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Author : William Butler Yeats
Publisher : Litres
Page : 128 pages
File Size : 52,7 Mb
Release : 2017-09-05
Category : Fiction
ISBN : 9785040492268
Author : W. B. YEATS
Publisher : Unknown
Page : 0 pages
File Size : 51,9 Mb
Release : 2018
Category : Electronic
ISBN : 103364675X
Author : William Butler Yeats
Publisher : Unknown
Page : 282 pages
File Size : 50,9 Mb
Release : 2017-08-14
Category : History
ISBN : 0649188586
Author : William Butler Yeats,The Perfect The Perfect Library
Publisher : CreateSpace
Page : 110 pages
File Size : 54,6 Mb
Release : 2014-12-26
Category : Electronic
ISBN : 1505784190
"The Cutting of an Agate", by William Butler Yeats. William Butler Yeats, irish poet (1865-1939).
Author : W. B. Yeats
Publisher : Legare Street Press
Page : 0 pages
File Size : 42,7 Mb
Release : 2023-07-18
Category : History
ISBN : 1021894184
Immerse yourself in the world of W B Yeats and his diverse interests and passions with this insightful collection of essays. Covering everything from literature to politics to mysticism, these essays will leave you with a greater appreciation for one of the most influential voices of the 20th century. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : W. B. (William Butler) 1865-1939 Yeats
Publisher : Wentworth Press
Page : 284 pages
File Size : 53,7 Mb
Release : 2016-08-25
Category : History
ISBN : 1361675314
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Glenn Klein
Publisher : Xlibris Corporation
Page : 244 pages
File Size : 54,6 Mb
Release : 2005
Category : Design
ISBN : 9781599260822
The author of, "Faceting History: Cutting Diamonds and Colored Stones" has for a long time had a deep interest in learning how the early faceters (cutters) of diamonds and colored gemstones were able to complete their work. What methods did they use? What equipment did they have to make success possible? How soon did they discover how to complete the many phases necessary to accomplish their work? How did the equipment and methods differ between fashioning diamonds and faceting colored stones? These are just a few of the questions that the author wanted to find the answers for. In looking for answers to these and other questions, the author found that there were bits and pieces of information available in many previous books, but there was not a good book available that would answer most of his questions. Upon hearing the author's remarks about this fact, one of the librarians at the wonderful library located at the Gemological Institute of America's Carlsbad campus said that if such a book was not available, "maybe you should write the book!" Well, the author had been thinking of doing just that, but the remark caused the author to see the light and agree to get started on the project. Little did he know then that the project would require many months of eight hour days over seven day weeks to get the book completed. He decided to write a book that would answer these and other related questions that he had. The thought also occurred to him that such a book would be a valuable volume to be placed in libraries of individual faceters around the world. He realized that such a book would also be of great value to anyone who works behind a Jewelry store counter. A successful sales person isone who is knowledgeable about the products that they are selling. A book of faceting information would be extremely valuable if read and re-read from time to time. A customer in the Jewelry store will no doubt be favorably impressed by a sales presentation that is made with the use of interesting and informative information about diamonds and the various colored gemstones. The customer will be convinced that the sales person knows about what they are talking. The author has spent nearly three years on the project of researching the GIA library and other libraries, along with the extensive personal library of gemstone related books that he personally possesses. Many conflicting reports were noted in his study. He has made the statements in his book reflect the most commonly accepted opinions, of the most respected authors' works that he has found in his research. History is only obtainable from the earlier works of other authors. We cannot go back to the long past centuries ourselves, to see first hand what really happened and when it happened. A study of faceting history requires making the best choices of the information that is available. This completed book answers questions as to why the fashioning of diamonds was/is so different from the faceting of colored gemstones. The book compares the needed equipment and the methods that have brought the greatest successes. In addition, a great deal of other information connected to faceting is included. There are seven chapters in the book and there are over 125 photographs of the early equipment and methods that were used. The photographs show the faceters, the workroom conditions, and the tools and equipment that they used to completebeautiful and lasting gemstones. The book chapters are titled: An Introduction to Faceting, Early Man's Stone Appreciation, Diamond Fashioning Procedure and Equipment, Colored Stone Faceting Procedure and Equipment, The Evolution of Cut Designs, Famous and Historic Gemstones, Sources of Diamond and Colored Stone Rough, and lastly, Advances in Faceting Over the Past One Hundred Years. Within each of these chapters the reader will find a multitude of additional and interesting information. Chapter One: Early Faceting Inform
Author : Michael Harry Levenson
Publisher : Cambridge University Press
Page : 272 pages
File Size : 53,8 Mb
Release : 1986-06-27
Category : Literary Criticism
ISBN : 052133800X
A Geneology of Modernism is a study of literary transition in the first two decades of the twentieth-century, a period of extraordinary ferment and great accomplishment, during which the avant-garde gradually consolidated a secure place within English culture. Michael Levenson analyses that complex process by following the successive phases of a literary movement - Impressionist, Imagist, Vorticist, Classicist - as it attempted to formulate the principles on which a new aesthetic might be founded. The emphasis here falls on the ideology of modernism, but throughout the book the ideological question is tied on the one hand to specific literary works and on the other to general movements in philosophy and the fine arts. The major figures under discussion, Joseph Conrad, Ford Madox Ford, Ezra Pound, Wyndham Lewis, and T. S. Elliot, are placed in relation to thinkers who have been largely neglected in the history of modernism: Max Stirner, Wilhelm Worringer, Pierre Lasserre, Allen Upward, and Hilaire Belloc. Levenson thus situates the emergence of a modernist aesthetic within the context of literary theory, literary practice, and cultural history.
Author : Lewis Feuchtwanger
Publisher : Unknown
Page : 508 pages
File Size : 43,5 Mb
Release : 1859
Category : Building stones
ISBN : BL:A0017823415
Author : Anonim
Publisher : Unknown
Page : 334 pages
File Size : 40,5 Mb
Release : 2004
Category : Mineral industries
ISBN : MINN:31951D02728052R
Author : Anonim
Publisher : Unknown
Page : 336 pages
File Size : 55,8 Mb
Release : 1896
Category : Mineralogy
ISBN : UIUC:30112082698991
Author : Gregory Castle
Publisher : Cambridge University Press
Page : 490 pages
File Size : 47,9 Mb
Release : 2024-04-18
Category : Literary Criticism
ISBN : 9781009411707
Yeats, Revivalism, and the Temporalities of Irish Modernism offers a new understanding of a writer whose revivalist commitments are often regarded in terms of nostalgic yearning and dreamy romanticism. It counters such conventions by arguing that Yeats's revivalism is an inextricable part of his modernism. Gregory Castle provides a new reading of Yeats that is informed by the latest research on the Irish Revival and guided by the phenomenological idea of worldmaking, a way of looking at literature as an aesthetic space with its own temporal and spatial norms, its own atmosphere generated by language, narrative, and literary form. The dialectical relation between the various worlds created in the work of art generate new ways of accounting for time beyond the limits of historical thinking. It is just this worldmaking power that links Yeats's revivalism to his modernism and constructs new grounds for recognizing his life and work.
Author : Various Authors
Publisher : Taylor & Francis
Page : 1652 pages
File Size : 52,6 Mb
Release : 2022-07-30
Category : Literary Criticism
ISBN : 9781315448190
This set reissues 6 books, originally published between 1951 and 1990, on William Butler Yeats, a foremost figure of twentieth-century literature and one of the driving forces behind the Irish Literary Revival. The volumes examine Yeats’s work, his poetic development, and his social and private life, and will be of interest to students of literature.
Author : Eve Patten
Publisher : Oxford University Press
Page : 241 pages
File Size : 53,8 Mb
Release : 2022-07-18
Category : Electronic
ISBN : 9780198869160
This book asks how English authors of the early to mid twentieth-century responded to the nationalist revolution in neighbouring Ireland in their work, and explores this response as an expression of anxieties about, and aspirations within, England itself. Drawing predominantly on novels ofthis period, but also on letters, travelogues, literary criticism, and memoir, it illustrates how Irish affairs provided a marginal but pervasive point of reference for a wide range of canonical authors in England, including Wyndham Lewis, Virginia Woolf, D.H. Lawrence, Graham Greene, and EvelynWaugh, and also for many lesser-known figures such as Ethel Mannin, George Thomson, and T.H. White.The book surveys these and other incidental writers within the broad framework of literary modernism, an arc seen to run in temporal parallel to Ireland's revolutionary trajectory from rebellion to independence. In this context, it addresses two distinct aspects of the Irish-English relationship asit features in the literature of the time: first, the uneasy recognition of a fundamental similarity between the two countries in terms of their potential for violent revolutionary instability, and second, the proleptic engagement of Irish events to prefigure, imaginatively, the potential course ofEngland's evolution from the Armistice to the Second World War. Tracing these effects, this book offers a topical renegotiation of the connections between Irish and English literary culture, nationalism, and political ideology, together with a new perspective on the Irish sources engaged by Englishliterary modernism.
Author : Matthew Hollis
Publisher : W. W. Norton & Company
Page : 324 pages
File Size : 45,6 Mb
Release : 2022-12-20
Category : Literary Criticism
ISBN : 9780393651836
A riveting account of the making of T. S. Eliot’s celebrated poem The Waste Land on its centenary. Renowned as one of the world’s greatest poems, The Waste Land has been said to describe the moral decay of a world after war and the search for meaning in a meaningless era. It has been labeled the most truthful poem of its time; it has been branded a masterful fake. A century after its publication in 1922, T. S. Eliot’s enigmatic masterpiece remains one of the most influential works ever written, and yet one of the most mysterious. In a remarkable feat of biography, Matthew Hollis reconstructs the intellectual creation of the poem and brings the material reality of its charged times vividly to life. Presenting a mosaic of historical fragments, diaries, dynamic literary criticism, and illuminating new research, he reveals the cultural and personal trauma that forged The Waste Land through the lives of its protagonists—of Ezra Pound, who edited it; of Vivien Eliot, who sustained it; and of T. S. Eliot himself, whose private torment is woven into the seams of the work. The result is an unforgettable story of lives passing in opposing directions and the astounding literary legacy they would leave behind.