Brigade and Remember the Music by Timothy Gerard Pdf
In the first story of this book, The City Brigade school friends Ricardo and Peter were shocked when their friend, Old Emanuel, was attacked and robbed. They wondered why anyone would attack such a cool old guy. They also wondered if the authorities could do anything to stop the ugly things happening in their neighborhood. However, they were greatly surprised to find help from an unusual quarter. Read this account of what happened, and you will see how they and some members from the local girls hockey team went about solving their problems. You will see them join forces with Tin Can and the City Brigade. Let me tell youyou have never seen an army like these guys! In the second story, Remember the Music you will encounter the close bond between grandchild and grandfather. You will see how their relationship made a great performer out of one little girl, who eventually became very famous. But you will also see what can happen when a person loses one so very dear to her, and how that loss can threaten a great career. Now, you must read the story to see how a beautiful musician was saved from the sadness of loss and how she found again the joy that made her return to playing her wonderful music. There is yet another piece of exciting information for you in this book; there is a third story, 'Daffodil Pathway.' This story will take you back to the past, but it will show you how the future is foreseen by one mystical character in the book. I hope you enjoy these stories.
Remembering Popular Musics Past by Lauren Istvandity,Sarah Baker,Zelmarie Cantillon Pdf
Remembering Popular Music’s Past capitalizes on the growing interest, globally, in the preservation of popular music’s material past and on scholarly explorations of the ways in which popular music, as heritage, is produced, legitimized and conferred cultural and historical significance. The chapters in this collection consider the spaces, practices and representations that constitute popular music heritage to elucidate how popular music’s past is lived in the present. Thus the focus is on the transformation of popular music into heritage, and the role of history and memory in this process. The cultural studies framework adopted in Remembering Popular Music’s Past encompasses unique approaches to popular music historiography, sociology, film analysis, and archival and museal work. Broadly, the collection deals with the precarious nature of popular music heritage, history and memory.
Guarding What You Value Most: North American Aerospace Defense Command Celebrating 50 Years by Anonim Pdf
The North American Aerospace Defense Command (NORAD) is a binational United States and Canadian organization charged with the missions of aerospace warning and aerospace control for North America. Aerospace warning includes the monitoring of man-made objects in space and the detection, validation, and warning of attack against North America whether by aircraft, missiles, or space vehicles, through mutual support arrangements with other commands. Aerospace control includes ensuring air sovereignty and air defense of the airspace of Canada and the United States. Included in this anniversary edition of NORAS, is a timeline from the 1950s to the 2000s representing milestones within these decades. This illustrated book includes past NORAD Commanders and deputy Commanders along with the crests and shields and showcases facts about each of the domains that comprise NORAD --- Air Domain, Missile Domain, Maritime Domain, and Space Domain Included in this commemorative edition is a brief history about the "NORAD TRACKS SANTA" Program that began on 24 December 1955.
Remembering the Cold War by David Lowe,Tony Joel Pdf
Remembering the Cold War examines how, more than two decades since the collapse of the Soviet Union, Cold War legacies continue to play crucial roles in defining national identities and shaping international relations around the globe. Given the Cold War’s blurred definition – it has neither a widely accepted commencement date nor unanimous conclusion - what is to be remembered? This book illustrates that there is, in fact, a huge body of ‘remembrance,’ and that it is more pertinent to ask: what should be included and what can be overlooked? Over five sections, this richly illustrated volume considers case studies of Cold War remembering from different parts of the world, and engages with growing theorisation in the field of memory studies, specifically in relation to war. David Lowe and Tony Joel afford careful consideration to agencies that identify with being ‘victims’ of the Cold War. In addition, the concept of arenas of articulation, which envelops the myriad spaces in which the remembering, commemorating, memorialising, and even revising of Cold War history takes place, is given prominence.
""African American gospel singer Mahalia Jackson was just sixty years old when her heart finally gave out on January 27, 1972, as she lay alone in her sick bed at Little Company of Mary Hospital just south of Chicago. Obituaries faithfully recounted the best-known story lines of her unlikely career: how the power of her voice was rooted in her devout Baptist upbringing; her birth in 1911 and rise from dire poverty in Uptown New Orleans to international celebrity; a dedication to the black freedom struggle that further elevated her to the status of cultural and political symbol. Together, Jackson's voice, faith, prestige, and activism, made her at the time of her death, in the assessment of her friend Harry Belafonte, "the single most powerful black woman in the United States." Yet her reputation is also complex. Invoking the charisma of Martin and Malcolm, the persuasion of statesmen and despots, and the splendor of divas and diadems, Maceo Bowie's letter to the editor of the Chicago Defender seems to both celebrate and grapple with the substance of Jackson dynamism as a gospel singer and her consequence as an illustrious black public figure. In an editorial in the Defender following Jackson's death, E. Duke McNeil acknowledged Jackson's habitual acclaim as the "Queen of the gospel singers," while also observing: "You can almost say that Mahalia was the 'greatest' because she was the only gospel singer known everywhere." Indeed, for scholars of black gospel, the music itself is often hidden in plain sight. On the one hand, gospel voices are inescapable, audible not just within the music industry, where they have become a lingua franca for pop singers, but also in recurring representations of the black church, in the omnipresent sound of the black gospel choir, and in the personal histories of many black artists. On the other, in comparison with such genres as jazz, blues, country music, and hip hop, documentation of black gospel music, which has thrived in in-group settings, is relatively scant, leaving researchers with limited sources and largely reliant on oral history. Fortunately, the scope and coverage of Jackson's caereer produced a paper trail that enables us to study her personal and professional life while gaining insight into the black gospel field of which she was such an integral part. In compiling a wide swath of these sources on Jackson, The Mahalia Jackson Reader seeks to paint a fuller and more vivid picture of one of the most resonant musical figures of the second half of the twentieth century. This volume offers a wealth of biographical detail about Jackson, though it also reveals that Jackson was many things to many people. This is reflected in the book's organization by topic and type of writing, though, as often as possible, Jackson's own voice joins the dialogue, offering her side of the story. Jackson always identified as a child of New Orleans and the documents in Part I convey her recognition of the singularity of that city and of her legacy as the grandaughter of enslaved and emancipated African Americans. Stories about Jackson's upbringing are recounted by the esteemed critics and commentators in Part II, though these writers also ruminate upon the essence of her artistry, her relationship to jazz, her significance as an African American woman in the public eye, and the ways in which she became an increasingly complicated crossover figure as her visibility grew beyond the bounds of the black church. Newspaper coverage in Part III offers "hot takes" on Jackson's appearances, the pop-cultural cachet of postwar gospel singing, and the singer's transatlantic reception. Already in the 1950s, though even more in subsequent decades, it is evident that beyond being an exemplar of gospel singing, Jackson was read through various investments in the sociopolitical significance of black expressive culture. In 1931, Jackson moved from New Orleans to Chicago where she became immediately immersed in a burgeoning modern gospel movement. The testimony of Jackson and her associates in Part IV are more personal and allow us to understand her less as an exceptional individual than as a musical colleague and as a member of a black South Side community. Yet another perspective on Jackson emerges from the writing directed toward a scholarly audience in Part V, which seeks to contextualize the singer historically and offer enterprising interpretive claims"--
Remembering for the Future by J. Roth,E. Maxwell Pdf
Focused on 'The Holocaust in an Age of Genocide', Remembering for the Future brings together the work of nearly 200 scholars from more than 30 countries and features cutting-edge scholarship across a range of disciplines, amounting to the most extensive and powerful reassessment of the Holocaust ever undertaken. In addition to its international scope, the project emphasizes that varied disciplinary perspectives are needed to analyze and to check the genocidal forces that have made the Twentieth century so deadly. Historians and ethicists, psychologists and literary scholars, political scientists and theologians, sociologists and philosophers - all of these, and more, bring their expertise to bear on the Holocaust and genocide. Their contributions show the new discoveries that are being made and the distinctive approaches that are being developed in the study of genocide, focusing both on archival and oral evidence, and on the religious and cultural representation of the Holocaust.
This is the story (told in nearly two hundred short recollections) of a surgeon from a family of surgeons, raised in the Arkansas oil country of the Jim Crow South. A churchgoer from his childhood, he came to a saving knowledge of Christ (along with his wife Cathy) only in the late 1970s. And from that turning point, they proved themselves to be choice servants of the Lord in countless ways—in John’s case, as a deacon, a surgeon in the Amazon region, a denominational and parachurch board member, a conference speaker in Eastern Europe, a free-clinic doctor in Southwest Missouri, and a church staff member. Along the way, he took note of a host of engaging events, characters, and conversations, whether among fellow Air Force doctors on parade, with medical colleagues observing a gratifying, ancillary effect of defibrillation, or in the company of an aunt who introduced him to Roy Rogers and Stan Musial. There was even an Elvis sighting. The book is rich in theological, ecclesiological, missiological, familial, sociological, psychological, and medical narratives and observations.
Remembering: Voices of the Holocaust by Lyn Smith Pdf
A landmark achievement in Holocaust scholarship, Remembering Voices of the Holocaust is culled from hours of first person accounts from survivors recorded for inclusion in the sound archives of both the Imperial War Museum in London, and the National Holocaust Museum in Washington, DC. In their own words, Jewish survivors as well as Gypsies, Jehovah's Witnesses, and both perpetrators and ordinary observers recount the entire horrific arc of the Holocaust from the ominous rise of the Nazi party during the Weimar days through the liquidation of the ghettos and the institution of Hitler's "final solution," continuing on to the liberation of the camps and the harrowing aftermath of the War.
The 1978 kidnapping and murder of Christian Democrat politician, Aldo Moro, marked the watershed of Italy's experience of political violence in the period known as the 'years of lead' (1969-c.1983). This uniquely interdisciplinary volume explores the evolving legacy of Moro's death in the Italian cultural imaginary, from the late 1970s to the present. Bringing a wide range of critical perspectives to bear, interventions by experts in the fields of political science, social anthropology, philosophy, and cultural critique elicit new understandings of the events of 1978 and explain their significance and relevance to present-day Italian culture and society.
Modern Jerusalem, a city central to Jewish, Muslim, and Christian religious imaginaries and the political epicenter of the Israeli-Palestinian crisis, is to put it mildly a highly contested space. More surprising, perhaps, is that its musical landscape not only reflects these rifts but also helped to define them as the ancient city transitioned to modernity during the twentieth century. In City of Song: Music and the Making of Modern Jerusalem, author Michael A. Figueroa argues that musical renderings of Jerusalem have been critical to the formation of Israeli political consciousness. The book demonstrates how Israeli songwriters helped to shape their public's territorial imagination-- creating images of a city at once heavenly and earthly, that dwells in longing, that must not be forgotten, that compels one to bereave the dead, that represents the fulfilment of prophecy, and that is the site of immense cultural diversity. The dynamic history of its representation in lyrics and music helps dispel any notion that the Israeli-Palestinian crisis is timeless, intractable, and based on static, essential identities; while there are continuities across historical divides, radical change constantly transpires. City of Song combines analyses of musical meaning, political discourse, and public performance over the long twentieth century (1880s-2010) to reveal how the Israeli-Palestinian crisis' territorial fixation on Jerusalem has been constructed, historically contingent, and subject to artistic intervention in modernity. Through a musical history of Jerusalem, Figueroa introduces a novel, humanities-centered approach to one of the world's most contested cities, and one of the defining cultural and political questions of our era.
Author : Kevin M. Levin Publisher : University Press of Kentucky Page : 202 pages File Size : 41,5 Mb Release : 2012-06-19 Category : History ISBN : 9780813136103
Remembering the Battle of the Crater by Kevin M. Levin Pdf
The battle of the Crater is known as one of the Civil War's bloodiest struggles -- a Union loss with combined casualties of 5,000, many of whom were members of the United States Colored Troops (USCT) under Union Brigadier General Edward Ferrero. The battle was a violent clash of forces as Confederate soldiers fought for the first time against African American soldiers. After the Union lost the battle, these black soldiers were captured and subject both to extensive abuse and the threat of being returned to slavery in the South. Yet, despite their heroism and sacrifice, these men are often overlooked in public memory of the war. In Remembering The Battle of the Crater: War is Murder, Kevin M. Levin addresses the shared recollection of a battle that epitomizes the way Americans have chosen to remember, or in many cases forget, the presence of the USCT. The volume analyzes how the racial component of the war's history was portrayed at various points during the 140 years following its conclusion, illuminating the social changes and challenges experienced by the nation as a whole. Remembering The Battle of the Crater gives the members of the USCT a newfound voice in history.