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When Jessa Crispin was thirty, she left Chicago and took off for Berlin. Half a decade later, she's still on the road, in search not so much of a home as of understanding.Fascinated by exile, Crispin travels an itinerary of of places that have drawn writers who needed to break free from their origins and start afresh.She reflects on Maud Gonne fomenting revolution, on Nora Barnacl, Rebecca West, Margaret Anderson and Jean Rhys.
When Jessa Crispin was thirty, she burned her settled Chicago life to the ground and took off for Berlin with a pair of suitcases and no plan beyond leaving. Half a decade later, she’s still on the road, in search not so much of a home as of understanding, a way of being in the world that demands neither constant struggle nor complete surrender. The Dead Ladies Project is an account of that journey—but it’s also much, much more. Fascinated by exile, Crispin travels an itinerary of key locations in its literary map, of places that have drawn writers who needed to break free from their origins and start afresh. As she reflects on William James struggling through despair in Berlin, Nora Barnacle dependant on and dependable for James Joyce in Trieste, Maud Gonne fomenting revolution and fostering myth in Dublin, or Igor Stravinsky starting over from nothing in Switzerland, Crispin interweaves biography, incisive literary analysis, and personal experience into a rich meditation on the complicated interactions of place, personality, and society that can make escape and reinvention such an attractive, even intoxicating proposition. Personal and profane, funny and fervent, The Dead Ladies Project ranges from the nineteenth century to the present, from historical figures to brand-new hangovers, in search, ultimately, of an answer to a bedrock question: How does a person decide how to live their life?
A guide for artists and creative people looking to tarot for guidance and inspiration. Written for novices and seasoned readers alike, "The Creative Tarot" is a unique guidebook that reimagines tarot cards and the ways they can boost the creative process.
How modernist women writers used biographical writing to resist their exclusion from literary history It’s impossible, now, to think of modernism without thinking about gender, sexuality, and the diverse movers and shakers of the early twentieth century. But this was not always so. The Passion Projects examines biographical projects that modernist women writers undertook to resist the exclusion of their friends, colleagues, lovers, and companions from literary history. Many of these works were vibrant efforts of modernist countermemory and counterhistory that became casualties in a midcentury battle for literary legitimacy, but that now add a new dimension to our appreciation of such figures as Radclyffe Hall, Gertrude Stein, Hope Mirrlees, and Sylvia Beach, among many others. Melanie Micir explores an extensive body of material, including Sylvia Townsend Warner’s carefullly annotated letters to her partner Valentine Ackland, Djuna Barnes’s fragmented drafts about the Baroness Elsa von Freytag-Loringhoven, Margaret Anderson’s collection of modernist artifacts, and Virginia Woolf’s joke biography of her friend and lover Vita Sackville-West, the novel Orlando. Whether published in encoded desire or squirreled away in intimate archives, these “passion projects” recorded life then in order to summon an audience now, and stand as important predecessors of queer and feminist recovery projects that have shaped the contemporary understanding of the field. Arguing for the importance of biography, The Passion Projects shows how women turned to this genre in the early twentieth century to preserve their lives and communities for future generations to discover.
Perfect for readers of George Saunders, Jennifer Egan and Heather O'Neill, a rich and inventive collection of exquisite short stories by a major newcomer to Canadian literature. In this deeply felt, compulsive and edgy work, Sarah Meehan Sirk shines a distinctive light on love and death in their many incarnations, pushing against the limits of the absurd while exposing piercing emotional truths about what it means to be gloriously, maddeningly alive. In "The Dead Husband Project," an artist who has planned to make an installation out of her terminally ill husband's dead body has to recalibrate when his diagnosis changes. In "The Date," an online dating match takes an unusual turn when the man who shows up to the restaurant has no face. In "Ozk," a young girl longs to connect with her socially isolated mother, a professor of mathematics who makes a radical discovery. Uncanny, sometimes violent, achingly sad and always profound, these stories showcase a writer with skill and empathy, and draw us in with a steady, unyielding grip.
Outspoken critic Jessa Crispin delivers a searing rejection of contemporary feminism . . . and a bracing manifesto for revolution. Are you a feminist? Do you believe women are human beings and that they deserve to be treated as such? That women deserve all the same rights and liberties bestowed upon men? If so, then you are a feminist . . . or so the feminists keep insisting. But somewhere along the way, the movement for female liberation sacrificed meaning for acceptance, and left us with a banal, polite, ineffectual pose that barely challenges the status quo. In this bracing, fiercely intelligent manifesto, Jessa Crispin demands more. Why I Am Not A Feminist is a radical, fearless call for revolution. It accuses the feminist movement of obliviousness, irrelevance, and cowardice—and demands nothing less than the total dismantling of a system of oppression. Praise for Jessa Crispin, and The Dead Ladies Project "I'd follow Jessa Crispin to the ends of the earth." --Kathryn Davis, author of Duplex "Read with caution . . . Crispin is funny, sexy, self-lacerating, and politically attuned, with unique slants on literary criticism, travel writing, and female journeys. No one crosses genres, borders, and proprieties with more panache." --Laura Kipnis, author of Men: Notes from an Ongoing Investigation "Very, very funny. . . . The whole book is packed with delightfully offbeat prose . . . as raw as it is sophisticated, as quirky as it is intense." --The Chicago Tribune
Burying the Dead but Not the Past by Caroline E. Janney Pdf
Immediately after the Civil War, white women across the South organized to retrieve the remains of Confederate soldiers. In Virginia alone, these Ladies' Memorial Associations (LMAs) relocated and reinterred the remains of more than 72,000 soldiers. Challenging the notion that southern white women were peripheral to the Lost Cause movement until the 1890s, Caroline Janney restores these women as the earliest creators and purveyors of Confederate tradition. Long before national groups such as the Woman's Christian Temperance Union and the United Daughters of the Confederacy were established, Janney shows, local LMAs were earning sympathy for defeated Confederates. Her exploration introduces new ways in which gender played a vital role in shaping the politics, culture, and society of the late nineteenth-century South.
Author : Kate L. Turabian Publisher : University of Chicago Press Page : 479 pages File Size : 46,7 Mb Release : 2018-04-27 Category : Language Arts & Disciplines ISBN : 9780226430607
A Manual for Writers of Research Papers, Theses, and Dissertations, Ninth Edition by Kate L. Turabian Pdf
When Kate L. Turabian first put her famous guidelines to paper, she could hardly have imagined the world in which today’s students would be conducting research. Yet while the ways in which we research and compose papers may have changed, the fundamentals remain the same: writers need to have a strong research question, construct an evidence-based argument, cite their sources, and structure their work in a logical way. A Manual for Writers of Research Papers, Theses, and Dissertations—also known as “Turabian”—remains one of the most popular books for writers because of its timeless focus on achieving these goals. This new edition filters decades of expertise into modern standards. While previous editions incorporated digital forms of research and writing, this edition goes even further to build information literacy, recognizing that most students will be doing their work largely or entirely online and on screens. Chapters include updated advice on finding, evaluating, and citing a wide range of digital sources and also recognize the evolving use of software for citation management, graphics, and paper format and submission. The ninth edition is fully aligned with the recently released Chicago Manual of Style, 17th edition, as well as with the latest edition of The Craft of Research. Teachers and users of the previous editions will recognize the familiar three-part structure. Part 1 covers every step of the research and writing process, including drafting and revising. Part 2 offers a comprehensive guide to Chicago’s two methods of source citation: notes-bibliography and author-date. Part 3 gets into matters of editorial style and the correct way to present quotations and visual material. A Manual for Writers also covers an issue familiar to writers of all levels: how to conquer the fear of tackling a major writing project. Through eight decades and millions of copies, A Manual for Writers has helped generations shape their ideas into compelling research papers. This new edition will continue to be the gold standard for college and graduate students in virtually all academic disciplines. Bestselling, trusted, and time-tested advice for writing research papers The best interpretation of Chicago style for higher education students and researchers Definitive, clear, and easy to read, with plenty of examples Shows how to compose a strong research question, construct an evidence-based argument, cite sources, and structure work in a logical way Essential for anyone interested in learning about research Everything any student or teacher needs to know concerning paper writing
Day of the Dead Crafts by Kerry Arquette,Andrea Zocchi,Jerry Vigil Pdf
Celebrated on November 1 and 2, Day of the Dead honors the memory of departed souls, welcoming them back to celebrate the best of life. Families decorate grave sites with marigolds and set up stunning altars. Streets flutter with paper banners. Store windows glisten with sugar skulls. Skeleton figures grin rakishly from every corner. Day of the Dead Crafts is filled with dozens of terrific projects that allow you to participate in the excitement of the holiday while expressing your own creativity. You'll enjoy showcasing these unique, fun, and meaningful projects throughout the year. Inside you'll find step-by-step instructions, ideas, and inspiration for a wide range of projects, including: Calaveras, those comical and clever skeleton figures caught in the act of enjoying life's favorite activities Masks and skulls made from paper mache, gourds, and even sugar A meaningful and artistic ofrenda, or altar, to honor those who have passed Necklaces, earrings, bracelets, and more to wear day or night Pieces guaranteed to liven up any decor Colorful, whimsical, and often dramatic, Day of the Dead art is steeped in rich history and symbolism. The projects in Day of the Dead Crafts honor the traditional, while taking advantage of today's materials for a fresh and exciting twist.
"A must-read, an antidote to powerlessness, a literary companion for the ages." –Michelle Tea, author of Against Memoir "Editors' Choice" –New York Times Book Review A comprehensive collection of feminist manifestos, chronicling rage and dreams from the nineteenth century to the present day A landmark collection spanning two centuries and four waves of feminist activism and writing, Burn It Down! is a testament to what is possible when women are driven to the edge. The manifesto—raging, demanding, quarreling and provocative—has always been central to feminism, and it’s the angry, brash feminism we need now. Collecting over seventy-five manifestos from around the world, Burn It Down! is a rallying cry and a call to action. Among this confrontational sisterhood, you’ll find the Dyke Manifesto by the Lesbian Avengers, The Ax Tampax Poem Feministo by the Bloodsisters Project, The Manifesto of Apocalyptic Witchcraft by Peter Grey, Simone de Beauvoir’s pro-abortion Manifesto of the 343, Double Jeopardy: To Be Black and Female by Frances M. Beal, and many more. Feminist academic and writer Breanne Fahs argues that we need manifestos in all their urgent rawness, for it is at the bleeding edge of rage and defiance that new ideas are born.
The Dead Lady of Clown Town by Paul Myron Anthony Linebarger Pdf
"The Dead Lady of Clown Town" by Paul Myron Anthony Linebarger. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
And Your Daughters Shall Prophesy by Adrian Shirk Pdf
An NPR Best Book of 2017 “Shirk is a generous writer whose penchant for detail and poetic observation will surprise even the staunchest skeptic.” —Juan Vidal, NPR’s “Best Books of 2017” "Shirk writes with sincerity. In these stirring vignettes, she mixes historical accounts, interpretations, and fictionalized encounters to provide insight into her personal journey tracing the steps of American women who have sought out an alternative spirituality."" —Publishers Weekly “Shirk’s first book examines and exalts the often overlooked histories of religious movers and shakers . . . and offers as a timely antidote to our culture’s current schism between fundamentalist conservatism and radical progress . . . Divine.” —Bitch And Your Daughters Shall Prophesy is a powerful, personal exploration of American women and their theologies, weaving connections between Adrian Shirk's own varied spiritual experiences and the prophetesses, feminists, and spiritual icons who have shaped this country. Each woman presents a pathway for Shirk’s own spiritual inquiries: the New Orleans high priestess Marie Laveau, the pop New Age pioneer Linda Goodman, the prophetic vision of intersectionality as preached by Sojourner Truth, “saint” Flannery O’Connor, and so many more. Through her journey, Shirk comes to believe that, as the culture wars flatten religious discourse and shred institutional trust, we should look to the spiritual visions and innovations of women, who, having spent so much time at the margins of religious discourse, illuminate its darkened corners.
What is it about male aloneness that makes it so desirable while female aloneness is seen as less so? What is it about male aloneness that is often seen as a heroic and poetic choice, while female aloneness is generally seen to have come from a lack of options? I am My Own Home is a documentation of what it means to be a 30-something Indonesian woman who lives alone, along with the contentment and loneliness that goes with it. Through wandering, literature, and pop culture, the essays collected here are a way to recreate the idea of 'building a home', a manifesto (of sort) of living life as one person. These stories, on flaws and trying too hard, on intensity and overthinking, and on unrequited love and unfiltered emotions, are also one woman’s way to make sense of her existence.
In our mobile world, travel memoirs are a staple. And books about prayer line the shelves of readers who seek to grow spiritually through the timeless practice of conversing with God. But books combining travel with prayer are rare, and it is within this void that Daniel Pawley’s masterful memoir of traveling the world, with prayer as its backdrop, establishes itself as an essential companion to both subjects. Starting with a travel/prayer template bequeathed in childhood by his parents, Pawley then recalls life-altering experiences as an adult in fifty locations spread across six continents, each illuminated by the soulful prayers of ancient and modern seekers. Inspired stops in places like exotic Bali and raucous Morocco, as well as pain-framed settings such as Chernobyl and Auschwitz, combine to weave a tapestry seen more vibrantly in prayer’s revealing light. The result is a narrative of prayer’s mysterious ability to provide hope and stabilizing faith in a world threatened by hate, division, and unbelief.
Attention: A Personal History of Finding Focus (or Trying To) by Casey Schwartz Pdf
“[A] memoir-cum-meditation on the idea of attention. . . . Schwartz is brilliant, funny and clear.” —NPR As technology embeds itself ever more deeply into our lives and distraction takes hold as our universal affliction, Casey Schwartz grapples with the essential questions of attention: what is it? How can we conserve it? And what else is lost when we give it away? With humor, candor, and captivating stories, Schwartz reflects on the decade she spent taking Adderall to help her focus (or so she thought) and embarks on a quest to pin down the precious and elusive resource of attention. This investigation takes us on an eye-opening journey through the work of thinkers such as Williams James, David Foster Wallace, Aldous Huxley, Simone Weil, and out into the world beyond. From our craving for diversions to our craving for a cure, from Silicon Valley consultants and psychedelic researchers to trauma expert Dr. Gabor Maté, Attention explores the modern landscape of distraction and the possibility of finding focus despite it. Brilliantly combining memoir, biography, and original reporting, Schwartz documents the abundant demands on our attention with piercing insight and illuminates the path to reclaiming authentic life.