The Complete Works Of Aristoxenus The Elements Of Harmony And Others Illustrated
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The Complete Works of Aristoxenus. The Elements of Harmony and others. Illustrated by Aristoxenus Pdf
Aristoxenus of Tarentum was a Greek Peripatetic philosopher, and a pupil of Aristotle. He was the most famous music theorist in antiquity and came to be referred to simply as "the musician." Most of his writings, which dealt with philosophy, ethics and music, have been lost, but one musical treatise, Elements of Harmony survives incomplete, as well as some fragments concerning rhythm and meter. The Elements is the chief source of our knowledge of ancient Greek music. Αριστόξενος
Delphi Complete Works of Aristoxenus (Illustrated) by Aristoxenus of Tarentum Pdf
A fourth century BC Greek Peripatetic philosopher, Aristoxenus was the pupil of Aristotle and is now regarded as the first authority of musical theory in the classical world. Although he wrote almost 500 works, only Aristoxenus’ landmark treatise on music, ‘Elements of Harmony’, survives in a significant state. It is of invaluable worth, providing the chief source of knowledge on ancient Greek music. Delphi’s Ancient Classics series provides eReaders with the wisdom of the Classical world, with both English translations and the original Greek texts. This comprehensive eBook presents Aristoxenus’ complete extant works, with illustrations, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Aristoxenus and his times * Features the complete extant works, in both English translation and the original Greek * Concise introduction to ‘Elements of Harmony’ * Henry Stewart Macran’s 1902 translation, digitised here for the first time * Excellent formatting of the texts * Easily locate the sections you want to read with individual contents tables * Includes rare Greek fragments of Aristoxenus’ works * Features Macran’s seminal study of the development of ancient Greek music, with numerous illustrations— first time in digital print Please visit www.delphiclassics.com to explore our range of Ancient Classics titles or buy the entire series as a Super Set CONTENTS: The Translation The Elements of Harmony The Greek Texts The Elements of Harmony Fragments The Biography Introduction to Aristoxenus (1902) by Henry S. Macran Please visit www.delphiclassics.com to browse through our range of exciting titles
Delphi Collected Works of Proclus (Illustrated) by Proclus Lycius Pdf
Proclus the Successor was a fifth-century Greek Neoplatonist philosopher and the last major ancient Greek philosopher. He set forth one of the most elaborate and fully developed systems of Neoplatonism. Like Iamblichus, Proclus opposed Christianity and passionately defended paganism. He upheld that thoughts constitute reality, while concrete “things” are mere appearances. Ultimate reality, the “One,” is both God and the Good and unifies his ethical and theological systems. His attitudes significantly influenced the development of theology in both the East and the West. Delphi’s Ancient Classics series provides eReaders with the wisdom of the Classical world, with both English translations and the original Greek texts. This eBook presents Proclus’ collected works, with illustrations, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Proclus’ life and works * Features the collected works of Proclus, in both English translation and the original Greek * Includes Thomas Taylor’s seminal translations * Excellent formatting of the texts * Easily locate the texts you want to read with individual contents tables * Includes Proclus’ rare treatises, digitised here for the first time * Provides a special dual English and Greek text of ‘Elements of Theology’, allowing readers to compare the sections paragraph by paragraph — ideal for students * Features Marinus’ (Proclus’ successor) biography — discover Proclus’ ancient world * Ordering of texts into chronological order and literary genres CONTENTS: The Translations Commentary on Timaeus Commentary on the First Alcibiades An Apology for the Fables of Homer Commentaries on the First Book of Euclid’s ‘Elements of Geometry’ Elements of Physics Elements of Theology On the Theology of Plato Ten Doubts Concerning Providence On the Existence of Evils On Providence and Fate Hymns Fragments The Greek Texts Selected Greek Texts The Dual Text Elements of Theology The Biography Life of Proclus by Marinus Please visit www.delphiclassics.com to explore our range of Ancient Classics titles or buy the entire series as a Super Set
Aristoxenus of Tarentum was reported to have been bitterly disappointed when Theophrastus was chosen instead of him to succeed Aristotle as the head of the Peripatetic School. He had a truly phenomenal output of some 453 volumes, most of which survive only in fragments. He was the most famous music theorist in antiquity and came to be referred to simply as "the musician." In addition, he was a founder of Greek biography and wrote the life histories of Pythagoras, Archytas, Socrates, and Plato among others. This volume includes eleven selections, which are almost evenly divided between his work in music theory and biography. There is a chapter on his general biographical method as well as chapters on his specific treatments of the Pythagoreans, Socrates, and Plato. There are chapters evaluating the extent to which Aristoxenus was a historian of music, his account of music therapy, his views on musical "character," the use of instruments and empiricism in his harmonic theory, and his relation to the "Neoclassical" Greek composers of the fourth century. This volume includes: "Did Aristoxenus Write Musical History?, " Andrew Barker; "Instruments and Empiricism in Aristoxenus' Elementa harmonica," David Creese; "Aristoxenus and Musical Ethos," Eleonora Rocconi; "Aristoxenus and Music Therapy: Fr. 26 Wehrli Within the Tradition on Music and Catharsis," Antonella Provenza; "Aristoxenus and the "Neoclassicists," Timothy Power; "Apollonius on Theophrastus on Aristoxenus," William W. Fortenbaugh; "Aristoxenus' Biographical Method," Stefan Schorn; "Aristoxenus and the Pythagoreans," Leonid Zhmud; "Aristoxenus' Life of Socrates," Carl A. Huffman; "Aristoxenus' Life of Plato," John Dillon; and "Aristoxenus and the Early Academy," Andrew Barker. Spanning close to three full decades, Transaction's Rutgers University Studies in Classical Humanities Series continues to pioneer in the field of classical studies.
Author : Stephen C. Meyer,Kirsten Yri Publisher : Oxford University Press, USA Page : 844 pages File Size : 45,9 Mb Release : 2020-03-13 Category : History ISBN : 9780190658441
The Oxford Handbook of Music and Medievalism by Stephen C. Meyer,Kirsten Yri Pdf
The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo P�rt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.
Sextus Empiricus: Against Those in the Disciplines by Richard Bett Pdf
Against Those in the Disciplines (Pros Mathêmatikous, also known by the abbreviated title M 1-6) deals with six specialized fields of study: grammar, rhetoric, geometry, arithmetic, astrology, and music. In sceptical fashion, it questions the credentials of those who claim to have expert knowledge in these fields. It is the least well known of Sextus Empiricus' works, mainly because its subject-matter is not directly philosophical; some of its arguments require knowledge of these fields as they existed in the ancient world, which philosophers (Sextus' main readership) tend not to have. But it is a good specimen of Sextus' usual sceptical method of inducing suspension of judgement about the topics under consideration, and it contains much that is of philosophical interest. This volume aims to bring this work to a wider philosophical audience and to make the technicalities of the fields discussed understandable to non-specialists. It contains a translation of the work into clear modern English, accompanied by extensive explanatory notes. For ease of comprehension, the text is broken down into named sections and subsections, and these are also listed separately before the translation (the Outline of Argument). An introduction discusses the place of Against Those in the Disciplines in the totality of Sextus' work, and examines certain features that are distinctive to it. Other aids to the reader are a list of persons referred to in the work, with brief information about each; an English-Greek and Greek-English glossary of key terms; and a list of passages in other works of Sextus that are parallel to passages in this work.
Irenaeus of Lyons and the Theology of the Holy Spirit by Anthony Briggman Pdf
Irenaeus' theology of the Holy Spirit is often highly regarded amongst theologians today, but that regard is not universal, nor has an adequate volume of literature supported it. This study provides a detailed examination of certain principal, often distinctive, aspects of Irenaeus' pneumatology. In contrast to those who have suggested Irenaeus held a weak conception of the person and work of the Holy Spirit, Anthony Briggman demonstrates that Irenaeus combined Second Temple Jewish traditions of the spirit with New Testament theology to produce the most complex Jewish-Christian pneumatology of the early church. In so doing, Irenaeus moved beyond his contemporaries by being the first author, following the New Testament writings, to construct a theological account in which binitarian logic did not diminish either the identity or activity of the Holy Spirit. That is to say, he was the first to support his Trinitarian convictions by means of Trinitarian logic. Briggman advances the narrative that locates early Christian pneumatologies in the context of Jewish traditions regarding the spirit. In particular, he argues that the appropriation and repudiation of Second Temple Jewish forms of thought explain three moments in the development of Christian theology. First, the existence of a rudimentary pneumatology correlating to the earliest stage of Trinitarian theology in which a Trinitarian confession is accompanied by binitarian orientation/logic, such as in the thought of Justin Martyr. Second, the development of a sophisticated pneumatology correlating to a mature second century Trinitarian theology in which a Trinitarian confession is accompanied by Trinitarian logic. This second moment is visible in Irenaeus' thought, which eschewed Jewish traditions that often hindered theological accounts of his near contemporaries, such as Justin, while adopting and adapting Jewish traditions that enabled him to strengthen and clarify his own understanding of the Holy Spirit. Third, the return to a rudimentary account of the Spirit at the turn of the third century when theologians such as Tertullian, Origen, and Novatian repudiated Jewish traditions integral to Irenaeus' account of the Holy Spirit.