The Cowboy His Characteristics His Equipment And His Part In The Development Of The West 1922
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The Cowboy: His Characteristics, His Equipment, and His Part in the Development of the West (1922) by Philip Ashton Rollins Pdf
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
The Cowboy; His Characteristics, His Equipment, and His Part in the Development of the West by Philip Ashton Rollins Pdf
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1922 edition. Excerpt: ... COWBOY CHARACTER NECESSARY COURAGE--BODILY INJURIES--UNCOMPLAININGNES8--CHEERFULNESS--RESERVE TOWARD STRANGERS--ITS CAUSE--CUSTOMS WHEN MEETING PEOPLE, AND WHEN ENTERING A CAMP--PERSONAL NAMES-- ETIQUETTE OF GUN AND HAT--INTRODUCTIONS--CURBING CURIOSITY-- ATTITUDE TOWARD WOMEN--ILLNESS AND MEDICAL TREATMENT--SENTENTIOUSNESS--DEFINITIONS--QUIZZICALITY--SLANG--PROFANITY -- DEFINITIONS--RELIGIOUS ATTITUDE--POWER OF OBSERVATION--CHARACTERISTIC POSE--USE OF TOBACCO--BOWED LEGS--DEGREE OF HONESTY-- ESTIMATE OF EASTERNERS--INTELLECTUAL INTERESTS AND SCOPE--SENSE OF DIGNITY--VANITY Universality of courage was an earmark of the cowboys' trade. Bravery was a prerequisite both to entering and to pursuing the vocation. When a man suddenly "lost his riding nerve," as he occasionally did from his own serious illness or from witnessing distressing accident to a loved companion, an accident such as plastered Bud Thompson's face with his brother's brains, he sometimes lost it forever, and with it his calling. Unless unhorsed by this infrequent cause, he rode until he received injury that promised permanence, or he sooner voluntarily retired. Physical injury, ordinarily the gift of bucking, and in the form of hernia, allowed to the average man but seven years of active riding. Once dropped from the centaurs, whether through injury or, much rarer, loss of riding nerve, he still lived on horseback, but regretfully, humiliatingly refrained from "hair-pinning" or "forking" at sight "anything on four hoofs," and restricted himself to such animals as supposedly were not vicious. Courage was needed elsewhere than on the bucker's back or amid the cattle. The cowboy by the nature of his work was required, from time to time, to endure the pitiless Northern...
The End of American Exceptionalism by David M. Wrobel Pdf
A lucid and rewarding synthesis of cultural and western history. -- Richard W. Etulain, author of Writing Western History. Wrobel makes a fine contribution to the study of myth by analyzing the anxiety, or angst, Americans felt about the frontier in the half-century after 1890. This is an excellent book on a big subject, executed with much skill. -- Western Historical Quarterly. Direct, admirably brief, and crisply written. -- Journal of American History.
Cowboy Christians examines the long history of cowboy Christianity in the American West, with a focus on the present-day cowboy church movement. Based on five years of historical and sociological fieldwork in cowboy Christian communities, this book draws on interviews with leaders of cowboy churches, traveling rodeo ministries, and chaplains who serve horse racing and bull riding communities, along with the author's first-hand experiences as a participant observer. Marie W. Dallam traces cowboy Christianity from the postbellum period into the twenty-first century, looking at religious life among cowboys on the range as well as its representation in popular imagery and the media. She examines the structure, theology, and perpetuation of the modern cowboy church, and speculates on future challenges the institution may face, such as the relegation of women to subordinate participant roles at a time of increasing gender equality in the larger society. She also explores the cowboy Christian proclivity for blending the secular and the sacred in leisure environments like arenas, racetracks, and rodeos. Dallam locates the modern cowboy church as a descendant of the muscular Christianity movement, the Jesus movement, and new paradigm church methodology. Cowboy Christians establishes the religious significance of the cowboy church movement, particularly relative to twenty-first-century evangelical Protestantism, and contributes to a deeper understanding of the unique Christianity of the American West.
Author : Charles W. Harris,Buck Rainey Publisher : University of Oklahoma Press Page : 180 pages File Size : 49,9 Mb Release : 1976-07-15 Category : History ISBN : 0806113413
One of America’s unique contributions to world culture, the cowboy has captured the imagination of people everywhere. In The Cowboy: Six-Shooters, Songs, and Sex, eight renowned western writers report on what the cowboys really were like and what they are like today. Contributors detail how the cowboys lived, loved, and died, how they fared when ranchers switched from running cattle to entertaining dudes, and how the media have depicted the cowboy.
This is the definitive critical anthology on the writings of Texan Robert Howard, the originator of Sword & Sorcery fantasy and also of Conan The Barbarian. The essays survey Howard's work in fantasy, westerns, poetry and supernatural horror tales.
A colorful account of five centuries of cowboy culture details the life, history, customs, status, job, equipment, and more of the cowboy from sixteenth-century Spanish Mexico to the present.
The Cowboy, His Characteristics, His Equipment, and His Part in the Development of the West by Philip Ashton Rollins Pdf
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More than five thousand Negro cowboys joined the round-ups and served on the ranch crews in the cattleman era of the West. Lured by the open range, the chance for regular wages, and the opportunity to start new lives, they made vital contributions to the transformation of the West. They, their predecessors, and their successors rode on the long cattle drives, joined the cavalry, set up small businesses, fought on both sides of the law. Some of them became famous: Jim Beckwourth, the mountain man; Bill Pickett, king of the rodeo; Cherokee Bill, the most dangerous man in Indian Territory; and Nat Love, who styled himself "Deadwood Dick." They could hold their own with any creature, man or beast, that got in the way of a cattle drive. They worked hard, thought fast, and met or set the highest standards for cowboys and range riders.
While political liberals celebrated the end of “cowboy politics” with the election of Barack Obama to the presidency, political conservatives in the Tea Party and other like-minded groups still vociferously support “cowboy” values such as small government, low taxes, free-market capitalism, and the right to bear arms. Yet, as Douglas Brode argues in this paradigm-shifting book, these supposedly cowboy or “Old West” values hail not so much from the actual American frontier of the nineteenth century as from Hollywood’s portrayal of it in the twentieth century. And a close reading of Western films and TV shows reveals a much more complex picture than the romanticized, simplistic vision espoused by the conservative right. Examining dozens of Westerns, including Gunfight at the O.K. Corral, Red River, 3:10 to Yuma (old and new), The Wild Ones, High Noon, My Darling Clementine, The Alamo, and No Country for Old Men, Brode demonstrates that the genre (with notable exceptions that he fully covers) was the product of Hollywood liberals who used it to project a progressive agenda on issues such as gun control, environmental protection, respect for non-Christian belief systems, and community cohesion versus rugged individualism. Challenging us to rethink everything we thought we knew about the genre, Brode argues that the Western stands for precisely the opposite of what most people today—whether they love it or hate it—believe to be the essential premise of “the only truly, authentically, and uniquely American narrative form.”
"What would rodeo look like if we took it as a record, not of human triumph and resilience, but of human imperfection and stubbornness?” asks animal historian Susan Nance. Against the backdrop of the larger histories of ranching, cattle, horses, and the environment in the West, this book explores how the evolution of rodeo has reflected rural western beliefs and assumptions about the natural world that have led to environmental crises and served the beef empire. By unearthing behind-the-scenes stories of rodeo animals as diverse individuals, this book lays bare contradictions within rodeo and the rural West. For almost 150 years, westerners have used rodeo to symbolically reenact their struggles with animals and the land as uniformly progressive and triumphant. Nance upends that view with accounts of individual animals that reveal how diligently rodeo people have worked to make livestock into surrogates for the trials of rural life in the West and the violence in its history. Western horses and cattle were more than just props. Rodeo reclaims their lived history through compelling stories of anonymous roping steers and calves who inspired reform of the sport, such as the famed but abused bucker Steamboat, and the many broncs and bulls, famous or not, who unknowingly built an industry. Rodeo is a dangerous sport that reveals many westerners as people proudly tolerant of risk and violence, and ready to impose these values on livestock. In Rodeo: An Animal History, Nance pushes past standard histories and the sport’s publicity to show how rodeo was shot through with stubbornness and human failing as much as fortitude and community spirit.
