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This extensively illustrated book examines Greenaway's vision from a number of perspectives and traces a shift of sensibility in his work. David Pascoe examines not only Greenaway's films, but also his paintings, exhibitions and installations. "[Pascoe] tirelessly explicates the numerology and mytho-mania that are the film-maker's organising principles"—The Guardian "A supremely intelligent, utterly tuned-in, definitive exploration of the ultimate British auteur's back catalogue, helpfully illustrated at every opportunity. . . illuminating"—Empire
Peter Greenaway's Postmodern / Poststructuralist Cinema by Paula Willoquet-Maricondi,Mary Alemany-Galway Pdf
Since the 1960s, British multi-media artist Peter Greenaway has shocked and intrigued audiences with his avant-garde approach to filmmaking and other artistic ventures. From early experimental films to provocative features, Greenaway has deployed strategies associated with structuralist cinema, only to challenge or critique the very limits of that cinema and of film in general. In this collection of essays, scholars from a variety of disciplines explore various postmodern and poststructuralist aspects of Greenaway's films, starting with his early shorts and delving into his feature-length works, including The Draughtman's Contract, The Belly of an Architect, A Zed and Two Noughts, The Cook, the Thief, His Wife and Her Lover, The Baby of M%con, and The Pillow Book. Other artistic productions, including his paintings and installations are also discussed. These essays examine the filmmaker's position within British and avant-garde cinema and his interest in constructing and deconstructing representational systems. In the years since the first edition of this book, Greenaway has enjoyed continued success in creating hybridized media projects for the stage and screen, as evidenced by additional essays for this revised edition. A new chapter addresses how Dutch political events and Dutch art have been crucial in shaping Greenaway's aesthetic, focusing on The Draughtsman's Contract, the 1991 opera Writing to Vermeer, and Nightwatching, the audio-visual installation and 2007 film of the same name, which were inspired by Rembrandt's Night Watch. Also new to this collection is an essay that examines Greenaway's most ambitious endeavor to date, The Tulse Luper Suitcases, which exists as four feature films, multiple websites, an online game, several books and installations, and a number of theatrical events. Peter Greenaway's Postmodern/Poststructuralist Cinema, Revised Edition explores the cultural, historical, and philosophical implications of this hybrid artist whose paintings, drawings, exhibitions, installations, and operatic productions are an intrinsic part of his work in film. This collection of diverse essays, which includes two texts by Greenaway, two interviews with the director, and a revised filmography, will interest students, teachers, critics and lovers of both postmodern art and cinema.
Script of Greenaway's 1995 film, The pillow book, which was made as an homage to the 10th century story by Sei Shōnagon entitled Makura no sōshi, on which it is loosely based.
The script for Peter Greenaway's highly anticipated 2022 film starring Morgan Freeman British director Peter Greenaway (born 1942) teams up with the great actor Morgan Freeman for Lucca Mortis, a new film releasing in 2022, set in Lucca, Italy, and New York City. Lucca Mortis tells the story of an aging man living in Little Italy who feels compelled to reconnect with his roots and travels to Lucca, Italy, to do so. Known for his elaborate mise-en-scènes inspired by Italian and Dutch paintings of the 16th and 17th centuries, Greenaway has made such acclaimed films as The Draughtsman's Contract, The Cook, The Thief, His Wife & Her Lover and Drowning by Numbers. Lucca Mortis is his 15th movie. As with previous Greenaway books, this compact and affordable companion volume contains the film's script and stills, as well as Greenaway's drawings.
Peter Greenaway by Paul Melia,Peter Greenaway,Alan Woods,Cornerhouse (Gallery : Manchester, England) Pdf
Morality plays were the main form of theatre in England between about 1400 and 1600. They usually portrayed a representative Christian figure locked in spiritual conflict. They have recently been revived as early examples of living theatre.
This script by British director Peter Greenaway (born 1942) follows Russian director Eisenstein to Guanajuato, Mexico, in 1930, where he worked for ten days on a never-completed film called Que Viva Mexico.
Longtime friends and first-time collaborators Alex Da Corte (born 1980) and Jayson Musson (born 1977) created a major new commission for ICA Philadelphia in 2014. Nearly two and a half hours in length, this in-the-round video installation was scripted by Jayson Musson, directed by Alex Da Corte, and scored by composer Devonté Hynes. Easternsports is an amorality tale for the digital age. Both deadly serious and heartbreakingly flippant, it embraces Gap commercials and grand jury rulings, middle-class aspirations and global imperialism. And it transforms a decade-long conversation between Musson and Da Corte into a work awash in the neon glow of their American milieu.
Perennial Decay by Liz Constable,Dennis Denisoff,Matthew Potolsky Pdf
When Oscar Wilde was convicted of gross indecency in 1895, a reporter for the National Observer wrote that there was "not a man or a woman in the English-speaking world possessed of the treasure of a wholesome mind who is not under a deep debt of gratitude to the marquis of Queensberry for destroying the high Priest of the Decadents." But reports of the death of decadence were greatly exaggerated, and today, more than one hundred years after the famous trial and at the beginning of a new millennium, the phenomenon of decadence continues to be a significant cultural force. Indeed, "decadence" in the nineteenth century, and in our own period, has been a concept whose analysis yields a broad set of associations. In Perennial Decay, Emily Apter, Charles Bernheimer, Sylvia Molloy, Michael Riffaterre, Barbara Spackman, Marc Weiner, and others extend the critical field of decadence beyond the traditional themes of morbidity, the cult of artificiality, exoticism, and sexual nonconformism. They approach the question of decadence afresh, reevaluating the continuing importance of late nineteenth-century decadence for contemporary literary and cultural studies.
Austrian painter Oskar Kokoschka's love for Alma Mahler was so great that he had a life-sized model of her made. The OK Doll, by Peter Greenaway (born 1942), is the script for an unrealized film about the doll that Kokoschka lived with for three years.
Peter Greenaway has an international reputation as one of the most innovative, stylish and intelligent of contemporary film-makers. His eight feature films, from The Draughtsman's Contract to The Pillow Book, have variously, and sometimes simultaneously, prompted controversy, infamy, acclaim and delight. However, Greenaway is an artist whose work also includes painting; collage; experimental TV; the novel/opera Rosa; and numerous exhibitions/installations, including The Stairs, a continuing series of ten projects in ten cities exploring the basic components of cinema. Being Naked Playing Dead explores the complete oeuvre, but centres firmly on Greenaway's insistence that his is 'a cinema of ideas not plots'. Each film is discussed within a thematic analysis of the full range of Greenaway's output and the wider contexts within which it is conceived. In conclusion there are two extended interviews, making this book essential reading for all Greenaway enthusiasts.
In 2007, the internationally renowned filmmaker Peter Greenaway ("The Cook, The Thief, His Wife & Her Lover; The Draughtsman's Contract") will release "Nightwatching," a feature-length study of the life and loves of the eighteenth-century Dutch painter, Rembrandt, via his controversial masterpiece, "The Night Watch," an ensemble painting which depicts the identification of a murderer. According to Greenaway, the painting is "Rembrandt's "J'accuse."" There is a conspiracy painted in Rembrandt's "The Night Watch." The sinister title of the painting alone suggests we should look for it . Is this a painting, or an act of theater, or a still from a film?" In this accompanying artist's book, Greenaway offers fans a glimpse into his own artistic process, with written analyses of each of the characters in the painting followed by a wealth of enlarged, close-up details in which brush marks practically jump from the page.
Goltzius & the Pelican Company by Peter Greenaway Pdf
technologies, the new and often experimental equipment involved was expensive, and the makers had to be persuade, coerce, beg, plead, bribe and fight to find the funding to support it." "Goltzius & the Pelican Company is the story of the Dutch engraver Hendrik Goltzius persuading one of the petty German princelings of Europe to pay for an expensive printing press to make a limited deluxe edition of a boldly illustrated Old Testament. And like a good advertising executive hoping to clinch a deal Goltzius is prepared to sweeten his offer by getting his Pelican Printing Company from The Hague to fulsomely dramatise six erotic biblical tales that demonstrate the six sexual taboos - voyeurism, incest, adultery, pederasty, prostitution and necrophilia. They start with the very first copulation tutored by Saton on Adam and Eve, and continue with the story of Lot and his daughters, the adultery of David and Bathsheba, the seduction of the under-aged Joseph by Potiphar's Wife, the --