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Art history traditionally concentrates on the visual, often at the expense of sound art. This book is about recent attempts by artists trained in (West) Germany to provoke listening experiences to awaken the ear. Their work is revolutionary in artistic terms and in what it reveals about human relations, especially concerning issues of gender.
The Pocket Book of British Patriotism by George Courtauld Pdf
"In late 2004 in Britain, a little, self-published book called The Pocket Book of Patriotism created a publishing sensation in the United Kingdom. Rejected by every major British publisher because "patriotism is an obsolete concept." Written initially for his own three boys, Courtauld was appalled that British children didn't know basic facts of their history and set out to create a simple book that would make his children proud of their heritage. The result, The Pocket Book of Patriotism, is a bare-bones, uniquely British timeline of historic events, with no judgement or padding, brought to life by soul-stirring quotations and placing British history along side the rest of the world in a simple history chart. From Stonehenge 2000 BC to the England rugby team's World Cup triumph in 2003, The Pocket Book of Patriotism contains the essential dates, quotes and speeches of British history." from the publisher.
The Courtauld Cézannes by Paul Cézanne,Stephanie Buck,John House,Elisabeth Reissner,Barnaby Wright,Courtauld Institute Galleries,Joanna Selborne Pdf
The Courtauld Gallery holds the most important group of works by Paul Cézanne (1839-1906) in Britain. This book presents the entire collection for the first time, with major paintings such as the iconic Montagne Sainte-Victoire (1887) and Card Players (1892-95) shown alongside rarely seen drawings and watercolors.
The Courtauld by Ernst Vegelin van Claerbergen,Alexandra Gerstein,Karen Serres,Ketty Gottardo,Barnaby Wright,Coralie Malissard,Rachel Sloan,Alixe Bovey Pdf
The Courtauld is one of the United Kingdom's great art collections, displayed throughout the magnificent historic setting of Somerset House in central London. This elegant book is a curated selection of its highlights -- paintings, drawings, prints, sculpture and decorative arts -- each beautifully illustrated and accompanied by an insightful commentary. Notable among these treasures are remarkable Impressionist and Post-Impressionist paintings, including the world-famous A Bar at the Folies-Bergère by Édouard Manet and Vincent van Gogh's Self-Portrait with Bandaged Ear. This book is also an engaging account of how The Courtauld became an internationally renowned center for the teaching and research of art history, conservation and curating. It was founded nearly a century ago in the belief that art has the power to enrich people's lives. The Courtauld continues that mission today, promoting the understanding of the visual arts and offering a place where everyone can find enjoyment and inspiration.
Master Drawings from the Courtauld Gallery by Colin B. Bailey,Stephanie Buck,Courtauld Institute Galleries,Frick Collection Pdf
This beautiful and scholarly catalogue accompanies the exhibition Mantegna to Matisse: Master Drawings from The Courtauld Gallery, organized by Colin B. Bailey, the Frick's Associate Director; Peter Jay Sharp, Chief Curator; and Stephanie Buck, Martin Halusa Curator of Drawings at The Courtauld Gallery. The drawings represent a survey of the extraordinary of Italian, Dutch, Flemish, German, Spanish, British and French artists active between the late Middle Ages and the early twentieth century.
Spanish Drawings in the Courtauld Gallery by Zahira Veliz Bomford,Courtauld Institute Galleries,Zahira Veliz Pdf
Published to accompany the first substantial exhibition on the tradition of Spanish drawings to take place in London, this catalogue captures the excitement and importance of this rapidly developing field of study. It presents highlights from The Courtauld Gallery's collection of Spanish drawings, one of the most important in Britain. Comprising some 120 works, the collection ranges from the 16th to the 20th centuries and features examples by many of Spain's greatest artists, including Ribera, Murillo, Goya and Picasso.
Reflections by VENETIA. PORTER,Charles Tripp,Natasha Morris Pdf
Reflections: Contemporary Art of the Middle East and North Africa brings together an extraordinary collection of work from the British Museum for the first time. The contemporary art of the Middle East and North Africa is rich and vibrant. Whether living in their countries of birth or in diaspora, the featured artists are part of the globalised world of art. Here we see artists responding to and making work about their present, histories, traditions and cultures, reflecting on a part of the world that has experienced extraordinary change in living memory.The British Museum has been acquiring the work of Middle Eastern and North African artists since the 1980s, and the collection - principally works on paper - is one of the most extensive in the public sphere. Collected within the context of a museum of history, the works offer insights into the nature of civil societies, the complex politics of the region, and cultural traditions in their broadest sense, from the relationship with Islamic art, to the deep engagement with literature.The introduction to the book by curator Venetia Porter explores the history of the collection and the works included. The essential framework for understanding the politics and context within which the artists are working is provided by Charles Tripp's essay. The works are grouped into seven chapters, each beginning with a short introduction. The authors explore the selection within themes such as faith, abstraction and the female gaze.
'A daring blend of romance, crime and history, and an intelligent exposé of the inherent injustice and consequences of all forms of oppression' Tsitsi Dangarembga, Nervous Conditions Opening with the shooting of Lady Virginia 'Ginie' Courtauld in her tranquil garden in 1950s Rhodesia, The Dragon Lady tells Ginie's extraordinary story, so called for the exotic tattoo snaking up her leg. From the glamorous Italian Riviera before the Great War to the Art Deco glory of Eltham Palace in the thirties, and from the secluded Scottish Highlands to segregated Rhodesia in the fifties, the narrative spans enormous cultural and social change. Lady Virginia Courtauld was a boundary-breaking, colourful and unconventional person who rejected the submissive role women were expected to play. Ostracised by society for being a foreign divorcée at the time of Edward VIII and Mrs Simpson, Ginie and her second husband ,Stephen Courtauld, leave the confines of post-war Britain to forge a new life in Rhodesia, only to find that being progressive liberals during segregation proves mortally dangerous. Many people had reason to dislike Ginie, but who had reason enough to pull the trigger? Deeply evocative of time and place, The Dragon Lady subtly blends fact and fiction to paint the portrait of an extraordinary woman in an era of great social and cultural change.
Medieval and Later Ivories in the Courtauld Gallery by John Lowden,Courtauld Institute Galleries Pdf
In 1966 Mark Gambier Parry bequeathed to the Courtauld Gallery the art collection formed by his grandfather Thomas Gambier Parry, who died in 1888. In addition to important paintings, Renaissance glass and ceramics, and Islamic metalwork, this included 28 medieval and Renaissance ivories. Since 1967 about half of the ivories have been on permanent display at The Courtauld, yet they have remained largely unknown, even to experts. This catalogue is the first publication dedicated solely to the collection. There are examples of the highest quality of ivory carving, both secular and religious in content, and a number of the objects are of outstanding interest. They are a revealing tribute to the perceptive eye of Thomas Gambier Parry, a distinguished Victorian collector and Gothic Revival artist responsible for a number of richly painted church interiors in England, such as the Eastern part of the nave ceiling, and the octagon, at Ely Cathedral. The earliest objects in date, probably late 11th century, are the group of walrus ivory plaquettes set into the sides and lids of a casket, portraying the Apostles and Christ in Majesty surrounded by the symbols of the Evangelists. The style leaves little doubt that they should be associated with a group of portable altars at Kloster Melk in Austria. A gap of some two centuries separates the casket panels from the next important object - the central portion of an ivory triptych, containing a Deesis group of Christ enthroned between angels holding instruments of the Passion in the upper register, and the Virgin and Child between candle-bearing angels below. The style of the ivory relates it securely to the atelier of the Soissons Diptych in the Victoria & Albert Museum. The Gambier-Parry fragment employs bold cutting of the frame to accentuate the three-dimensional quantities of the relief. Somewhat later in date, towards the middle of the 14th century, is a complete diptych of the Crucifixion and Virgin with angels, the faces of which Gambier-Parry described as "worthy of Luini". The extraordinary foreshortening of the swooning Virgin's head can happily be paralleled to a diptych in the Schoolmeesters Collection, Liège, by the "aterlie aux visages caractérisés", as named by Raymond Koechlin. The Gambier- Parry diptych, must rank with the finest productions of the workshop.
Art Picture Book by Sarah Courtauld,Kate Davies Pdf
A charmingly illustrated book packed with the best-loved paintings in the National Gallery, London. Includes amazing stories behind the paintings, about the lives of the artists and how they worked, and internet links to find out more. Fantastic for budding art critics. This lovely haardcover picture book is also available in paperback, with stickers to recreate the artworks (ISBN 9780746099995)
Love and Marriage in Renaissance Florence by Caroline Campbell Pdf
Accompanying an exhibition at The Courtauld Gallery, this catalogue explores one of the most important and historically neglected art forms of Renaissance Florence: cassoni - pairs of chests that were lavishly decorated with precious metals and elaborate paintings and were often the most expensive of a whole suite of decorative objects commissioned to celebrate marriage alliances between powerful families.
A new edition of John Ruskin's Of Truth of Water (from Modern Painters) with specially commissioned introductory essays by Heather Birchall, Howard Hull and Mark Haywood, has been published to accompany Ruskin's Pond. Each book has been designed as a separate but related publication and can be purchased either individually or together.
Richard Serra is one of the most important and revered artists working today. Rising to prominence on the New York art scene more than forty years ago, Serra (born 1939) is now celebrated internationally for his unprecedented monumental steel sculptures and for his radical approach to drawing. Richard Serra: Drawings for the Courtauld accompanies the first museum exhibition of Serra's most recent drawings, which mark an exciting new departure for the artist. The display will unveil 12 of Serra's new works, created especially for this installation at The Courtauld. Made using thick black pigment applied to both sides of a clear plastic sheet, these drawings, which he calls 'transparencies', are extraordinary objects that challenge preconceptions of what constitutes a drawing. For Serra, drawing has always been an essential way of exploring new creative impulses, materials and working methods. 0Exhibition: The Courtauld Gallery, London, UK (19.9.2013-12.1.2014). 0.
The exhibition focusses on an Islamic inlaid handbag made in Mosul, northern Iraq about 1300. The bag was made for a lady in the courtly circles of the Mongol Ilkhanid dynasty established in west Asia by Genghis Khan's grandson, Hulagu. The bag, inlaid with gold and silver, features intricate geometric patterns and roundels with images of musicians and horsemen. No other object of this kind is known.