The Colonial Documentary Film In South And South East Asia

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Colonial Documentary Film in South and South-East Asia

Author : Ian Aitken
Publisher : Edinburgh University Press
Page : 256 pages
File Size : 54,7 Mb
Release : 2016-12-05
Category : Performing Arts
ISBN : 9781474407229

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Colonial Documentary Film in South and South-East Asia by Ian Aitken Pdf

Based on rare archival documents and films, this anthology is the first to focus primarily on the use of official and colonial documentary films in the South and South-East Asian regions. Drawing together a range of international scholars, the book sheds new light on historical, theoretical and empirical issues pertaining to the documentary film, in order to better comprehend the significant transformations of the form in the colonial, late colonial and immediate post-colonial period. Covering diverse geographical and colonial contexts in countries like Singapore, Malaysia, the Philippines and Hong Kong, and focusing on under-researched or little-known films, it demonstrate the complex set of relations between the colonisers and the colonised throughout the region.

The Colonial Documentary Film in South and South-East Asia

Author : Ian Aitken,Camille Deprez
Publisher : Unknown
Page : 128 pages
File Size : 48,6 Mb
Release : 2017
Category : Documentary films
ISBN : 1474430481

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The Colonial Documentary Film in South and South-East Asia by Ian Aitken,Camille Deprez Pdf

Based on rare archival documents and films, this anthology is the first to focus primarily on the use of official and colonial documentary films in the South and South-East Asian regions. Drawing together a range of international scholars, the book sheds new light on historical, theoretical and empirical issues pertaining to the documentary film, in order to better comprehend the significant transformations of the form in the colonial, late colonial and immediate post-colonial period. Covering diverse geographical and colonial contexts in countries like Singapore, Malaysia, the Philippines and Hong Kong, and focusing on under-researched or little-known films, it demonstrate the complex set of relations between the colonisers and the colonised throughout the region.

The British Official Film in South-East Asia

Author : Ian Aitken
Publisher : Springer
Page : 248 pages
File Size : 46,7 Mb
Release : 2016-11-22
Category : Performing Arts
ISBN : 9781137493446

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The British Official Film in South-East Asia by Ian Aitken Pdf

This book explores the ways in which the British official film was used in Malaya/Malaysia, Singapore and Hong Kong from 1945 to the 1970s. Aitken uncovers how the British official film, and British official information agencies, adapted to the epochal contexts of the Cold War and end of empire. In addition to an extensive introduction, which touches on a number of critical issues related to the post-war British official film, the book provides an account of how the tradition of film-making associated with the British documentary film movement spread into the region during the post-war period, and how that tradition was contested by a ‘Colonial Office’ tradition of film-making. The volume concludes by covering the rise of television in the region within the context of developing post-colonial authoritarian states in Singapore and Malaysia, and the continuation of colonial authoritarianism in Hong Kong.

Colonial Documentary Film in South and South-East Asia

Author : Ian Aitken
Publisher : Edinburgh University Press
Page : 256 pages
File Size : 52,7 Mb
Release : 2016-12-05
Category : Performing Arts
ISBN : 9781474407212

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Colonial Documentary Film in South and South-East Asia by Ian Aitken Pdf

Based on rare archival documents and films, this anthology is the first to focus primarily on the use of official and colonial documentary films in the South and South-East Asian regions. Drawing together a range of international scholars, the book sheds new light on historical, theoretical and empirical issues pertaining to the documentary film, in order to better comprehend the significant transformations of the form in the colonial, late colonial and immediate post-colonial period. Covering diverse geographical and colonial contexts in countries like Singapore, Malaysia, the Philippines and Hong Kong, and focusing on under-researched or little-known films, it demonstrate the complex set of relations between the colonisers and the colonised throughout the region.

The British Official Film in South-East Asia

Author : I. Aitken
Publisher : Palgrave Macmillan
Page : 256 pages
File Size : 54,7 Mb
Release : 2014-01-14
Category : Social Science
ISBN : 1349697036

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The British Official Film in South-East Asia by I. Aitken Pdf

This book explores the ways in which the British official film was used in Malaya/Malaysia, Singapore and Hong Kong from 1945 to the 1970s. Aitken uncovers how the British official film, and British official information agencies, adapted to the epochal contexts of the Cold War and end of empire. In addition to an extensive introduction, which touches on a number of critical issues related to the post-war British official film, the book provides an account of how the tradition of film-making associated with the British documentary film movement spread into the region during the post-war period, and how that tradition was contested by a ‘Colonial Office’ tradition of film-making. The volume concludes by covering the rise of television in the region within the context of developing post-colonial authoritarian states in Singapore and Malaysia, and the continuation of colonial authoritarianism in Hong Kong.

South East Asia, Colonial History: Imperialism before 1800

Author : Paul H. Kratoska
Publisher : Taylor & Francis
Page : 440 pages
File Size : 46,5 Mb
Release : 2001
Category : History
ISBN : 0415215404

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South East Asia, Colonial History: Imperialism before 1800 by Paul H. Kratoska Pdf

The six volumes that make up this unique set provide an extensive overview of colonialism in South-East Asia. In the majority of cases, authors chosen were specialists writing about their individual areas of expertise, and had first-hand experience in the region. Outline of contents: * I. Imperialism before 1800 [Edited by Peter Borschberg] * II. Empire-Building in the Nineteenth-Century * III. High Imperialism * IV. Imperial Decline: Nationalism and the Japanese Challenge * V. Peaceful Transitions to Independence * VI. Independence through Violent Struggle

Theorizing Colonial Cinema

Author : Nayoung Aimee Kwon,Takushi Odagiri,Moonim Baek
Publisher : Indiana University Press
Page : 334 pages
File Size : 55,7 Mb
Release : 2022-02-01
Category : Performing Arts
ISBN : 9780253059772

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Theorizing Colonial Cinema by Nayoung Aimee Kwon,Takushi Odagiri,Moonim Baek Pdf

Theorizing Colonial Cinema is a millennial retrospective on the entangled intimacy between film and colonialism from film's global inception to contemporary legacies in and of Asia. The volume engages new perspectives by asking how prior discussions on film form, theory, history, and ideology may be challenged by centering the colonial question rather than relegating it to the periphery. To that end, contributors begin by excavating little-known archives and perspectives from the colonies as a departure from a prevailing focus on Europe's imperial histories and archives about the colonies. The collection pinpoints various forms of devaluation and misrecognition both in and beyond the region that continue to relegate local voices to the margins. This pathbreaking study on global film history advances prior scholarship by bringing together an array of established and new interdisciplinary voices from film studies, Asian studies, and postcolonial studies to consider how the present is continually haunted by the colonial past. Winner of the SCMS Best Edited Collection Award!

Research-Based Art Practices in Southeast Asia

Author : Caroline Ha Thuc
Publisher : Springer Nature
Page : 285 pages
File Size : 42,8 Mb
Release : 2022-10-05
Category : Performing Arts
ISBN : 9783031095818

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Research-Based Art Practices in Southeast Asia by Caroline Ha Thuc Pdf

This book is the first overall study of research-based art practices in Southeast Asia. Its objective is to examine the creative and mutual entanglement of academic and artistic research; in short, the Why, When, What and How of research-based art practices in the region. In Southeast Asia, artists are increasingly engaged in research-based art practices involving academic research processes. They work as historians, archivists, archaeologists or sociologists in order to produce knowledge and/or to challenge the current established systems of knowledge production. As artists, they can freely draw on academic research methodologies and, at the same time, question or divert them for their own artistic purpose. The outcome of their research findings is exhibited as an artwork and is not published or presented in an academic format. This book seeks to demonstrate the emancipatory dimension of these practices, which contribute to opening up our conceptions of knowledge and of art, bestowing a new and promising role to the artists within the society.

Films for the Colonies

Author : Tom Rice
Publisher : University of California Press
Page : 360 pages
File Size : 41,5 Mb
Release : 2019-10-01
Category : Performing Arts
ISBN : 9780520300392

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Films for the Colonies by Tom Rice Pdf

Films for the Colonies examines the British Government’s use of film across its vast Empire from the 1920s until widespread independence in the 1960s. Central to this work was the Colonial Film Unit, which produced, distributed, and, through its network of mobile cinemas, exhibited instructional and educational films throughout the British colonies. Using extensive archival research and rarely seen films, Films for the Colonies provides a new historical perspective on the last decades of the British Empire. It also offers a fresh exploration of British and global cinema, charting the emergence and endurance of new forms of cinema culture from Ghana to Jamaica, Malta to Malaysia. In highlighting the integral role of film in managing and maintaining a rapidly changing Empire, Tom Rice offers a compelling and far-reaching account of the media, propaganda, and the legacies of colonialism.

Colonial and Postcolonial East and Southeast Asia

Author : Julia Chandler
Publisher : The Rosen Publishing Group, Inc
Page : 330 pages
File Size : 42,5 Mb
Release : 2016-12-15
Category : Juvenile Nonfiction
ISBN : 9781508104384

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Colonial and Postcolonial East and Southeast Asia by Julia Chandler Pdf

While the British became the dominant colonial power in South Asia, the Dutch, Portuguese, and French also initially vied for control of the region. This volume traces the rise of European influence in South Asia with an in-depth discussion of the path to colonialism and various facets of colonial rule. It contains a history of resistance to colonial rule, discusses how the people of South Asia won their independence, and how explains how the region evolved after independence–including the partition of India and Bangladesh's separation from Pakistan. Readers will come away with an understanding of how colonialism shaped South Asia today.

Film in South East Asia

Author : David Hanan
Publisher : National Gallery of Australia
Page : 330 pages
File Size : 46,6 Mb
Release : 2001
Category : Motion pictures
ISBN : UCBK:C086627309

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Film in South East Asia by David Hanan Pdf

Film in South East Asia: views from the region: essays on film in ten South East Asian countries.

The Cold War and Asian Cinemas

Author : Poshek Fu,Man-Fung Yip
Publisher : Routledge
Page : 317 pages
File Size : 52,9 Mb
Release : 2019-11-28
Category : Performing Arts
ISBN : 9780429757297

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The Cold War and Asian Cinemas by Poshek Fu,Man-Fung Yip Pdf

This book offers an interdisciplinary, historically grounded study of Asian cinemas’ complex responses to the Cold War conflict. It situates the global ideological rivalry within regional and local political, social, and cultural processes, while offering a transnational and cross-regional focus. This volume makes a major contribution to constructing a cultural and popular cinema history of the global Cold War. Its geographical focus is set on East Asia, Southeast Asia, and South Asia. In adopting such an inclusive approach, it draws attention to the different manifestations and meanings of the connections between the Cold War and cinema across Asian borders. Many essays in the volume have a transnational and cross-regional focus, one that sheds light on Cold War-influenced networks (such as the circulation of socialist films across communist countries) and on the efforts of American agencies (such as the United States Information Service and the Asia Foundation) to establish a transregional infrastructure of "free cinema" to contain the communist influences in Asia. With its interdisciplinary orientation and broad geographical focus, the book will appeal to scholars and students from a wide variety of fields, including film studies, history (especially the burgeoning field of cultural Cold War studies), Asian studies, and US-Asian cultural relations.

Colonialism and Nationalism in Asian Cinema

Author : Wimal Dissanayake
Publisher : Indiana University Press
Page : 266 pages
File Size : 54,6 Mb
Release : 1994-10-22
Category : Performing Arts
ISBN : 0253208955

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Colonialism and Nationalism in Asian Cinema by Wimal Dissanayake Pdf

" . . . an important collective work for communication practitioners, students, and scholars who want to have a deeper understanding of film making in Asia and of the promotion of nationalism through communication." —Media Asia " . . . a momentous contribution to the study of colonialism and postcoloniality in Asia . . . " —The Journal of Asian Studies "This is an excellent model for studies in how the popular, art, and experimental cinemas function in the consideration of nationhood as a configuration of symbols. . . . This anthology provides an interesting discussion by offering a theoretical framework from which to examine the complex topics of nation, state, identity formation, and collective history in the realm of cinema. It becomes an even more effective tool by playing itself out within a diverse Asian context." —Afterimage Essays examine the representation of the interlocking discourses of nationhood and history in Asian cinema, dealing with film traditions in Japan, China, Taiwan, Korea, Vietnam, Thailand, Indonesia, India, Sri Lanka, and Australia.

Hong Kong Documentary Film

Author : Ian Aitken
Publisher : Edinburgh University Press
Page : 232 pages
File Size : 45,6 Mb
Release : 2014-03-17
Category : History
ISBN : 9780748664702

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Hong Kong Documentary Film by Ian Aitken Pdf

Described as the 'lost genre', the tradition of documentary film making in Hong Kong is far less known than its martial arts films. However documentary film has always existed in Hong Kong and often trenchantly represents its troubled relationship to itself, China and the west. Including the period of colonial film-making, the high points of television documentary and the tradition of independent documentary film-making, this book is the first to present a comprehensive study of this lost genre. It explores the role of public-service television (including representations of the massacre at Tiananmen Square) and presents critical analysis of key films. Based on original archival research, it will be an invaluable resource for students and academics who work in the fields if film studies, colonial studies and Hong Kong cinema.

Alluring Monsters

Author : Rosalind Galt
Publisher : Columbia University Press
Page : 223 pages
File Size : 40,5 Mb
Release : 2021-11-16
Category : Performing Arts
ISBN : 9780231554046

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Alluring Monsters by Rosalind Galt Pdf

The pontianak, a terrifying female vampire ghost, is a powerful figure in Malay cultures, as loved and feared in Southeast Asia as Dracula is in the West. In animist tradition, she is a woman who has died in childbirth, and her vengeful return upsets gender norms and social hierarchies. The pontianak first appeared on screen in late colonial Singapore in a series of popular films that combine indigenous animism and transnational production with the cultural and political force of the horror genre. In Alluring Monsters, Rosalind Galt explores how and why the pontianak found new life in postcolonial Southeast Asian film and society. She argues that the figure speaks to a series of intersecting anxieties: about femininity and modernity, globalization and indigeneity, racial and national identities, the relationship of Islam to animism, and heritage and environmental destruction. The pontianak offers abundant feminist potential, but her disruptive gender politics also unsettle queer and feminist film theories by putting them in dialogue with Malay epistemologies. Reading the pontianak as a precolonial figure of disturbance within postcolonial cultures, Galt reveals the importance of cinema to histories and theories of decolonization. From the horror films made by Cathay Keris and Shaw Studios in the 1950s and 1960s to contemporary film, television, art, and fiction in Malaysia and Singapore, the pontianak in all her media forms sheds light on how postcolonial identities are both developed and contested. In tracing the entanglements of Malay feminist animisms with postcolonial visual cultures, Alluring Monsters reveals how a “pontianak theory” can reshape understandings of anticolonial aesthetics and world cinema.