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The first thorough English-language exploration of the concerto as a musical form, this is an oft-quoted, authoritative survey. Examining the social, economic, and personal factors that influenced the concerto's growth, the work also summarizes the contributions of theorists, composers, and musicians and defines the genre's terms and the changing nature.
Michael Steinberg's 1996 volume The Symphony: A Reader's Guide received glowing reviews across America. It was hailed as "wonderfully clear...recommended warmly to music lovers on all levels" (Washington Post), "informed and thoughtful" (Chicago Tribune), and "composed by a master stylist" (San Francisco Chronicle). Seiji Ozawa wrote that "his beautiful and effortless prose speaks from the heart." Michael Tilson Thomas called The Symphony "an essential book for any concertgoer." Now comes the companion volume--The Concerto: A Listener's Guide. In this marvelous book, Steinberg discusses over 120 works, ranging from Johann Sebastian Bach in the 1720s to John Adams in 1994. Readers will find here the heart of the standard repertory, among them Bach's Brandenburg Concertos, eighteen of Mozart's piano concertos, all the concertos of Beethoven and Brahms, and major works by Mendelssohn, Schumann, Liszt, Bruch, Dvora'k, Tchaikovsky, Grieg, Elgar, Sibelius, Strauss, and Rachmaninoff. The book also provides luminous introductions to the achievement of twentieth-century masters such as Arnold Schoenberg, Be'la Barto'k, Igor Stravinsky, Alban Berg, Paul Hindemith, Sergei Prokofiev, Aaron Copland, and Elliott Carter. Steinberg examines the work of these musical giants with unflagging enthusiasm and bright style. He is a master of capturing the expressive, dramatic, and emotional values of the music and of conveying the historical and personal context in which these wondrous works were composed. His writing blends impeccable scholarship, deeply felt love of music, and entertaining whimsy. Here then is a superb journey through one of music's richest and most diverse forms, with Michael Steinberg along as host, guide, and the best of companions.
A History of the Concerto by Michael Thomas Roeder Pdf
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
The Cambridge Companion to the Concerto by Simon P. Keefe Pdf
No musical genre has had a more chequered critical history than the concerto and yet simultaneously retained as consistently prominent a place in the affections of the concert-going public. This volume, one of very few to deal with the genre in its entirety, assumes a broad remit, setting the concerto in its musical and non-musical contexts, examining the concertos that have made important contributions to musical culture, and looking at performance-related topics. A picture emerges of a genre in a continual state of change, re-inventing itself in the process of growth and development and regularly challenging its performers and listeners to broaden the horizons of their musical experience.
Most concertos are difficult, and opportunities to play these great works with orchestra are very rare. Intermediate pianists can now experience the excitement and beauty of performing themes from nine favorite piano concertos, at their own level, with orchestral accompaniments on the available General MIDI disk (Alfred item 18215). The varied styles of Beethoven, Haydn, Mozart, Rachmaninoff, Schumann and Tchaikovsky are respectfully represented in arrangements that beautifully get to the "heart" of each concerto.
Jean Sibelius's Violin Concerto by Tina K. Ramnarine Pdf
Jean Sibelius's Violin Concerto is the story of Sibelius as performer and composer, of violin performing traditions, of histories of musical transmission, and of virtuosity itself. It investigates the history and legacy of one of the most recorded concertos in the violin repertoire. Sibelius, a celebrated and influential composer of the late 19th and 20th centuries, was an accomplished violinist, whose enduring interest in the instrument has been paralleled by the broad success of the only concerto in his oeuvre: his violin concerto (premiered in 1904 and revised in 1905). Considering how violinists engage with the work, author Tina K. Ramnarine discusses technology's central role in the concerto's transmission from Jascha Heifetz's seminal 1935 recording to contemporary online performances, gender issues in violin solo careers, and nature-based musical aesthetics that lead to thinking about the ecology of virtuosity in an era of environmental crisis. Beginning with Sibelius's early training as a violinist and his aspirations as a performer, Ramnarine traces the dramatic historical context of the violin concerto. It was composed as Finland underwent a period of heightened self-determination, nationalism, and protest against Russian imperial policies, and it heralded intense political dynamics relating to Europe's East-West border that have extended to the present. This story of the violin concerto points to the notion of Sibelius - and the virtuoso more generally - as a political figure.
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Concerto to the Memory of an Angel by Eric-Emmanuel Schmitt Pdf
Stories from the bestselling author of The Most Beautiful Book in the World, “a prodigious storyteller with a style both elegant and assured” (Les Echos). In this collection’s opening story, a woman with more skeletons in the closet than most falls in love with a parish priest, to whom she confesses her sins. But her motives and her intentions are anything but honorable or pious. The title story is the tale of two friends and rivals whose differences will at first lead to a terrifying and near fatal accident, and then to a vendetta lasting a lifetime. In “The Return,” while away at sea, a father is told that one of his four daughters has died but not which. He will ask himself the question no father should have to ask: which child would he want dead? His long ruminations will lead him to a realization of his failings as a man and a father and ultimately toward a touching transformation. “Love at the Elysée Palace” is as fine a short story as any in contemporary literature, and one that treats the themes of love, marriage, and forgiveness with superb delicacy and remarkable tenderness. In this vivid collection, Schmitt writes about regret and redemption, about the roles of love and memory in our lives, all with a lightness and compassion that is as rare as it is inspiring. “A wonderful book of remarkable everyday heroes who will haunt readers for a long time to come.” —L’Express “A small masterpiece.” —Le Parisien
Described by Aaron Copland as 'among the finest creations in the modern repertoire', Alban Berg's Violin Concerto has become a twentieth-century classic. In this authoritative and highly readable guide to the work the reader is introduced not only to the concerto itself but to all that surrounded and determined its composition. This is a book about musical culture in the 1930s, about the Second Viennese School, about tonality, atonality and serialism, about Berg's own musical development, compositional method and the private significance the Violin Concerto held for him. The book describes the genesis of the work, its performance history and critical reception and, in two detailed musical chapters, provides a section-by-section account of the book and a closer analysis of the musical language and structure. Anthony Pople's ability to combine musical anecdote with scholarly discussion makes this guide compelling reading for the amateur and the specialist alike.
Music, myth, and magic mix in this tale of a melody not meant for human ears, from the New York Times–bestselling and award-winning author of Darwin’s Radio. Michael Perrin is an aspiring poet, struggling to express the chaotic cadences of his thoughts on paper. He finds a kindred spirit in Arno Waltiri, the film score composer behind several of Michael’s favorite classic movies. The maestro’s greatest piece, however, was performed in front of a live audience only once. The concerto Opus 45, Infinity left its listeners entranced, altered to the very core of their souls. Waltiri’s composition is a song of power. Never meant to be heard by human ears, its melody is as captivating as a siren’s call, its notes ring out like a death knell, and its rhythms shake the very foundations of reality. The music’s otherworldly tones have led Michael through the gate between Earth and the Realm of the Sidhedark, where faeries reign by rule of magic—and where Michael must find his muse if he’s ever to return home. The Infinity Concerto is a fantasy masterpiece by the Hugo and Nebula Award–winning author of the Forerunner Saga, Eon, and other imaginative classics.
The Cambridge Companion to Schumann by Beate Perrey Pdf
This Companion is an accessible introduction to Schumann: his time, his temperament, his style and his œuvre. An international team of scholars explores the cultural context, musical and poetic fabric, sources of inspiration and interpretative reach of key works from the Schumann repertoire ranging from his famous lieder and piano pieces to chamber, orchestral and dramatic works. Additional chapters address Schumann's presence in nineteenth- and twentieth-century composition and the fascinating reception history of his late works. Tables, illustrations, a detailed chronology and advice on further reading make it an ideally informative handbook for both the Schumann connoisseur and the music lover. An excellent textbook for the university student of courses on key composers of nineteenth-century Western Classical music, it is an invaluable guide for all who are interested in the thought, aesthetics and affective power of one of the most intriguing figures of a culturally rich and formative period.