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Traces the literary ancestry of Ulysses and discusses how Joyce triangulated himself with Homer and Shakespeare. Professor Ellmann demonstrates that Joyce, far from being apolitical, was revolutionary, working in his own oblique fashion to subvert existing institutions.
ULYSSES (Modern Classics Series) by James Joyce Pdf
This carefully crafted ebook: "ULYSSES (Modern Classics Series)" is formatted for your eReader with a functional and detailed table of contents. Ulysses is a modernist novel by Irish writer James Joyce. It is considered to be one of the most important works of modernist literature, and has been called "a demonstration and summation of the entire movement". Ulysses chronicles the peripatetic appointments and encounters of Leopold Bloom in Dublin in the course of an ordinary day, 16 June 1904. Ulysses is the Latinised name of Odysseus, the hero of Homer's epic poem Odyssey, and the novel establishes a series of parallels between its characters and events and those of the poem (the correspondence of Leopold Bloom to Odysseus, Molly Bloom to Penelope, and Stephen Dedalus to Telemachus). Joyce divided Ulysses into 18 chapters or "episodes". At first glance much of the book may appear unstructured and chaotic; Joyce once said that he had "put in so many enigmas and puzzles that it will keep the professors busy for centuries arguing over what I meant", which would earn the novel "immortality". James Joyce (1882-1941) was an Irish novelist and poet, considered to be one of the most influential writers in the modernist avant-garde of the early 20th century. Joyce is best known for Ulysses, the short-story collection Dubliners, and the novels A Portrait of the Artist as a Young Man and Finnegans Wake.
DIVDiscusses Ulysses arguing that through the operation of memory, it mimics the working of the human mind and achieves its status as one of the most intellectual achievements of the 20th century./div
This collection introduces and examines the overarching ecological consciousness evinced in the writings of James Joyce. Reading Joyce with a keen attention to the manner in which the natural and built environment functions as context, horizon, threat, or site of liberation in Joyce’s writing offers an engaging and fruitful way into the dense, demanding, and usually encyclopedic formation of knowledge that comprises Joyce’s literary legacy. Scholars working within Irish studies draw on a wide variety of critical outlooks, including cultural studies, post-colonial studies, transnational studies, gender studies and, of course, modernist studies; this book will help that community become better acquainted with how ecocriticism elucidates the work of Irish writers, and will encourage further research in this direction. Even writers like Joyce, who are usually regarded as primarily urban, exhibit a strong ecological dimension in their work, and there are many other Irish writers who have produced work that directly engages issues in ecology and environmental studies. Eco-Joyce covers a multitude of disciplines in an attempt to serve as a point of entry into Joyce and ecocriticism, of course, but it will also suggest ways in which Irish studies and modernist studies could gain energy from this relatively new and vital approach --
Joyce, Bakhtin, and Popular Literature by R. B. Kershner Pdf
The sheer mass of allusion to popular literature in the writings of James Joyce is daunting. Using theories developed by Russian critic Mikhail Bakhtin, R. B. Kershner analyzes how Joyce made use of popular literature in such early works as Stephen Hero, Dubliners, A Portrait of an Artist as a Young Man, and Exiles. Kershner also examines Joyce's use of rhetoric, the relationship between narrator and protagonist, and the interplay of voices, whether personal, literary, or subliterary, in Joyce's writing. In pointing out the prolific allusions in Joyce to newspapers, children's books, popular novels, and even pornography, Kershner shows how each of these contributes to the structures of consciousness of Joyce's various characters, all of whom write and rewrite themselves in terms of the texts they read in their youth. He also investigates the intertextual role of many popular books to which Joyce alludes in his writings and letters, or which he owned -- some well known, others now obscure. Kershner presents Joyce as a writer with a high degrees of social consciousness, whose writings highlight the conflicting ideologies of the Irish bourgeoisie. In exploring the social dimension of Joyce's writing, he calls upon such important contemporary thinkers as Jameston, Althusser, Barthes, and Lacan in addition to Bakhtin. Joyce's literary response to his historical situation was not polemical, Kershner argues, but, in Bakhtin's terms, dialogical: his writings represent an unremitting dialogue with the discordant but powerful voices of his day, many inaudible to us now. Joyce, Bakhtin, and Popular Literature places Joyce within the social and intellectual context of his time. Through stylistic, social, and ideological analysis, Kersner gives us a fuller grasp of the the complexity of Joyce's earlier writings.
James Joyce and Absolute Music by Michelle Witen Pdf
Drawing on draft manuscripts and other archival material, James Joyce and Absolute Music, explores Joyce's deep engagement with musical structure, and his participation in the growing modernist discourse surrounding 19th-century musical forms. Michelle Witen examines Joyce's claim of having structured the “Sirens” episode of his masterpiece, Ulysses, as a fuga per canonem, and his changing musical project from his early works, such as Dubliners and A Portrait of the Artist as a Young Man. Informed by a deep understanding of music theory and history, the book goes on to consider the “pure music” of Joyce's final work, Finnegans Wake. Demonstrating the importance of music to Joyce, this ground-breaking study reveals new depths to this enduring body of work.
James Joyce: the Poetry of Conscience by Mary Parr Pdf
"Mary Parr's discovery of Joyce's use of Charlie Chaplin to create Leopold Bloom of Ulysses ... How Bloom is the Chaplin figure in Ulysses, what this means to the work of art as a whole and how it affects the entire Joyce canon is Mrs. Parr's ... contribution to Joyce studies in this volume"--Cover.
Nadel examines Joyce's identification with the dislocated Jew after his exodus from Ireland and analyzes the influence which Rabbinical hermeneutics and Judaic textuality had on his language. Biographical and historical information is used as well as Joyce's texts and critical theory.
Challenging characterisations of Joyce and Yeats as polar opposites, Alistair Cormack shows that Joyce and Yeats independently challenged a linearity and materialism they identified with empire and celebrated Ireland as destabilising the accepted forms of thought and the accepted means of narrating the nation. Thus, Cormack argues, 'unreadable' modernist works such as Finnegans Wake and A Vision must be understood as attempts to reconceptualise history in a literally postcolonial period.
The Cambridge Companion to James Joyce by Derek Attridge Pdf
This second edition of The Cambridge Companion to Joyce contains several revised essays, reflecting increasing emphasis on Joyce's politics, a fresh sense of the importance of his engagement with Ireland, and the changes wrought by gender studies on criticism of his work. This Companion gathers an international team of leading scholars who shed light on Joyce's work and life. The contributions are informative, stimulating and full of rich and accessible insights which will provoke thought and discussion in and out of the classroom. The Companion's reading lists and extended bibliography offer readers the necessary tools for further informed exploration of Joyce studies. This volume is designed primarily as a students' reference work (although it is organised so that it can also be read from cover to cover), and will deepen and extend the enjoyment and understanding of Joyce for the new reader.
The New Joyce Studies indicates the variety and energy of research on James Joyce since the year 2000. Essays examine Joyce's works and their reception in the light of a larger set of concerns: a diverse international terrain of scholarly modes and methodologies, an imperilled environment, and crises of racial justice, to name just a few. This is a Joyce studies that dissolves early visions of Joyce as a sui generis genius by reconstructing his indebtedness to specific literary communities. It models ways of integrating masses of compositional and publication details with literary and historical events. It develops hybrid critical approaches from posthuman, medical, and queer methodologies. It analyzes the nature and consequences of its extension from Ireland to mainland Europe, and to Africa and Latin America. Examining issues of copyright law, translation, and the history of literary institutions, this volume seeks to use Joyce's canonical centrality to inform modernist studies more broadly.
The Author Chronologies Series aims to provide a means whereby the precise chronological facts of an author's life and career can be seen at a glance. This chronology provides a synopsis of Joyce's first years in Dublin and, from 1900, a more detailed account of his life there and attempts to become established as a writer when living mainly in Trieste and Zurich; and finally (when he became world-famous) Paris, concluding with his death in 1941.
The Illicit Joyce of Postmodernism by Kevin J. H. Dettmar Pdf
For nearly three quarters of a century, the modernist way of reading has been the only way of reading Joyce - useful, yes, and powerful but, like all frameworks, limited. This book takes a leap across those limits into postmodernism, where the pleasures and possibilities of an unsuspected Joyce are yet to be found. Kevin J. H. Dettmar begins by articulating a stylistics of postmodernism drawn from the key texts of Roland Barthes, Mikhail Bakhtin, and Jean-Francois Lyotard. Read within this framework, Dubliners emerges from behind its modernist facade as the earliest product of Joyce's proto-post-modernist sensibility. Dettmar exposes these stories as tales of mystery, not mastery, despite the modernist earmarks of plentiful symbols, allusions, and epiphanies. Ulysses, too, has been inadequately served by modernist critics. Where they have emphasized the work's ingenious Homeric structure, Dettmar focuses instead upon its seams, those points at which the narrative willfully, joyfully overflows its self-imposed bounds. Finally, he reads A Portrait of the Artist and Finnegans Wake as less playful, less daring texts - the first constrained by the precious, would be poet at its center, the last marking a surprising retreat from the constantly evolving, vertiginous experience of Ulysses.
Ulysses is in many ways an occult text, in that it deliberately hides meanings and significances from sight, and compels the reader to unveil its secrets by reading it backwards, from deceiving surfaces to underlying truths. To discuss the occult in Joyce is to analyse “the hidden” in the text. Ulysses is a “human” book. Its most profound meanings are encrypted beneath the surface of its “body.” To discover what’s concealed behind it implies an effort of anthropological archaeology. Accordingly, readers become really interpreters of the occult. Only by following the traces and signs left on the textual surface will they eventually dig out what lies dormant beneath. Joyce was extremely well-read in the occult. The variety of texts on the subject he possessed shows that his position was very eclectic, as if the occult were a kind of amalgam of different traditions, all marked by the signature of secrecy. In his own view, theosophy, mysticism, magic, spiritism, and the so-called occult science blend together to form a cluster of obscure erudition where he finds provocative ideas, helpful in building up his own cryptic system. To read Ulysses hermetically is also a way to show that the act of reading itself is always an experiment. The good thing about readings is that they are always provisional. Reading as a creative process implies the awareness that one will always be quite uncertain as to what lies hidden behind those concatenations of syllables and words we call texts. Interpretation is in fact a mark of our freedom, and all original readings are always subversive and provocative. Criticism to some extent implies often some kind of a subversive attitude, and the game of literature is a useful working ground for attempting to change its possible worlds. To see through surface inanity, in Ulysses, helps us understand that to read is often an act of revolt and resistance to past authoritative interpretations. Excavating the occult in Joyce’s masterpiece is a way to face more canonical readings that preferred not to acknowledge fully the author’s fondness for, and deep knowledge of, the subject. "This is a book which has the gift of explanation rather than simplification - and it will help to move Joyce Studies into new and exciting areas of investigation." Prof. Declan Kiberd, UCD Dublin School of English and Drama "Dr. Terrinoni's work is a very well researched and penetrating study of the occult and hidden in 'Ulysses' finding connections and meanings ignored or misunderstood by other scholars. It is a real contribution to Joyce Studies." Prof. Clive Bloom, Middlesex University
