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The Complete Adventures of Judith Lee by Richard Marsh Pdf
Marsh's female detective Judith Lee is unique among the best notable women detectives in 19th-century popular literature. He was still writing Judith Lee stories when he passed away, and his widow issued a final collection in 1916. This omnibus volume includes both collections, as well as a never reprinted story from 1916.
The Complete Judith Lee Adventures by Richard Marsh Pdf
"One of Sherlock Holmes's greatest rivals, a female detective who solves cases using her abilities in lip-reading and ju-jitsu, returns to print in this first-ever annotated, illustrated edition" The incredible popularity of Sir Arthur Conan Doyle's Sherlock Holmes stories led to an explosion in tales featuring fictional detectives, but few of them were as original or interesting as Richard Marsh's Judith Lee, whose stories appeared alongside Doyle's in "Strand Magazine" from 1911-1916. "My name is Judith Lee. I am a teacher of the deaf and dumb. I teach them by what is called the oral system - that is, the lip-reading system. I suppose I must have a special sort of knack in that direction, because I do not remember a time when, by merely watching people speaking at a distance, I did not know what they were saying. This knack of mine, in a way, is almost equivalent to another sense. It has led me into the most singular situations, and it has been the cause of many really extraordinary adventures." Thus opens the first of Marsh's charming stories featuring Judith Lee, who thwarts murderers, robbers, burglars, con-men, and spies using her remarkable ability to read lips in multiple languages, along with her quick wits, innate intelligence, and skills in disguise and martial arts. Best known today for his horror fiction, including "The Beetle" (1897), a Gothic thriller that initially outsold Bram Stoker's "Dracula," Richard Marsh (1857-1915) is receiving increased attention in recent years for his other works, including the twenty-two Judith Lee stories, reprinted in full in this volume, along with the original illustrations from "Strand Magazine" and a new scholarly introduction and annotations by Minna Vuohelainen."
Morality and the Law in British Detective and Spy Fiction, 1880-1920 by Kate Morrison Pdf
Who decides what is right or wrong, ethical or immoral, just or unjust? In the world of crime and spy fiction between 1880 and 1920, the boundaries of the law were blurred and justice called into question humanity's moral code. As fictional detectives mutated into spies near the turn of the century, the waning influence of morality on decision-making signaled a shift in behavior from idealistic principles towards a pragmatic outlook taken in the national interest. Taking a fresh approach to Sir Arthur Conan Doyle's popular protagonist, Sherlock Holmes, this book examines how Holmes and his rival maverick literary detectives and spies manipulated the law to deliver a fairer form of justice than that ordained by parliament. Multidisciplinary, this work views detective fiction through the lenses of law, moral philosophy, and history, and incorporates issues of gender, equality, and race. By studying popular publications of the time, it provides a glimpse into public attitudes towards crime and morality and how those shifting opinions helped reconstruct the hero in a new image.
For the fourth volume of this series, Robert Sampson has selected more than fifty magazine series characters to illustrate the development of the character of the detective. Included here are both the amateur and professional detective, female investigators, deducting doctors, brilliant amateurs, and equally brilliant professional police. There are private detectives reflecting Holmes and hard-boiled cops from the parallel traditions of realism and melodramatic fantasy. Characters include Brady and Riordan, Terry Trimble, Glamorous Nan Russell, J. G. Reeder, plus many others.
‘Richard Marsh’ (Richard Bernard Heldmann, 1857–1915) was a bestselling, versatile and prolific author of gothic, crime, adventure, romantic and comic fiction. This book, the first on Marsh, establishes his credentials as a significant agent within the fin de siècle gothic revival. Marsh’s work spans a range of gothic modes, including the canonical fin de siècle subgenres of urban and imperial gothic and gothic-inflected sensation and supernatural fiction, but also rarer hybrid genres such as the comic gothic and the occult romance. His greatest success came in 1897 when he published his bestselling invasion narrative The Beetle: A Mystery, a novel that articulated many of the key themes of fin de siècle urban gothic and outsold its close rival, Bram Stoker’s Dracula, well into the twentieth century. The present work extends studies of Marsh’s literary production beyond The Beetle, contending that, in addition to his undoubted interest in non-normative gender and ethnic identities, Marsh was a writer with an acute sense of spatiality, whose fiction can be read productively through the lens of spatial theory.
Sherlock's Sisters: The British Female Detective, 1864-1913 examines the fictional female detective in Victorian and Edwardian literature. This character, originating in the 1860s, configures a new representation of women in narratives of the nineteenth and twentieth centuries. This analysis explores female empowerment through professional unofficial or official detection, especially as this surveillance illuminates legal, moral, gendered, institutional, criminal, punitive, judicial, political, and familial practices. This book considers a range of literary texts by both female and male writers which concentrate on detection by women, particularly those which followed the creation of Sherlock Holmes by Arthur Conan Doyle in 1887. Cultural movements, such as the emergence of the New Woman, property law or suffragism, are stressed in the exploits of these resourceful investigators. These daring women deal with a range of crimes, including murder, blackmail, terrorism, forgery, theft, sexual harassment, embezzlement, fraud, impersonation and domestic violence. Privileging the exercise of reason rather than intuition, these women detectives are proto-feminist in their demonstration of women's independence. Instead of being under the law, these women transform it. Their investigations are given particular edge because many of the perpetrators of these crimes are women. Sherlock's Sisters probes many texts which, because of their rarity, have been under-researched. Writers such as Beatrice Heron-Maxwell, Emmuska Orczy, L.T. Meade, Catherine Pirkis, Fergus Hume, Grant Allen, Leonard Merrick, Marie Belloc Lowndes, George Sims, McDonnell Bodkin and Richard Marsh are here incorporated into the canon of Victorian and Edwardian literature, many for the first time. A writer such as Mary Elizabeth Braddon is reassessed through a neglected novel. The book includes works by Irish and Australian writers to present an inclusive array of British texts. Sherlock's Sisters enlarges the perception of emerging female empowerment during the nineteenth century, filling an important gap in the fields of Gender Studies, Law/Literature and Popular Culture.
Femininity, Crime and Self-Defence in Victorian Literature and Society by E. Godfrey Pdf
This exploration into the development of women's self-defence from 1850 to 1914 features major writers, including H.G. Wells, Elizabeth Robins and Richard Marsh, and encompasses an unusually wide-ranging number of subjects from hatpin crimes to the development of martial arts for women.
Mystery Women, Volume One (Revised) by Colleen Barnett Pdf
Many bibliographers focus on women who write. Lawyer Barnett looks at women who detect, at women as sleuths and at the evolving roles of women in professions and in society. Excellent for all women's studies programs as well as for the mystery hound.
The Sister Fidelma Mysteries by Edward J. Rielly,David Robert Wooten Pdf
This is a collection of new essays on Peter Tremayne's Sister Fidelma novels, which feature Sister Fidelma's attempts to solve a wide range of crimes, often murders that occur under especially mysterious conditions. The novels, set mainly in 7th century Ireland, also include a great deal of history, which is not surprising given that the author is actually Peter Berresford Ellis, a noted Celtic historian. Some of the essays analyze aspects of the novels, focusing especially on the protagonist and her partner in detection and, ultimately, husband, Brother Eadulf. Other essays place Fidelma and the novels within the tradition of detective fiction. Still others explore the historical, intellectual, spiritual and geographical contexts for her labors. Also included are accounts of the author's career, the International Sister Fidelma Society, and the biennial Sister Fidelma conferences held in Cashel, Ireland.