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This series of biographical profiles shines a spotlight on that special place "Where the West meets the Guitar." From Gene Autry and Roy Rogers to contemporary artists like Michael Murphy, Red Steagall, Don Edwards and Riders in the Sky, many entertainers have performed music of the West, a genre separate from mainstream country music and yet an important part of the country music heritage. Once called "Country and Western," it is now described as "Country or Western." Though much has been written about "Country," very little has been written about "Western"--until now. Featured are a number of photos of the top stars in Western music, past and present. Also included is an extensive bibliography of works related to the Western music field.
"A hot romance and a fast galloping plot."—JODI THOMAS, New York Times bestselling author, for Jace What's a country music star to do when his world is falling apart around him? Can he find his way back home? According to his record label, Travis King's drinking and partying has to stop. Or else... Image rebranding means joining AA and singing opposite one of the industry's rising stars at an upcoming awards show. It wouldn't be so bad if Loretta Gram wasn't cold as ice. No matter how hard he turns on the charm, she won't give him a break. It looks like this cowboy has finally met his match. Loretta is still grieving the death of her original singing partner, and she doesn't have it in her to deal with playboy Travis King. But her career is all she has, so if singing with the Three Kings is what she needs, she'll do it. Loretta isn't as cold as she lets on, but she's had more than her share of heartache. When she finally shows Travis who she is, he knows he'll do anything to be her forever cowboy. Perfect for fans of: Enemies-to-lovers and opposites-attract romance Behind-the-scenes glimpses into country music Characters who find the courage to be their true selves Poignant romance that warms your heart
This blast from the past has got country star Emmy Lou King singing the blues... Emmy Lou King is lead singer for the famous band Three Kings, and her whole family is legendary in country music. When her father lands her the opportunity to sing the American Football League anthem and serve on one of the AFL's anti-drug charities, Emmy Lou agrees. Combining her fan-base and those of the AFL could do some good in the fight against drugs. But can she handle working with Brock Watson? She'd barely recovered from their breakup--and she's never loved anyone else. When a hotshot second string player arrives to fill-in until he is cleared to play football, Brock Watson feels the pressure. From dealing with his father's declining health, keeping the ranch running, staying in game-ready shape, and his dedication to the charity that changed his life, there's no time for anything else. Emmy Lou included. After six years, he'd like to think she couldn't mess with his head anymore. But one look, one smile--and he knows she's as dangerous as ever. He can't resist her, he never could, but this time his heart is off limits. The more time she spends with Brock, the harder it is to keep her distance. But his devotion to his family, his fans, and this charity can't erase the way he'd used her to secure his success. Maybe, if she can guard her heart, she can accept the fiery, no-strings relationship he's willing to offer. But how can she guard something that, right or wrong, already belongs to him? "Romance that will keep you reading into the night."--JODI THOMAS, New York Times bestselling author, for Jace
Author : Bill C. Malone Publisher : University of Georgia Press Page : 170 pages File Size : 51,5 Mb Release : 2003-08-01 Category : Music ISBN : 0820325511
Singing Cowboys and Musical Mountaineers by Bill C. Malone Pdf
In this slim, lively book our foremost historian of country music recalls the lost worlds of pioneering fiddlers and pickers, balladeers and yodelers. As he looks at "hillbilly" music's pre-commercial era and its early popular growth through radio and recordings, Bill C. Malone shows us that it was a product not only of the British Isles but of diverse African, German, Spanish, French, and Mexican influences.
Cosmic Cowboys and New Hicks by Travis D. Stimeling Ph.D. Pdf
Country music of late 1960s and early 1970s was a powerful symbol of staunch conservative resistance to the flowering hippie counterculture. But in 1972, the city of Austin, Texas became host to a growing community of musicians, entrepreneurs, journalists, and fans who saw country music as a part of their collective heritage and sought to reclaim it for their own progressive scene. These children of the Cold War, post-World War II suburban migration, and the Baby Boom escaped the socially conservative world their parents had created, to instead create for themselves an idyllic rural Texan utopia. Progressive country music--a hybrid of country music and rock--played out the contradictions at work among the residents of the growing Austin community: at once firmly grounded in the conservative Texan culture in which they had been raised and profoundly affected by the current hippie counterculture. In Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austin's Progressive Country Music Scene, Travis Stimeling connects the local Austin culture and the progressive music that became its trademark. He presents a colorful range of evidence, from behavior and dress, to newspaper articles, to personal interviews of musicians as diverse as Willie Nelson, Jerry Jeff Walker, and Doug Sahm. Along the way, Stimeling uncovers parodies of the cosmic cowboy image that reinforce the longing for a more peaceful way of life, but that also recognize an awareness of the muddled, conflicted nature of this counterculture identity. Cosmic Cowboys and New Hicks brings new insight into the inner workings of Austin's progressive country music scene -- by bringing the music and musicians brilliantly to life. This book will appeal to students and scholars of popular music studies, musicology and ethnomusicology, sociology, cultural studies, folklore, American studies, and cultural geography; the lucid prose and interviews will also make the book attractive to fans of the genre and artists discussed within. Austin residents past and present, as well as anyone with an interest in the development of progressive music or today's 'alt.country' movement will find Cosmic Cowboys and New Hicks an informative, engaging resource.
Author : Bill C. Malone,Tracey Laird Publisher : University of Texas Press Page : 769 pages File Size : 46,8 Mb Release : 2018-06-04 Category : Music ISBN : 9781477315378
Country Music USA by Bill C. Malone,Tracey Laird Pdf
“Fifty years after its first publication, Country Music USA still stands as the most authoritative history of this uniquely American art form. Here are the stories of the people who made country music into such an integral part of our nation’s culture. We feel lucky to have had Bill Malone as an indispensable guide in making our PBS documentary; you should, too.” —Ken Burns and Dayton Duncan, Country Music: An American Family Story From reviews of previous editions: “Considered the definitive history of American country music.” —Los Angeles Times “If anyone knows more about the subject than [Malone] does, God help them.” —Larry McMurtry, from In a Narrow Grave “With Country Music USA, Bill Malone wrote the Bible for country music history and scholarship. This groundbreaking work, now updated, is the definitive chronicle of the sweeping drama of the country music experience.” —Chet Flippo, former editorial director, CMT: Country Music Television and CMT.com “Country Music USA is the definitive history of country music and of the artists who shaped its fascinating worlds.” —William Ferris, University of North Carolina at Chapel Hill, former chairman of the National Endowment for the Humanities and coeditor of the Encyclopedia of Southern Culture Since its first publication in 1968, Bill C. Malone’s Country Music USA has won universal acclaim as the definitive history of American country music. Starting with the music’s folk roots in the rural South, it traces country music from the early days of radio into the twenty-first century. In this fiftieth-anniversary edition, Malone, the featured historian in Ken Burns’s 2019 documentary on country music, has revised every chapter to offer new information and fresh insights. Coauthor Tracey Laird tracks developments in country music in the new millennium, exploring the relationship between the current music scene and the traditions from which it emerged.
The rich and colorful story of America's most popular music and the singers and songwriters who captivated, entertained, and consoled listeners throughout the twentieth century--based on the upcoming eight-part film series to air on PBS in September 2019 This gorgeously illustrated and hugely entertaining history begins where country music itself emerged: the American South, where people sang to themselves and to their families at home and in church, and where they danced to fiddle tunes on Saturday nights. With the birth of radio in the 1920s, the songs moved from small towns, mountain hollers, and the wide-open West to become the music of an entire nation--a diverse range of sounds and styles from honky tonk to gospel to bluegrass to rockabilly, leading up through the decades to the music's massive commercial success today. But above all, Country Music is the story of the musicians. Here is Hank Williams's tragic honky tonk life, Dolly Parton rising to fame from a dirt-poor childhood, and Loretta Lynn turning her experiences into songs that spoke to women everywhere. Here too are interviews with the genre's biggest stars, including the likes of Merle Haggard to Garth Brooks to Rosanne Cash. Rife with rare photographs and endlessly fascinating anecdotes, the stories in this sweeping yet intimate history will captivate longtime country fans and introduce new listeners to an extraordinary body of music that lies at the very center of the American experience.
Includes essays tracing Country's growth from hand-me-down folk to a major American industry; concise biographies; critical album reviews, from the earliest commercial recordings of the 1920s through the mulitplatinum artists of today; and vintage album jackets and previously unpublished photographs.
Country music may have existed before 1925-in barn dances, roadside taverns, tent shows, minstrel shows, and vaudeville-but it didn't become Country Music until the advent of radio and new stars were born. In Classic Country Singers, author Douglas B. Green (a.k.a. Ranger Doug from the Grammy-winning western group Riders in the Sky) celebrates the men and women who built the industry that gave us "Your Cheatin' Heart," "Blue Yodel," "It Wasn't God Who Made Honky Tonk Angels," and the Grand Ole Opry. From the beginnings of bluegrass to honky-tonk to western swing and more, Classic Country Stars offers intimate biographies and cherished photos covering the careers of nearly fifty major stars from country music's first half-century, including beloved musicians such as Uncle Dave Macon, the Carter Family, and Jimmie Rodgers up to the pop-country hit makers of the 1950s like Eddy Arnold and Marty Robbins. Through war, depression, and the advent of rock and roll, these men and women pioneered a sound that moved from regional barn dances and radio stations to an international audience. Includes profiles on: Hank Williams Gene Autry Hank Snow Kitty Wells Ray Price Minnie Pearl Ernest Tubb Douglas B. Green is the author of three previous works on American music: Country Roots, Singing In The Saddle, and Singing Cowboys. He is considered one of the leading experts on American roots music, especially western. His full-time job for thirty years has been as lead vocalist of Riders in the Sky, the two-time Grammy-award-winning western quartet and member of the Western Music Hall of Fame. For more information on the group, including their tour schedule, please visit www.ridersinthesky.com.
Did you know that some of the first country singers were cowboys? Country songs tell stories about everyday life. Discover these and other fascinating facts in Country, an I Love Music book.
As the United States expanded west in the 1800s, and cattle became big business, the figure of the young brash cattleman who rode with the herds quickly emerged as a cultural icon. Victorian Americans went crazy for cowboys, snapping up dime-store novels and sheet music, and turning out in droves for Buffalo Bill Cody's Wild West Show. It was only a matter of time before someone brought together these three facets-entertainer, singer, and cowboy. And when Carl T. Sprague recorded the first hit cowboy record ("When the Work's All Done This Fall") in 1925, the singing cowboy as we know him was born. A singing cowboy himself, Douglas B. Green (better known as Ranger Doug from the Grammy-award-winning group Riders In The Sky) is uniquely suited to write the story of the singing cowboy. He has been collecting information and interviews on western music, films, and performers for nearly thirty years. In this volume, he traces this history from the early days of vaudeville and radio, through the heyday of movie westerns before World War II, to the current revival. He provides rich and careful analysis of the studio system that made men such as Gene Autry and Roy Rogers famous, and he documents the role that country music and regional television stations played in carrying on the singing cowboy tradition after World War II. This book, lavishly illustrated with over 140 photos, is a wealth of information that comes out of decades of research. Green has unearthed never-before-published photos and rare movie posters-including one from an all-Black western, Harlem on the Prairie (1938). Through his close friendships with other singing cowboys and their families, Green is able to provide rare insights into the ways that some like Autry became stars and others like Raoul Walsh (who lost his eye in a shooting accident and later became a famous director) did not. Green also traces the history of cowboy music, from popular songs such as "Sweet Betsy from Pike" to the instantly recognizable harmonies of the Sons of the Pioneers. Green even speculates about just when the famous yodel became a ubiquitous part of the singing cowboy's repertoire. More important, Green reveals how the imagery of the singing cowboy has become such a potent force that even now country musicians don cowboy hats so as to symbolically take part in the legend. Nowhere has the recorded history of the singing cowboy and the film history been collected in one volume, and this book is sure to become the resource for students of the style. Co-published with the Country Music Foundation Press
