The Daily Life Of The Greeks And Romans As Illustrated In The Classical Collections
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The daily life of the Greeks and Romans as illustrated in the classical collections by Metropolitan Museum of Art,Helen McClees Pdf
"The daily life of the Greeks and Romans as illustrated in the classical collections" by N.Y.) Metropolitan Museum of Art (New York|Helen McClees. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Helen McClees,Metropolitan Museum of Art (New York, N.Y.)
Author : Helen McClees,Metropolitan Museum of Art (New York, N.Y.) Publisher : Unknown Page : 143 pages File Size : 49,5 Mb Release : 1941 Category : Art, Greek ISBN : LCCN:41020107
Metropolitan Museum of Art (New York, N.Y.),Carlos A. Picón,Richard Daniel De Puma
Author : Metropolitan Museum of Art (New York, N.Y.),Carlos A. Picón,Richard Daniel De Puma Publisher : Metropolitan Museum of Art Page : 522 pages File Size : 46,6 Mb Release : 2007 Category : Art ISBN : 9781588392176
Art of the Classical World in the Metropolitan Museum of Art by Metropolitan Museum of Art (New York, N.Y.),Carlos A. Picón,Richard Daniel De Puma Pdf
A history of the Department of Greek and Roman art -- Floor plan of the galleries of the Department of Greek and Roman art -- Art of the Neolithic and the Aegean bronze age : ca. 6000- B.C. -- Art of geometric and archaic Greece : ca. 1050-480 B.C. -- Art of classical Greece : ca. 480-323 B.C. -- Art of the Hellenistic Age : ca. 323-31 B.C. -- Art of Cyprus : ca. 3900 B.C.-ca. A.D. 100 -- Art of Etruria : ca. 900-100 B.C. -- Art of the Roman Empire : ca. 31 B.C.-A.D. 330 -- Notes on the works of art : Art of the Neolithic and the Aegean bronze age -- Art of geometric and archaic Greece -- Art of classical Greece -- Art of the Hellenistic age -- Art of Cyprus -- Art of Etruria -- Art of the Roman Empire -- Concordance -- Index of works of art
Author : Christopher S. Lightfoot Publisher : Metropolitan Museum of Art Page : 368 pages File Size : 47,9 Mb Release : 2021-05-21 Category : Art ISBN : 9781588397249
The Cesnola Collection of Cypriot Art: Terracotta Oil Lamps by Christopher S. Lightfoot Pdf
The fourth catalogue in a series that documents the renowned Cesnola Collection of Cypriot Art, this book focuses on the collection’s 453 terracotta oil lamps dating from the Classical, Hellenistic, Roman, and Early Byzantine periods. The rich iconography on many of these common, everyday objects provides a rare look into daily life on Cyprus in antiquity and highlights the island’s participation in Roman artistic and cultural production. Each lamp is illustrated, and the accompanying text addresses typology, decoration, and makers’ marks on each of these objects that provide new insights into art, craft, and trade in the ancient Mediterranean.
Author : Christopher S. Lightfoot Publisher : Metropolitan Museum of Art Page : 355 pages File Size : 53,7 Mb Release : 2017-12-22 Category : Art ISBN : 9781588396570
The Cesnola Collection of Cypriot Art by Christopher S. Lightfoot Pdf
The Cesnola Collection of antiquities from Cyprus preserves the island’s artistic traditions from prehistoric through Roman times and represents the first large group of ancient Mediterranean works to enter the museum’s collection. This publication which focuses on Ancient Glass and is the third volume in a series aimed at publishing the collection in its entirety. This catalogue contains descriptions and illustrations of 520 glass vessels and objects. Although the majority of the glass is Roman, the scope of the collection extends from the Late Bronze Age through the end of antiquity (ca. 1500 B.C.– A.D. 600). It is the first attempt in over a century to provide a detailed account of the ancient glass found on Cyprus by Cesnola.
Classical New York by Elizabeth Macaulay-Lewis,Matthew McGowan Pdf
Essays on the historical Greco-Roman influence on the evolving architectural landscape of New York City. During its rise from capital of an upstart nation to global metropolis, the visual language of Greek and Roman antiquity played a formative role in the development of New York’s art and architecture. This compilation of essays offers a survey of diverse reinterpretations of classical forms in some of the city’s most iconic buildings, public monuments, and civic spaces. Classical New York examines the influence of Greco-Roman thought and design from the Greek Revival of the late eighteenth and early nineteenth centuries through the late-nineteenth-century American Renaissance and Beaux Arts period and into the twentieth century’s Art Deco. At every juncture, New Yorkers looked to the classical past for knowledge and inspiration in seeking out new ways to cultivate a civic identity and to structure their public and private spaces. Specialists from a range of disciplines—archaeology, architectural history, art history, classics, and history— focus on how classical art and architecture are repurposed to help shape many of New York City’s most evocative buildings and works of art. Federal Hall evoked the Parthenon as an architectural and democratic model; the Pantheon served as a model for the creation of libraries at New York University and Columbia University; Pennsylvania Station derived its form from the Baths of Caracalla; and Atlas and Prometheus of Rockefeller Center recast ancient myths in a new light during the Great Depression. This examination of post-Revolutionary art, politics, and philosophy enriches the conversation about how we shape space—be it civic, religious, academic, theatrical, or domestic—and how we make use of that space and the objects in it.
The link between weddings and death—as found in dramas ranging from Romeo and Juliet to Lorca's Blood Wedding—plays a central role in the action of many Greek tragedies. Female characters such as Kassandra, Antigone, and Helen enact and refer to significant parts of wedding and funeral rites, but often in a twisted fashion. Over time the pressure of dramatic events causes the distinctions between weddings and funerals to disappear. In this book, Rush Rehm considers how and why the conflation of the two ceremonies comes to theatrical life in the tragedies of Aeschylus, Sophokles, and Euripides. By focusing on the dramatization of important rituals conducted by women in ancient Athenian society, Rehm offers a new perspective on Greek tragedy and the challenges it posed for its audience. The conflation of weddings and funerals, the author argues, unleashes a kind of dramatic alchemy whereby female characters become the bearers of new possibilities. Such as formulation enables the tragedians to explore the limitations of traditional thinking and acting in fifth-century Athens. Rehm finds that when tragic weddings and funerals become confused and perverted, the aftershocks disturb the political and ideological givens of Athenian society, challenging the audience to consider new, and often radically different, directions for their city. Rush Rehm is Assistant Professor of Drama and Classics at Standford University and a free-lance theater director. He is the author of Greek Tragic Theatre (Routledge) and Aeschylus' Oresteia: A Theatre Vision (Hawthorn). Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Daily Life of the Ancient Greeks by Robert Garland Pdf
Ancient Greece comes alive in this exploration of the daily lives of ordinary people-men and women, children and the elderly, slaves and foreigners, rich and poor. With new information drawn from the most current research, this volume presents a wealth of information on every aspect of ancient Greek life. Discover why it was more desirable to be a slave than a day laborer. Examine cooking methods and rules of ancient warfare. Uncover Greek mythology. Learn how Greeks foretold the future. Understand what life was like for women, and what prevailing attitudes were toward sexuality, marriage, and divorce. This volume brings ancient Greek life home to readers through a variety of anecdotes and primary source passages from contemporary authors, allowing comparison between the ancient world and modern life. A multitude of resources will engage students and interested readers, including a Making Connections feature which offers interactive and fun ideas for research assignments. The concluding chapter places the ancient world in the present, covering new interpretations like the movie 300, the founding of modern Greece, and the ways in which classical culture still affects our own. With over 60 illustrations, a timeline of events, a glossary of terms, and an extensive print and nonprint bibliography, this volume offers a unique and descriptive look at one of the most influential eras in human history.
Author : Paul Zanker Publisher : Metropolitan Museum of Art Page : 298 pages File Size : 48,6 Mb Release : 2016-11-14 Category : History ISBN : 9781588395993
Portrait sculptures are among the most vibrant records of ancient Greek and Roman culture. They represent people of all ages and social strata: revered poets and philosophers, emperors and their family members, military heroes, local dignitaries, ordinary citizens, and young children. The Met's distinguished collection of Greek and Roman portraits in stone and bronze is published in its entirety for the first time in this volume. Paul Zanker, a leading authority on Roman sculpture today, has brought his exceptional knowledge to the study of these portraits; in presenting them, he brings the ancient world to life for contemporary audiences. Each work is lavishly illustrated, meticulously described, and placed in its historical and cultural context. The lives and achievement of significant figures are discussed in the framework of the political, social, and practical circumstances that influenced their portrait's forms and styles—from the unvarnished realism of the late Republican period to the idealizing and progressively abstract tendencies that followed. Analyses of marble portraits recarved into new likenesses after their original subjects were forgotten or officially repudiated provide especially compelling insights. Observations on fashions in hairstyling, which typically originated with the Imperial family and spread as fast as the rulers' latest portraits could be distributed, not only edify and amuse but also link the Romans' motives and appetite for imitation to our own. More than a collection catalogue, Roman Portraits is a thorough and multifaceted survey of ancient portraiture. Charting the evolution of this art from its origins in ancient Greece, it renews our appreciation of an connection to these imposing, timeless works.
Wolfram Koeppe,Anna Maria Giusti,Metropolitan Museum of Art (New York, N.Y.)
Author : Wolfram Koeppe,Anna Maria Giusti,Metropolitan Museum of Art (New York, N.Y.) Publisher : Metropolitan Museum of Art Page : 422 pages File Size : 47,7 Mb Release : 2008 Category : Incrustation (Stone carving) ISBN : 9781588392886
Art of the Royal Court by Wolfram Koeppe,Anna Maria Giusti,Metropolitan Museum of Art (New York, N.Y.) Pdf
"In the royal and princely courts of Europe, artworks made of multicolored semiprecious stones were passionately coveted objects. Known as pietre dure, or hardstones, this type of artistic expression includes?paintings in stone,? which were composed of intricately cut separate pieces that were made into magnificent tabetops, cabinets, and wall decorations. Other works included vessels and ornaments carved with virtuosic skill from a single piece of rare and brilliant lapis lazuli, chalcedony, jasper, or similarly prized substance; exquisite objects such as boxes, clocks, and jewelry; and portraits of nobles sculpted in variously colored stones. Derived from ancient Roman decorative stonework, the art of pietre dure was developed in Renaissance Florence, where the manufacture of such objects was enthusiastically sponsored by Medici princes. Ideally suited for ostentatious display, the works sent an unmistakable message of wealth and political might that was understood in centers of power everywhere. From Italy the medium spread across Europeto Prague, Madrid, Naples, Paris, and later Saint Petersburg. Precious and fragile, pietre dure objects are rarely brought together in large numbers. This richly illustrated catalogue contains more than 150 masterworks from across Europe, dating from five centuries, including almost every artistic use of semiprecious stone during this time as well as some of the finest examples of the medium. Eight essays by European and American experts discuss the individualized development of pietre dure in every European region, the latest developments in scholarship, the interrelationships between art and dynastic politics and between cultures, and a variety of techniques used to produce these luxurious masterworks."--Metropolitan Museum of Art website.
