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Author : Wolfram Hartmann,Jeremy Silvester,Patricia Hayes Publisher : Juta and Company Ltd Page : 238 pages File Size : 48,5 Mb Release : 1999 Category : History ISBN : 1919713220
The Colonising Camera by Wolfram Hartmann,Jeremy Silvester,Patricia Hayes Pdf
Richly illustrated with black and white photographs, this book brings together provocative and exciting new material on Namibia's colonial past. An eight-page colour section looks at how present day Namibians view themselves. It includes contributions from the editors, Wolfram Hartman, Jeremy Silvester and Patricia Hayes, as well as Michel Bollig, Jan Bart Gewald, Robert Gordon, Brent Harris, Paul Landau, Rick Rohde, Margo Timm and Marion Wallace.
Refiguring the Archive by Carolyn Hamilton,Verne Harris,Michèle Pickover,Graeme Reid,Razia Saleh,Jane Taylor Pdf
Refiguring the Archive at once expresses cutting-edge debates on `the archive' in South Africa and internationally, and pushes the boundaries of those debates. It brings together prominent thinkers from a range of disciplines, mainly South Africans but a number from other countries. Traditionally archives have been seen as preserving memory and as holding the past. The contributors to this book question this orthodoxy, unfolding the ways in which archives construct, sanctify, and bury pasts. In his contribution, Jacques Derrida (an instantly recognisable name in intellectual discourse worldwide) shows how remembering can never be separated from forgetting, and argues that the archive is about the future rather than the past. Collectively the contributors demonstrate the degree to which thinking about archives is embracing new realities and new possibilities. The book expresses a confidence in claiming for archival discourse previously unentered terrains. It serves as an early manual for a time that has already begun.
Based on archival sources and oral history, this book reconstructs a border-building process in Namibia that spanned more than sixty years. The process commenced with the establishment of a temporary veterinary defence line against rinderpest by the German colonial authorities in the late nineteenth century and ended with the construction of a continuous two-metre-high fence by the South African colonial government sixty years later. This 1250-kilometre fence divides northern from central Namibia even today. The book combines a macro and a micro-perspective and differentiates between cartographic and physical reality. The analysis explores both the colonial state's agency with regard to veterinary and settlement policies and the strategies of Africans and Europeans living close to the border. The analysis also includes the varying perceptions of individuals and populations who lived further north and south of the border and describes their experiences crossing the border as migrant workers, African traders, European settlers and colonial officials. The Red Line's history is understood as a gradual process of segregating livestock and people, and of constructing dichotomies of modern and traditional, healthy and sick, European and African.
Landscapes between Then and Now by Nicola Brandt Pdf
In Landscapes Between Then and Now, Nicola Brandt examines the increasingly compelling and diverse cross-disciplinary work of photographers and artists made during the transition from apartheid to post-apartheid and into the contemporary era. By examining specific artworks made in South Africa, Namibia and Angola, Brandt sheds light on established and emerging themes related to aftermath landscapes, embodied histories, (un)belonging, spirituality and memorialization. She shows how landscape and identity are mutually constituted, and profiles this process against the background of the legacy of the acutely racially divisive policies of the apartheid regime that are still reflected on the land. As a signpost throughout the book, Brandt draws on the work of the renowned South African photographer Santu Mofokeng and his critical thinking about landscape. Landscapes Between Then and Now explores how practitioners who engage with identity and their physical environment as a social product might reveal something about the complex and fractured nature of postcolonial and contemporary societies. Through diverse strategies and aesthetics, they comment on inherent structures and epistemologies of power whilst also expressing new and radical forms of self-determinism. Brandt asks why these cross-disciplinary works ranging from social documentary to experimental performance and embodied practices are critical now, and what important possibilities for social and political reflection and engagement they suggest.
Sites of Contestation by Julia Rensing,Rizzo Lorena Pdf
This book is a collection of essays written by emerging scholars at the University of Basel on the basis of their subjective encounters with a specific archival collection housed in the Basler Afrika Bibliographien in Basel. The Ernst and Ruth Dammann collection consists of around 8100 images, 750 audio recordings and numerous manuscripts, diaries and notes. The German couple conducted research on Namibian oral literatures and languages as they were spoken and performed across the country in the early 1950s. Based on in-depth engagement with the textual, visual and audio records assembled in this intricate collection, the authors of this book critically interrogated the implications of opening a colonial archive, exploring alternative ways of reading and understanding the historical material. As unique examples of close reading and listening, the essays propose creative ways of attending to the politics of race, gender, famine, ethnography, biography and fiction in colonial knowledge production.
Finnish Colonial Encounters by Raita Merivirta,Leila Koivunen,Timo Särkkä Pdf
Breaking new ground in the study of European colonialism, this book focuses on a nation historically positioned between the Western and Eastern Empires of Europe – Finland. Although Finland never had overseas colonies, the authors argue that the country was undeniably involved in the colonial world, with Finns adopting ideologies and identities that cannot easily be disentangled from colonialism. This book explores the concepts of ‘colonial complicity’ and ‘colonialism without colonies’ in relation to Finland, a nation that was oppressed, but also itself complicit in colonialism. It offers insights into European colonialism on the margins of the continent and within a nation that has traditionally declared its innocence and exceptionalism. The book shows that Finns were active participants in various colonial contexts, including Southern Africa and Sápmi in the North. Demonstrating that colonialism was a common practice shared by all European nations, with or without formal colonies, this book provides essential reading for anyone interested in European colonial history. Chapters 1, 7 and 8 are available open access under a via link.springer.com.>
Going beyond photography as an isolated medium to engage larger questions and interlocking forms of expression and historical analysis, Ambivalent gathers a new generation of scholars based on the continent to offer an expansive frame for thinking about questions of photography and visibility in Africa. The volume presents African relationships with photography—and with visibility more generally—in ways that engage and disrupt the easy categories and genres that have characterized the field to date. Contributors pose new questions concerning the instability of the identity photograph in South Africa; ethnographic photographs as potential history; humanitarian discourse from the perspective of photographic survivors of atrocity photojournalism; the nuanced passage from studio to screen in postcolonial digital portraiture; and the burgeoning visual activism in West Africa. As the contributors show, photography is itself a historical subject: it involves arrangement, financing, posture, positioning, and other kinds of work that are otherwise invisible. By moving us outside the frame of the photograph itself, by refusing to accept the photograph as the last word, this book makes photography an engaging and important subject of historical investigation. Ambivalent‘s contributors bring photography into conversation with orality, travel writing, ritual, psychoanalysis, and politics, with new approaches to questions of race, time, and postcolonial and decolonial histories. Contributors: George Emeka Agbo, Isabelle de Rezende, Jung Ran Forte, Ingrid Masondo, Phindi Mnyaka, Okechukwu Nwafor, Vilho Shigwedha, Napandulwe Shiweda, Drew Thompson
Preliminary Material -- INTRODUCTION: WRITING RACE AND ASIA-PACIFIC MOBILITIES - CONSTRUCTIONS AND CONTESTATIONS /Robbie B.H. Goh -- VIVAN SUNDARAM'S “AMRITA”: TOWARDS A STYLE OF THE BODY /Tania Roy -- THE RETURN OF THE SCIENTIST: ESSENTIAL KNOWLEDGE AND GLOBAL TRIBALISM IN AMITAV GHOSH'S THE HUNGRY TIDE AND THE CALCUTTA CHROMOSOME /Robbie B.H. Goh -- ETHNICITY AND THE SOUTHEAST ASIAN DIASPORA IN LI-YOUNG LEE'S THE WINGED SEED /Walter S.H. Lim -- NARRATING RACE, GENDER, AND SEXUALITY IN R.K. NARAYAN'S THE PAINTER OF SIGNS /Chitra Sankaran -- CHINESE ETHNICITY IN POST-REFORMATION INDONESIAN WOMEN'S FICTION: A COMPARATIVE STUDY OF TWO NOVELS BY AYU UTAMI AND DEWI LESTARI /Harry Aveling -- RESI(G)NIFYING THE CHINESE AND FILIPINO IN CINEMATIC NARRATIVES /Caroline S. Hau -- PERFORMING ETHNICITY, ETHNICIZING HISTORY: THE EURASIANS OF SINGAPORE IN REX SHELLEY'S THE SHRIMP PEOPLE /Lily Rose Tope -- PERFORMING THE SELF: RACE AND IDENTITY IN TWO HONG KONG ENGLISH-LANGUAGE PLAYS /Kwok-Kan Tam -- BORDER CROSSING: PLACE, IDENTITY AND DIS/LOCATION OF THE SELF IN XU XI'S THE UNWALLED CITY /Terry Siu-Han Yip -- HYBRID BROWN GAIJIN IS A “DISTINGUISHED ALIEN” IN SAKOKU JAPAN /Julie Mehta -- UGLY AMERICANS AND LITTLE BROWN BROTHERS: SPECTACLES OF IDENTITY IN CONTEMPORARY PHILIPPINE DRAMA /Judy Celine Ick -- DISAPPEARING RACE: NORMATIVE WHITENESS AND CULTURAL APPROPRIATION IN AUSTRALIAN REFUGEE NARRATIVES /Wenche Ommundsen -- RACE IN ASIAN POETRY IN ENGLISH: ETHNIC, NATIONAL AND COSMOPOLITAN REPRESENTATIONS /Agnes S.L. Lam -- NOTES ON CONTRIBUTORS -- INDEX.
This book deals with colonialism on a Namibian periphery and considers both the German colonial period as well as South African rule in the country. The marginality of the Kaoko region within this colonial topography of power is analysed as a dynamic and fractured feature where power relations and constellations remained highly contested. The dynamics of gender within a regional society constituted of men and women, African and European, receive special attention within frameworks engaging with colonial photography, oral histories and gendered visions.
Decolonising the Camera trains Mark Sealy's sharp critical eye on the racial politics at work within photography, in the context of heated discussions around race and representation, the legacies of colonialism, and the importance of decolonising the university. Sealy analyses a series of images within and against the violent political reality of Western imperialism, and aims to extract new meanings and develop new ways of seeing that bring the Other into focus. The book demonstrates that if we do not recognise the historical and political conjunctures of racial politics at work within photography, and their effects on those that have been culturally erased, made invisible or less than human by such images, then we remain hemmed within established orthodoxies of colonial thought concerning the racialised body, the subaltern and the politics of human recognition. With detailed analyses of photographs - included in an insert - by Alice Seeley Harris, Joy Gregory, Rotimi Fani-Kayode and others, and spanning more than 100 years of photographic history, Decolonising the Camera contains vital visual and written material for readers interested in photography, race, human rights and the effects of colonial violence.
Author : Paul S. Landau,Deborah D. Kaspin Publisher : Univ of California Press Page : 408 pages File Size : 41,9 Mb Release : 2002-10-28 Category : History ISBN : 0520229495
Images and Empires by Paul S. Landau,Deborah D. Kaspin Pdf
This volume considers the meaning and power of images in African history and culture. It assembles a wide-ranging collection of essays dealing with specific visual forms, including monuments cinema, cartoons, domestic and professional photography, body art, world fairs, and museum exhibits.
An important and original contribution to the study of the archive, The Mirror in the Ground approaches the discipline of archaeology in South Africa from the perspective of an interest in visualities. Author Nick Shepherd argues that it makes sense to talk about an archaeological aesthetics. The book explores the part a specifically archaeological concern with material cultures, objectified bodies and sites on the landscape has played in a local history of looking. Drawing from the archive of the South African archaeologist John Goodwin (1900-1959), the book interrogates the role of photography in the making of a disciplinary project in archaeology. JM Coetzee describes the book as 'a fresh way of looking at the photographic archive, with a commentary as moving and compassionate as it is unsettling.' Nick Shepherd is Associate Professor of Archaeology and African Studies at the University of Cape Town, where he convenes a graduate programme on Public Culture and Heritage. The Mirror in the Ground is the first volume in the relaunched Series in Visual Histories, produced by the Centre for Curating the Archive (CCA) at the University of Cape Town.
The Routledge Handbook of Archaeology and the Media in the 21st Century by Lorna-Jane Richardson,Andrew Reinhard,Nicole Smith Pdf
The Routledge Handbook of Archaeology and the Media in the 21st Century presents diverse international perspectives on what it means to be an archaeologist and to conduct archaeological research in the age of digital and mobile media. This volume analyses the present‐day use of new and old media by professional and academic archaeology for leisure, academic study and/or public engagement, and attempts to provide a broad survey of the use of media in a wider global archaeological context. It features work on traditional paper media, radio, podcasting, film, television, contemporary art, photography, video games, mobile technology, 3D image capture, digitization and social media. Themes explored include archaeology and traditional media, archaeology in a digital age, archaeology in a post‐truth era and the future of archaeology. Such comprehensive coverage has not been seen before, and the focus on 21st‐century concerns and media consumption practices provides an innovative and original approach. The Routledge Handbook of Archaeology and the Media in the 21st Century updates the interdisciplinary field of media studies in archaeology and will appeal to students and researchers in multiple fields including contemporary, public, digital, and media archaeology, and heritage studies and management. Television and film producers, writers and presenters of cultural heritage will also benefit from the many entanglements shared here between archaeology and the contemporary media landscape.
Where the Roads All End tells the remarkable story of an American family’s expeditions to the Kalahari Desert in the 1950s. Raytheon founder Laurence Marshall and his family recorded the lives of the last remaining hunter-gatherers, the so-called Bushmen, in what is now recognized as one of the most important anthropology ventures in Africa.