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First anthology of Villa's essays written from the 1920s to the 1950s, which created a canon of Philippine fiction and poetry--essays counting as among the most significant in Philippine literary criticism in English. Includes the famed annual Villa selection of best short stories and poems, occasional critical essays and letters to the editor, and unpublished pieces. With extensive explanatory and bibliographic notes.
Souffles-Anfas by Olivia C. Harrison,Teresa Villa-Ignacio Pdf
Souffles-Anfas: A Critical Anthology from the Moroccan Journal of Culture and Politics introduces and makes available, for the first time in English, an incandescent corpus of experimental leftist writing from North Africa. Founded in 1966 by Abdellatif Laâbi and a small group of avant-garde Moroccan poets and artists and banned in 1972, Souffles-Anfas was one of the most influential literary, cultural, and political reviews to emerge in postcolonial North Africa. An early forum for tricontinental postcolonial thought and writing, the journal published texts ranging from experimental poems, literary manifestos, and abstract art to political tracts, open letters, and interviews by contributors from the Maghreb, the Middle East, Africa, Europe, and the Americas. The essays, poems, and artwork included in this anthology—by the likes of Abdelkebir Khatibi, Tahar Ben Jelloun, Albert Memmi, Etel Adnan, Sembene Ousmane, René Depestre, and Mohamed Melehi—offer a unique window into the political and artistic imaginaries of writers and intellectuals from the Global South, and resonate with particular acuity in the wake of the Arab Spring. A critical introduction and section headnotes make this collection the perfect companion for courses in postcolonial theory, world literature, and poetry in translation.
Jose Garcia Villa was an elusive figure in American literary circles. At the height of his career in the 1940s and 1950s, Villa was part of an elite literary circle that included Marianne Moore, e. e. cummings, Dame Edith Sitwell, Dylan Thomas, and W.H. Auden. His first book of poetry, Have Come, Am Here, won the American Academy of Arts and Letters Award in 1942, the first of many other awards. Yet, despite numerous accolades, he has been largely dismissed in the United States where his reputation was built and has been criticized in Asian American studies for not being "ethnic" enough. The Anchored Angel rediscovers the work of this fierce: conoclast by reprinting a selection of his writing and providing rich secondary materials, including a complete bibliography.
Doveglion: Collected Poems by Jose Garcia Villa Pdf
The centennial edition of major Filipino writer José Garcia Villa's collected poetry Known as the "Pope of Greenwich Village," José Garcia Villa had a special status as the only Asian poet among a group of modern literary giants in 1940s New York that included W. H. Auden, Tennessee Williams, and a young Gore Vidal. But beyond his exotic ethnicity, Villa was a global poet who was admired for "the reverence, the raptness, the depth of concentration in [his] bravely deep poems" (Marianne Moore). Doveglion (Villa's pen name for dove, eagle, and lion) contains Villa's collected poetry, including rare and previously unpublished material. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Carlos Villa and the Integrity of Spaces by Theodore Gonzalves Pdf
Essays about the Filipino American artist and educator Carlos Villa by Bill Berkson, Theodore S. Gonzalves, David A.M. Goldberg, Mark Dean Johnson, Margo Machida, and Moira Roth. Features a gallery of images that spans 50 years of the artist's international and critically acclaimed career.
The Mathematics of the Ideal Villa and Other Essays by Colin Rowe Pdf
This collection of an important architectural theorist's essays considers and compares designs by Palladio and Le Corbusier, discusses mannerism and modern architecture, architectural vocabulary in the 19th century, the architecture of Chicago, neoclassicism and modern architecture, and the architecture of utopia.
Seeing Red by Mark Cronlund Anderson,Carmen L. Robertson Pdf
The first book to examine the role of Canada’s newspapers in perpetuating the myth of Native inferiority. Seeing Red is a groundbreaking study of how Canadian English-language newspapers have portrayed Aboriginal peoples from 1869 to the present day. It assesses a wide range of publications on topics that include the sale of Rupert’s Land, the signing of Treaty 3, the North-West Rebellion and Louis Riel, the death of Pauline Johnson, the outing of Grey Owl, the discussions surrounding Bill C-31, the “Bended Elbow” standoff at Kenora, Ontario, and the Oka Crisis. The authors uncover overwhelming evidence that the colonial imaginary not only thrives, but dominates depictions of Aboriginal peoples in mainstream newspapers. The colonial constructs ingrained in the news media perpetuate an imagined Native inferiority that contributes significantly to the marginalization of Indigenous people in Canada. That such imagery persists to this day suggests strongly that our country lives in denial, failing to live up to its cultural mosaic boosterism.
A new version of capitalism, grounded in technology and science, is spawning new forms of corporate power and organization that will have major implications for the twenty-first century. Technological creativity is thereby turned into a commodity in new corporate regimes that are primarily oriented toward research and intellectual appropriation. This phenomenon is likely to have major social, economic, and political consequences, as the new corporatism becomes ever more intrusive and rapacious through its control over technology and innovation. In his provocative book Technocapitalism, Luis Suarez-Villa addresses this phenomenon from the perspective of radical political economy and social criticism. Grounded in the premise that relations of power influence how human creativity and technology are exploited by the new corporatism, the author argues that new forms of democratic participation and resistance are needed, if the social pathologies created by this new version of capitalism are to be checked. Considering the new sectors affected by technocapitalism, such as biotechnology, nanotechnology, bioinformatics, and genomics, Suarez-Villa deciphers the common threads of power and organization that drive their corporatization. These new sectors, and the corporate apparatus set up to extract profit and power through them, are imposing standards, creating business models, molding social governance, and influencing social relations at all levels. The new reality they create is likely to affect most every aspect of human existence, including work, health, life, and nature itself.
DigiCat Publishing presents to you this special edition of "Up at the Villa" by W. Somerset Maugham. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The freedom to take part in civic life--whether in the exercise of one's right to vote or congregate and protest--has become increasingly less important to Americans than individual rights and liberties. In Public Freedom, renowned political theorist Dana Villa argues that political freedom is essential to both the preservation of constitutional government and the very substance of American democracy itself. Through intense close readings of theorists such as Hegel, Tocqueville, Mill, Adorno, Arendt, and Foucault, Villa diagnoses the key causes of our democratic discontent and offers solutions to preserve at least some of our democratic hopes. He demonstrates how Americans' preoccupation with a market-based conception of freedom--that is, the personal freedom to choose among different material, moral, and vocational goods--has led to the gradual erosion of meaningful public participation in politics as well as diminished interest in the health of the public realm itself. Villa critically examines, among other topics, the promise and limits of civil society and associational life as sources of democratic renewal; the effects of mass media on the public arena; and the problematic but still necessary ideas of civic competence and democratic maturity. Public Freedom is a passionate and insightful defense of political liberties at a moment in America's history when such freedoms are very much at risk.
The Future of Difference by Sabine Hark,Paula-Irene Villa Pdf
How feminism is used to attack immigration in Europe In recent years, opponents of 'political correctness' have surged to prominence from both left and right, shaping a discourse in which perpetrators are 'defiantly' imagined as Muslim refugees, i.e. outsiders/others, while victims are identified as 'our women'. This poisonous and regressive situation grounds Hark and Villa's theorisation of contemporary regimes of power as engaged primarily in the violent production of difference. In this moment, they argue, the logic of 'differentiate and rule' thoroughly permeates the social; our entire 'way of life' is premised on endless subtle hierarchical distinctions, which determine whole populations' attitudes, feelings and actions. How can learn to value difference, sabotaging all attempts to enlist difference in the service of domination? Hark and Villa make a compelling case for the urgent necessity for a detoxification of feminism as a matter of urgency; and for an ethical mode of living-with the world, that is, living with alterity.
The Villa Madama, one of Raphael's most important architectural projects, was unfinished at the time of the artist's death in 1520, and though some further work on the building, commissioned by the Medici as a guest-house for important visitors to Rome, was done by his collaborator Giulio Romano, it was never completed. Nonetheless the Villa, itself intended to emulate the villas of classical Antiquity, has always played a key role in architectural history, serving as a model and an inspiration down to the present post-Modern age. Villa Madama is a critical study of the design history of the building, taking in contemporary literary and visual sources, including an important descriptive letter from Raphael to his patron. Through a rigorous analysis of the surviving designs, and from reconstruction plans and elevations based on measurement of the surviving structure, Guy Dewez presents a comprehensive account of the villa Raphael might have built, had circumstances been different. In so doing Guy Dewez not only restores to an unfinished masterpiece its true form, but he also extends the range of architectural discourse, through a multi-layered, interwoven approach to text, annotation and illustration. This book extends the formal canon of the measured drawing into a new field: its use as a creative tool in analyzing architectural meaning. A traditional instrument of record becomes a means of exploring the architect's intentions and aims. Raphael's Villa Madama remains one of the most important buildings of the Italian Renaissance, admired and studied over the years by architects and art historians. Villa Madama, the most recent study, presents the building in a new aspect, and in so doing provides a model for the study of historic buildings, leading to a fresh appreciation of the complexities of the architectural process, and of Raphael's status as an architect.