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When Native and Métis unrest escalated into the Northwest Rebellion of 1885, white settlers in southern Alberta`s cattle country were terrified. Three major First Nations bordered their range, and war seemed certain. In anticipation, 114 men mustered to form the Rocky Mountain Rangers, a volunteer militia charged with ensuring the safety of the open range between the Rocky Mountains and the Cypress Hills. The Rangers were a motley crew, from ex-Mounties and ex-cons to retired, high-ranking military officials and working ranch hands. Membership qualifications were scant: ability to ride a horse, knowledge of the prairies, and preparedness to die. The Rangers were resolutely prepared to fight, as mounted cavalry, should the rebellion spread. This is their story, inextricably linked to the dissensions of the day, rife with skirmishes, corruption, jealousies, rumour, innuendo and gross media sensationalizing . . . all bound together with what author Gordon Tolton terms "a generous helping of gunpowder."
When Native and Métis unrest escalated into the Northwest Rebellion of 1885, settlers in southern Alberta's cattle country were terrified. Three major First Nations bordered their range, and war seemed certain. In anticipation, 114 men mustered to form the Rocky Mountain Rangers, a volunteer militia charged with ensuring the safety of the open range between the Rocky Mountains and the Cypress Hills. The Rangers were a motley crew, from ex-Mounties and ex-cons to retired, high-ranking military officials and working, ranch-hand cowpokes. Membership qualifications were scant: ability to ride a horse, knowledge of the prairies, and preparedness to die. This is their story, inextricably linked to the dissensions of the day, rife with skirmishes, corruption, jealousies, rumour, innuendo and gross media sensationalizing . . . all bound together with what author Gordon Tolton terms “a generous helping of gunpowder.” Tolton’s meticulous research reveals unexplored perspectives and little-known details. Be prepared for surprises!
A cowboy with a lot to prove meets his match when he falls for a mysterious beauty… The truth about his family's past has always haunted rancher Frankie Hastings. Determined to prove what happened more than a century ago, the black-sheep brother plans to chronicle the story in a documentary. But a mysterious descendant connected to that truth could jeopardize everything. So charming Kate West becomes the first step in securing her support. Falling for the gorgeous skeptic is a welcome follow-up. And yet, despite their electric attraction, it's clear Kate's mind is filled with things beyond their sizzling kisses. Then his simple project turns deadly and Frankie has more questions than answers. Like how far will he go to protect the woman he suddenly can't live without?
Who Rush to Glory by Clifford Peter Westermeier Pdf
Among the thousands who answered President McKinley's call for volunteers to fight in the Spanish-American War, there were three patriotic men who conceived, almost simultaneously, the idea of creating cowboy volunteer cavalry regiments to lead the United States forces against the enemy. Who Rush to Glory recounts the story of these three men--Theodore Roosevelt, Jay L. Torrey, and Melvin Grigsby, leaders, respectively, of the First, Second, and Third United States Volunteer Cavalry Regiments--and of the three reputedly cowboy regiments. New concerning the regiments immediately captured the fancy of the press. In the ensuing months of this short war--only 115 days--journalists followed in detail the recruiting, training, travels, trials, successes, tragedies, and even the mustering out of these three army units, and it is upon their newspaper reports that Mr. Westermeier relies for material for his account of the Cowboy Volunteers of 1898 and their leaders. Clifford P. Westermeier has translated the newspaper dispatches into a lively yet homey and human account of the day-by-day events surrounding the leaders, the regiments, and the cowboy volunteers who served their country in the Spanish-American War. The carefree, unsuspecting attitude and the boyish naïveté of the volunteers is contrasted sharply with the serious but unimaginative efforts and, sometimes, the pomposity of their leaders. Of the three regiments, only Roosevelt's Rough Riders actually met the enemy, but the other two faced foes almost as real. Grigsby's Cowboys fought their sickening battle in foul-smelling encampments against disease and boredom; tragedy and death plagued Torrey's Terrors, and their hopes and tenacity shattered amid scenes of disappointment and inactivity. Who Rush to Glory presents the dramatic story of the staunch horsemen from mountain and plain who served their country well--a cavalcade that marched briefly across the horizon but left and indelible imprint.--Jacket flap
Author : S. M. Evans,Sarah Carter,Bill Yeo,Glenbow Museum Publisher : University of Calgary Press Page : 255 pages File Size : 44,6 Mb Release : 2000 Category : Canada, Western ISBN : 9781552380192
Army Ranger Redemption --Carol Ericson The Timberline Trio was the cold case everyone in town was doomed to remember. Scarlett Easton may have just been a child then, but the fear it spread throughout the reservation haunts her to this day. Jim Kennedy ran off to war to escape this place, and has now returned to fight his own battle on the home front. And when that puts Scarlett in danger, both their loyalties will be tested. Finding themselves on opposite sides of a town that's never recovered from the kidnappings decades ago, Jim and Scarlett discover that not only are their pasts forever tied together, but so are their futures... Cowboy Cavalry -- Alice Sharpe The truth about his family's past always haunted rancher Frankie Hastings. Determined to prove what happened more than a century ago, he plans to chronicle the story in a documentary. But a mysterious descendant connected to that truth could jeopardise everything. So charming Kate West becomes the first step in securing her support. Falling for the gorgeous sceptic is a welcome follow-up. And yet, despite their electric attraction, it's clear Kate's mind is filled with things beyond their sizzling kisses. Then his simple project turns deadly and Frankie has more questions than answers. Like how far will he go to protect the woman he suddenly can't live without?
They Were the Rough Riders by Richard E. Killblane Pdf
After just four weeks of training, Colonel Theodore Roosevelt's Rough Riders--a regiment of cowboys recruited into the First U.S. Volunteer Cavalry--fought in Cuba during the Spanish-American War with the skill of seasoned regulars. The unit reflected the future president's character as a wealthy Ivy Leaguer who went west to experience frontier life. Most of the Rough Riders were seasoned cowhands from the Southwest, but Ivy League athletes, sons of millionaires and lawmen filled out the ranks. Roosevelt molded this diverse group into a cohesive, efficient fighting force and led them to victory on San Juan Hill. Told from the perspective of the men in the regiment, this book traces the history of the Rough Riders from conception to disbanding, and Roosevelt's transformation into an American hero.
The Creation of the Cowboy Hero by Jeremy Agnew Pdf
As business interests have commercialized the American West and publishers and studios have created compelling imagery, the expectations of readers and moviegoers have influenced perceptions of the cowboy as a hero. This book describes the evolution of the cowboy hero as a mythic persona created by dime novels, television and Hollywood. Much of our concept of the cowboy comes to us from movies and the book’s main focus is his changing image in cinema. The development of the hero image and the fictional West is traced from early novels and films to the present, along with shifting audience expectations and economic pressures.
Best known to Americans as the “singing cowboy,” beloved entertainer Gene Autry (1907–1998) appeared in countless films, radio broadcasts, television shows, and other venues. While Autry’s name and a few of his hit songs are still widely known today, his commitment to political causes and public diplomacy deserves greater appreciation. In this innovative examination of Autry’s influence on public opinion, Michael Duchemin explores the various platforms this cowboy crooner used to support important causes, notably Franklin D. Roosevelt’s New Deal and foreign policy initiatives leading up to World War II. As a prolific performer of western folk songs and country-western music, Autry gained popularity in the 1930s by developing a persona that appealed to rural, small-town, and newly urban fans. It was during this same time, Duchemin explains, that Autry threw his support behind the thirty-second president of the United States. Drawing on a wealth of primary sources, Duchemin demonstrates how Autry popularized Roosevelt’s New Deal policies and made them more attractive to the American public. In turn, the president used the emerging motion picture industry as an instrument of public diplomacy to enhance his policy agendas, which Autry’s films, backed by Republic Pictures, unabashedly endorsed. As the United States inched toward entry into World War II, the president’s focus shifted toward foreign policy. Autry responded by promoting Americanism, war preparedness, and friendly relations with Latin America. As a result, Duchemin argues, “Sergeant Gene Autry” played a unique role in making FDR’s internationalist policies more palatable for American citizens reluctant to engage in another foreign war. New Deal Cowboy enhances our understanding of Gene Autry as a western folk hero who, during critical times of economic recovery and international crisis, readily assumed the role of public diplomat, skillfully using his talents to persuade a marginalized populace to embrace a nationalist agenda. By drawing connections between western popular culture and American political history, the book also offers valuable insight concerning the development of leisure and western tourism, the information industry, public diplomacy, and foreign policy in twentieth-century America.
Teddy Roosevelt at San Juan by Peggy Samuels,Harold Samuels Pdf
Termed a "Southern gothic musical," Ghost Brothers of Darkland County was scripted by novelist Stephen King with the music coming from maverick heartland rocker John Mellencamp, a collaboration a bit left-field for both artists. This set includes Mellencamp's songs interspersed with key dialogue from King's libretto, and while the story might be too complex -- essentially, it's the tale of two brothers involved in a murder/suicide whose ghosts haunt an isolated cabin and whose tragic deeds and consequent fate seems about to be repeated by their living nephews -- to be truly appreciated in single-disc form like this, so it's Mellencamp's songs, sung by the likes of Elvis Costello, Neko Case, Sheryl Crow, Dave and Phil Alvin (real-life brothers whose estrangement with each other ended while working on this project), Taj Mahal, Ryan Bingham, Clyde Mulroney, Rosanne Cash, and Kris Kristofferson (Mellencamp only sings on one song here, the summing-it-up last track "Truth") that are really left to carry things. They certainly work as songs, and may well be among the best Mellencamp has ever written, while the overall sound of the whole musical suite, crafted by T-Bone Burnett, is kind of like a sparse and shined-up version of a late-period Tom Waits album, due in part to the presence of multi-instrumentalist Marc Ribot on most of the tracks, and the tight, spare rhythm section of Jay Bellerose on drums and David Piltch on bass. The performances? Elvis Costello sounds gleeful and sinful on "That's Me" (identity and fulfillment are key themes of Ghost Brothers of Darkland Country, that and history's tendency to repeat itself), Neko Case is sassy and sure on "That's Who I Am," Kris Kristofferson sounds old, wise, and weary on "How Many Days," Taj Mahal rages through "Tear This Cabin Down," and Sheryl Crow is confident and cocky on "Jukin'," while Rosanne Cash turns in a delicately worn and wise reading of "You Don't Know Me," and for a story that spans decades and generations, it's obvious that everyone is singing about who they are, who they ought to be, and who they ended up becoming. It's difficult to say how good this musical is just from the songs and pieces of dialogue presented here, but the songs have a weary, inevitable flow to them, as if fate forced them into a dark room with little light or air or chance of redemption. Redemption comes with acceptance of who one is, the songs and story here seem to say, and only then can the real truth about what has happened to anyone really be revealed. It's a ghost story, after all. ~ Steve Leggett
The "Rough Riders" was the name bestowed on the 1st United States Volunteer Cavalry, one of three such regiments raised in 1898 for the Spanish-American War and the only one of the three to see action. The United States army was weakened and left with little manpower after the Civil War roughly 30 years prior. As a result, President William McKinley called upon 1,250 volunteers to assist in the war efforts. Leonard Wood, a doctor who served as the medical advisor for both the President and secretary of war, was appointed the position of Colonel of The Rough Riders with Theodore Roosevelt serving as Lieutenant-Colonel. Lieutenant-Colonel Roosevelt used his political influence gained as Assistant Secretary of the Navy, to ensure that 'his' volunteer cavalry regiment would be properly equipped to serve as any regular unit of the U.S. Army. "They succeeded in getting their cartridges, revolvers, clothing, shelter-tents, and horse gear ... and in getting the regiment armed with the Krag-Jorgensen carbine used by the regular cavalry." Officers of the regiment each received a new lever-action M1895 Winchester rifle. A last minute gift from a wealthy donor were a pair of modern gas-operated M1895 Colt-Browning machine guns. In contrast, the uniforms of the regiment were designed to set the unit apart. "The Rough Rider uniform was a slouch hat, blue flannel shirt, brown trousers, leggings, and boots, with handkerchiefs knotted loosely around their necks. They looked exactly as a body of cowboy cavalry should look."
A new study of those excluded from the national narrative of the West. Dan Moos challenges both traditional and revisionist perspectives in his exploration of the role of the mythology of the American West in the creation of a national identity. While Moos concurs with contemporary scholars who note that the myths of the American West depended in part upon the exclusion of certain groups - African Americans, Native Americans, and Mormons - he notes that many scholars, in their eagerness to identify and validate such excluded positions, have given short shrift to the cultural power of the myths they seek to debunk. That cultural power was such, Moos notes, that these disenfranchised groups themselves sought to harness it to their own ends through the active appropriation of the terms of those myths in advocating for their own inclusion in the national narrative. that, because the construction of American culture was never designed to accommodate these outsiders, their writings display a division between their imagined place in the narrative of the nation and their effacement within the real West marked by intolerance and inequality.
