The Complete Works Of John Davies Ed With Intr And Notes By A B Grosart

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The Complete Works of John Davies of Hereford (15 -1618)

Author : John Davies,Alexander Balloch Grosart
Publisher : Unknown
Page : 356 pages
File Size : 42,8 Mb
Release : 1878
Category : Electronic
ISBN : NYPL:33433074830245

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The Complete Works of John Davies of Hereford (15 -1618) by John Davies,Alexander Balloch Grosart Pdf

The Best Books

Author : William Swan Sonnenschein
Publisher : Unknown
Page : 1146 pages
File Size : 40,6 Mb
Release : 1891
Category : Best books
ISBN : HARVARD:HNYX78

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The Best Books by William Swan Sonnenschein Pdf

A Bibliography of Literature. Being the Sections Relating to that Subject in The Best Books and The Reader's Guide

Author : William Swan Stallybrass (formerly Sonnenschein.),William Swan Sonnenschein
Publisher : Unknown
Page : 200 pages
File Size : 42,5 Mb
Release : 1897
Category : Electronic
ISBN : NYPL:33433069136236

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A Bibliography of Literature. Being the Sections Relating to that Subject in The Best Books and The Reader's Guide by William Swan Stallybrass (formerly Sonnenschein.),William Swan Sonnenschein Pdf

The Complete Works of John Davies of Hereford (15.-1618)

Author : John Davies,Alexander Balloch Grosart
Publisher : Unknown
Page : 128 pages
File Size : 53,5 Mb
Release : 1878
Category : Electronic
ISBN : OCLC:220690039

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The Complete Works of John Davies of Hereford (15.-1618) by John Davies,Alexander Balloch Grosart Pdf

The Complete Works ...

Author : John Davies (of Hereford.)
Publisher : Unknown
Page : 352 pages
File Size : 40,6 Mb
Release : 1878
Category : Electronic
ISBN : NLS:V000619254

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The Complete Works ... by John Davies (of Hereford.) Pdf

The Voluble Soul

Author : Richard Willmott
Publisher : Lutterworth Press
Page : 285 pages
File Size : 52,9 Mb
Release : 2021-06-24
Category : Literary Criticism
ISBN : 9780718848293

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The Voluble Soul by Richard Willmott Pdf

The "metaphysical" poetry of Thomas Traherne (1636-1674) is less well known than that of his predecessors, John Donne and George Herbert, and can seem daunting both to the student of English, uncertain about his theological ideas, and to the student of theology, put off by seventeenth-century poetic conventions and diction. This book looks at Traherne's verse in its poetic context. Taught from an early age at school to translate Latin and Greek poetry into their own verses, people in many walks of life in the seventeenth century frequently turned to verse to express their own strongest feelings or to put their ideas in a nutshell, thus providing an ideal context in which to get to grips with the poetic expression of Traherne's thought. To be voluble is not only to be fluently expressive, but also have the 'capacity' to comprehend (both understand and include) all of God's creation. Traherne's understanding of the soul and its 'capacity' will be explained. Traherne's delighted comprehension takes in the latest scientific speculation about the atom and astronomy, and also the fascinating details revealed by the microscope, but does not exclude a clear-sighted view of Restoration society's materialism and - in one startlingly savage satire - the corruption of the royal court.

Pseudonymous Shakespeare

Author : Penny McCarthy
Publisher : Routledge
Page : 396 pages
File Size : 51,8 Mb
Release : 2016-12-05
Category : Literary Criticism
ISBN : 9781351907965

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Pseudonymous Shakespeare by Penny McCarthy Pdf

An investigation into modes of early modern English literary 'indirection,' this study could also be considered a detective work on a pseudonym attached to some late sixteenth-century works. In the course of unmasking 'R.L.', McCarthy scrutinizes devices employed by writers in the Sidney coterie: punning, often across languages; repetitio-insistence on a sound, or hiding two persons 'under one hood'; disingenuous juxtaposition; evocation of original context; differential spelling (intended and significant). Among McCarthy's stunning-but solidly underpinned-conclusions are: Shakespeare used the pseudonym 'R.L.' among other pseudonyms; one, 'William Smith', was also his 'alias' in life; Shakespeare was at the heart of the Sidney circle, whose literary programme was hostile to Elizabeth I; and his work, composed mainly from the late 1570s to the early 90s, occasionally 'embedded' in the work of others, was covertly alluded to more often than has been recognized.